The Correspondence of Philip Sidney and Hubert Languet A
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Representations of Counsel in Selected Works of Sir Philip Sidney
Representations of Counsel in Selected Works of Sir Philip Sidney The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Henson, Marie Celeste. 2015. Representations of Counsel in Selected Works of Sir Philip Sidney. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467248 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Representations of Counsel in Selected Works of Sir Philip Sidney A dissertation presented by Marie Celeste Henson to The Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of English Harvard University Cambridge, Massachusetts May 2015 © 2015 Marie Celeste Henson All rights reserved. Dissertation Advisor: Professor James Engell Marie Celeste Henson Representations of Counsel in Selected Works of Sir Philip Sidney Abstract This dissertation addresses the historical, political, and literary-rhetorical framing of counsel in selected works of Sir Philip Sidney: his Letter to Queen Elizabeth (1579), The Old Arcadia (1580), the first two books of The New Arcadia (1585), and the strikingly different final book of The New Arcadia. In these works, Sidney makes resourceful and varying use of the topos of the mirror. First, I show in what ways Sidney serves as the Queen’s mirror in advising her against the marriage to the Duke of Alençon. -
Sir Philip Sidney, Cultural Icon Also by Richard Hillyer
Sir Philip Sidney, Cultural Icon Also by Richard Hillyer HOBBES AND HIS POETIC CONTEMPORARIES: Cultural Transmission in Early Modern England (2007) Sir Philip Sidney, Cultural Icon Richard Hillyer SIR PHILIP SIDNEY, CULTURAL ICON Copyright © Richard Hillyer, 2010. Softcover reprint of the hardcover 1st edition 2010 978-0-230-10238-5 All rights reserved. First published in 2010 by PALGRAVE MACMILLAN® in the United States - a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the World, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-28670-6 ISBN 978-0-230-10631-4 (eBook) DOI 10.1057/9780230106314 Library of Congress Cataloging-in-Publication Data Hillyer, Richard. Sir Philip Sidney, cultural icon / Richard Hillyer. p. cm. ISBN 978–0–230–10238–5 (alk. paper) 1. Sidney, Philip, Sir, 1554–1586.—Criticism and interpretation. 2. Literature and society—England—History—16th century. I. Title. PR2343.H55 2010 821 .3—dc22 2009035739 Design by Integra Software Services First edition: April 2010 10987654321 Contents Preface vii 1 “Yet Verses Are Not Vaine”: Sidney, Spenser, and -
The Uses of Melancholy Among Military Nobles in Late Elizabethan England
10.6094/helden.heroes.heros./2014/QM/04 36 Andreas Schlüter Humouring the Hero: The Uses of Melancholy among Military Nobles in Late Elizabethan England The interest of this article is twofold: fi rst, to aggressive foreign policy against Spain that establish and explore the intricate connection involved England with military on the continent between two key concepts in the fashioning of from the mid-1570s (“Leicester-Walsing ham English military nobles: the hero and melan- alliance”, Adams 25 and passim). The queen choly; and second, to explain their usages and herself referred to Sidney once as “le plus ac- usefulness in the last decades of the sixteenth compli gentilhomme de l’Europe” (Sidney, Cor- century, when both terms were used a lot more respondence II 999). He travelled Europe exten- frequently than ever before in the English lan- sively and brought many ideas and practices of guage (see, for hero, Simpson et al. 171 and the Mediterranean Renaissance and of the Euro- Low 23–24, and for melancholy, Babb 73). It is pean republic of letters into the practical life and possible to link this increase at least partially to behaviour of his generation of fellow court hope- the advance ment of one particular social fi gura- fuls, such as Walter Raleigh, Robert Devereux, tion1: the generation of young courtiers of Queen the 2nd Earl of Essex, and Fulke Greville. In this Elizabeth I who were born around 1560 and climate of “intellectual bombardment” by human- stepped into the courtly sphere in the 1580s and ist ideas as well as by Calvinist beliefs (Waller 1590s. -
Praise, Patronage, and the Penshurst Poems: from Jonson (1616) to Southey (1799)
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2015-09-24 Praise, Patronage, and the Penshurst Poems: From Jonson (1616) to Southey (1799) Gray, Moorea Gray, M. (2015). Praise, Patronage, and the Penshurst Poems: From Jonson (1616) to Southey (1799) (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/27395 http://hdl.handle.net/11023/2486 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Praise, Patronage, and the Penshurst Poems: From Jonson (1616) to Southey (1799) by Mooréa Gray A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN ENGLISH CALGARY, ALBERTA SePtember, 2015 © Mooréa Gray 2015 Abstract The Penshurst grouP of Poems (1616-1799) is a collection of twelve Poems— beginning with Ben Jonson’s country-house Poem “To Penshurst”—which praises the ancient estate of Penshurst and the eminent Sidney family. Although praise is a constant theme, only the first five Poems Praise the resPective Patron and lord of Penshurst, while the remaining Poems Praise the exemplary Sidneys of bygone days, including Sir Philip and Dorothy (Sacharissa) Sidney. This shift in praise coincides with and is largely due to the gradual shift in literary economy: from the Patronage system to the literary marketPlace. -
Mcgill University
McGill University Faculty of Religious Studies RELG 323 CHURCH AND STATE SINCE 1300 A survey of major developments in the history of the doctrine and institutions of the Church, and the relation of the Church to the Commonwealth, from the later Middle Ages to the present. Birks Building, Room 105 Tuesdays/Thursdays 1:00—2:30 pm Professor: Torrance Kirby Office Hours: Birks 206, Tuesdays/Thursdays, 9:30—10:30 am Email: [email protected] COURSE SYLLABUS—WINTER TERM 2021 Date Reading 5 January INTRODUCTION I. LATE-MEDIEVAL CHURCH AND RENAISSANCE 7 January IMPERIAL SUPREMACY Boniface VIII, Unam Sanctam (1302) Marsilius of Padua, Defensor Pacis (1324) 12 January MYSTICAL SPIRITUALITY Julian of Norwich, Shewings of Divine Love (1393) 14 January ECCLESIASTICAL HIERARCHY Nicholas of Cusa, The Catholic Concordance (1433) 19 January NEOPLATONIC MYSTICISM Giovanni Pico della Mirandola, Oration on the Dignity of Man (1486) 21 January RENAISSANCE HUMANISM Nicollò Machiavelli, An Exhortation to Penitence (1495) II. REFORMATION 26 January JUSTIFICATION BY FAITH ALONE Martin Luther, Two Kinds of Righteousness (1520) 28 January A SEPARATE CHURCH Michael Sattler, Schleitheim Articles (1527) 2 February CHRISTIAN LIBERTY John Calvin, On the Necessity of Reforming the Church (1543) 4 February COUNTER REFORMATION Ignatius of Loyola, Spiritual Exercises (1548) Teresa of Ávila, The Way of Perfection (1573) Confirm Mid-Term Essay Topics Please consult style sheet, essay-writing guidelines, and evaluation rubric. 9 February RIGHT OF RESISTANCE Philippe Duplessis-Mornay, A Defence of Liberty against tyrants (1579) 11 February ERASTIANISM Richard Hooker, Of the Lawes of Ecclesiasticall Politie (1593) RELG 323 CHURCH AND STATE SINCE 1300 2 Date Reading III. -
The Shakespeare Authorship Debate Continued: Uncertainties and Mysteries
The Shakespeare Authorship Debate Continued: Uncertainties and Mysteries by Luke Prodromou his essay is a response to the fascinating collection of articles on the Shakespeare Authorship Question that appeared in the Winter 2019 Tissue of the journal Critical Stages (critical-stages.org/18/). Read together, those articles not only confirm that there really is a case for rea- sonable doubt about the Stratford man as the author of the works; they also suggest that pursuing this question can actually be an effective critical tool for a better understanding of those works. As a graduate of the Shakespeare Institute, Birmingham, I have often won- dered, from a scholarly point of view, why the eddies under Clopton Bridge in Stratford have seemed to arouse more curiosity as evidence linking the man from Stratford to the plays and poems of “Shakespeare” than do the growing number of details of a historical or cultural nature, which seem to me more enlightening. Scrutinizing Shakespearean texts for evidence of the author’s possible links to glove-making has consumed more scholarly energy than the abundant indications that our elusive author seems to have actually known Italy and Italian culture at first-hand and Elizabethan court life with an insider’s confidence. Even Stratfordian scholars have noticed that “the extent and loudness of the documentary silence are startling” (Worden, 2006: 24). Indeed, the chal- lenge of teasing out an explanation for this startling silence has been left to non-Stratfordians like Diana Price (see her volume, excerpted in CS 18, THE OXFORDIAN Volume 21 2019 13 The Shakespeare Authorship Debate Continued: Uncertainties and Mysteries Shakespeare’s Unorthodox Biography, 2012). -
Sidney's Feigned Apology Author(S): Ronald Levao Source: PMLA, Vol
Sidney's Feigned Apology Author(s): Ronald Levao Source: PMLA, Vol. 94, No. 2 (Mar., 1979), pp. 223-233 Published by: Modern Language Association Stable URL: http://www.jstor.org/stable/461887 . Accessed: 22/12/2013 19:50 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Modern Language Association is collaborating with JSTOR to digitize, preserve and extend access to PMLA. http://www.jstor.org This content downloaded from 138.253.100.121 on Sun, 22 Dec 2013 19:50:57 PM All use subject to JSTOR Terms and Conditions RONALD LEVAO Sidney'sFeigned Apology A NY ATTEMPT to discuss Sidney's any understandingknoweth the skill of the artificer theory of poetic fictions proves to be standeth in that Idea or fore-conceit of the work, and not in the work itself. And that the hath something of a paradox, since An Apol- poet that Idea is manifest, them forth in ogy for Poetry opens with a warning not to take by delivering theories too There such excellency as he hath imagined them. Which seriously. Sidney compares forth also is not as himself to his master in John delivering wholly imaginative, horsemanship, -
Philip Sidney's Book-Buying at Venice and Padua, Giovanni Varisco's Venetian Editions of Jacopo Sannazaro's Arcadia
This is a repository copy of Philip Sidney's Book-Buying at Venice and Padua, Giovanni Varisco's Venetian editions of Jacopo Sannazaro's Arcadia (1571 and 1578) and Edmund Spenser's The Shepheardes Calender (1579). White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/136570/ Version: Accepted Version Article: Brennan, MG orcid.org/0000-0001-6310-9722 (2018) Philip Sidney's Book-Buying at Venice and Padua, Giovanni Varisco's Venetian editions of Jacopo Sannazaro's Arcadia (1571 and 1578) and Edmund Spenser's The Shepheardes Calender (1579). Sidney Journal, 36 (1). pp. 19-40. ISSN 1480-0926 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 Philip Sidney’s Book-Buying at Venice and Padua, Giovanni Varisco’s Venetian editions of Jacopo Sannazaro’s Arcadia (1571 and 1578) and Edmund Spenser’s The Shepheardes Calender (1579)1 [Abstract] This essay traces Philip Sidney’s involvements with the book trade at Venice and Padua during his residence there from November 1573 until August 1574. -
Read Book Sir Philip Sidney
SIR PHILIP SIDNEY: THE MAJOR WORKS PDF, EPUB, EBOOK Sir Philip Sidney,Katherine Duncan-Jones | 448 pages | 15 Feb 2009 | Oxford University Press | 9780199538416 | English | Oxford, United Kingdom Sir Philip Sidney: The Major Works PDF Book A modern monument in the crypt lists his among the important graves lost. Wikiquote has quotations related to: Philip Sidney. Nathan Rubene dos Santos marked it as to-read Aug 04, Books by Philip Sidney. Seller Inventory M Nov 03, Jacob Alarcon rated it really liked it. Please contact our Customer Service Team if you have any questions. To see what your friends thought of this book, please sign up. He was also known for his literary criticism, known as The Defense of Poesy. Sidney was among the few Englishmen of his time with any interest in the newly discovered Americas, and he supported maritime explorations by the navigator Sir Martin Frobisher. Press Center. He had wide-ranging intellectual and artistic interests, discussed art with the painter Nicholas Hilliard and chemistry with the scientist John Dee , and was a great patron of scholars and men of letters. Sir Philip Sidney: and the Creation of a Legend. Characteristically, Elizabeth bristled at his presumption, and Sidney prudently retired from court. Return to Book Page. Oxford: Oxford University Press. Sort order. Get exclusive access to content from our First Edition with your subscription. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide. Texts Year Title Prev 1 Next. Follow Us. Further Reading. Edition Language. Condition: Brand New. Our distribution centers are open and orders can be placed online. -
Germany and the Coming of the French Wars of Religion: Confession, Identity, and Transnational Relations
Germany and the Coming of the French Wars of Religion: Confession, Identity, and Transnational Relations Jonas A. M. van Tol Doctor of Philosophy University of York History February 2016 Abstract From its inception, the French Wars of Religion was a European phenomenon. The internationality of the conflict is most clearly illustrated by the Protestant princes who engaged militarily in France between 1567 and 1569. Due to the historiographical convention of approaching the French Wars of Religion as a national event, studied almost entirely separate from the history of the German Reformation, its transnational dimension has largely been ignored or misinterpreted. Using ten German Protestant princes as a case study, this thesis investigates the variety of factors that shaped German understandings of the French Wars of Religion and by extension German involvement in France. The princes’ rich and international network of correspondence together with the many German-language pamphlets about the Wars in France provide an insight into the ways in which the conflict was explained, debated, and interpreted. Applying a transnational interpretive framework, this thesis unravels the complex interplay between the personal, local, national, and international influences that together formed an individual’s understanding of the Wars of Religion. These interpretations were rooted in the longstanding personal and cultural connections between France and the Rhineland and strongly influenced by French diplomacy and propaganda. Moreover, they were conditioned by one’s precise position in a number of key religious debates, most notably the question of Lutheran-Reformed relations. These understandings changed as a result of a number pivotal European events that took place in 1566 and 1567 and the conspiracy theories they inspired. -
3. Pentland MS 142-Final
66 Early Modern Studies Journal Volume 6: Women’s Writing/Women’s Work in Early Modernity/2014 English Department/University of Texas, Arlington Philippe Mornay, Mary Sidney, and the Politics of Translation Elizabeth Pentland York University It is enough that we constantly and continually waite for her comming, that shee may neuer finde vs vnprouided. For as there is nothing more certaine then death, so is there nothing more vncertaine then the houre of death, knowen onlie to God, the onlie Author of life and death, to whom wee all ought endeuour both to liue and die. Die to liue, Liue to die.1 In 1592, Mary Sidney published in a single volume her translations of A Discourse of Life and Death. Written in French by Ph. Mornay and Antonius, a Tragœdie written also in French by Ro. Garnier. Although she may initially have undertaken the work for personal reasons, as she mourned the death of her brother, Philip, her decision to publish the translations, some two years after she completed them, 67 was motivated by recent events at court. Criticism of Mary Sidney’s works has long been interested in the political dimension of her work, but scholars have only recently begun to explore more fully the transnational contexts for her literary activity.2 Much of that scholarship has focused on her translation of Garnier’s Marc Antoine. In this essay, I look at the early history of Philippe du Plessis Mornay’s text, originally titled the Excellent discovrs de la vie et de la mort, in order to suggest not only what the work meant for its author when he wrote it in the mid-1570s, but also what additional significance it had accrued for Mary Sidney by the time she published her translation of it in 1592. -
Defence of Poesie (Ponsonby, 1595) Sir Philip Sidney This Renascence
Defence of Poesie (Ponsonby, 1595) Sir Philip Sidney This Renascence Editions publication was transcribed, with an introduction, notes, and bibliography, by Risa S. Bear for the University of Oregon, September-December 1992. Original material copyright 1992, 1995 the editor and the University of Oregon. Converted to HTML by Risa S. Bear, March 1995. Converted to pdf by R. Cunningham, January 2009. Contents: * Introduction * Defence of Poesie * Notes * Bibliography A note on the WWW edition This etext of Philip Sidney's Defence of Poesie is based on the Scolar Press facsimile of the British Museum's copy (Shelf-mark: C.57.b.38) of the Ponsonby editon of the Defence. It was transcribed in October, 1992 by Risa S. Bear of the University of Oregon and proofed by Risa S. Bear and Micah Bear. The editor acknowledges the invaluable guidance of Professor William Rockett in making improvements to the Introduction. The letters "j," "u" and "v" have been normalized for the modern reader, and catchwords eliminated; otherwise the old spellings have been retained. As in the original Ponsonby text, there is neither paragraphing nor pagination. Quotations found in the original in the Greek alphabet have generally been transliterated, and a few corrections of compositor's typographical errors or omissions have been made which will be found within square brackets. Endnotes are serially numbered and are enclosed within braces. Copyright (1992) for this edition belongs to the University of Oregon; it is freely distributed for nonprofit scholarly and teaching purposes only. Introduction Biographical note Born into great expectations at the estate of Penshurst, Kent, on 30 November 1554, Philip Sidney was educated at Shrewsbury Grammar School in Shropshire, and entered Corpus Christi College, Oxford, in 1568.