20/21 Seasontickets on Sale

Total Page:16

File Type:pdf, Size:1020Kb

20/21 Seasontickets on Sale 8 5 6 7 20/21 CONCERTS CONCERTS CONCERTS CONCERTS COFFEE FRIDAY SATURDAY SUNDAY A B A B C D A B Sep Opening Weekend: Uncommon Women Stéphane Denève, conductor TOWER Fanfare for the Uncommon Woman No. 1 Hilary Hahn, violin Sep Sep SIBELIUS Violin Concerto 19 20 MONTGOMERY Starburst - - TCHAIKOVSKY Romeo and Juliet Overture-Fantasy 8:00pm 3:00pm WAGNER Ride of the Valkyries from Die Walküre Stéphane Conducts The Firebird Stéphane Denève, conductor GARROP Goddess Triptych (World Premiere) Beatrice Rana, piano Sep Sep Sep PROKOFIEV Piano Concerto No. 3 25 26 27 DUKAS La Péri - - - STRAVINSKY The Firebird Suite 10:30am 8:00pm 3:00pm Oct Benedetti Plays Marsalis James Gaffigan, conductor Oct Oct DEBUSSY Prelude to the Afternoon of a Faun Nicola Benedetti, violin 2 3 MARSALIS Violin Concerto - - PROKOFIEV Symphony No. 7 8:00pm 8:00pm Haydn, Adès, and Brahms John Storgårds, conductor Oct Oct HAYDN Symphony No. 64, “Tempora mutantur” Kirill Gerstein, piano 10 11 ADÈS Piano Concerto - - BRAHMS Symphony No. 1 8:00pm 3:00pm Denève Conducts Mahler Stéphane Denève, conductor MAHLER Symphony No. 3 Tamara Mumford, mezzo-soprano Oct Oct Women of the St. Louis Symphony Chorus 16 17 Amy Kaiser, director - - The St. Louis Children’s Choirs 8:00pm 8:00pm Barbara Berner, artistic director Musical Rebels Jun Märkl, conductor Oct Nov MENDELSSOHN The Hebrides (Fingal’s Cave) Leila Josefowicz, violin 30 1 GRIME Violin Concerto (U.S. Premiere) - - BEETHOVEN Symphony No. 3, “Eroica” 10:30am 3:00pm Nov Jane Glover’s Mozart Jane Glover, conductor Nov Nov Nov MOZART Symphony No. 36, K. 425, “Linz” Xiaoxiao Qiang, violin 6 7 8 MOZART Sinfonia concertante, K. 364 Shannon Williams, viola - - - MOZART Symphony No. 38, K. 504, “Prague" 8:00pm 8:00pm 3:00pm Hear Their Stories Stéphane Denève, conductor J. ADAMS “Lola Montez Does the Spider Dance” Gaëlle Arquez, mezzo-soprano from Girls of the Golden West Nov Nov BERLIOZ The Death of Cleopatra 13 14 SAINT-SAËNS Bacchanale from Samson and Delilah - - BIZET Selections from Carmen 10:30am 8:00pm R. STRAUSS “Dance of the Seven Veils” from Salome SCHMITT The Tragedy of Salome Suite Joan of Arc at the Stake Stéphane Denève, conductor HONEGGER Joan of Arc at the Stake St. Louis Symphony Chorus Nov Nov Amy Kaiser, director 20 21 The St. Louis Children’s Choirs - - Barbara Berner, artistic director 8:00pm 8:00pm James Robinson, stage director Rhapsody on a Theme of Paganini Thanksgiving Weekend Nov Nov Nov TARRODI Liguria Elim Chan, conductor 27 28 29 RACHMANINOFF Rhapsody on a Theme of Paganini Stephen Hough, piano - - - TCHAIKOVSKY Symphony No. 2, “Little Russian” 8:00pm 8:00pm 3:00pm Dec Rapture and Loss Cristian Măcelaru, conductor SHAW Entr’acte Jamie Barton, mezzo-soprano Dec Dec CHAUSSON Poem of Love and the Sea Elizabeth Chung, cello 5 6 HEGGIE The Work at Hand - - SCHUBERT Symphony No. 8, “Unfinished” 8:00pm 3:00pm Jan Made in America Leonard Slatkin, conductor Jan Jan TOWER Made in America Simone Porter, violin 15 16 BARBER Violin Concerto - - BARTÓK Concerto for Orchestra 10:30am 8:00pm Hélène Grimaud Plays Mozart Thomas Søndergård, conductor Jan Jan SØRENSEN Evening Land Hélène Grimaud, piano 23 24 MOZART Piano Concerto No. 20, K. 466 - - RACHMANINOFF Symphony No. 1 8:00pm 3:00pm Feb Juliet and Romeo Stéphane Denève, conductor Feb Feb Feb RAVEL Mother Goose Suite Nicola Benedetti, violin 5 5 6 SZYMANOWSKI Violin Concerto No. 2 - - - PROKOFIEV Romeo and Juliet Suite 10:30am 8:00pm 8:00pm Brahms, Canellakis, and Cano Karina Canellakis, conductor BRAHMS Schicksalslied (Song of Destiny) Jennifer Johnson Cano, mezzo-soprano Feb Feb BRAHMS Nänie St. Louis Symphony Chorus 13 14 BRAHMS Alto Rhapsody Amy Kaiser, director - - LUTOSŁAWSKI Concerto for Orchestra 8:00pm 3:00pm Secret Songs Stéphane Denève, conductor Feb Feb Feb TAN DUN Nu Shu: The Secret Songs of Women Allegra Lilly, harp 26 26 27 RIMSKY-KORSAKOV Scheherazade - - - 10:30am 8:00pm 8:00pm Mar Sibelius with Stéphane Stéphane Denève, conductor Mar Mar MACMILLAN The Death of Oscar Leif Ove Andsnes, piano 6 7 GRIEG Piano Concerto - - SIBELIUS Symphony No. 2 8:00pm 3:00pm MacMillan Conducts MacMillan James MacMillan, conductor RIMSKY-KORSAKOV Russian Easter Overture Cally Banham, english horn Mar Mar MACMILLAN The World’s Ransoming 13 14 MACMILLAN Larghetto for Orchestra - - TCHAIKOVSKY Francesca da Rimini: 8:00pm 3:00pm Symphonic Fantasy after Dante Felix and Fanny Nicholas McGegan, conductor HAYDN Symphony No. 85, “La Reine” Lise de la Salle, piano Mar Mar MOZART Piano Concerto No. 9, K. 271, “Jenamy” 19 20 MENDELSSOHN HENSEL Overture in C major - - MENDELSSOHN Symphony No. 4, “Italian” 10:30am 8:00pm Beethoven’s Fifth Symphony Stéphane Denève, conductor Mar Mar Mar BEETHOVEN Symphony No. 5 Siobhan Stagg, soprano 26 27 28 POULENC Stabat Mater St. Louis Symphony Chorus - - - POULENC Final Scene from Dialogues of the Carmelites Amy Kaiser, director 8:00pm 8:00pm 3:00pm Apr An American Century Gemma New, conductor COPLAND Appalachian Spring Suite Emanuel Ax, piano Apr Apr Apr J. ADAMS Century Rolls 9 10 11 MONTGOMERY New Work (SLSO Co-commission) - - - GERSHWIN / arr. BENNETT Porgy and Bess: 8:00pm 8:00pm 3:00pm A Symphonic Picture Tchaikovsky with Alice Sara Ott Hannu Lintu, conductor Apr Apr Apr FAGERLUND Drifts Alice Sara Ott, piano 23 24 25 TCHAIKOVSKY Piano Concerto No. 1 - - - NIELSEN Symphony No. 5 10:30pm 8:00pm 3:00pm In Unison: Dvořák and Price Stéphane Denève, conductor Apr May DVOŘÁK Symphony No. 8 St. Louis Symphony IN UNISON Chorus 30 1 New Work (World Premiere) Kevin McBeth, director - - PRICE Symphony No. 3 8:00pm 8:00pm May Turandot Stéphane Denève, conductor PUCCINI Turandot: Opera in Concert Christine Goerke, soprano (Turandot) Thursday Jonathan Burton, tenor (Calaf) Janai Brugger, soprano (Liù) May May David Leigh, bass (Timur) -8 -6 St. Louis Symphony Chorus Amy Kaiser, director 8:00pm 8:00pm The St. Louis Children’s Choirs PLEASE NOTE Barbara Berner, artistic director DAY OF WEEK season tickets on sale now 314-534-1700 slso.org All programs, artists and dates subject to change..
Recommended publications
  • 2020-2021 BNY Mellon Grand Classics Renewal Brochure
    SE THE 2020-2021 SEASON! A ASON O BENEFITS F FIRSTS! FLEXIBLE TICKET PRIORITY SEATING DISTRICT DISCOUNTS RENEW A new piano, 10 artist debuts, significant EXCHANGE Season ticket holders have priority Pittsburgh Symphony subscribers TODAY! Pittsburgh firsts, world premieres, PSO Exchange your subscription tickets over the general public on all receive a discount to select premieres and new musical voices. for any other concert within the seating within the BNY Mellon Pittsburgh Ballet, Pittsburgh CLO, 2020-2021 BNY Mellon Grand Grand Classics season. Pittsburgh Cultural Trust, Pittsburgh Classics season. Season ticket Opera and Pittsburgh Public CLICK OUTSTANDING holders can make exchanges up EXCLUSIVE PRE-SALE Theater events, as well as discounts PittsburghSymphony.org/Renew STARS OF to one hour prior to the concert. OPPORTUNITIES to local restaurants. THE STAGE Ticket exchanges made online are As a ticket holder, you will receive exclusive pre-sale opportunities to RESERVED PARKING Performances by Emanuel free of fees. special concerts before the general Season ticket holders have the first CALL Ax, Rudolf Buchbinder, DEDICATED public on-sale date. opportunity to purchase pre-paid +HLQ]+DOO%R[2IƓFH Thibaudet Hélène Grimaud, Gil Shaham, th PATRON SERVICES guaranteed parking in the 6 and 412.392.4900 Christian Tetzlaff, Matthias REPRESENTATIVE GREAT SAVINGS Penn garage across the street from Toll-free: 800.743.8560 Goerne, Jean-Yves Thibaudet, Each season ticket holder has Save on the concerts within your Heinz Hall for just $12 per concert. Yefim Bronfman, and Yo-Yo Ma! a designated Patron Services season ticket package. Plus, save After the renewal deadline parking Representative (PSR) to personally 15% on additional ticket purchases prices increase to $15.
    [Show full text]
  • 2020-21 Season Brochure
    2020 SEA- This year. This season. This orchestra. This music director. Our This performance. This artist. World This moment. This breath. This breath. 2021 SON This breath. Don’t blink. ThePhiladelphiaOrchestra MUSIC DIRECTOR YANNICK NÉZET-SÉGUIN our world Ours is a world divided. And yet, night after night, live music brings audiences together, gifting them with a shared experience. This season, Music Director Yannick Nézet-Séguin and The Philadelphia Orchestra invite you to experience the transformative power of fellowship through a bold exploration of sound. 2 2020–21 Season 3 “For me, music is more than an art form. It’s an artistic force connecting us to each other and to the world around us. I love that our concerts create a space for people to gather as a community—to explore and experience an incredible spectrum of music. Sometimes, we spend an evening in the concert hall together, and it’s simply some hours of joy and beauty. Other times there may be an additional purpose, music in dialogue with an issue or an idea, maybe historic or current, or even a thought that is still not fully formed in our minds and hearts. What’s wonderful is that music gives voice to ideas and feelings that words alone do not; it touches all aspects of our being. Music inspires us to reflect deeply, and music brings us great joy, and so much more. In the end, music connects us more deeply to Our World NOW.” —Yannick Nézet-Séguin 4 2020–21 Season 5 philorch.org / 215.893.1955 6A Thursday Yannick Leads Return to Brahms and Ravel Favorites the Academy Garrick Ohlsson Thursday, October 1 / 7:30 PM Thursday, January 21 / 7:30 PM Thursday, March 25 / 7:30 PM Academy of Music, Philadelphia Yannick Nézet-Séguin Conductor Michael Tilson Thomas Conductor Lisa Batiashvili Violin Yannick Nézet-Séguin Conductor Garrick Ohlsson Piano Hai-Ye Ni Cello Westminster Symphonic Choir Ravel Le Tombeau de Couperin Joe Miller Director Szymanowski Violin Concerto No.
    [Show full text]
  • PROGRAM NOTES Franz Liszt Piano Concerto No. 2 in a Major
    PROGRAM NOTES by Phillip Huscher Franz Liszt Born October 22, 1811, Raiding, Hungary. Died July 31, 1886, Bayreuth, Germany. Piano Concerto No. 2 in A Major Liszt composed this concerto in 1839 and revised it often, beginning in 1849. It was first performed on January 7, 1857, in Weimar, by Hans von Bronsart, with the composer conducting. The first American performance was given in Boston on October 5, 1870, by Anna Mehlig, with Theodore Thomas, who later founded the Chicago Symphony, conducting his own orchestra. The orchestra consists of three flutes and piccolo, two oboes, two clarinets, two bassoons, two horns, two trumpets, three trombones and tuba, timpani, cymbals, and strings. Performance time is approximately twenty-two minutes. The Chicago Symphony Orchestra’s first subscription concert performances of Liszt’s Second Piano Concerto were given at the Auditorium Theatre on March 1 and 2, 1901, with Leopold Godowsky as soloist and Theodore Thomas conducting. Our most recent subscription concert performances were given at Orchestra Hall on March 19, 20, and 21, 2009, with Jean-Yves Thibaudet as soloist and Jaap van Zweden conducting. The Orchestra first performed this concerto at the Ravinia Festival on August 4, 1945, with Leon Fleisher as soloist and Leonard Bernstein conducting, and most recently on July 3, 1996, with Misha Dichter as soloist and Hermann Michael conducting. Liszt is music’s misunderstood genius. The greatest pianist of his time, he often has been caricatured as a mad, intemperate virtuoso and as a shameless and
    [Show full text]
  • Download Vita
    Ruben Gazarian With the start of the 2002/2003 concert season, Ruben Gazarian took up the position of artistic director of the Württemberg Chamber Orchestra Heilbronn. Through a unanimous vote by the orchestra as well as by the selection commission, he was chosen for this position. He broadened the orchestra’s standard repertoire through the expansion of the instrumentation, thus transforming it into a symphonic orchestra, and through the selection of many works from the Romantic Period, the Early Modern and Avant-garde. Since the beginning of 2015, Ruben Gazarian assumes the additional position of Artistic Director of the Georgisches Kammerorchester Ingolstadt. In the same manner, this appointment arose from the unanimous wish of the orchestra, its management and the cultural representatives of the city. As guest conductor, Ruben Gazarian has conducted on the podiums of the Stuttgart, Frankfurt and WDR Radio Symphony Orchestras, the Hamburg Symphony Orchestra, Deutsches Symphonie-Orchester Berlin, Frankfurt Opera Orchestra, Hessian State Orchestra, Nordwestdeutsche Philharmonie, Orchestre National de Lyon, Jerusalem Symphony Orchestra, Israel Symphony Orchestra Rishon LeZion (Tel Aviv Opera), Tonkünstler Orchestra, Belgrade Philharmonic Orchestra, Philharmonic Orchestra of state theatre Cottbus, Zurich Chamber Orchestra, and many others. The soloists with Ruben Gazarian has collaborated include Gautier and Renaud Capucon, Julia Fischer, Hilary Hahn, Katia & Marielle Labèque, Elisabeth Leonskaja, Sabine Meyer, Sharon Kam, Viktoria Mullova, Sergei Nakariakov, Gerhard Oppitz, Frank Peter Zimmermann, Beaux Arts Trio, Gewandhaus-Quartett as well as many others. Originally from Armenia, Ruben Gazarian received his first violin lesson from his father at the age of four. That was followed by a formal education at the music school “P.
    [Show full text]
  • NABMSA Reviews a Publication of the North American British Music Studies Association
    NABMSA Reviews A Publication of the North American British Music Studies Association Vol. 5, No. 2 (Fall 2018) Ryan Ross, Editor In this issue: Ita Beausang and Séamas de Barra, Ina Boyle (1889–1967): A Composer’s Life • Michael Allis, ed., Granville Bantock’s Letters to William Wallace and Ernest Newman, 1893–1921: ‘Our New Dawn of Modern Music’ • Stephen Connock, Toward the Rising Sun: Ralph Vaughan Williams Remembered • James Cook, Alexander Kolassa, and Adam Whittaker, eds., Recomposing the Past: Representations of Early Music on Stage and Screen • Martin V. Clarke, British Methodist Hymnody: Theology, Heritage, and Experience • David Charlton, ed., The Music of Simon Holt • Sam Kinchin-Smith, Benjamin Britten and Montagu Slater’s “Peter Grimes” • Luca Lévi Sala and Rohan Stewart-MacDonald, eds., Muzio Clementi and British Musical Culture • Christopher Redwood, William Hurlstone: Croydon’s Forgotten Genius Ita Beausang and Séamas de Barra. Ina Boyle (1889-1967): A Composer’s Life. Cork, Ireland: Cork University Press, 2018. 192 pp. ISBN 9781782052647 (hardback). Ina Boyle inhabits a unique space in twentieth-century music in Ireland as the first resident Irishwoman to write a symphony. If her name conjures any recollection at all to scholars of British music, it is most likely in connection to Vaughan Williams, whom she studied with privately, or in relation to some of her friends and close acquaintances such as Elizabeth Maconchy, Grace Williams, and Anne Macnaghten. While the appearance of a biography may seem somewhat surprising at first glance, for those more aware of the growing interest in Boyle’s music in recent years, it was only a matter of time for her life and music to receive a more detailed and thorough examination.
    [Show full text]
  • The Pulitzer Prizes 2020 Winne
    WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70
    [Show full text]
  • Taking Flight Beginning with a Tribute to Lindbergh, the St
    TAKING FLIGHT BEGINNING WITH A TRIBUTE TO LINDBERGH, THE ST. LOUIS SYMPHONY EXPRESSES THE SPIRIT OF ST. LOUIS. BY EDDIE SILVA DILIP VISHWANAT David Robertson Begin with a new beginning. The St. Louis Symphony’s 2016-17 season, its 137th, starts with the turn of a propeller, a steep rise into uncluttered skies, and a lonely, perilous journey that changed how people lived, thought, and dreamed. Charles Lindbergh’s silvery craft was christened The Spirit of St. Louis, and pilot and aircraft made their historic flight together across the Atlantic 90 years ago. The name “Spirit of St. Louis” also reflects upon the daring and innovation of a few St. Louisans early in the 20th century. It also speaks to St. Louis now, near the beginning of a new century amidst a whirlwind of innovation that turns more swiftly than a propeller. The St. Louis Symphony, Music Director David Robertson has remarked often, embodies that spirit: innovative, daring, risk-taking, enduring, agile, resourceful—give it an engine and a pair of wings and you’ll see Paris by morning. Kurt Weill’s The Flight of Lindbergh opens the 2016-17 season (September 16-17). Described as a “radio cantata,” it is one of the early collaborations between Weill and Bertolt Brecht, who created the classic The Threepenny Opera as well as other distinctive Brecht/Weill productions. KMOX’s Charlie Brennan provides the radio expertise as narrator of The Flight of Lindbergh. This 1929 work, written in the flush of inspiration that followed Lindbergh’s 6 Taking Flight achievement, will feel fresh, new, and innovative in 2016.
    [Show full text]
  • 50Th Annual Concerto Concert
    SCHOOL OF ART | COLLEGE OF MUSICAL ARTS | CREATIVE WRITING | THEATRE & FILM BOWLING GREEN STATE UNIVERSITY 50th a n n u a l c o n c e r t o concert BOWLING GREEN STATE UNIVERSITY Summer Music Institute 2017 bgsu.edu/SMI featuring the SESSION ONE - June 11-16 bowling g r e e n Double Reed Strings philharmonia SESSION TWO - June 18-23 emily freeman brown, conductor Brass Recording Vocal Arts SESSION THREE - June 25-30 Musical Theatre saturday, february 25 Saxophone 2017 REGISTRATION OPENS FEBRUARY 1ST 8:00 p.m. For more information, visit BGSU.edu/SMI kobacker hall BELONG. STAND OUT. GO FAR. CHANGING LIVES FOR THE WORLD.TM congratulations to the w i n n e r s personnel of the 2016-2 017 Violin I Bass Trombone competition in music performance Alexandria Midcalf** Nicholas R. Young* Kyle McConnell* Brandi Main** Lindsay W. Diesing James Foster Teresa Bellamy** Adam Behrendt Jef Hlutke, bass Mary Solomon Stephen J. Wolf Morgan Decker, guest Ling Na Kao Cameron M. Morrissey Kurtis Parker Tuba Jianda Bai Flute/piccolo Diego Flores La Le Du Alaina Clarice* undergraduate - performance Nia Dewberry Samantha Tartamella Percussion/ Timpani Anna Eyink Michelle Whitmore Scott Charvet* Stephen Dubetz, clarinet Keisuke Kimura Jerin Fuller+ Elijah T omas Oboe/Cor Anglais Zachary Green+ Michelle Whitmore, flute Jana Zilova* Febe Harmon Violin II T omas Morris David Hirschfeld+ Honorable Mention: Samantha Tartamella, flute Sophia Schmitz Mayuri Yoshii Erin Reddick+ Bethany Holt Anthony Af ul Felix Reyes Zi-Ling Heah Jamie Maginnis Clarinet/Bass clarinet/ Harp graduate - performance Xiangyi Liu E-f at clarinet Michaela Natal Lindsay Watkins Lucas Gianini** Keyboard Kenneth Cox, flute Emily Topilow Hayden Giesseman Paul Shen Kyle J.
    [Show full text]
  • Bournemouth Symphony Orchestra Announce Electrifying 2019/20 Season Strauss’ Masterpiece the Pinnacle of a High-Octane Year: Karabits, Montero and More
    Bournemouth Symphony Orchestra Announce Electrifying 2019/20 Season Strauss’ masterpiece the pinnacle of a high-octane year: Karabits, Montero and more 2 October 2019 – 13 May 2020 Kirill Karabits, Chief Conductor of the Bournemouth Symphony Orchestra [credit: Konrad Cwik] EMBARGO: 08:00 Wednesday 15 May 2019 • Kirill Karabits launches the season – his eleventh as Chief Conductor of the BSO – with a Weimar- themed programme featuring the UK premiere of Liszt’s melodrama Vor hundert Jahren • Gabriela Montero, Venezuelan pianist/composer, is the 2019/20 Artist-in-Residence • Concert staging of Richard Strauss’s opera Elektra at Symphony Hall, Birmingham and Lighthouse, Poole under the baton of Karabits, with a star-studded cast including Catherine Foster, Allison Oakes and Susan Bullock • The Orchestra celebrates the second year of Marta Gardolińska’s tenure as BSO Leverhulme Young Conductor in Association • Pianist Sunwook Kim makes his professional conducting debut in an all-Beethoven programme • The Orchestra continues its Voices from the East series with a rare performance of Chary Nurymov’s Symphony No. 2 and the release of its celebrated Terterian performance on Chandos • Welcome returns for Leonard Elschenbroich, Ning Feng, Alexander Gavrylyuk, Steven Isserlis, Simone Lamsma, John Lill, Carlos Miguel Prieto, Robert Trevino and more • Main season debuts for Jake Arditti, Stephen Barlow, Andreas Bauer Kanabas, Jeremy Denk, Tobias Feldmann, Andrei Korobeinikov and Valentina Peleggi • The Orchestra marks Beethoven’s 250th anniversary, with performances by conductors Kirill Karabits, Sunwook Kim and Reinhard Goebel • Performances at the Barbican Centre, Sage Gateshead, Cadogan Hall and Birmingham Symphony Hall in addition to the Orchestra’s regular venues across a 10,000 square mile region in the South West Bournemouth Symphony Orchestra announces its 2019/20 season with over 140 performances across the South West and beyond.
    [Show full text]
  • 95.3 Fm 95.3 Fm
    October/NovemberMarch/April 2013 2017 VolumeVolume 41, 46, No. No. 3 1 !"#$%&'95.3 FM Brahms: String Sextet No. 2 in G, Op. 36; Marlboro Ensemble Saeverud: Symphony No. 9, Op. 45; Dreier, Royal Philharmonic WHRB Orchestra (Norwegian Composers) Mozart: Clarinet Quintet in A, K. 581; Klöcker, Leopold Quartet 95.3 FM Gombert: Missa Tempore paschali; Brown, Henry’s Eight Nielsen: Serenata in vano for Clarinet,Bassoon,Horn, Cello, and October-November, 2017 Double Bass; Brynildsen, Hannevold, Olsen, Guenther, Eide Pokorny: Concerto for Two Horns, Strings, and Two Flutes in F; Baumann, Kohler, Schröder, Concerto Amsterdam (Acanta) Barrios-Mangoré: Cueca, Aire de Zamba, Aconquija, Maxixa, Sunday, October 1 for Guitar; Williams (Columbia LP) 7:00 am BLUES HANGOVER Liszt: Grande Fantaisie symphonique on Themes from 11:00 am MEMORIAL CHURCH SERVICE Berlioz’s Lélio, for Piano and Orchestra, S. 120; Howard, Preacher: Professor Jonathan L. Walton, Plummer Professor Rickenbacher, Budapest Symphony Orchestra (Hyperion) of Christian Morals and Pusey Minister in The Memorial 6:00 pm MUSIC OF THE SOVIET UNION Church,. Music includes Kodály’s Missa brevis and Mozart’s The Eve of the Revolution. Ave verum corpus, K. 618. Scriabin: Sonata No. 7, Op. 64, “White Mass” and Sonata No. 9, 12:30 pm AS WE KNOW IT Op. 68, “Black Mass”; Hamelin (Hyperion) 1:00 pm CRIMSON SPORTSTALK Glazounov: Piano Concerto No. 2 in B, Op. 100; Ponti, Landau, 2:00 pm SUNDAY SERENADE Westphalian Orchestra of Recklinghausen (Turnabout LP) 6:00 pm HISTORIC PERFORMANCES Rachmaninoff: Vespers, Op. 37; Roudenko, Russian Chamber Prokofiev: Violin Concerto No. 2 in g, Op.
    [Show full text]
  • Jazz Concert
    Band Series presents University Wind Ensemble & University Concert Band Wednesday, November 18, 2015, at 8 pm Lagerquist Concert Hall, Mary Baker Russell Music Center Pacific Lutheran University School of Arts and Communication / Department of Music presents: Band Series University Wind Ensemble and University Concert Band Wednesday, November 18, 2015, at 8 pm Lagerquist Concert Hall, Mary Baker Russell Music Center Welcome to Lagerquist Concert Hall. Please disable the audible signal on all watches, pagers and cellular phones for the duration of the concert. Use of cameras, recording equipment and all digital devices is not permitted in the concert hall. PROGRAM University Concert Band Dr. Ron Gerhardstein, director Mr. Alan Young, student conductor English Folk Song Suite ............................................................................................ Ralph Vaughn Williams (1872-1958) I. March II. Intermezzo III. March With Each Sunset: Comes the Promise of a New Day ............................................................ Richard Saucedo (b. 1957) Alan Young, Student Conductor Themes from Green Bushes .................................................................. Percy Grainger (1882-1961) / Larry Daehn, arr. Urban Dances .................................................................................................................................... Erik Morales (b. 1976) Alan Young, Student Conductor Theme from Schindler’s List ...................................................................... John Williams
    [Show full text]
  • Form in the Music of John Adams
    Graduate Theses, Dissertations, and Problem Reports 2018 Form in the Music of John Adams Michael Ridderbusch Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Ridderbusch, Michael, "Form in the Music of John Adams" (2018). Graduate Theses, Dissertations, and Problem Reports. 6503. https://researchrepository.wvu.edu/etd/6503 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Form in the Music of John Adams Michael Ridderbusch DMA Research Paper submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music Theory and Composition Andrew Kohn, Ph.D., Chair Travis D. Stimeling, Ph.D. Melissa Bingmann, Ph.D. Cynthia Anderson, MM Matthew Heap, Ph.D. School of Music Morgantown, West Virginia 2017 Keywords: John Adams, Minimalism, Phrygian Gates, Century Rolls, Son of Chamber Symphony, Formalism, Disunity, Moment Form, Block Form Copyright ©2017 by Michael Ridderbusch ABSTRACT Form in the Music of John Adams Michael Ridderbusch The American composer John Adams, born in 1947, has composed a large body of work that has attracted the attention of many performers and legions of listeners.
    [Show full text]