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The Popular Music Heritage of the Dutch Pirates: Illegal Radio and Cultural Identity
To cite: Hoeven, A. van der. (2012). The popular music heritage of the Dutch pirates: illegal radio and cultural identity. Media, Culture & Society, 34(8), 927–943. The popular music heritage of the Dutch pirates: illegal radio and cultural identity Arno van der Hoeven Abstract This article explores how cultural identities are negotiated in relation to the heritage of illegal radio in the Netherlands. The term ‘pirate radio’ commonly refers to the offshore radio stations that were broadcasting during the 1960s. These stations introduced commercial radio and popular music genres like beat music, which were not played by public broadcasters at the time. In their wake, land-based pirates began broadcasting for local audiences. This study examines the identities that are constituted by the narrative of pirate radio. Drawing on in-depth interviews with archivists, fans and broadcasters, this article explores the connection between pirate radio, popular music heritage and cultural identity. Moreover, it considers how new technologies such as internet radio provide platforms to engage with this heritage and thus to maintain these local identities. To examine how the memories of pirate radio live on in the present a narrative approach to identity will be used. Corresponding author: Arno van der Hoeven, Erasmus Research Centre for Media, Communication and Culture, Erasmus University Rotterdam, W-L3-121, PO Box 1738, NL-3000 DR, Rotterdam, The Netherlands. Email: [email protected] Keywords cultural heritage, cultural identity, cultural memory, DIY heritage, offshore radio, pirate radio, popular music Introduction By illegally using radio frequencies which belong to licensed broadcasters, pirate stations in Europe (e.g. -
Final Version
This research has been supported as part of the Popular Music Heritage, Cultural Memory and Cultural Identity (POPID) project by the HERA Joint Research Program (www.heranet.info) which is co-funded by AHRC, AKA, DASTI, ETF, FNR, FWF, HAZU, IRCHSS, MHEST, NWO, RANNIS, RCN, VR and The European Community FP7 2007–2013, under ‘the Socio-economic Sciences and Humanities program’. ISBN: 978-90-76665-26-9 Publisher: ERMeCC, Erasmus Research Center for Media, Communication and Culture Printing: Ipskamp Drukkers Cover design: Martijn Koster © 2014 Arno van der Hoeven Popular Music Memories Places and Practices of Popular Music Heritage, Memory and Cultural Identity *** Popmuziekherinneringen Plaatsen en praktijken van popmuziekerfgoed, cultureel geheugen en identiteit Thesis to obtain the degree of Doctor from the Erasmus University Rotterdam by command of the rector magnificus Prof.dr. H.A.P Pols and in accordance with the decision of the Doctorate Board The public defense shall be held on Thursday 27 November 2014 at 15.30 hours by Arno Johan Christiaan van der Hoeven born in Ede Doctoral Committee: Promotor: Prof.dr. M.S.S.E. Janssen Other members: Prof.dr. J.F.T.M. van Dijck Prof.dr. S.L. Reijnders Dr. H.J.C.J. Hitters Contents Acknowledgements 1 1. Introduction 3 2. Studying popular music memories 7 2.1 Popular music and identity 7 2.2 Popular music, cultural memory and cultural heritage 11 2.3 The places of popular music and heritage 18 2.4 Research questions, methodological considerations and structure of the dissertation 20 3. The popular music heritage of the Dutch pirates 27 3.1 Introduction 27 3.2 The emergence of pirate radio in the Netherlands 28 3.3 Theory: the narrative constitution of musicalized identities 29 3.4 Background to the study 30 3.5 The dominant narrative of the pirates: playing disregarded genres 31 3.6 Place and identity 35 3.7 The personal and cultural meanings of illegal radio 37 3.8 Memory practices: sharing stories 39 3.9 Conclusions and discussion 42 4. -
The Dutch Radio Day
The Dutch Radio Day It was in 1978 that Mike Baron and Nick Oakly from Music Radio Promotions asked as few people from the Netherlands, including Hans Knot, to cooperate in a special event called Zeezenders 20, which was held at Noordwijkerhout. Inspired by the Zeezenders 20 happening Rob Olthof from Amsterdam suggested that he, along with Hans, could organise small meetings for offshore radio fans. He made a beginning with the so- called ‘Movie Afternoons’. It was the time when private videos arose and so those 8mm movies, made by offshore radio anoraks, were screened and some discussions were launched. In 1980, Hans Verbaan of the Free Radio Campaign joined in and a group of interested people got together in a small building in Scheveningen harbour on quite a regular basis. These movie afternoons sometimes took place twice a year and it came to a point that there were more people than available chairs. Therefore some bigger locations in cities like Amsterdam, Haarlem, Utrecht and again Amsterdam had to be found. In 1984, the first guests were interviewed including Simon Barrett, Juul Geleick and Tom Mulder. In the meantime, the organising team was growing with Piet Treffers and Tom de Munck joining in. From the late eighties, more people from abroad - most of all Germany and Belgium - attended the event each year. During the nineties, more and more deejays and technicians from former offshore radio stations visited the Radio Days to be interviewed. Our team had been joined by Jelle Boonstra, who did a marvellous job within the Radio Day organisation during a period of 15 years. -
Radio Hauraki DJ Dies Radio Veronica Film Planned
Radio Hauraki DJ dies Dateline: 10th February 2013, New Zealand One of the original and most popular Radio Hauraki DJs, Ross Goodwin, has died after a long battle with cancer. Ross joined Radio Hauraki in 1967 when the station was broadcasting from its offshore base. Radio Hauraki founder, David Gapes, said, “ Ross turned out to be a fantastic talent and a great find and one of the reasons that helped make Radio Hauraki such a success.” Later in his radio career Ross was Programme Director for the, by then landbased Radio Hauraki and helped make it Auckland’s number 1 station in 1987. Ross Goodwin died, 8th February 2013 and is survived by his wife, Denise, two children and two grandchildren. (Thanks to Offshore Echos Magazine) +++++++++++++++++++++++++++++++ Radio Veronica film planned Dateline: June 2013, Holland Film Director Steven de Jong is examining the possibility of making a film about the history of Radio Veronica. An outline scenario has already been written covering the history of the Dutch station from its inception in 1959 to the final broadcast in August 1974. It is hoped to use the ex- Radio Veronica ship, Norderney, in the film. (Thanks to Offshore Echos Magazine) +++++++++++++++++++++++++++++++ Ex-Radio 270 chief dies Dateline: 19th July 2013, Yorkshire, England Wilf Proudfoot, former Joint Managing Director of Radio 270, has died at the age of 91. As soon as Wilf Proudfoot heard about plans for a new offshore radio station to serve Yorkshire and surrounding areas he approached founder Don Robinson with the intention of launching an advertising campaign for his chain of supermarkets and was invited to become a shareholder in Ellambar Investments, the company behind Radio 270. -
Digitale Televisie
Digitale zenderlijst Radio Basispakket Kerkradio Radio+ (gratis bij een pluspakket) 801 NPO Radio 1 951 KR Oosternijkerk PKN Sint 865 Stingray Rock Anthems 802 NPO Radio 2 Ceciliakerk 866 Stingray The Spa 803 NPO 3FM 952 KR Nes PKN Johannestsjerke 867 Stingray Easy Listening 804 NPO Radio 4 953 KR Paesens Herv. Sint Antonius 868 Stingray Classic Rock 805 NPO Radio 5 954 KR Damwald Herv. De Ikker 869 Stingray Piratenhits 806 NPO Soul & Jazz 955 KR Damwoude Herv. 870 Stingray Salsa 807 NPO FunX Bonifatiuskerk 871 Stingray Dance Classics 808 Omrop Fryslân Radio 956 KR Damwald Geref. de 872 Stingray Comedy 809 RTV Noord Ontmoeting 873 Stingray Country 810 RTV Drenthe 957 KR Dokkum Chr. Geref. 874 Stingray Love Songs 811 RTV NOF De Oase 875 Stingray Motown 812 Lokale Omroep Ameland 960 KR Hollum Herv. Gem. Ameland 876 Stingray Reggae 813 RTV Kanaal 30 961 KR Kollum PKN Oosterkerk 877 Stingray Italia 815 NDR 1 Niedersachsen ◊ 965 KR Broeksterwoude PKN 878 Stingray France 816 NDR 2 ◊ 966 KR Metslawier PKN Rehoboth 879 Stingray Espana 817 NDR Kultur ◊ 967 KR Niawier PKN Ny Sion 880 Stingray Blues 818 BBC Radio 2 968 KR R’geest PKN Alexanderkerk 881 Stingray Oldies 819 BBC Radio 3 969 KR R’geest PKN MFC de Bijer 882 Stingray Nederpop Gold 820 BBC Radio 4 970 KR Wierum PKN Mariatsjerke 883 Stingray Schlager 821 BBC World Service 971 KR Hollum Doopsgez/Geref. 884 Stingray Rock and roll 822 VRT Radio 1 885 Stingray Classical 823 VRT Radio 2 Radio+ 886 Stingray Jazz 824 MNM (gratis bij een pluspakket) 887 Stingray Jazz Classics 825 Studio Brussel -
De Eindeloze Jaren Zestig
De eindeloze jaren zestig Geschiedenis van een generatieconflict Hans Righart bron Hans Righart, De eindeloze jaren zestig. Geschiedenis van een generatieconflict. Uitgeverij De Arbeiderspers, Amsterdam Antwerpen 1995 Zie voor verantwoording: http://www.dbnl.org/tekst/righ002eind01_01/colofon.htm © 2008 dbnl / erven Hans Righart 9 Woord vooraf De jaren zestig boeien mij om twee redenen. De eerste is beroepsmatig: als historicus zoek ik de verklaring voor een breuk die Nederland waarschijnlijk ingrijpender veranderde dan de Tweede Wereldoorlog heeft gedaan. Veel van wat we anno 1995 als heel vanzelfsprekend beschouwen, vindt zijn oorsprong in de jaren zestig. De openheid waarmee we tegenwoordig over seks praten, de egalitaire manier waarop kinderen met hun ouders omgaan, de democratisering van ooit onaantastbare gezagsverhoudingen op school, werk en universiteit, de alomtegenwoordigheid van popmuziek, dit alles en nog veel meer valt terug te voeren tot de jaren zestig. In zekere zin zijn de jaren zestig nog altijd niet afgelopen; de mythe duurt voort en de culturele nabijheid. van een tijdperk dat al ruim een kwarteeuw achter ons ligt, is opmerkelijk. Of de erfenis van het mythische decennium in alle opzichten positief te waarderen valt, is een vraag waarop dit boek geen antwoord geeft. Toen ik er een paar jaar geleden aan begon, wilde ik in de eerste plaats weten waar de jaren zestig vandaan kwamen. Hoe moeten we deze samenballing van vernieuwing en verandering verklaren? Op die vraag heeft, voor zover ik weet, nog niemand een bevredigend antwoord gegeven, en dit boek wil een eerste poging daartoe zijn. De tweede reden voor mijn fascinatie is gelegen in mijn persoonlijke biografie. -
RIS299505 Bijlage Position Paper Het Popmuseum
Het Popmuseum Position Paper ‘Het Popmuseum’ Den Haag 1 maart 2018 Inhoud Voorwoord ........................................................................ 5 1. Inleiding ........................................................................ 6 2. Van Museum RockArt naar Het Popmuseum ......... 7 Mission statement 7 Het Popmuseum, Den Haag 7 Museum RockArt 7 Doelstellingen Het Popmuseum 8 Huidige situatie 7 Doelgroepen 8 3. Cultuurbeleid Den Haag ........................................... 9 Draagvlak Popmuseum 9 Beleving Popmuziek: online én offline 11 POP Experience Scheveningen, 2009 9 Talentontwikkeling 11 Politiek draagvlak anno 2018 10 Imago van de stad 12 Popnota B&W Den Haag, 2017 10 Economische betekenis 12 Locatie 10 Media-aandacht 2005 – 2017 12 Betekenis van Het Popmuseum 11 voor Den Haag 4. Opzet museum ............................................................ 13 Algemeen 13 Interactief en eigentijds 15 Collectie 13 Digitalisering 15 Huidige activiteiten Museum RockArt 14 Educatie 15 Publieksgroepen 14 Mediawaarde 16 Tentoonstellingen 14 Online 16 5. Nevenactiviteiten Het Popmuseum ......................... 17 Poppodium 17 Muziekbibliotheek 17 Café 17 Samenwerken 17 Shop 17 Ambassadeurs 18 6. Businessmodel & Organisatievorm ........................ 19 Businessmodel 19 Planning 19 Organisatievorm 19 Slotwoord ........................................................................20 Bijlages ............................................................................. 21 Bijlage I 21 Bijlage III 25 Beschrijving collectie -
A Very Warm Welcome to This Christmas 2019 Edition of the Hans Knot International Radio Report. Who Ever Thought That This Repor
A very warm welcome to this Christmas 2019 edition of the Hans Knot International Radio Report. Who ever thought that this report would still be published after so many years. Still many people around the world want to share memories, discuss subjects concerning radio and have their photographs digitalized for sharing. First of all I want to wish you and your relatives a very happy Christmas and all best wishes possible for 2020. Of course there was a lot of response on the early November report and in this one there is a selection of these responses starting with the one from Ian Johnston who wrote: ‘An excellent read as usual Hans! On one point concerning newspaper advertising - I was with Radio Scotland 242 and also writing for a newspaper group. Obviously I mention 242 a lot in my articles and asked the editor if he had any objections. His reply was that since the station came on air the newspaper advertising had increased because the advertisers liked to print "As heard on Radio Scotland”!’ Yes Ian profit on both sides was a logical thing although newspapers in the Netherlands were not always happy with the popularity of the offshore radio stations. Next is Robb Eden, who we know from RNI and Caroline. ‘Sincere thanks for yet another action packed newsletter. Referring to your article from Mr. Bollier I believe that all the DJ's and crew who worked on the ship will confirm that we had access to all areas of the ship. In fact, considering that MEBO Ltd. -
The Pirates and Pop Music Radio
SELLING THE SIXTIES Was pirate radio in the sixties a non-stop psychedelic party – an offshore discothèque that never closed? Or was there more to it than hip radicalism and floating jukeboxes? From the mavericks in the Kings Road and the clubs ofSohotothemultinationaladvertisers andbigbusiness boardrooms Selling the Sixties examines the boom of pirate broadcasting in Britain. Using two contrasting models of unauthorized broadcasting, Radios Caroline and London, Robert Chapman situates offshore radio in its social and political context. In doing so, he challenges many of the myths which have grown up around the phenomenon. The pirates’ own story is framed within an examination of commercial precedents in Europe and America, the BBC’s initial reluctance to embrace pop culture, and the Corporation’s eventual assimilation of pirate programming into its own pop service, Radio One. Selling the Sixties utilizes previously unseen evidence from the pirates’ own archives, revealing interviews with those directly involved, and rare audio material from the period. This fascinating look at the relationship between unauthorized broadcasting and the growth of pop culture will appeal not only to students of communications, mass media, and cultural studies but to all those with an enthusiasm for radio history, pop, and the sixties. Robert Chapman’s broadcasting experience includes BBC local radio in Bristol and Northampton. He has also contributed archive material to Radios One and Four. He is currently Lecturer and Researcher in the Department of Performing Arts and Media Studies at Salford College of Technology. Selling the Sixties THE PIRATES AND POP MUSIC RADIO ROBERT CHAPMAN London and New York First published 1992 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge a division of Routledge, Chapman and Hall, Inc. -
Radio Mi Amigo DJ Peter Van Dam Has Died
Radio Mi Amigo DJ Peter van Dam has died DATELINE 6th January 2018 Peter van Dam - described as the great godfather of Flemish pop radio, has died at the age of 65. Best remembered for his programmes on Radio Mi Amigo, Peter also worked on other offshore stations - Radio 199, Radio Caroline and Radio Atlantis. After offshore radio Peter worked on many land-based radio stations including TROS, AVRO, KRO, Radio 10 Gold, Hilversum 3, VTM, MaevaFM, Radio Contact, Radio 192 and Radio Flandria (where he was launch Programme Director). Colleague Eric Hofman paid tribute to Peter and his contribution to Flemish radio - "The first time we met was in Vilvoorde when we became colleagues. He was a great guy, with a huge personality, both in the studio and outside. A man with a phenomenal sense of humour, a lightning-fast thinker, a genius radio maker and top disc-jockey. The only Belgian who became a DJ at Hilversum 3 in prime time and the only Belgian to present the Pinkpop Festival - a whole honour. The name Peter van Dam remains inextricably linked to the golden age of radio which he presented in his inimitable, unique style. Peter is synonymous with Radio Atlantis, Caroline, Hilversum 3, but primarily Radio Mi Amigo, where he first broadcast live on board the MV Mi Amigo and later recorded programmes in Spain. Greece also became acquainted with his enormous radio talent and experience, where he helped to promote Karpathos FM from the bottom to the top of the ratings. For me Peter van Dam is the best Belgian deejay ever. -
Artists Visits to the Offshore Radio Stations the Idea for This List Came
Artists visits to the offshore radio stations The idea for this list came from Martin van der Ven after listening to one of the last shows from Keith Skues in September 2020 when Keith mentioned some of the names of artists who visited the Mi Amigo from Caroline South in the sixties. With this new list we mention not only those who visited a radio ship, but also the studios on land or even presented a program. Mentioning for being on a roadshow or other venue, organized by an Offshore station, are also in this list. If so the item will be mentioned ‘outside’. Up to the readers to make this list a complete as possible. Please name the artist, the station’s name as well as it was on land or at sea. Aart Staartjes – Veronica Hilversum Accents, the – Radio London Outside Action, the – Radio London Outside Adam Faith - Radio Scotland outside Adriaan van Landschoot (A. Larson, Ad Rolls, Wuldre, later with Adrivalan Orchestra and Adya) – Radio Atlantis Jeanine and Atlantis Oostburg Adrian Veronica jingles Adam Faith - Caroline MV Caroline (Fredericia) Adele Bloemendaal – Veronica Hilversum Afro Beat Dancers – Radio Noordzee outside Alan Blakeley - Radio London last day Alan Bown Set – Radio London Outside Alan Price - Caroline Admiral Beatfleet Albert Hammond – Veronica CBS Festival Albert Mol - Veronica Hilversum Alexander Curly Veronica jingle Alexander Pola – Veronica Hilversum Alexis Korner – taped shows on Radio 390 Red Sands and on Radio 270 Oceaan 7 Alex Welsh and his band – Caroline outside Alice Cooper - Veronica Hilversum, RNI outside -
Freewave-467
FREEWAVE • media magazine Jaargang 36 — nummer 467 — augustus 2013 www.freewave-media-magazine.nl Voorwoord Beste lezers, COLOFON Exploitatie: Stichting Media Communicatie De zeezender T-shirtfoto’s maken al weer geruime tijd deel Hoofdredacteur: Hans Knot uit van de rubriek ‘Heden en verleden’. Ditmaal zelfs eentje op de cover. Natuurlijk is úw T-shirtfoto ook nog steeds van Lay-out: Jan van Heeren harte welkom, maar verwacht niet dat dit ook meteen garant Druk: Felix, Amsterdam staat voor een plaatsje op de voorpagina! Vaste medewerkers: Hopelijk heeft u de vakantie nog voor de boeg, want er staat André van Os, Michel van Hooff (Nederland); weer veel te lezen in dit nummer. Een greep: Rene Burcksen, Jan Hendrik Kruidenier (VS); - Voor alle mannen die hun vrouw eens iets bijzonders willen Jelle Knot (Internationaal); Martin van der Ven geven voor haar verjaardag, is het artikel ‘Op zoek naar die (internetnieuws); Ingo Paternoster (Duits- oude radio’ hopelijk heel inspirerend. - Terwijl de NOS onlangs weer pleitte voor herinvoering van land); Gijs van den Heuvel (Caribisch Gebied) de omroepbijdrage, kijkt Hans Knot naar hoe dit eigenlijk in Verantwoordelijke uitgever: 1969 geregeld werd. Stichting Media Communicatie, - Tot vorig jaar kroop de hoogbejaarde Suhandi nog achter de microfoon. Hij overleed op ‘zijn’ Curaçao. Biesbosch 71, 1181 HX Amstelveen - Helaas is het gedaan met het blad voor omroepmedewer- e-mail: [email protected] kers alsook met Radio Waddenzee. Een laatste ode. web: www.mediacommunicatie.nl - Uit het VOO-archief belicht Hans Knot ditmaal enkele inte- ressante brieven van Lex Harding. Correspondentieadres: - Een lied met “Haleluja Veronica” was uit den boze in 1963.