THE DIAPASON AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN AND l'HE INTERESTS OF ORGANISTS

Sixty-third Year, No.9 - lVilolt: No. 755 AUGUST, 1972 Subscriptions $4.00 a year - 40 cents G copy

Convention 1972

('onnntlon d,nllure ,I,neUe by Donald WIIUq. June 18-24

Over 900 members of the: A.C.O. mentalists_ They are well disciplined. ton wad," totally inappropriate for the good stylistic registrations in spite of journeyed (0 "The Dig n" in mid-June they know the music well, thc), sing music, and the air conditioning system :all of his attempts to treat it kindly. (0 auend the organiution's biennial with ven"e and eXcitement, and Mr_ provided loud background accompani. We hope that it was just an "0(£ day" marathon of conCcr1.5 and r~tals. COIl1 - Bergt's approach to the music is an ment that W;ls annoying. for Mr. Holloway (or that it was per­ manly Cliled a com'cntian. And Da1l3.!l energetic one. Stylistially. howe\'cr. one The Schola CantorlllU of Fort 'Vorth haps an "0(( day" for I1S as a listener). rewardet.l them wilb :l generally fine can qUC5tion the approach further. is a larger group. made up of amateur Anton HeWer was the first of the program of c,'clllS, (riendly hospitality. Modem professional singers arc usually singers. and was without the benefit of European fe:tturw redtalists on .he a plush .md first-rate (and therefore trained in late 191h amI 20th century instruments. Bev. R. Henson, the con­ progmm. Playing the large Caruth tfaU \'cry cxpensi\'c) hC3dquartcrs hotel. and operatic style. There(ore vibr.ato is nn ductor of the group, aims at a "whiler" Aeolian-Skinner organ, he producw lypically hot weather (or June in Texas. integral part of the \'Dcal Instrument, and more delicate sound than the Kan­ what for us was the dullest program The Dallas committee headed by Paul all the time_ The cffeCL of such a vibra­ lorei. and this might be successful were we have heard him play in years_ It was Lindsley Thomas must have done their to is to negate the usc of tremolandi, the singers able to provide enough in­ reserved in all ways, had none of the homework well. (or all arrangements in Italian Daroque music - the useful tensity to the vocal production in order freedom o( rhythm and melodic line for tJlC convention seemed to go well. ornament of ule period is applied to to define the pitch and imprO\"c the which we have heard him do so well. c\'ents happened on schedule, :md trans­ all of the music rather than as an ex­ sometimes weak intonation. All of the and all o( the works came alit some· port:ltion was both abundant and effi­ pressive device in places where the pas­ performances lacked intensity. and COll­ what stodgy and dull. We had the ciently organized. The program com­ sion of the LeXt could all for il. As a veyed a weak tonal impression. It w:as feeling that he was uncomfortable with miUee headed by Robert Anderson also matter of (act, modern operatic vocal very difficult to understand the words, the instrument iLscIf. and that he was did their work well. for they managed technique simply obliterates 311 of the and we found little variety o( stylistic less than excited by having to play it. to smash a dauling arr:ay of recitals ornamental devices such as changes of approach £rom piece 10 piece. Certail.lly, His recital failed, even in the Reger into the weck and still provide variety color, timbre, rhythmiC alter-nious, and there was none of the cnergelic exClIc· piece. to produce the excitement for to the proceedings without scheduling coloraturas which would be usu31 ill ment produced by the Kantorei. which he IS world· renowned as a red­ things as tight as we ha\'e seen in othcr the music of SchUtz and his contelll­ The programs: talist. com entions. Since the program was porarics. Without this, the main ex· The Americm Kantorei, Robert Dougla!! ltIanhall of Boston won the made up almost cntirety or concerts, pressive qualitl o( the music (conveying Bergt. conductor.• 'rogram A: Intrada nation:al organ playing competilion nn)' rc:\'icw of the oou\'ention must o( the passion 0 the words) is lost. and from Partita (or 5 and 6 Instruments. which preceded the oon\'cntion. His re· tu..'ccssity be a rC\'iew of lJu_"SC perform­ much of the music becomes dull. We Melchior Fr.anck; MoteLS for 2 Choirs - cital for the convention failed to tell nnces. were unable to underst3nd most of the I am the Resurrection and the Life, us even one reason why he should be words. Furlhecmore. the music o( Lift Up Your Heads. Motet for Treble selected as winner. Containing a '''In· Choral Performances SchulZ and his contemporariL"S is large­ Voices - Heute ist Christus tier Herr piing of all kinds of organ literature Two major choral groups each pro­ ly wrillen out in s1..t'let;ll lonn, Icaving gcboren, Sacred Song (or 2 Tenors and from Bach 10 Peloquin, he attempted \'idcd the convention Wilh two separate much improvisatory ornamcntation to Bass - Frenet euch des Herren, Schlitz; to play everything in the style o( Virgil programs. The American Kantorei of the performer. These impro\'isatory or· Singet (risch und wohlgcmut, Distlcr; Fox. For us, this was a disaster, not 51. Louis, under the direction of Robert naments were common IR the J>C:riod, MotelS - Sinqet dem Herrn ein nenes because we don't like the style itself. Bergt, centered on the worla of Hein­ and it would have been unthmkable Lied, Der Geist hurt unscre Schwach­ but because Mr. Fox does it beller. We rich Sdl£itz and his contemporaries. (or a performer to lea\te them out - heit auf, Bach. Program B: Also h3t see no reason why an),one should want They also performed all but one o( the the composer expected this of the per­ Gott die 'Velt gelicbt. Psalm 100 (for to copy such an individualistic approach motel! by J. S. Bach. Since the scrond former. The pomt here is that after 2 choirs). Es steh Gou auf. Ocr Hcrr to the music; it simply hrings one into perfonmmce b)' the Kantorei was pre­ one has heard ten of SchUu's t3<1enccs ist mein Liebt, Dcutsches Magnificat, direct comparison with the one emu­ ceded by a (caturc leclUre o( the con­ (which are frequent) without any or­ SchUtz: l\[ote15 - Komm JCsu kOllnn. lated in tenos of how successful the \'entioll, and since the lecture had to naments (:t.S most of tbem were done Lobet den Herrn. Bach. show was. Mr. Marshall was decidedly do somewhat with the music being per­ by the American Rantorei) , one tires Schola Cantorum of Fort Worth, Bev. inferior to Mr. Fox. and we would formed by the Kantorei, we must con­ of hearing the $lmc chordal cadcnce R. Henson. oonductor. Program A : Six suggest that he would be far better of( sider the lectures in this context. Ori­ progression O\'er and over 3gain. In Chansons on Original Poems of Rilkc, to arrive at his own style. Bellcr yct. it ginally, Paul Henry Lang, the eminent facl. it becomes irrit3ling and it is Hindemith; Three Chansons, Debuss)'; might help to study the music 3 bit musicologist was sCheduled (0 be the probably the chief reason that so many Three Chansons, Ra\'el; Stabat Mater, stylistically. There were many mista.kes main speaker. Due (0 iUncs, he w:t.S not people think that thc music of Schlitz Poulenc. Program B: Adoramus teo Via­ in obvious places, wrong notes cropped able to he at the cOIl\'cntion. and his 15 dull. Things impro\'ed a bit for the dana; Crucifixus, Lotti; Sanctus and ur in the slowest of tempi, and some place was taken by Dr. Michael Collins, mwic by Bach, but a certain hea\'iness Hosanna, A. Gabrieli; Eceo Mormorar. a UIC music was of a decidedly in­ musicologist and specialist in baroque of rhyulm, and a stylistic approach Monteverdi; 0 Salutaris, Ro"ini; Glori .. ferior quality (0 be programmed at :a performance pr.actice5 and faculty mem­ which dri\tes the music with a great (rom Mass in F. Pergolcsi; Es Die Est national convention. It must now be ber of North Tex:l5 StoUe Unn·crsily. energy resulted in a loss of elegance Trophei, A. Scarlatt.i. obvious to the reader that this reviewer Denton. His first lecture had to do and expression. We admire the compe· and Mr. Marshall are on complctely op· with Schutz and the halian Style." ;lntl tence and verve o( this grouP. and we Orpn R.ecitals posite poles of musical .. nd IITtiSlic his concise prescntation of the stylistic certainly admire Mr. Be'll for his dl"LI­ Clyde Holloway substituted for thinking and opinion. troaits (or "salient fe;lllucs') o( the ieation and hard work m pUlliug an Fred Tulan. who was unable to play due Luigi Ferdinanda Tagliavini played Italian Baroque music o( SchOlZ'S per­ essentially good professional group to­ to sudden iIIncss. Mr. Holloway stepped what, for 115. was the first really superb iod (as well as the second lecture on gelher 10 perform this music_ Style. into the slot on 24 hour notice. Perhaps recital of the convention. Playing the "Building a Uaroque Pedorm:mcc") howe\'er, is the main problem hcre mu­ it was this short notice combined with new Aeolian-Skinner organ dcslgned by was packed with thoughts and mate­ sically. and we would wish for more the deplorable acoustics o( the Park Robert L. Sipe in the architecturally rial which arc (onm.tivc to allY stl'Jistic attention to the stylistic CXf.ressiveness Cities Baptist Church. and an organ handsome and acoustically live Church approach in the pcdonoancc 0 the in this music. We expect tlis all thc which is buried in ule side walls of the o( the Transfigur.ation, he delightc.>d us music. Unfortunately. much o( this more so from a professional group chancel, which causcd him to play the with a solid progr.un of intercsting "stu((", stylistically spc:aking, was lack­ which specializes in Baroque music. Mr. dullest recital we have e\'er hcard from miniatures. Most of it was baroque in ing in the performance by the Ameri­ Bergt and his group cannot be fal1ht"LI him. There was none of the excitement style (except (or his own piece), and can KanloJ"e1 which followed (as it was for the miserable acoustics :and aestheti­ that we arc accustomed to he.. ring from aU of it was Italian. Only Waluler's in the preceding concert). The Kantorei cally poor surroundings in which they him: his tempi were slow, his articula­ transcription of Torelli's concerto en­ is made up of profession:al singers and had to perform. Especially the first o( tion overly particular and much too Db· tered the German world. It was for us a small group of accompanying instru- these buildings was acoustically :a "cot- vious, and the organ seemed to de(y (Continued, page 2) (Continul!d from poge 1) some tinkering wilh it, 3niJ we were re­ minded or Ihe rr:ljhy uf music that de­ THE DIAPASON Istounding that Mr. Taglia\'ini could pends on clect.ronics, Miss Keiser- ga\'e Ed.blk"ed in 1909 hold our interest in all these little pieces It a good performancc, and we arc sure consistently registered with one, two that the audience W3S trc3ted to the and three stops at a time. The key was same in 3 program sprinkled wilh COli' (Trademarlc: re,lnered at U. S. Pa'en' OffIce) in his knowledge of the SI)'It:. his mar· tcmporar), works, hcr fortc_ velous way of illuminating detail wit!. Mwic from 20th century composers S. E. GRUENSTE/N, P.h/bh.. U909.19571 subtle Oexibility of rhythm, and 1115 made up Catharine Croziers fine pro­ cueful way of regislering the pieces to gram, Fr.:r.ming more modern works AUGUST, 1972 ROIERT SCHUNEMAN produce the clearcst aud most trans· were conservative and tonal ones by Efllfo, parent sound. Although the organ is Distler and De Klerk. The program was nol Iblian in style. it performcd ~cU a large dose of 12-tone, pointiUistic, for Mr. TagHavini, allowing the hnes and sclUi-ale3toric music inside the FEATURES DOROTHY ROSER and dcl3.il to come dean. If wille peo­ frame, and wc arc surc Ulat gencral AGO Natloaal CoayeaUoa 1172, DaUGII, lu,in." Manage, ple were bored by this "antiqu~n:m" "convention fatiguc" did not help it Te.aa, Juae 11-24 - A Report I, 2, :I progr:J.Ill, we were delighted. Inr It w~s all to be more alh'e, HUl Catharine Cro· WESLEY vas the first time that we ha\'c heard tillS zier's playing was so finely done, 50 as­ kind of music done interestingly and A Sunel" 01 Otgcra L1lerature & EdlUona; Assi,'.n, Edj,., sured. and her comprehension of the North CUld Mlddle Germcray, Part 2 with true penetration of the style. "·ur· music so cvidellt that the progralll was by MarUou Erataea.atela 4, 5, • thelmole. the organ, a small two-mau­ a stlcceM in spitc of a tired audience. ual. was for liS the unl)' really ~inc in­ strument to be he;J.rd on the enure con­ A brass group conducted by James Toward Aa laM11Iretatioa of Beqer'. Ri\'es Jonl.'S competently pro\lded the ,'cntion progr;J.m. }'erhaps our delight OrCJGIl Mualc instrumental portions of IJict Kec's br Her1Mn M_INt! Hollman: An 'n,e,.,..,liuAUl Mu,.,,.,,, DetHJ4ed was in the combination or the playel lranalatlld hr Rarmoad Mabrr '0 and tbe instrument together. But it piL't:e as well as the Dc Klerk concerto. • ,,,. Or,an nnd to Or,an"" .,." was also a delight to hear a program in We might ha\'e onll' wished ror the C"arch ",tulc brass pla)crs who wa k up thc 3isle in Max Reger. Complete Worb. Vol. 15: good acouslics (which few of the Dallas IJiet Kcc's Music and Space to h3\"C OrlJaa Worn, Foreword churchcs h:u'c) amI without the C\'cr· by Hana Klola: IrCinalate br Tie. Diapason walked a littlc louder accurding to Ule Raymond Mabry present background roar of the air con­ composer's direction, And we also • Editorial and Bruin ... Offlc. ditioner (which :tdmitlt.'llly _would ha~ " c wished for a marc "livc" acousdc:al sur· 434 Sou," Wabash Attenue, Chlcala, roasted the audience were It absent 111 rounding whidl would have helped the Hlat. Jor Cboosing a Harpaldlord Ill.; 80805. Telephone 312-HA7-31.f9 all the churChes), "space" part of Ule music. Miss Crozier by Larry Palmer 12 Subscription price, '4.00 a vear 'n ad· Da\'id CraigheOld pla)'ed a SC?lid and showcd tersdf to be a competcnt in· conee. Sin,'e caple. 40 t!etd •. Bod, tedmiCllly diUicuit progr:l1n wIlh case. terpretcr in the pcrrorm3nce. n"mHra more 'hon ten we"" old, 75 Performing with cleanliness a~d aCCU­ George: Rall;cr III stunned the entire eenll. Fore',n ..,blCripllom "Iud ". rac)" his playing was of a "ery hl~h stan· convention ",hh perhaps the best re· NUNC DlMlnlS paid in United Sta.e. lund. or the dard. What it lacked in mUSical mterest cital of the whole week. Since Groups • equ'OCIlen' "u!reo'. it'made up in technical. virtuosity.. His "A" ilnd "n" heard him at opposite LETTERS TO THE EDITOR 12 program includcd the piece by IJerslch· ends of the com"ention, sOllie heard cui commissioned by the Dallas Chap­ him first and othcrs last. Whichever it CALENDAR II Adcer,"in, ra'•• on arJPl'ca,ion. ter for the convention. Although wc was, his recit:ll produced more audience ORGAN RECITAL PROGRAMS 11-21 would like to hear the piec~ again .bc;­ cx.citemcnt than anyone else did. His Routine "em. for publlc:.lIon mud be fore passing judgement on tt, ollr 1~1' formidable program was pla),ed entirely CLASSIFIED ADVERTISEMENTs 12-23 reee'ced no' later til. '''e 10'" of 'h_ tial reaction was only luke-warm_ \\'nt­ from memory with complete assurance, man'" '0 GNU'" ".."Ion ." 'he ...... ten in wh3t we asmme is sctni·12-tone Hardly a nole was «rapped or a wrong tor 1M ned montl.. Fu, ",d"" po- nyle, the piece is Hlied wilh Dmbling one playw. Furthermore, this bright ,,... mt4 N., ...."'''' eopv, lit. do.. and aimless pointillism punctuated by )'oung 1ll31l who is only a junior at All subia-ibw are urged 10 laid In, dale" ,Ite 5'''' Malenar. for re­ clusters anti chords which ,"crgc on the S.M.U, prCMlucct.l exce.l.lent music. It \\'as changes of addlUl promptly to the clew Mould reach .1Iet alflce b, 'he tOllal (triads arc audible). We are not olwious that he was aware of rorm, h', coll\'inced that the m3terial supports _the uffice: ur The Diapason. Chan~ structure and style in all the pit.·cl.'S he must reach US before the 15th of the length of thc piece, or lhat the mUSical played. Yes, one could fault the lack month prec~ding the date of lh(' ideas arc \"ery strong. But we would of a completely historical st),listic ap- (int issue 10 be mailed to the new Sec:ond.claN palta,e paid a' Chi­ wanl to hcar It again berore cont!nuing ca,o, cmd at tJddlllonal mallin, r03ch in thc SWI.-clinck piece, .. nd per· addrrss. Th~ Diapason cannot pro­ la., this linc of thought. Mr. Craighead r,laps in the lI.:Ich, but Ihen Mr. llakel olffee. llIUed monfhJv. Til. Dlapaaon \'ide duplicate car,ie!l missed ~caU!ie clearly communi~ted I~js ted,mical was nol SO rar orf the lUark th.:l.t his of a subscriber'S ailure 10 noliC,. Offlee of publication, 434 So.,,, WahcuIa prowl.'SS 10 the audlcncc ,'Ia lhe elunes interprctation did 1101 make good SCItSt."_ A.,~,Chk.lo.ln. &0805 by Jcanne De:messiellx. We know of At worst, it was plcasing and sensible_ nothing more diHicult Iu pby, 31~d at Hut not one persun in the audience ex­ thc sante time we nml thcnt nHlslcally pccted to hear such a r,owerrul rendi­ '1 hrce "Arias, Ilas,!uini; Sonatas in C settings for solo soprallo on ICXU frolll somewhat trite and nOI \"el)' exciting tion of Liszt's huge p lalltas), 011 Ad ,lfId D. Scarlani; Concertu in A minor, Chaucer's C(mtt!Tlmr), Tales, using the front the stalldpoint .of tncl~uly, har· liaS. Not from such a young person, at Torclli-W alt her; Passacaglia on a middle EngJish. At once amusing, cx.· lIlony, 3nd fonn. As dlSpl3y pteces they least. \Vc h3\"e not hcard the piece done Theme of Hindemith. Taglia"ini. pressivc and Cree of gimmicks, the in· ex.cel; as pieces of music they arc wcak. as well ill 10 years, and scarcel), any or· Da\'id Craighe3d, St. Stephen Presby­ stflnnen'ts weave a subtle fabric around Few players in this country could match g-.tnist could approach ~h. lIaker's per­ Icrian Church (Ft. Worth) : }o'antasi3 the gracious melodies for solo soprano. Mr. Craighe3d's fine performance of formance of it - hath frOIU the tcdl" in F minor K. 608, Mozart; IJarable VI llarh3r.t Marquart did a good job of thent. lIical and the lUusical standpoinl. Ura­ up_ 117 (premiere), Persichetti; Prelude handling the difficult text, making it ~l:tric=-Claire Alain played a llasically vura passages were toss(.'d off with allso­ and t"ugue in A OW\' !i36, 8ach; Etudes so dear th31 onc did not have 10 refer t-rcnch program. with the addi.tion uf lute \'inuosity, and yet he fl.'Straillcd I, .. and 6 for Organ, D~messicux.. 10 the tut shccts ex.ccpt to daril}' pieccs by Bach and Heillcr, on the new himsclf to sane tcmpos. Aud thL"SC tem­ Marie-Cbire AlainJ Holy Family Chaucer's En~lish. Likewise, on the Rubin Frels organ in fun Worlh, ~\I­ pos, combined with an excellent sense Church {Ft. Worth): Suite dlt 2cme piece by Rietlt, the enscmble was good, though the organ is \'isually allracU\'c of liue :utd lUovement ovcr the long Ton, Gllilain: Trio Sonat3 3 in D mi ­ the instrumcntal intollation clean, and and in good acollstiC41I surroundings, it phrase, cOllstructed a manclous cohe· nor nwv 527, Fantasia in G BWV 572. rh)·thmic cohesh'enC5s was at its best. leaves much to be desired 10llally (the sivencss that we seldom hear in per­ Bach; Offertoire sllr 0 Filii, Dandrieu; The Rieti piece is unabashedly nco­ lowest cut-ups we havc e,"cr seen in any fonnauces of the wurk, Only in Ule DCIlx. Dauscs ;1 Agni Yavishta, Postlude romantic, and if it is pleasant to listen ipcwork produccs tuning problems ai_ill morose and slow sections of the piece pour l'O(ficc de Complics, Variations to it is also not a very concentratcd r.caves the pipcs g3spillg for wit~d), D.'s. did lhe young playcr show his age, for sllr un ulcme de CMment Jannc'luin, pi~ce of contemporary music, being regarding thl.'5C prol.llellls. ~(arlC~-CI3:lre there was j list the slighlest e\'ldellce Alain: In feslo Corporis Christi. Hellier. more on the "light" side. Dr. Palmer's Alain simply playcd alKJ\'e It all: Usm~ that slow, suslaincd passagl.'S which Marilyn K~lser, Zion L u the ran handling of the CI.romatic FatUasy dis­ the fruits of 10llg ycars of IIlIlSICOlogl­ cOllie out of long rerleetion and ma­ Church: Chorale and Variations on Vcni played depth of understanding aoollt ell rescarch, her pla)'ing displayed _a turity of fL-cling were not 'Iuile scttled Crealor op. ·1 , Ourune; Prelude for Or­ the music and the harpsichord. AI· fidelity to st),listic integrity in thc musIc inside of Mr. Baker_ 1 he audience W:lS gan and Tapc, Stcw3rt; Communion, though there were sonte technical ill' without producing 3 pendantic or aca· brouglll 10 tIleir feet at the end of thh Sortic from Messe de la PClllecotc, Mes· securities, p3rticu13rly in the free arp· demic dullness. The early Frcndl music recital, and they expressed (heir plcas­ Si3CIl: Dies sind die heilgen zchn Gebot pegiatcd .sections, thc musiCllity of the was spiced with rhythmic aherations. ure b)' C'.tllillg Mr_ Uaker hack ror sc\"ell nwv Gi8. K)'rie Gott heiliger Geist performance overcame these completely. fiue articulation and abundantly ele· bows. nwv Oi I, Bach; The Wise Men Seck Again, good acouslics in II_lis .church.in. gant ornamentation. Her registrations The programs: from Pe3CC Ilicccs, WiIIi3msol1; Final the,round helped the musIc IInmellscly_ were true 10 the directions of the com­ CI)"dc HollowaYJ IJark Cities ll3ptist from Symphony 3, Vierne. The gala concert which dosed the posers, pro\'iding a colorful 3nd dazz· Church: Prelude and Fugue in A IItllIOr Catfutrine Crotier, Church of Ule In­ com'cntion featured a "3riety of music. ling display. Her approach to Bach's UW\, 543, Sduniicke dich DWV 654, carnation, Episcopal: I'arlita on Awake William Hybel with M3rie Claire Alain trio sonata was 1I0tabie for the usc oC Hach; Choral in n minor, Franck: Joie 3 Voice is Calling, Distler; Vari3tion5 and Mr. Tagliavini were the soloists in nolt's j,,~galt! (short.long) in the first et Clarti: dcs Corps Gloriell)(, COinmu­ nn a 12-Tone Series, C. KI.'1.': Music ,lIld Ihe Vh':thJi works with 311 orchestra and last movements_ Subtly applied nion from Messc de la PeUlI.'t:iJle, Mcs­ Space for two organs and brass, IJ. Kt.'C; conducted by Anton Hcillcr. Mr_ Hy­ and carefully hand lcd, lhis allevi3tcd siaen; Final frolll Symphony J, Vientc. The Despair ant! Agon), of Dach:lll, bel's playing leaned toward the IYilt the usual musical problem ellcotlnlefl..'d AnIon HeillerJ Caruth Auditorium, Siner; Vox MOOia, Four Settings, Eder; century robust \'irtuosa stylc, and did in the lIotalion of this particular sona­ Southern Methodist Unh'ersilY: Suite dll Concerto for Organ and Brass, Dc Klerk. little with the poMibilitiL'S of baroque ta, alld a\'oidcd the confusion betwecn 2clUe Ton, ClCramb3ult; SchmUcke dich George Baker ill, Caruth Auditorium, \'iolin style. Howing, ornamentation, duplet and triplet figuration. It was an UWV 65,1, Passacaglia in C minor nwv Southern Melhodist Unh'crsit)': Fantasia and rh)'thmic articulation therefore elcgant performancc of ule sonata. We 582, DOlch: Ecce lignum crucis, Heil.ler; ChrOluatica. Swcelink; Trio Souata 2 wcre more appropriale to Mendelssohn's were also ple3sed to hear thc works or Fantasia alld Fugue in D minor op, in C millor nwv 526. Hach: Prelude music than to lhc works at hand. Marie­ Jehan AI am which wefe included all 135b, Rc..'ger_ ami Fugue in C, Dupre; .-autasia aud Claire Alain and Mr. Taglia"iui played thc program, for no organist plays them Douglas l\[anhallJ Temple EUlallu"EI: fugue on Ad nos ad salutarcm 1IlIdal1l, numerous (100 man)') works for two 35 well or with mure ciLogancc ami ex­ Alh.'gro aud I:iual rrom Symphony 6. LiSlt. l)()silh"C urg3115, and, as ill the other pression than Maric"Claire Alain" J-Icr Widor; Trio from Canlal3 2fJ, Prelude wurks of the e\"clling, it was apparent performancc was rirst-rate, aUt) she de· and Fugue in E minor, Nlln kuUlIU der Chamber Music Ihat the performcrs had preparcd this SCT\'eg to be C'.tlk-d one of Ihc leading Heidcn Heiland, Bach; Suilc for Or­ The DaHas Musica dOl Camera (Bar­ cuncert wilh a minimum of rehl."3rsal org:misls of the world. g-.tll, l'L"loquin; Cortege cl Lital1ie, Du­ hara Marquart, soprano; Rita Almont!, timc. Also, the church building lefl \Ve were not able to hear all oC Mari­ pre; Gig:t, Bossi-Fox. nutc; Ross Ilowcll, clarinet; Ralph little room to arr.wgc the instrumcnto; lyn Keiser's program, but what we diLl Luigi Ferdinanda Taglia\'inil Church Hcrsh, ,iola: Robert Marsh. cello; adcquately so that perfomlers could sec hear was convincingl) dune 311d com· uf lhc Tr3ltsfiguratioll, Episcopal: Toc· Da"id Williams, harp and LaITY I'ahu· each other. The acoustics in the hu~e petently played. We wcre happy to hear cata e Riccrcar cromalico, Toccata per er, harpsichord) pro\'ided a Ciuc small church wcre muted 10 "cotton wad" her performance of Richard Stewart's I'Ele\'azionc. Camon quarti toni (all concert or music for ,'arions instru­ qualities by much carpeting, a lhrec pil.'Cc for tape and orgall, e\en though from Messa dcgli Apostoli) , Dergamas­ ments with harpsichord, The most mod· sided gallcry. (13ddctl st.'ats, soft plaster, there was some duubt that Ihe electron­ ca, Frc:scobaldi; TOCcat3 I, Canton fran­ ern work on the program was the am.I 3 squ:u cdling for the widtIt and ic l.'quipment would work. It did, after cesc 3, Salvatore; llasturale, r3.Ss:u: __ glia, SOIlJ;S by LI.'5tcr Trimllie. Thc) arc four (Continued, pagt! 3)

2 THE DIAPASON breadth DC the room; the loud air·con' with weI handkcrchicO and Anion any other kind of approach. For this the coO\'entionecr 10 choose from, rath· ditionin~ aho intruded annoyingly on HeilleT (improvising on well.known reason, there is little else to dn hut cr than 10 provide c\'cryone with a li(. the dehc.lle in'iitTlllttcltu. It was the pop tunes of the organ world). Thc day ~hcdulc concerts onc afler thc other, tic lIit or something. Depth and liuh· worllt kind of f(KJIII (or Ihi!ii kind of following Ihe (Olwention also featured and IC;I\'c the rest of the con\'cntion In ~ancc can then be achic\'cd for c\'cry music and these instruments. The (011, tnllIlCroU!ii redtals on the cI(.'Ctronic in- good old sud ... 1 interchange. rcrsoll (hopefully) rolher than jmt (crt emlL..:1 with Mr. Heitler tlin.'Concertino for Flule. \'iola. cello. ducC{t b)' such a con\'cntion. (or the arc the same - they like pla)'ing organ participate in something acth'cly :mtl harp and harpsichord. Vittorio Rieti. cndless round or concerl.. fills onc's car music ror organists who sit around manage to pursue their inlerests iu Cab Concrrt, Firsl Methodist Church: to the point o( con(nsion and e"haus- quietly looking serious while listening dcpth ror the short lime thal lhey arc Concerto in J) minor (or organ, violin lion, musically speaking. One is no to the organ music pla)'ed by an or- at tJle cOIl\·cntion. In short. we are say· and orcheslra, Concerlo in ... ror organ, longer able 10 discern what one heaTS. ganist. Sounds kind or silly "'hen onc ing thai it is time (or the Guild to ,'iolin and ol'chc~lI"a. V,,'aldi; La Gero· (or one hears 100 much too quict.:ly. Ihinks about it. All Ihis is to say that start acting like a professional org:mi. meUa (2 organs). Pona; La Lucchesina, Secondly, all thesc concerts lea\'e the the Guild seems 10 act as i£ its mcm- zation (instead o( only saying it). and Canzona I (2 organs). Guami; Sonatas com'enllon goer in a ~nuinely paS1 iw: bership is a huge monolith. Not true. thereby start getting pro(essional about 2. !I, 7. 8, II, 12. I!l. 14 ror Two Organs. spectator role. There IS lillie sense or The Guild is made up of many people the way it plans and executes a con- I'asquini: Cuncerto (or Posith'c Organ, participation in the events. We are not who ha\'e varying intereSlCi - some ,ention. Perhaps the bcst way 10 start Harpsichord and Chamber Organ, Heil· arguing ror concerts to be evicted from choral. some organ. somc acadcmic. going proressional is to engagc some ler. conventions. but we would argue that some educational. some creativc (such professionals in the planning o( such Miscellaneow Ihere should be a choice or olher less as the composcr or instrument build- c\ enl'i. Other things went on at the com'en· pas.'iive aClh'ilies for the convention cr). some as hobbyist. E,·en within in· On a more positi\'e flote. we are tion. There was a new opcra performed. goer. terest areas, there arc varying interesl!. happy to 53y that we did enjoy Dallas. there were some open discussions on Perhaps thc whole question would Among organists. for instance, there arc Evet}·one (rom the Dallas and Fort Guild matters, a choral reading scssion. be soh'cd easier if Ihe A.G.O. had a those who arc inlcrested in old music. Worth area Chaplers extended a most a panel on contcmporary trends in dearer idea about and image of it5cl£. and olhers who are interested only in warm welcome 10 us. Coming (rom an church music, a panel on organ huild· At prescnt. the Guild has a set o( abo lIew mmic. Not 10 recognize this in old and dirt! and exceedingly polluted ing. numerous cxhihits h)' music puh- stract purposes, most of which arc OUl deed is to open a conl'cntiol1 and Ihe cit)' o( the North, it was good to be in lishers, instrument huilders and mmic of louch with things the way thcy ar~ Guild to the gripes which we heard slldl a cll'an and modern city of tile dealers, and, of course, the hanquet. in our modern world. This lack o( im· ill Dallas, and which we l1a\'e heard South (or a change. The music and From all indic:lIions. Ihe banquet was age, ami the lack oC a (onClelC goal amJ many times before. The griper's inler· the convenlion program did not disap- a success (in spite or the long lalk hy purpose is probably what produces a esU arc not being met with alil.-quate point us entirel)'. e\'el1 Ihough we ha\'c the Ceatutl... 1 speaker) with cnlertain· com'ention which dnes not kno\\' whelh· satidaction. \'oiced sollie wneem o\'er it. One thing ment played on Ihe Hamlllond organ er it should be taking a didaClic ap· It seems 10 us Ihat the Guild should l1Iusl he said ahollt the week in the by Catharine Crozicr (l'nnntiofls 1m proach. a scholarly approach. an aealle· begin 10 Ihink ur a convcntion Ihat "Rig D." howc\'er. it was all OJ lot o( Am,ie LauTie by Dudlc) Huck. complelc mic approach, a crl'ati\'e approadl. or schedules more items of substance ror (un in spite o( the heat. - RS iiFiiiiiiiiiiiiiiiiiiiiiiiiiiiiii~~~=-

Southern Illinois University Carbondale, Illinois Three manual I 58 ranks

THE REUTER COMPANY BOX 486 AH lAWRENCE. KANSAS 66044 TElEPHONE (9131 843·2622

AUGUST, 1972 3 I1:!I) , Johann Sehastian's oldest brolh· In Ihe generation following Pach~l· er, who studied for three yeau with bel, the leading rigures were Friedrich Pachelbel and m3Y have transmiued W. Zachow (1663·1712) and Johann the Pache1bel tf3dttion to him U. S. Heinrich Buttstelt (1666.1727). Tin: Dadl) . 7.achow. Velter. Armsdorrf, and chorale fugue was 3n import3nt ronn A Survey of Organ Literature & Editions UuttstC: 1t are other middle Gennam ror both of lhem. Zachow also b\ored whose style was partially dctenuincd the simple melody chorale (whifh is by Pachelbcl's example. Ihe type of composition that dominates Besides Pachelbel, tJle brothers Jo· in Bad,'s OrgelbQchl~jn). While both North and Middle Germany: Part 2 hann Philipp Krieger (1(149· 1725) aud composers were strongly influenced by Johann Krieger ( 16S 1 ~ 17~5) were two I'achell>el, Butl!!itelt was dr3wn, in ad· other south Germans acth'C in middle dition, to the north Germ3n school. Germany. 'Vhile the older brother 1\as He composed Buxtehude·type orna· the more famous of the two, the young­ mented melody chorales and free work!!! By Marilou Kratumstein er one, Johann Krieger. had the mo~t displaying north Gennan features. to orrer in lhe realm or keyboard mu· Active during the same period were sic. He wrote preludes. ricerClr5, ruguL'S, Nicolaus Vetter (1666. 1734) and An· toccatas, Chornlbt:arbeitungen (espe· dreas ArmsdorU (1 670·1699). Both cially chorale fugatos) , and suites. The wrote chorale preludes in the u!!!ual Approximately conlem{l0rary wIth any voice. Sometimc!!! it was a strict Kriegers promoted south Cerman and middle German forms, plus orna­ Buxtehude were four distmguished OT­ cnntus lirmus, M>metimes it Wil!I orna­ Italian form!!! and techniques among mented melody chorales in the Buxte· ganists - Vincent LObeck, Nikolaus mented, other times it provided ma­ their middle German students and as· hude style. Also to be mentioned in Bruhns, Tohann Nikolaus HanU, and terial for a chorale mol ct. etc. FOI sociates. passing is Johann Kuhnau (1660-1722), Georg na'hm. Abo active were Christian the proper tr3tiz3tion of cyclical cho· Another "foreigner" who settled in remembered primarily ror his program­ Ritter (c. 1645· aher 1725). Andrns rale variations. the pedal was required middle Germ3ny was Johann Friedrich matic son3t35. Alwic:alische r' orsle,~u"g Kneller (1649.1724), Daniel Erich and contra.uinj; organ colors were Alberti (1 642·1710). 3 native of dniger Biblischtr Historien in 6 So· (c. 1660·1712). Georg Dietrich Leiding needed. In Bohm's chorale partiw, on Scllieswig m the north. His presel \cd natt!n. Organist. and Kn,,'or at the (c. 1664·1710). and Arnold Melchior tJlC olher h.md, the melody usu311y re­ works consist of rour Choralb~lJr· Thomaskin:he in Leiplig, Kuhnau lert Brunkhorst (e. 1670·1720). mained in the soprano voice, A general bt!itungen. Very rew north German Cl­ only a few organ works, including a Vineon. LUbeck (1656-1740) W3S or· keyboard style predominated, so that ganisl!!i .seemed drawn (0 middle Ger' loccata of north Gennan inspir3tiou. ganist in Stade hom 1675 to 1702 and the compoSition was a!!! errcclive on many, although the reverse wou certainly The adoption of rorm!!! and litylc thereafter in Hamburg. Among his harpsichord 3S on the organ. Thi!!! type true. Among the middle Germam who traits rrom the north Germans and preserved works are preludes and of compo!!!ition - the chorale partita took up residence in the nonh wcre the south Gt!nnans became more and fugues and ChortJlb~arbeitungen. Like - first rose to prominence with Hohm, Matthias Weckmann, Christian Ritter, more characteri!!!tic or the middle Ger· Buxtehude's works of the same name, although earlier examples can be found Johann Nikolaus Han£{, 3nd Georg man school in the Late B3roque era. LUbeck's preludes .and fugues are gen­ in the works of other composen. Bahm. They could possibly be listed By virtue of its geographical fOUltion, erally IOCClIa.·like compositions. Charac­ (Example 5) with the middle German school rather or partly so, middlt! Germany gradu· teristic of LUbeck's work in this genre ally became a territory in which the Turning !lOW to middle Gemumy. than wilh the northern one, is a virtuoso display of manual and one recalls th:n Samuel Scheidt lias Andreas Werckmeister (1645-1706). more conservalivc SOUtJl Gennan man· pedal technique, including occa~nonal organist in Quedlinburg and Halber­ ner could meet with the imagin3tiv(', double pedalUng. the only organist or import during the first part of the 17th century. By the stadt. merits attention by virtue of his adventuresome north Gennan st)'J~. Per­ (Example 4) latter half of the century several signi­ Orgel.Probe and his MusiclJlische 7'cm­ haps the fact that middle Germ3ny did His preserved Choralbearbeitungen, ficant org.mists were there. Headiog peratur. Together with other studies in not have as prestigious an organ tm· doubtless only a fruction of that which the list or native·born Thnringians were temperament. the Musicalisc:he Tcm· dition as did its southern and northern he wrote, consist of a chonle fantasy, members of the Bach r3mity, who had fleratur (1686/87; 111691) bad a neighbors also helped 10 make this territory a fertile land for the mingl· a set of chorale variations. and il cha­ been UlllsiClI leaders in this pl'O\'ince proround ercect on ute Baroque key· conne based on a chorale theme. from the 16th century. Among organ­ board literature. It made available ing of OUl!!iide influences. Similillr in style to LObed's preludes ists of that f3mily pnor to J, S. Bach many new keys based on Ihe circle of In works of Johann GOllrried Wal· and fugues are the preludes and fugues were two brothers. Johann Christoph fiftllS. The most f3mous collections eK­ ther (1684.1748). iI. union of diverse of Nikolaus Bruh.. (1005·1697). A bn· (1642·1703) :and Johann Michael Bach ploring the well· tempered !!!ystem were style trail!!i is particularly obvious. tallic, sensuoUs exuberance pervades (164fJ..1694). Johann Christoph Dach J. C. F. Fischer's A.riadne Mwicu Walther had an exceptionally broad them. Bruhns' large Prelude and Fugue (not to he cOllrused with J. S. Bach', (c. 1702) and J. S. Bach's Wollllt:III' knowledge of contemporary (om· in E Minor is particularly remarkable brother of the S.lIlIe name) wrote a per;erte KJavier (1722). Joha.nn Ber­ positional practices. His Choralbear for its intense dramatic qualities. collection of chorale prelude!!! entitled nard Bach also wrote a number of bt!ilUngen encompass all the lech­ Bruhns also wrote a large choralc ran­ 44 Choriilc ZUlli Pracmbulieren. Each fugues in the new keys, some of (hem niquC!!l known to the north and mid· tasy. He was organist at the church in composition W3S a chorale fugue, or with rather distant modula.tion!. die Germans. As a true middle Gc.... man, Hwurn (North Frlealand) until his chorale fuga to, with the first phra.sc early death at the age of 52, of the chorale 5Crving as the rugue Ex. 4. Lubeck. Prat!iudium und Fugue (g). mA9·52, 107·110. A distincdy different contribution was tJleme. made by Johann Nikolaus Hanrr (1665- (Exomple 6) l'~-~= ~;JWtJ ~tr iJ--Jil'!' -~~~ 1711). middle German by birth. bUl Concentrated imhath'c treatment of ~s;.-'r- ,- ~ -r 1'-"'1 -1~.\ ::: - r'- : . ~ arr." one who spent most of his adult life some or all of the remaining chorale ~~£ t=';" _ 1: in north Germany. All that have sur­ phrases sometimes followed. Became =L- vived of his work! are six C/lOral,'oT' of its concise rorm and its appropriate· lpide, They rollow basically the Buxte­ ness as an introduction to congregation­ hude·type of ornamented melody cllu, al singing, u1is ronn hecame increasing­ ~ .1--.Im ..J. rale. and they have considerable imi. ly popular with middle German or­ .J~.."L tative treatment in Ihe lower \'oices ~- I '3i'\J\i- • ganist!!!. As indicated e3rlier, short, mod­ - -. r-~t during the interludes between chorale est forms were typical of the middle r rr r , '= r phr.ues. Noteworthy in Han(['s chorale! German school, as opposed to the ex­ preludes il the composer's conscious at· tensive \'irluOSO compositions of Ihe tempt to translale the meaning of north Germans, D. A"'l. '~l the choule text into mwical Janl;uage. Johann Michael Bach, is beJien:u (0 A verS3.tile composer was Grorg UOhm W~ have written a large number of dlO· I~ (1661·1738). who wou educated in mid­ rale settings, although only eight have IJ ,-'~",.".. ... ~ dle Gennany, but spent hi!!! mature survived. t'rom these few prese..... l'd • years in the north. He employcd ele­ works, it is apparent that he wrote ments from all of lhe Gemlan 5Chools Clloralbenrbt!jtlmgeli of .se\'eral differ­ J '\ IL...- L....J"T (north, middle, and south), together ent types. Like many lIIiddle Genu:ms. with trait!!! or the French manner. he preferred contrapuntal writing, Some of his keyboard work.! ale idio­ Contemporary with Johann Chrbtoph matic to the organ, $Orne were dearly and Johann Mich3el DOlch was Johann written ror a stringed keyboard instru­ "achclbel (1658·1706). a native of south " ment (the suites), and othen rail into Germany. His list or compositiOns in· Ex, 5. nohm. Acll wit! "ic:Mig, ael, wic lliic:lllig. Partita 4, m.1·2; Partita 5, m.l·2. that intermediate category of general cludes free works and chorale settings. keyboard music. In some of his prel· His Choralbt!nrbeitrmgeu made an udes and rugues he ronowed dosely immense impl'Cssion in ThUringia. the north German model. In the Prae His rree works (Magnificat fugue!!!. lutii"''' in F and tJle Prael"dium. E~ge toccatas, r3ntasics, suites, etc.), basically ;::i%~r: r=tr:::r=::r~~~::L~~p : r fInd Postludium, however, he adoplL'tl =:I~-J~ ~r"- in the south GeTman tradition, had r- - a French approach. The overture stylc less impact in ThUringia. Wilhin the - _- .@;tfiPl ~4- l-~ or Lully was the basis ror the rormer area or chof3le composition, Pachelbt:l u'ork, \I.'hile the \'3rious orname!1ts and concentrated primarily on three types: Ex. 6. J. C. Bach. lI'e"., w;r in hiklrstt:n Nolen sei,., m.1·7. mannerisms of the clavecin school ga\'t! Ihe chorale fuguc: the mutus fj,.,n'lf Ihe SHand work il!!l parlicular navor. chorale, with pre·imitation of C4lch Within (he c:ttegory oC Chamlbur· phrase or the C:twlus I;wlus in the ac· lJt!itIUlgen. he wrote chorale vari:ltion!!! compan)'ing \'oices: thc so'c:1llcd "COin­ chorale partitas, and Choralvorlpiele. bination-I'orm," which IJcgins with ;1 In the chorale variations, or chorale chorale rugue on IIle opening phl'3sc \'ari.uion cyclc!!! as they an: alw called. and continues with a 3- or 4'pall ~t· (lahm rollowed rhe tradition of Scheidt, ting or the entire I1Iclody. l'achc1bel's Ex.=~ 7. Walther, Muche dic", mdn Geilf berei', 111.1-·1. Schcidemann, Strungk, and others. This development or thc c:tUllus I;mllts means that the melody might appear in chorale was his 1110$1 far· reaching con· tribution (0 l1Iiddle German organ .. , ~ - practice. This ()'pe or chorale .setting ~ Mn, Kralunstein is a graduate oJ soon ,joined the chorale rllgato as a .&. Calvin College and Ohio Siale Univer­ Icading compo!!!itioll31 rorm.' lity. She lias also studied with A.ndre Among the middle Germans inOIl' -.' ., ... Marchal 4f a Fulbrighl grantee. She euted by Pachell>el were Johann Mi· htU taugllt al Calvin College and Sam chael and Johann Berm,rd Uach (1676- Houston Sidle Uniuersity, The present 1749). Both wrote canlils /imuts cho· art!c1e is the fourth in a continuing rales in the Pachelbcl style. Another senes. .., -..- .-.. was Johann Christoph Bach (Iti7.------THE DIAPASON hc prdcrn.'tI contrapuntal writing and alioll. Sincc thc Bach wurLs tllcrit a I'racturius. Michacl: .~ii",tliclll~ Orgtl. !l9. Reprint or the OrgelUJerke by C. F. excelled in it by combining conha­ complete Sludy b)' themsehes. this sur· werke, ed. Gurlitt (Arclliv It1r Mtl,ult · Peters (FranUurt). 3 Priiludien IInl. puntal techniques in an unprecedented vey will make no attempt to treat them w;nenschafl, Ill). Leipzig, C. F. W. Fu~en, cd. Seiffert (Orf.anum, IV /8) , variety of ways. One of his specialries further. Siegel, 1921. S8mtliche Orgelwerke, ed. Leipzig, Kistner &: Siege. W:1I canonic writing. ranging (rom !!im­ Bach's historical poSition, as everyone Matthaei, Wolfcnbiiltel/Berlin, Kall· pie, 2'part canon to subtle complicated knows, w:as that of a finISher, not an meyer Verlag; reprinted, 'Volfenbiittel, Hanff: 6 chorale preludes are in ChoTal­ types. innovator. ,Vhen one examines the Muscler Verlag, 1930. Ein lestt: Burn. vOTspiele altcr Meister, cd. Straube, compositions o[ some of his contempo· cd. Fischer. Hannover, Nagel, 19'.m. Frankfurt, C. F. Peters, 1907. The same (Example 7) raries, it becomes apparent that other Fantasy on "A Miglily Fortren," cd. in MtUteTpiues 01 Organ Mus;c, No. In his rrtt worla, Willther illigned organis15 were moving into a ncw Fleischer. St. Louis, Concordia. Fall' 61, cd. White. New York, The Liturgi­ himself particularly with south Gcr­ aC$thetic. A case in point is lasy on "We All DeNeve in Onc Tru~ cal Music I'rrss, 1949. man and ]talian composition. best Georg Friedrich Kauffmann (1679- God," ed. Fleischer, 51. Louis. Con· known are his organ concerti 17'.5) • While his style of writing cordia. Bahm: Klav;tr-u1ld Orgelwerke, 2 ,,·ols., If,mscriptions ror organ of instrumental was still basically Baroque, although Scheidt: Tabulnlura nooa. ed. Seiffert ed. Wolgast (Siimtliche H'erke, I) • Leip. concerti in the Italian style, His with added emphasis on harmonic (Denkmaler der Deutschen Torlkuml, zig. Breitkopf &: H5rtel, 1927. Contems: preludes and fugues were like,,'ise in­ structure. his registration markings dis· I), Leipzig, Breitkopf &: Hlirtel, 1892. Vol. I - free compositions and key­ spired by instrumental concerto mu­ close a pre·Classic concept of sound. The same, cd. Mahrenholz (Samu,.: board suites; Vol. II - thoralbearbeitun­ SIC. but in combination with the melodic Therc is no indication that he tried to Scheidts Werke, VI/VII), Hamburg, gen. 5 Praelt,dien fmd Fllgen, cd. Sei(. figuration of the south German prel­ imitate the orchestra., as some later Ugrino Verlag, 1954- • Das Gorlit:cr fert (Orgo",,,n, IV /4), Leipzig, Kistner ude. A limited adoption of the to'rench Classical organ composers did, but he Tablliaturbudi. cd. Mahrenholz. Leip­ &: Siegel. o,'crture style is also notlceablc. favored mellow combinations with 8' zig. Peters, 19·U. The same. cd. Dietrich, Next 10 J. S. nach, Walthcr Wol!' ami Hi' predominating. Kassel. n5renrciter, 1941. lfusgewtiMte Bach'loh. Chrisloph: 44 Chonile rum thc leading organ composer in middle Changes in middle German organ Orgelwerke, cd. Keller, Frank.fun, Priioru !,Ut:ren, ed. Fisc/IO, Kassel, Germany in the 18th century. BC!oidcs building after 1700 denote an increas· Peters. Contents: Gennan and Latin BHrenretter. composing, he compiled the first 11IU' ing preference [or deeper. heavicr hymns, [anwies, canons, lied varia· sic lexicon in thc German language, sonorities. The fundamental tone of tions, dance \'ariations. Liedvarialionen Pachelbel: Sec the sliney of South Ger­ the Mus;caliJcJlt!s Lexikon (1752). which the ortarto plena became more promi­ 111r Klav;er, cd. Auler, Mainz, Scholl man literature and editions in the has considerable historical ,'alue. nent than It had been in Early Ba­ S. Magnificol quinti toni, cd. Fleischer, March 1972 DIAPASON. Contemporary with 'Vallher \Val roque organs. More emphasis was laid St. Louis, Concordia. r'aT;ations on O,e cminent Georg Philipp Telemaun on blending of stops than on maintain· "When Jesus ou 'ht: Cross 'Vas Bound," K.rieger, Joh.Ph.: Gtsarumelte TVerke ( 1681 -1767). A native of middle Ger· ing the independent character of each. cd. Buszin, St. Louis, Concordia. liir J.:.la u;er unci Orgel, cd. Seiffert many, he was educated and emplo~' CtI The snarling reeds of the north German (Denk",mer cler TonJumst in Bayun, there until 1i21, when he muvell (0 school were replaced by hiller, round"... Sdlitdt: CI,orolbearbt:i/llngen, cd. n,eig XVIII), Leipzig, Breitkopf &: H!htel, Hamburg to become general music reeds. These were less successrul :LS (Organum, II'/2~). Lippstadt, Kistner 1917. Contents: collected works of J.Ph. director. Telemann was not primarily Cnfllw lirmus "'oices, but could be com 4 " Siegel. Krieger, J. Krieger. and Murschhauser. an organist, yet he did write a number bined morc smoothly wiOI other organ of simple ChoralbeaTb~itungen ami stops. Mixtures and cymbals on the Scheidemann: 15 Prtteludien lind Fugt:n, Krieger, Joh.: Gesamrnelte TVerhe Jar other keyboard pieces. middle Gcrman organ after 1700 were cd. Seiffert (Organum, IV/I), Leipzig, Klavier lind Orgel, cd. Seiffert (DTB, Johann Sebastian Bach (1685-1750) , characteristically mild. Fewer pedal Kistner & Sieger. CllOralbearbeitungt:fl, XV]II). See preceding entry. Prdlll­ stops were present. ]n fact, the Gott­ like his cousin J. G. Walther. dr~ w cd. Foeh, Kassel, D!irenreiter, 1966. tlien und Fugen, cd. Riedel (Die Orgel, upon the techniques of several sciaflOls. fried Silbermann organs often had 11/3), Lir,pstadt, Kistner &: Siegel, 1957. Within his CllOralbearbeitungcn oue: only 16' and 8' pedal stops, indicatin~ Weckmann: Gt:snmmeltt: Ji'erhe. ed. Atlsgewii IIIe Orgdstilcke, ed. Seiffert finds chorale fugues, canlw Jirmw that the pedal was usually conrined IQ Ilgner (Da.s Erbe Dellucher MIU; ,~. (Organum IV /17). Leipzig, Kistner &: chorales in the Pachelbel 1l)'le, )imple playing the bass line. Landschahsdenkm:ile, Schleswig·Hol· Siegel, 19:10. melody chorales, ornamented melody SillJcrmann organs. which conformed stein und Hansesl!idte, Series 11/ 4), dloralcs (Buxtehude-type), chorale to Late Baroque sound ideals, became Leipzig, H. Litolff, 1942. 14 Prtieludie". Zachow: Gesotlltll~lte Wake, ed. Seif· part has, chorale fantasics, and other thc prototype for organ building in Fugen und Toccaten, cd. Seiffert (Or­ fert (Denkmiiler der Deuuchen Ton· traditional forms. In nach', chorale the province or Saxon}'. They usuaU}' ga,,"m, IV /S), Leipzig, Kistner Be: Sie­ /cunst, XXI/XXll). Leipzig, Breitkopf compositions. Ole middle German had no R;iclc/lOsifil and no independent gel. &: IUrlel, 1905. Ge.1ammelte Werke lar preference for moderation was (:OlD­ pedal towers ~ a visual reflection o[ Tasterlinstrmnente (Collected Works billed with the intense, emotional cx ~ the new sonoral ideal$. The specifica­ Siefert. P.: IS Fau/a.sien d 3, ed. Seiffert for Keyboard Instrumen15), ed. Loh­ pression of the northern school. 1. he tions represent a synthesis or French (Organum, IV /20) ,Lippstadt, Kist­ mann. "'iesbaden, nrietkopf &: Harlel, mtricate ornaments of the French and milldle German design. ner &: Siegel. 1967. 3 Fllgen, cd. Seiffert (Organum, kcyboard style, promulg:l.leu in Ger­ In Thuringia. Ihe foremost builder JV/16). Leipzig, Kistner &: Siegel. C/,OT­ m.my by Bohm and other keyboartlhls. o( this period was Zacharias Hildc­ Strungk, D.: Zwt:i Cllurollantosien, et..I . alvorsp;e1e lur Orgel, ed. Adrio, Berlin/ also appeared in Bach's C"ora!bc-ar ~ brandt. a Silbermann student. Ahhough Krumbach (Die Orgel, 1I/12), Leipzig, D:l.rm$ladt, Merscburger. 1953. bd~un~cm. In addition. styles of wail­ Hildebrandt', instruments were def­ Kistner &: Siegel. ing idiomatic to opera and to cantata initely ISth century in concept. uley Kuhml1t: 2 Praeilldien mU Fugen und composition were sometimes trans­ remained more in the German Baroque Tunder: 4 Praeludien, ed. Seiffert (Or· eine Toccata, cd. Seifrert (Organum, formed into an organ style (Schubler tradition th;ll1 did the instruments of ga,."m, IV/6). leipzig. Kistner &: Sie­ IV/19) Lippstadt, Kistner &: Siegel. dloralcs, etc.). Bach obviously had Silbermann. Most noticeable is the gel. Siimtliche C/,oralbearbeitungen, ed. Walter, Mainz, Schott S., 1959. Con­ mastered all of the styles and forms gyeater variety o[ stop types in a Hilde­ Walther: Gesammelte lI'er1ce Illr Orgel, of the north and middle Germans, and brandt specification. Bach sometimes tents: 7 choralbearbeitungen of the Liincburg tablatures. cd. Seiffert (Denkmir'ier der D~utscllen could combine them with traits of the sen'ed as consultant for Hildebrandt Trmkmut, XXVI/ XXVllI), Leipzig, south German and French keyboard organs. Reincken: Collu lt:d Keyboard Works. nrcitkopf &: Harlel, 1906. Ifwgewiihlte schools, as well as with the ltaiiall op­ There has been much speCUlation con· Orltt:lwt:The, 3 vols .. cd. lohmilnn. Wics­ eratic and instrumental styles. Yet, in· ro. Apel (Corpus 01 Early KeybOtml ccrning Ihe l)"llC of organ (bat Bach Music, XVI). ballas, American Insti· bauen. BreilL:opf &: Hartel. 1966. Con­ terestingly, in his late C'I<:rnltu:ar­ may ha\'e pTeft rrct1, .·rom his studellt, lents: Vol. I - chor-.&Ihearbcilungen A- beitungefl, thc one clement which wu· tute of Musicology. 1967. Content!!: Agricola, we know that Badl was "cry chorale falltasies, toccata, suites, etc. 1-1; "01. II - choralbearbeitllngen A·Z; ally dominates is a typically middle impressed with Ole large, 4·manu')l Vol. 111 - preludes, fugues, concerti,etc. German one - well·balanced counter· organ in Ihe Catharinenkirche in Ham. Orgelclloriile, cd. Poppen, Kassel, B5- poinl. Uuxtehude: Siimlliche Orgelwoke, 4 burg, especially with its beautiful, north mls., ed. Spina/Scurert, LeipzigfWies· rcnreitel', 1930, ' / 19~G. Contents: 52 In the realm of free compo$ition, Gennan reeds.' The specification which baden, Breitkopf &: Hfirlel, 1875-1989, dlOralbcarbeitungen. 5 OrgelcilOriUe, tllerc arc fantasies, toccatas, a pas­ Dach designed for the re,building Q[ '/1952. Contents: Vois. 1111 - free: cd. l\fauhaei, Kassel, D:irenreiter. Orgel­ sacaglia. preludes, fugues, nios, trio his organ in MOhlhauscn (1708) wa$ kOflur/c flacll vcrscMedenen Meistem, works; Vols. llJ1IV choralbear A sonatas, concerti, and man)' other works. basically in the north Gemlan tradi­ bcitungen. Stimlliche Orgelwt:Th, 2 cd. Allier, Kassel, B5.renreiter, 1942. 5 The spirit of the norO. Germ'lIl school tion. A Bru.slwt:rk "'as added. plus new \'ols" cd. Beckman, Wiesbaden, Breit­ n.mgewiilllte Orgt:lsWcht:, ed. Seiffert presidct over preludes, tOCQUS, and SLOpS on existing Obt:rwok, Ra(kpoJ ~ kup[ &: Hartel, J971 (2nd volume 10 (OTgarlUm, IV / 5). Leipzjg, Kistner &: fantasie, written during Dach's early ilil, and petlal. Each or lhe manual appear in 1972). Vol. I: free works. Sit.1;eI. 19S0. Orgelkonum ill c, ed. Her­ and middle periods. Dramatic passage· divisions h3d a Sesqlliaitoa, and the Vol. 11: chorallJcarbeitungen. S6mtliche rOI'd. Frankfurt. C. F. Peters. A Collec­ work, bold pedal solos, and other pedal was complete. from a 32' Unt~r­ Orgdwt:Tke, 4 \'ols., ed. Hedar, Copen­ tion 01 Chorale Preludes, ed. Beck. St. br:lvura techniques play a leading role sat:. up to a I' RoiJr/ei/e. The addi­ hagen, Hansen. 1952. Vol. I: passacag· Loui!, Concordia. Memorial Collection in these works. Free compositions of tion o[ a 32', Bach had said, would lia, ciacona, canwne, etc.; Vol. 11: prel­ 01 Organ Preludts aud Variations by his mature }'ears arc less easy to cate­ add depOI and solemnity to the tone.' udes and fugues. toecata3; Vol. 111: Johann Gottfried Walther, ed. Buslin gorize, partly because a wider range of To what extent Bach's organ concept chorale fantasies and variations; Vol. (Afltlwlogy 01 Sacrtd MIU;C, II), 51. influences is present and parLly because may have been modified in later )'ears IV: chorale preludes. Neue Orgelwerke. LUll is, Concordia. Dach often fuscd elements taken from is not known. Some of Bach's later cd. Hedar, Copenhagen, Hansen, 1950. other schools into ncw entities which works (the large Prelude and Fugue ,,, Contents: pre\'iously unknown organ Telemann: Orgelwerhe, 2 vots., ed. Fed­ hOld not existro before. E Minor, Cor example) appear to call works from the Wenster-Engelhardt col. (ke, Kassel, B5renreiter. Vol. I: choral­ In Dach's organ (ugues one notes faT an organ in which the planes of lection. Aluge",ii''''e OrgelUlerke (Se­ {)carbcitungen: Vol. 11 : flft works. Olat the subject! are particularly well­ sound pro"ide a continuity of concept, lected Org:l.tI Works). 3 \ '015., ed. Keller, Forly·Eight Cllorall! Preludes~ ed. Thai· oullined and that a singing quality is rather than sudden contrast. Yet. from Leipzig, l:. F. Peters, 1938/ 89/ 66. Vol. er (Recent Rest:arclles in llie Mwic 01 there. making Olese works more satis­ thc technical standpoint, this new. I: free works: Vol. II: choralbear· Ihe Baroque Era, 11), New Haven, A.R fying than earlier composition In this milder. middle Gennan organ tyl'c beitungen; Vol. III: [ree works. Editions. 1965. 20 kle;'le Fugen, ed. genre. Often Bach combined the fugue could not h:n'c been Ole ideal vehicle Uppmeyer, Hannover, Nagel. 12 leicllte with a prelude, a toccata, or fantasie for all of the Bach works. First ot LUbeck: Orgelwt:rhe, ed. Keller. Leipzig, Clloralvorspielt:, ed. Kellcr. Frank.[urt, to form the typical Late Baroque all, the limited number of pedal stops C. F. l'eters, 19l1. Contents: complete C. F. l'eters. 24 J'ariir'e Chorale, 3 "Prelude and Fugue." could 1I0t do jwtice to the very acth'e preludes and rugues. choral bear bell un· parts (L'Organiste liturgiqlle, Dk.s. 28, The concerti. the trios. and trio so­ pedal Jincs in many of the preludtll gen. 4 PTtiludieu und Fugen, cd. Seif­ 52, 36). Paris, Schola Cantorum. natas are linked with contemporaTY and fugues. Secondly, the smaller num­ fert (OrGanum, IV /9), Leipzig. Kut. instrumental music. Dach's organ con­ ber of canl~lS liTm us \'oices (especiall) ncr &: Stegel. Six PnUudes t:l Fugue! Bach, J. S.: lohaml Sebastion Badu certi, like Walther's, were transcriptions on the Silbemlann instruments) would (Orgue et LHurgie, Dk. 17), Paris, Wah, Lclpzig, Bach-Ccsellschaft, 1851· of inStrumenlal concerti in the Italian not provide as mudl variety for the Schola Cantoftlln. Praeludium og Fuga 99 / suppl., 19!J2. \'015. III. XV, XXV. manner. The trios and trio sonatas, al­ CiJoralbtarbeittHtgen as would the north (G) , ed. Hedar, Copenhagen, Hanscn, XX-XVIII, XL contain the organ works. though not transcribed from existing Gennan organs. 'rhus, the question of 1953. Klavierllblwg. cd. Trede, FranL­ Dover Publications (New York. 1970) pietcs, were obviowly inspired by ital­ Bach's ideal organ type cannot be com· furt, C. F. Peters, 1941. Contents: Prel· has republishcd the Orgt:lwt:rhe of the Ian dlamber music and by the Italian pletel)' resolved. tule arid Fugue (3), Suite (Il). Clla Uach ,GI."5Cllschaft edition. Netl~ Ifllsgabe violin concerto. This constant absorp­ comle on "LobI Gall ilir Clmslen all­ Stimllicher Wake, Kassel, BarenreiteT tion of outer influences is astonishing EDITIONS :.ugltiell." ~ Iogethcr with the Deutscher Verlag because it is never disrupth'e. The Cur Musik, Leipzig). 195-1 - . The organ highly divergent clements never con· Praelorius. Hieronymous: Organ Mag­ Druhns: Orgt:lwerke, ed. Stein (Da..\ "'orks are in Scri~s }o'our, of which voIs. flict. They always submerge into IiOme­ ui/icalS, edt Rayner (Corpw 0/ Early Erb~ DCIlUc"er Mus;lt, LandschaCts­ II, III. IV. & VI have appeared to date. thing bigger than themseh'cs. only to Keyhcard Mw;c IV), Dallas, Ameri­ dcnkllliile. Schleswig. Holstein. Seria Sjimlliclle Orgelwer.e, 9 \·ols .• cd. Grie· can Institute of Musicology, 1963. reappear transformed into a new ae- 1It.!). Braunschweig. H. Litotff, 193;/ (ConUnuedJ page 6) AUGUST, 1972 pcnkcrI/Roitl.sCh, Leipzig. C. F. JItters, A"0"1,,,i tier Nordtleuischtff Stlillte. Fre;e Orf{dvorspide vorbach;Jclu:T Meis· OrgelmerJler des 17. und 18. Jalltlllm· 18H f£; republished, 1940. Org(UI cd. Seirrert (Organu",. IV/ IO). Leipzig, ter, 2 vols., cd. Seiffcrt, Lippstadt, Kist· tlerts, cd. Matthaei, Kassel, B5.renreiter. lI'urAJ, 8 \'ols" 1.."(1 . Widor/ Schwcizcr Kistner &: Siegcl. Six prelmJes and ncr &: Siegel. Contents: works by Prae· Works by north and middle German h 'ols. I-V) and Schweizer/ Nics·Berger fugues hr anonymous north Genuan torius, Pachclhel. Scheidemann, Tuoder. master!. and others. ' \ols. VI-VIII). New York . J912· 196i. composers, Chr. Flor, D. Meyer, Zachow, Kuhnau. Oelw reJ rolllplCles pOllr orgue. 12 m15., elc. ,.'d. Dupre, I'aris. Bornemann. Siim'­ Orgebpid ;m Kircllelljallr. 2 "015., cd. fk lte Orgtdwerke, 9 vals., cd. Naumann, CllOrtlll,tarl,eituuge" "lIfl frd t: Orgel· Keyboard Mw;c from Polish MtUIU ' Rohr. Mainz. Schott S. Contents: 113 I.cipzig/WiesbaticlI. Brcilkopf &: Har­ sWcI:e der t/eutsche'l Swu l;'lc/c ·Selwle. scripts. 2 bks., ed_ GolOS/SUlkowski pieces for the IiturglC3.1 year by a "aricty leI. SI1mtJiche Orgdwerlce. 10 \'ols., cd. !I parts. cd . Moser/Fedlke, KOt ssel, Uli­ (Corplu of £mly Ktyboard Mluic. X/ of composers. most of them middle and Lohmanll, \"icsbadcn. Jlrcitl;.ul'£ 1:: 1-15r· rcmciter. Contellls: chorale !Cuings and I. 2). Dallas. AllleriC'.ln InstitlHe of 110rth Cermans. tel. \ 'ols. "I-X ha\'e OIIJpc:an.'( : ,·ols. , . (ree works. ran I - Abel, Cargcs, UU ­ Musicology, 196i_ Contents: Bk . 1 - V arc in preparalion. Cfwrnlvou/lit!l­ hell, Schcidcmann, Sh'ert; I'art 2 - choralbearbcilungen or N. H;lSSC and Snltlm/u"gen ;" der Foige riel Aulo­ DHben, Drud:enmlillcr, Lorentz. Sehd· F.w3.ldt; Dk. 2 - choralbearbcillmgen r;mplu, 3 \·ols., Fr:mkfurl, C . .... Peters, demann. Scheidt, SWL'elinck; I'art 3 - of Scheidcrnann and Tundcr. Orgdvors/Jiele "Iter Meisler in aile" cd. Keller, Kassel. Barenrei· SweeJinck. TOflartetl, Laudamlls Dominum, ed. lIangert/ ter. Contents: compositiolls in all kel's by German composcr! and others_ Nute: Kauf(mann: Hnrmo,,;sche See/en/lUt, Rosel, St. Louis, Concordia. Chorale !lome works have hccn transpoSl'CI. cd. )'idoux. Kassel. mirenrcitcr. 1951. 46 Choriile von J. P. Swulirlclc IUIfI preludes by Walther, Veuer, Scheidt, Contents: 63 choralbcarbcilUngcn. of sd"eu delasclle" SeI,illern, ed. Gerdes, P01chclbcl. J- C. 8ach, Krieger. etc. which 6 arc (or organ and oboe. Six Akademie dcr Wissenschartcn und der Chorales cd. 1·lell· from au: .. Hnrm oniselum Suo Lileralur, Maim. Schott S., 1957. COII­ Liltu:1Jllrger OrgeltnlHllnlur. KN 2081, Orgelwerke der Familie 1I(lch, len/lut." for organ and olKtc. (,,·d. Corc, 1 malll1, Frankfurt, C ..... Ilclers. Contents: tents: <:horalhc.·arheh ungen by 5WL'Clill£k, 2OH , t'<1. Reimann (DiU Erbe DeulJcha St. Louis. Concordia. J. I'ral.'torius, Schildt, etc. MIUiA, XXXVI/ LXV), FranUurl, H. works by 10 melllhcJ!l of the Uach Lholff. family. Therc :ne many gcneral collcctions in CllO m /t! Prt:lutles Masters 01 tlu~ which north and middlc Cerman wo ~ ks "1 OrgelcllOriile cies 17. und 18. Ja"r/,un~ Xl'l/ miff XVIII Centuries, cd. Unszin derls, cd. Senn/Schmid/Aeschbacher. NOTES figure !,rominclltly• The following are (.-111111010&')' of Stlcreti MIlSic, 1) , St. somc 0 the most important ones: Kassel. Bfireureitcr. Contenls: works by Louis. Concordia. Works by Armsdorff. Rohm, Buxtehude, Praetorius. Scheidt, .J. C. Bach. Hfihm. Buxtehude, 5dlcidc· 'For further diKuDiun ur Pachelbel's worn, '\f3.hher. 'Vedanann. and others. N!e TUE DIAI'ASON, Mar. 1!J72, p. 20. malill. ' ''alther, "'eckmann, elc. Allt i'J Golt iu cier HiJ/4 ,S.t; Ellr, t."lI. '1. AtiluRg, A("J;~. mtel"'fI'''. or,.flo.Ji. I, p. Moscr/FedtL:e, Kassel. I\arcnreiter. Con· Orgdclloni/e um }. S. Bael" cd. Frot· 187. lCnts: 20 settings o( this chorale lJ)' Cllorn lvors pit:le niter Me; s I e r, 00. scher (Das Erbe Deutullt:r MusiA, IX) . 'Jo'." Seluu,"''' &ttl.: G.UJ,."..II. Bri.'e, members of the Cerman Sw("'ClitlcL:. Straube, Leipzig. C .... I'elers, 1007. Con· Frnnkrurl, H . Lholff. Reprint of Ihe cd. E. MUlier von Aww, k~ntbury . Boik, 2/1950, p. 35ff. school. tains 45 chor3.lc preludes. S3.me by C. F. Pclen (Frank(urt). Con· tents: works by Bach's contempor3.rics.

A ile d~ tl Uc ll e lI'eilmachumu.sik, cd. Orgdme;,ta, 4 parts. cd. Sciffert (Or ~ MUSICAL SOURCES Stcglich, Hannover, Nagcl. Contents: 80 C/lOrnl flo rspit:le des Ii. 1HIf' 18. }allt­ IIIHlderls, cd. Keller. Leipzig. C. F. ganutll, lV/2, 5, 7, &: 21 ) . Leipzig/ Lip. Christmas mllsic by north, middle, &: pstadt. Kistner &: Siegel. Ilart I - works 50uth Cennan composers. Peters. Ell. 4. LIUbe,.k: Or,t'lI.,le. cd. K~II~r, pp. of J. Praetoriu.s. Schildt, J. Decker. D. 19, 22. Me),er. M. Oller, Chr. Flor; Pan 2 - Ell. 5. Boehm: Kl.v i.r~ "flJ O"ellVerk., I, Alit MeiJta cit!J Orgeupitls, new OOi· Tile Free Organ ComJlOsill"ons from tile Reincken. Chr. Riller: Part ! - ~d. WoI8'ut. pp. 75. 76. tion in 2 ,'015 .• t."t..I . StraulJc. Frankfurt, I.iint:lmrg TIlMatllrt!J, 2 vols., cd. 5h3.l1- Bl'unck-horst. A. Kneller, l..e)·ding; Part Ell. 6. 00 Clor.zvorl"i.'. d.. 17, .".J 18. C. F. Petcrs. Contents: 29 compositions IIUII, 51 . Louis, Concoruia, 19&8. Con­ -1 - Scheidt, Dliben, U. Abel, If. Hasse: j.h,ltM,.Jtrtl, ed. Kdkr, p. 117. by leading north and middle Gennau tenls: most I)' works by anonymous rom· the Elder, W. Karges, P. Hasse the EI:. 7. }oluuuc GOll/ried H'althtr: O"elch,~ composers, and by others. posers. Younger. .tl• • ed. PoPtH:R, p. 78.

honorary doctorale in music. L3.st April Lint's Great lI'or4 on "Weiut:'n, Kla­ 16. on the occasion of his 90th birth· gell" in Edition by Domld. November dOl),. he was honored at a concert of his 1942. p. 19. music at St. Ilaul's Chapel on the Co· Josel,h Bo,mel as H~ Knew Hi",; I,,· hl1nbia Unh'crsity campus, New York amnle Picture of th~ Mat" Seplcmber NUNC DIMITTIS City. 1944. p. 4. He is sun'h't.'li by a son. Dr. Alfred A c c a II U I of BiatTit%. Uniuersi'Y'J j. Bingham, a profcssor at the Unh·cr· Ulliqut Work by G'I Organist. April sity of Maryl':lIId: a daughter, Mrs. 1946. p. 14. Frances Dale of New York City; three Alaster and Friend; An Intimate FIRMlN SWINNEN 21 to listen to an hour and a half con· grandchildren, ·3.nd five grcat-grand Sketch of Dr. Harry Jepson. November cert o( music recorded by Mr. Swinnen children. Funeral services were held 1952. p .8. in the e3.rly 50's at the Longwood Gar. june 24 at the Madison Avenue Pres· Durlllle's "R~qllie"," Marked by Ele­ Firmin Swinnen. 86. (or many yea!'s dens organ. byterian Church, New York City. galice ond Warm Humanity. March prh'ate organist to Pierre S_ DuPont Mr. Swinnen was 3 past dean of the 1953. p. 18. and org:mist and choirmaster of Christ ,\GO. 3.nd he was a member of the ";Sit5 to Chartres ntld Solt!Jmes Thrill Church, Wilmington. Delaware, died AmcriCin Theatre Organ Emhusia.st's SETH SINGHAM'S WRITINGS A.",u;am OrganiJt. Augwl 1953, p. 24. April 18. 1972. Hall of Famc. He is survived by ltV­ Organist DiscovtTS fA Fate Bernard; Born in Manlaigue, Belgium on Nov. eral brothers living in Belgium. IN THE DIAPASON LISTED Its C/lIlrch and Organ. September 1955. 12. 1885. :Mr. Swinnen was gradu3.ted p. 10. from the Royal ConscrV3.tory in Ant· Aside from his acti\'ities as a com· TOllr;st on V;5it 10 1711, CetJlury Or· werp with highest honors. In 1913 he poser, teacher, performer. and church gan at La Fleclle, France. November won the diploma from Ihe Ecole de SETH SINGHAM musician. Selh Bingham alwa),s had 1955. p. 22. Musique in Malines. became organist time to write words. Beginning in the Bach: Mosl Played and Likt!UliJe Most or the Church of St. Walburgi.s in Ant· 1930'5. 3.nd continuing through (he Allllsed ComJJOser. Febru3.ry 19M, p. 14. werp, and lIlanied Augusta \'antill. Sech Bingham. composer, teacher and (,0'5, Dr. Bingham wrole man)' review5 Organi51 Recou"u Details 01 Form· With the Cerlll3.n im'asioll of Bel­ for It') years the organist and music di. :md artidcs for TilE DtArASON. which. illg Big Choral Library. May 1954, p. 28. gium. the Swinnen's ned to Ellgl3.lld reClOr at the Madison ,"'enne rn.'Sby­ whcn viewcd 3 S a whole, rorm a pene­ CaJlct:rt Orglw's Future EX/JtHuioJl Is and in 1916 the), arril'cd in America. lerian Chur£h, New York City. died Irating chronicle or Ihe organ 01 1111 Cotuiciere,' Near. July 19M, p. M . Introduced 10 Samuel " Roxy" Rothafel. June 21 , 19;2 at his New York. City church lIIusic world at that time. A Come, Lei Us Worship 011 lI'i"gs of owner of Ihe famous chain of Uroadwa)' fL'Sidence. He was 90 p ."ars old. review of these writings re\,cals an MILlic; Be Lifted Oil Higli. October 1954, Iheatres. Mr. Swinnen was hired within Dr. Uinghalll was born in Rloomrield, acute and scnsili\'e mind, OJ gift ror p. 14; Novcmber 1954, {J. 21. a Wt'Ck as organist of the Rialto Thea­ N.J .. anti studied at Yale. where he reo "erbal cOlJulilinication. and. mosl of all. Orgtm;st's Triblllt: Pard to a Minister tre. The next year he was appoinled ceh'ed a Bachelor of Arts dcgrt'c in a sensitivity and in\'Ol\'ement in Ihe (Harry Sloan Coffin) Who Proves an to the Ri\'Oli and there he renmilled 1904 aud a Bachelor or Music degree in musical world in which Dr. Bingham Ideal. February 1955. p. 19. until 1!J23 when he wellt 10 the AI(line 1908, He studied in llaris in 1906 and Ih-ed. For those readers who would Starting Nt!UI Job1 Familiar with tile Theatre in Ilhiladelphia. 1907. marrying Dlanche Guy while there. like 10 journey back through that world, Ortler of H'orsllip' May 1955. p. 15. Soon he was engaged to pia)' for After he returned to this country and here is a list of Dr. Bingham's works Cnn It be Taug/,l1 (CounlaJXJi,ll) I'ierre 5. DuPont, lhe gunllOwder mag­ completed his studies at Yale, he be­ which were printed in TilE DIAI' ASON. Thae Are COlmler Points 01 View! Dc~ nate. at his c.-scate Longwood Gardens came org:miSl and choirmaster at the Gel/nut, IU Orgaru, and Switu-rland'J c:cmber 1955. p. 19. at Kenncll Square. Pennsylvania. He Rye Presbyteri3.n Church, Rye. New uacii"g Orgauists. Fcbru3.ry 1952, p. 22. )'ollr Preparation is All·lmporlanl for soon became official organist 3.nd it was York. Bonnel Ofle,u Organ i" St. Eustache, Clturcl, Music. March 1956. p. 20. here. ulltil his retirement ill 1956, that His long teaching cart.'Cr began when 11ari5. Mardi 1932. p. 6_ Orga"iz.ing a Choir Takes Time, Ef· Firmin Swinnen was hcard on the fam· he becaUle 3.n instructor in 'he music Grt~at Lo"do,. Orgn" (JI'eslminJler lort, Patience, Good Will. june 1956, ous ti7· rank organ by the thousands of department at Yale Unh'ersity in .1908. Catlledral) OrgMI Complded by lI'il· p. 10. persons who toured the botanical gar­ Tweh'c years later he was appOinted "s; Two Ruiwis by M. Dupre. April Important Queslio,,: What Choir Is dens cvery Sunday. From 1925 he was associale professor at Columbia Unh'er· 1932, p. 30. Ilest lor l'our C/mrch1 july 1956. p. 8. director of music Oil Christ Church. Wil· sity, where he rem3.ined on the music Large Swiss Orgmu as See,. by Amer· 1'ocal Exercises for Choristers Con mington. (acuity until his retirement in 1954. He ica'l; Umuual Features. july 1932. p. Pa)' Rich Dividerlds. August 1956, p. 12. Mr. Swinnell was a popular recitalist. continued to lecture at the Union Theo· 12: ,\ugust 1932, p. 12. Ch~al CO"dllcli"g Is "itn' Eut:lIlitJi pl3.ying conslantly throughOut the count logical Scmil13.f)· School o[ Sacred Music Old lwd New ill Freuc11 Orgau Field for CllOirmaJlen. Dt.'CClllber 1956, p. 18; lry during the 20's and 3O·s. For sc\'eral until se\'en ycars ago, conducting da5S(.'S su" by New )'ork Musician. September january 1957, p. 25. years he playcd a monthly scriL's or con· in ad\'3.l1lW composition for docloral 191$2, p. 18; Oclober 1932. p. 8; No\em· Neo-Clauic Organ in France Evolved cerU at the University of Delaware, candidates. be. 1952. p. H. by Victor Gonzolet.. No\'ember 1957, p. and in 1930 he played one of the dedi­ VCT)' acth'e as a composer, many of Evolution 01 Organ Duri"g Five Cen' 8. catory rccit3.ls Ott New York City's River­ Dr. Bingham's pieces lor organ and turies Is Told by Dufourcq. Nm'embcr Improvisation Is Key Sh,dy lar Or· side Church. His electrifying perform· choir arc still in usc in churches 1936, p. 16; December 1936. p. 8; Janu· gm,isu. September 1960. p. 26. 3.ncc.-s of st3.ndard literature as well as throughout the country. His first or· ary 1937. p. 20; February 1937. p. 20. An Appreciation 01 Hugh Porter. No· his original and melodic improvisations chestral piece. Wall Street FtmttU)' , was Organ Music of Hig/l Grade lor vember 1960. r.' 5. won Swinnen 3. high place in the heart.s pft..'Senled by the New York Philhar­ Church U5e Tlmt Is Selclo", Heard. Sep­ New Lang ais Work lor Orgtm, of musicial15 and laymen 3.Uke. monic in WIG. There followed nUlller· tember 1940, p. 6. Slr;"gJ (Piece in Free Form) Discussed. A unique tribute was paid Finnin ous concertos, Sllitt.'S and sonatas_ Romld Anthology of Early Fr.mch .-ebruary 1961, p. G. Swinncn when friends pthert.-d at the Dr. Bingham W3.S honored by Ohio MlIs;c Offers R iel, Mat~rial. June 1942. Are We Still Grow;",1 l\brch 1964, runeral home on the evening of April Wesleyan University in 1952 with an p.2O. p.40.

6 THE DIAPASON Splendid performances of Bach, Durufle; and Elmore, recorded at Calvary Baptist Church, New York City. On the other side, an interesting demonstration of the instru­ ment with narration. Available in stereo only, directly from us.

Illll~1t1l ORGAN ~I, "COMPANY

MACUNGIE, PA. 18062

.e 1972 1------.

I ALLEN ORGAN COMPANY I I Department 0-872 I Macungie, Pennsylvania 18062 I Please send Elmore Calvary Baptist Church Recording. I Enclose $2.00 per recording ($3.00 outside USA) I I NAME ______I I ADDRESS I I I I ' L ______~ Towards An Interpretation Max Reger-Complete Works 1 In Collaboration With the M"x Rt.-ger Jnstitute Of Reger's Organ' Music (Elsa Reger Foundation). nonn. Karl Hasse. Section Director Volume 1S, Organ Worics By Herbert Manfred Hoffmann Musik und Kirche 37: 162-163• .oj. 1967 Edited by Hans Klotz Translation by Raymond Mabry Translation by Raymond Mabry , Thl' tI'M,I,lIon. h PII~hbN "Hili UK klM ptnillulllG el tM pw.Wl tlwn. B'~""'Jl.I'tl"r · \·fI" • • K'fI" l, 'nih truub ll_ If publh""ol _lib ,be- 11.1114 ptTlIIlUIDn ,.( IhI' ,lIblhlwn, Drellll.DPl 1£ n ..,hl, WlttbWcn, Oft1llUlJ Ut"'h1,

Until 3. few years ago. any debate something. even if it was only the ex­ Reger's mar!.;ings with ,::~ ,jf~II~:~::~~' which manifested tlle iuner or discussion of the interpretation of pression of a momentary emotional im· coupling were carefully (l of Reger's art to the produc· Reger's organ music was sdll able to pulse. To recognize that impulse and When Reger wanted both of the maslen of the gre"t by. kindle embittered conflict. Today. they to follow it completely in the obK:rv­ play on different manu"ls, no periods of German organ art." still agitate p:tSsionatc tempen. It is ance of the presaibed dynamic is to played by one hand muld be himself was pr~nt and "ex­ a question of the performance of Reger's be true in one's interpretation to the to the manual being played his agreement with this inter­ organ music in the light of the organ style of Reger's organ mwic. Rrger did other hand. Reger may. for ..".mple, .,,"ali<.n of the performance mark· re(o nn movement. The endcOIvon of not dynamictlly mark his organ works often h"vc coupk!tJ the • not only repeatedly in con· this movement are .limetJ 3t the re­ "ad libitum" in order to comply in ad· with the thil'd for one hand, jcction of the orchestrally.concch·cd and vance with the organ refonn mo\'cment, other hand U!it.'t! the first l~.~~~~~~b:;U~:I~ "Isoof thedocumented f sharp minorit ill compromise. type organ of the turn so that it might then take the liberty whirll was not coupled with thc i Oil HiJ Own Tht!tne, Op. 75: of the century. The battle cry runs thus: of dressing them up in a baroque man· nor with the third manual. Straube in remembrance of " Purify stylistic interpretation and reo ncr. Condescending and with a smat­ Regcr's tempo markings "rc to 1905.· ..• turn to the ideal of the baroque or· tcring of disdain, we speak of the takcn comparatively slow. Reger's concerns the ~rform"nce of Re­ gan." The organ of the tum of the time when Bach's orgo," works were in­ specifk'tl metronome mukings are organ works. in the details of leg- century was principally a dynamic· terprcted, in the sense of the romantic­ ally substantially higher and to be we must be guided by the oriented instrumcm: the org:m of type organ, by means of the swell box about twice as high as he structure of the works. III tile today, oriented toward the baroque or· and aescendo pedal. Today, we take temlt.'CJ.1 Regcr's metronome impression, created by the sub· g:m, stresses char;u:tcristic, diHerrntiiued pride in having rediscovered the only are reliable ollly in his later performance achieved b)' mod· 5Ound. The "rom:mtic" organ il.S an in· genuine stylistic interpretation of Bach's example in the Fugut! ;u E of tempo ,,00 dynamic grada· strument imitating the orcht.'Slra with organ worls on a type of orgot" that 12i for organ.' As a perfonncr a variety of intensity, crescendo and decrescendo nuances is is suituble for his works. but we do piano and ch:unbcr music and which are peculiar to being rejected. Renowned organists. (or nut notice that in the Silme brr.uh the conductor of his orchestral to "ny genuine organ music whom Reger's organ works arc more performance: of Reger's organ music is Rt.'gCr him!IC1£ bt.-gan his be miMing: repose and than an object of dispute, ha\'c pointed led aSlray. My opinion is that Revr's of concept. out that Reger's organ works can, by concept of sound will be diminished slowlyby means and of "rchit~ctonic Hans Klotz means of their strict form, do without aud discnrlt'ti. if one belie\'cs that Re­ incrC3r~;~~::~.~:r~~~:~~: more than by an Cologne, Decemllcr 1956 any prescribed dynamic nuances, The ger', performance markings were merely tempo. ,\n immen5C repose was baroque organ is not at all appropriate ad"p"ccJ to the genre of instntment specific aspett of his pla)'jng for the imitation of lhor.c soumis which .. \'atlitb1e in his lifetime, but that Footnote to himself explicill)' ad"iSt.'tl Registration Table are characteristic of the orchestra with neither their literal obsernnce nor the 3gain that his mude was to its abundance of dynamic pouibilitics. romantic·type organ adopted by them is slowly.3 Pleno and J'ollt's Werh ori­ As :10 interpreter of Rt.'gcr·s organ in confonnily with the spirit o( Re· the same meaning a" Plein music I lUust. howe,'er, report my res· ger. How intentionally Reger composed Simil"rly. Reger's d),namic and Ripleno. namely the must not be realized literally. ervations on the thus proclaimed "dy· for che organ of the 19th century we ,,:,~~~~Ia~~i:~IU':Of principals, octa\'es, namically purged" interpretation of know (rom a remark he made to Gus. unity resting in the whole must be q and Scharf or Zimbel. Reger's organ works in the light of tal' Bcckm"nn in .·ehruary 1900: "Our scn·ed. It was a spiritually added the Bonlun and the organ reform mO\'cmcnL To be modern org:," is such lhat one can (ormancc lhat he wallled to adoi,,,'•. ' in the manuals and the Po· l'Iure. it is recognized at thi" time that re"Uy compose (or ill Consider how This question is related and Trompece in the pedal. In no longer can one pass b)' Reger's or. lIlu~h Bach ~mandt'(l from his organs, the type oTgOln to be: uscd. In 0/1. <10 nos. 1 and 2. as well gan works without incurring suspicion ,,'Inch accorthng to our concept were and e\'en up to the: time when the Pa..uncagU" in D Minor willi' of .:an unpardonable backwarc.1ncss. Thus still imperfect! And we who ha\'c t~ posed his large chorale r~!."asics . opus number. Reger noted "by Due now tries more or les.~ com'incingly wonderful ne,,' instruments, "rc we sup­ played cOlllpar.ath'cly 1'lellO I mean full organ wilh to r"t Reger in a baroque strait jacket posed to stop there?" Wha.t il per­ ll1echanitOiI action and COI"olle",:" According to the ling. which, howe\'er, in matters of sound formance of Reger's organ mwic com· Howc\'cr. of his lime. he thereby never can be suitable to him. When plying to the reform mO\'ement yields conceh'cd org311s .i~';;~::::;I::!;" as also (ollows Reger made use o( d),n"mic effects. one can only be an anaemic interpretation brreat fashion at that d markings. must concede th"t he thereby intended ~ccording to b"roquc taste, whereb)'. lUusic docs not purs,-,,~,c;;:ii~(;~::~:~~~~:: ID order to do justice to ule mechanical forlll5. as docs that o( NOTES action, c\'en the tempi are taken at a "nd ctlntCll1por3ric5, but Raymond 1tl4bry, G gratillnu 01 lilt! " baroque" slow pace. Not infrequently cis uf classic otlf31t ilrt Curlu lrutiule 0/ JUw;c, I"SO 1I0ltfj do tc:chnlcal deficiencies and stylillic straightfoO\'ard ~": hi·llcc,'u!,.ically Ille Mtult!r 0/ M.u;c ;n organ and Mtu­ iU5«urit)" hide behind the "baroque" cult.'ti inlerpret"tion Oil the '" 0/ Library Scit!nce dCgTt!cs /rom In· conccpt. looa), thereby approaches more diann Urlivt!rJily. HiJ orgnn J/lldiej Imvt! thc cssence of his organ music . Likewise con~aled behind "baroque" bet!fl Alexander McCllrdy and with 15 a noncomnuual and over'Qutlous dues the lilcral obsernnce o( his Clyde Holloway. OrgmliJI.Cllo;rmnslt!r sobemeu which na.... owly mis.sea the fonnance m"rkings which were al Immanllill Episcopal C"Urcll in WiI- "expressionist" Reger, misundentanding to the dYllamicaJl)"oricnted orgotn 1II,""glon, Del. (1960.62) and at 'lit! Sec­ his spirit mmpletel}'. Reger had no o"d PreJbyler;a" Churcll in Richmond, one stylistic scheme which, once one Wabe which pre\'Oliled at that time. Va . (1962·67) _ He is currently a,e As. has leotrned it. hencefonh can be used Str"ube played Reger's FanlllJie Stuttgart, Jijlanl Hend 0/ '''e Fi'l(~ Arts Dt!par/· without hesitation in the interprelation I lhe 10 ",ell' 01 Ille Atla"ta, Georgia Public 'Ehl Feslt! Rurg ;.11 unJt!r GOIl' in II,dace Re8er's FU'4Ji, _. Library. Tile trandalion arliclt!s dnd of his worts. With every one of his his SY"'/,I,ullic FnnltUit! in Ihe Bue) · 'tI" II,,,, ilt "1lS" Coif: 0,. 21, C, F. u/ wor!.;s Reger summolls. in the im.erpre. boob rdnted to FUnd, and Gt!rmall Calht-ural on June 14, I90S as part o( ~1'~lrn, 1938. & 1;f)~ll'rns the pe"o~~ of ler, the whole man who is prepared to organ litemture lias been Q /avori/e the Swiss.German Music Festival. Since' I~IS ""cuu, R1l'8e, hlnloKU 01t1l'R dIl'vtalll'd con· projul 0/ 10ng'J/alllliI,g. experience anew the heights of happi. nt.'Ss but ,,150 tlle depths of sorrow that I '11 sed h' 1 ,. . 'Id~r.tblr (,om his own wrillen dynamic: mark· Ad:,u,wl~J6~",e." " fIIa4e 01 lIu ,ral'iolU t lat organ stt posscs mec "OlQ ac· inp. Likewise, hil J,iano QI'1'angemenl of the are etern"lly reborn in his worl;.,. ..."'atln 0/ Dr. N"rb~r' FlIt"t, P,olesso, tion at th"t time. he gave Reger's dy-.~ Ent,. Suj'e. Op. 16 for orpn ollus sn,'er.a1 01 C.tmaa at l"diD"A U.it't'ujly, wiloJl' ''''­ NOTES namic m"rkings " a new interpretation .dynamic markings that III'C enlirely dilf~rent ,,,,jU! ,.i'/eJ 'lie li"at pr,pAla';o. 01 little lfrum Ihe pro8ram for Ihe RC'J~' Oa)'. in mDnMu,iptl. frankfurt in 1967. of contrasts. bringing about ternccd from those of the orilinal for orpn.

23rd SCHUETZ FESTIVAL Netherlands \ 'oc::al Ememble, Marinus ualdo itnd Monlc\'enJi. The Prague strumental Soloists; Ulrich Seibert, SLATED FOR KASSEL, Voorberg. director; The Prague Madri­ Madrigal Singers: Ensemble of the general director. gal Singers, Miroslav Venhoda, director: J'ragtle N"tional Museum; Miroslav Lecture by Dr. Ouo Brodde. Ham­ MARBURG IN OCTOBER The Spandau Kamorei, Martin Behr­ Venhoda, director. burg: "Heinrich SchUu Today." mann, director. October 2: The Netherlands Vocal S),mplloniae SQCTQe by Schutz. and To celebrate the SOOth anniversary Oct. 1: Ecumenical Church Service Ensemble, Milrinus Voorberg, conduc­ works by Pezel. Vitali and Scheidt. Tre· of the death of Heinrich SchOtz, the with Mass, 01'. 85 by 'VUly Burkhard. tor. Worl;., br. Weill. Penderecki, Kelter· bles from the TOber Boychoir: Kurt Jnternational Heinrich SchOtz Society Emilia P~ttescu, soprano of Bucharest; born. and K ebe. Equiluz. tenor; Leopold Spitzer. bOiS!: will spollsor its 2Srd "nnual Schutz Frs· Jo"chim Gebhardt. bOiS!; The Spandau The Marburg Bach Choir, 'Volfram Concentus Musicus o( Vienna; Nikolaus til'al from Sept. 50 to Oct. .. in the Kantorei: members of the State Theater Wehnen. director. Works for IOi0ists, H"rnoncourt, director. citics of Kassel and Marburg, GelIDan),. Ord,,:str:l, Kassel; Martin Behrmann, choirs "nd instruments by Gabriell, "crdi's Quattro Per:.i Stzc.T; and works These c.,ies were the scene of mud\ of dil'Cctor. Monte,'crdi itnd Schiltz. by Schfttz. The South German Madrigal Schiltz's musical "ctivities when he was L«ture by Dr. Thr:ls)'bulos Gt'Orgi· Choir of Stuug;art and orcheslT3.; 'Vol(· Stale Theater Orchestra, Kil.55Cl,lames gang Gfinnenwein, director. alh'e, and the anniversal')' year makes adcs. Munidl: "Heinrich Schutz on the Lockh"rt, director. "'orks by lIuber. it appropriate (or the feslival to tom· 300lh Anniversary of His Death." Bialas "nd Bruckner for symphony or· A music display and special exhibit hiOl: both musicological research and Concert of Psalms: works by SchOtz. chestra. centering on "HeIDrich SchOu and His performance practices in public per­ Bach. Distler, Penderecki, Schmidt and Times" will be avaU"ble for viewing at (ormances of the worls. The schedule Stravinsky. Uta Spreckelsen, 5Oprano; October 5: Michel Chapuis. organ the State Museum and the City Hall of o( events is as (ollows: Eric Stumm. bass; St. Martin Kantorei. concert of wor!.;s by Sweelinck, Tile· Kassel during the Festinl. Further in· Sept, 30: Opening concert: worls by Kassel; Kassel Vocal Ensemble; members louze, Roberday, Muffat and Bruhns. (onnalion mOlY be obl2ined by writing: Cabrieli, SchUtz. Theodore Antoniou of the State The"ter Orchestra; KI:lUs Claudio Monteverdi's L'Or/t!o. Solo· Geschlftsstelle des 25. Intemalionalen (premiere of work for three choin) • and Ziegler, director. ists Emilia Petrescu, Nigel Ragen. Heinrich SchOu·.'esccs. 5500 K:wcI·'ViI­ a reading of the life of SchOu from Secular Madrigals from SchOU'S Time: Kieth Engen and Paul Esswood; Monte· helmsh~, Heinrich·SchOU·Alec S5, ~Iartin Geier by JOrgen Schmidt. The works by SchOtz, ~farcnzio, Gallus, Ges· \'crdi Choir O( Munich: the Munith In· West Germany.

8 THE DIAPASON ,

The MOller Conviction

The fact that Moller is the largest pipe organ manufacturer has been cleverly tied to a variety of fanciful un-facts, fabrications tailored neatly to lit the self-interest of the fabricator. To the purchaser of a Moller organ, however, our size conveys a number of specific benefits which bear directly on the unsur­ passed quality of our instruments. Without having grown as we have, we would simply be unable to supply: Expert engineering. Our backlog of experience is called on constantly to solve the problems each separate installation must present-and for the flexibility to meet all require­ ments of size and budget. Rigid quality control. From the finest materials to the flaw­ less tonal finishing, the same meticulous standards apply to every Moller instrument, regardless of size. Continuity of craftsmanship. Not only does Moller attract the most gifted artisans, we also develop their precious and exacting skills through continuing opportunities to grow professionally. Molle,.s strength is an organization, not one man. longer musical life. Almost one-iourth of our annual in­ come derives from the economical restoration (not the re­ placement) of Moller organs installed in the early decades of this Century. Moller organs last! tntensive research. In a country where 'newest' is often thought to be 'best", we make haste slowly; we adopt new procedures and materials only after the mo.t exhaustive and conclusive testing. Or we continue with the proven old. Nationwide representation. ,\-toller has 60 sales and service representatives coast to coast, each equipped with years of experience, each an expert in his own right. Financial stability. The Moller service contract is backed by 96 years of continuous development and growth; our future is lirmly based on past achievement. Now that we have stated our conviction, there is still one voice to be heard: the exaiti'1g voice of the Moller organ itself. It's the transcendental reason for thinking of Moller lirst, as so many, many have.

INCORPORATED

Hagerstown, Maryland 21740 Phone: 301 - 733-9000 NEW CHORAL MUSIC for CHRISTMAS

SATa 98-2110 A BALLAD OF CHRISTMAS (Who Are These Thai Earnest Knoek) - Godfrey Schroth $ .• 0 98--2094 HOW lOVELY SINGS THE ANGEL CHOtR - Freundt ."0 98-2097 IN OUlel JUBilO (SATBBJ-Eccard .25 98-2095 NOW IS THE HOUR. NOW SING WE WELL- von BUfuck ,25 98-2096 0 MORMNG STAR. HOW FAIR AND BRIGHT (SSATB)- Praetorius .25 98·21004 ON THIS DAY EARTH SHALL faNG - arr. Marlowe Johnson (with opt. handballs) .30 98-2064 THE SHAOOWS ARE FALLING - seiting by Hermann Schroeder (with 3 violins. or organ) .30 98-2065 SING WITH JOY. GLAD VOICES LIFT -selling by Hermann Schroeder Iwlth 2 violins. cello. flule. or organ) .30 98-2114 THREE ADVENT CHORALES-J. Crueger o lord, How Shall I Meet Thee; Savior of the Nallons, Come: Va Sons of Men. Oh. Hearken (with 2 deseanUng instruments & organ) .30 98-2100 TWO ANTHEMS-Harvey Hahn (SAT/B) And Jesus Increased in Wisdom: La. How a Rose E'er Blooming .30 Hedley E. Yod will become the organist and choirmaster of St. Mark's Epi5copol TREBLE Church, New Canaan, Connectkut begin. ning Sept. 1', 1972, For the past two years 98-2107 A LITTLE CHILD ON EARTH HAS BEEN BORN he was the auistant director of mu.ic at -arr. Robert Powell (unison. flute. and keyboard inslr.) ,30 St, George's Churm, New York City. A Jean Slater Edson, profellOr of music ortd 98-2106 ON CHRISTMAS MGHT ALL CHRl5nANS SING graduate of W.stmin.t.r Choir Cotl.ge -arr. Rober1 Powell (unison. flute. and keyboard Instr.) .30 where h. was an organ pupil of AIeJiander physics at Mary Wamington ColitiS- of the 98-2105 WHILE BY MY SHEEP I WATCHED AT MGHT: LO, HOW A ROSE E'ER BLOOMING McCurdy, he has also be.n a member of University of Virginia and CKlthor of the r.· cently published comprehensive Ind ... of or· - Gerhard Krapf (2 pI.) .25 that faculty and a teaching 'ellow at Stan· ford Univenity. Mr, Yost has been heard gan prelud.s, retired this June after having frequently as a recitalist and oraloria ac· M"ed an the faculty for 2.5 yean. The componist in the New York rMtropolitan board of visitors of the Unlvenity has • area. elected her professor emeritus. She plans to continue her research and writlng, with emphasis on music In the churches. Mrs. Ed$On received her BA in 1928 from SEVERAL NEW Vauar College, where she was .Iected to APPOINTMENTS ANNOUNCED Phi Beta Kappa, her MA in 1930 from Co­ lumbia Univenity, where she was a charter Joseph Charles Jadson hns been ap· member of Alpha Theta Chapter of Sigma pointed org:mi5t or Sl. Paul's United Alpha lata. Her organ teochers we,e E. Methodi5t Church, East St. Louis, JIIi· Harold Geer and Charles Doersam. She nois. Mr. Jackson, 18. is a ronner 5111· spent 1931-304 in Europe, auisted by the dent or Elisabeth Hamp and is an organ Vidor Baier Fellowship in Chunh Music (Co­ scholarship student at McKendree Col· lumbia University), studying argon with u-,':talA IGW__ I ...."._ ,,, ... .. _ lege. Lebanon. Winois. where he stutlies Kart Walter in Vienna, compoultan with with Glenn Frciner. Manfred Willfort 01 the Vienna Schenker Karl Hah'orson, org:mist 3ntl choir School, harpsichord with W.rn.r DCtln~s director oC ,\11 Souls Unil3ri:m Church, '" Munlch. She has gl •• n ""urts In Vienna Wnshinglon. D.C., has been appointed artd florelK8, at Vouar Callege and in consultant (or the National Culture Wad!ington, D.C. Her compasiHons have Centcr. Uucn05 I\ires, Argentina by been performed at Town Hall (N.Y.), Phil· Jorge D'Urbano, director general or the lips Gallery, National Presbyterian and All Audhorio dc la Ciudad de Buenos Souls Unitarian Churches, Washington Cath· Aires. Thiili sUUlllter he is working in .dral (D.C.), and the Hopkins Cenler at Argentina with the nve ),oung architects Dartmouth College. For Mveral years she who won the competition ror the de5ign was accompanist for George Kin Leung, or the center and with the acoustical Chinese folk singer, engineer rrom london. He will conduct She holds the AAGO and Chm degree., discussions on organ huiltling with Ar· was dean of the D.C. Chapter, AGO, '9042. gentine musicians. 0404, and spon$Ored the Mary Washington Jud50n Rand, conduClor of 'he Capi· College Guild Student Group from Its 'ound. tnl Hill Choral Societ)'. ,\Ihau)', New ing in 1951 to the present. She has received York, has lx.ocll appoinled .:155isl:1II1 pm· grants from the Notional Sctence Founda· fessor or music at Siena College, Lou· tion for studies In physics at summ.r Insti· tlonville, N.Y. He will also tlirect the tules at the Univenily of Colorado, Ohio Siena Schola Cantorm!) which is 10 be Uni'tllnity, and Dartmouth College, and she organized in Scplembcr. Mr. R.:md i5 has specialized In teaching gen.ral physics a graduate or Columbia UnivenilY, anti from the liberal orb opproach and has lec· he has also mulicd at ManhattanviJIe tured on "Physics and Muuc." College of the SacrL'tl Hcan, Juilliartl In 1970 her book. "Organ Preludes - School of Music, and thc Pius X School An 2nd .. of Campositians boyd 0" Hymn or LiturglClI Music. The CapitOl Hill Tunes, Charafes ••• ,II was published by Choral Society has pcr(omlccJ the past Scarecrow Preu. She Is list.d In " Who's rive SC350n5 with the PhiladelphiOl Or· Who of American Women," "Dictionary of chestra under Eugene Omlandy at the International Biography," and "2,000 Wo­ Saratoga. Pedorming Arts Center, 5um· men of Achievement" (1969 and 1971). She mer home or the orchestrn. is now completing a supplement to her book l\L Dougl3l!l Soyao has been appoint· and assisting with the music program 01 cd OlssistOlnt dean ror music in the Syra. All Souls Church in Washington, D.C. cusc Univen ity College or Visual and Pedorming Arts, errectivc September I, 1972. Mr. Soyars joined the Syracuse ENGLISH CONTEST music faculty in 1967 as assistant pro' WINNER ANNOUNCED fessor lecturing in music education Olnd music. Since 1970 he ha5 also been di· As part of the 1972 Trinity Festival, dector or bands. He is n nath'e o( Nor· held at Holy Trinity Church. South· rolk, Virginia, and he earnetl his port, England, an organ playing com- BMu5Ed degm! at Madison and the eution was held from June 26 to July MMus degree in wind hl$lruments at r, 1972. Only two contestnnu were to the University of Michigan. He held be selected from the 13 entrant.! ror the previous posil ions at the American Higb finals or the competition. but due to School, Heidel1?erg. Germany, at Adrian lhe closeness of the rompetition, three Trinity Church College in Michigan. and at the Univer· rinalists were selttted to be heard by Newport, Rhode Island sity or IHichigan. jusrists Cillian Weir and David Lum5. Philip J- Sw,,,u 01 JacksonVille, Flor­ den. The winner W.il.!l Ronald Leith or ida, has been appointed design engineer Aberdeen, Scotland. He received a prize to represent the Greenwood Org;," of .£50 donated by the Southport Corpo. Company in Alabama, Georgia, Florida, ration Libraries Be: Arts Committee, as This new three-manual, and lower South Carolina. Along with well as opportunity to play 18 r«i.l4lb thirty rank organ Is 5ales work Mr. SwarU will install and in major locatioD5 throughout the Brit· service Greenwood Organs and other ish bles during the coming year. Au located within the original makes, and he will also do selective reo American, Charles Benbow, a graduate case, built In 1733_ building. of the U. of Oklahoma and now a resi· dent of London. was the second pla.ce DONALD S. SUTHERLAND conducted • winner. He received a prize of £25. Si· performance or Haydn's "Lord Neboa. Mus" mon Joly of BilUnghunt won the lhird at Bradley Hills Presbyterian Church, Bethea­ da, Md., on Sunday mominr, June 11. The prize of £10. An innovation in this WICKS ORGAN COMPANY IHighland, Illinois 62249 Chancel Choir, a chamber orchcsU'a, aDd 1010' year's contest was an improvisation con· Uti Phyllis Bryn·Juhan, soprano, Marilyn AI. test which was also won by Mr. Leith. Pipe Organ Craftsmen Since 1906 bcru, aho, Rusaell Steele. tenor, and John A prize of .£25 was donated ror the im· Vroom, bau, perfonned the work Itt part of provisation contest winner by the Rush· Ihe mominr worship service. worth Trust.

10 THE DIAPASON Pompano Beach, Florida Gets Moller Organ

The Fint United Methodist Church, Pompano Beach, Florida, has selected M. P. MoHer, Inc., Hagerstown, Mary­ land to build a 3·manual organ. Some yc:ars ago Moller im taHed an organ in what was then the church and now used as a chapel. As the congregation grew 3 new church was built and an electronic instrument installed which is now being replaced. Speci£ications £or the new organ were prepared in consul­ lation with Robert Denniston, organist and choir director or the church.

GREAT J'rincipal 8 ft. 61 pipes Bourdon 8 ft. 61 pipes Octav 4 ft. 61 pipn 5pilzllole 4 ft. 61 pipes David Herman has been appointed to Twelfth 2% ft. 61 pipes the music faculty of Drake Univenlty, Des Doublette 2 ft. 61 pipn Moines, Iowa, effective the Fall term of Mixtur IV 244 pipes 1972. He will teach organ and courses in Barbara Norland. a student for the past SWELL sacred music. three yean at Cornell College, Mount Ver­ Rolu,!edeckt 16 It. 12 pipn Mr. Herman. a native of Williamsport, non, Iowa, has been awarded a Fulbright­ Rohrnote 8 ft. 61 pipes GUlian Weir, wh05e schedule this summer Pennsylvania, began his organ study with Hays grant for music study in Austria dur­ Viole de Gambe 8 ft. 61 pipes ing the coming academic year. She will has been very full with appearances at Var­ Viole Celeste 8 ft. (TC) 49 pipes Frederick A. Snell. He received the MusB ious music festivals in England and in Eu­ degree from Willenberg University In 1966 study organ with Anion Hellier at the Naebthorn 4 ft. 61 pipes Vienna Conservatory of Music. At Cornell rape, will return to the U.S. in November. Gemshom 2 ft. 61 pipes where he studied organ with E. Frederick Her tour here will include the Pacific Coast. Plein Jeu III 183 pipes Blackmer and Frederick Jackisch and com· College, MilS Norland studied organ with Robert Triplett and Michael Fisher. She has In June Miss Weir was heard at the Maga­ Fagot 16 ft. 61 pipn position with Jan Bender. He received the also studied with Heinrich Fleischer. and dina Festival in Switzerland, and in July Trompette 8 H. 61 pipes MusM degree in 1968 from the Univenity Fagot 4 ft. 24 pipes with Anton Hellier during a summer master­ she was heard at the Cheltenham Festival T re!mulant of Michigan where he studied organ with dan. Miss Norland is presently completing of Contemporary music where she premiered Robert Glasgow and carillon with Pereival CHOIR her undergraduate studies at Southwest "6 Facets" by John Weeks and "Wedding I10bgedeeltt 8 H. 61 pipes Price. Mr. Herman is a candidate for the Slate College, Marshall, Minnesota. Pauacoglio," an unpublished work by Enahler 8 h. 61 pipes DMA degree In Organ at the University of Vaughan Williams. She also played in Fred­ Enahler Celesle 8 ft. (TC) 49 pipn Kansas where he studied organ with James burg, Germany, the Aosta Festival in Italy. Principal 4 ft. 61 pipes Moeser and carillon with Albert Gerken. LADV SUS[ JEANS has been invited by and at the Ripon Cathedral Festival and Koppelnate 4 ft. 61 pipe5 For the post two years Mr. Herman has the Society for the Humanities and the De­ BlocknBtc 2 ft. 61 pipes partment of Music of Cornell Univenity, King's Lynn Festival of Music and the Arts taught organ and harpsichord 01 the Uni­ Ithaca, N.Y., to give two concerts there in In England during July. From August 6 to Larigot I ~ ft. 61 pipes versity of Kansas. Previous to this he served Krummhom 8 ft. 61 pipes October a nd to lectUre! on "Sir Isaac New­ September 4 MilS Weir will be harpsichord Tre!mulant as organist and choirmaster at the Church ton's Investigations in Music." She will be soloist with the Byrd Choir of England in Chimes of St. Albert the Great in Dayton. Ohio, and the soloist in two organ concertos by Sir Wil­ performances at festivals in Poland. She Harp 01 the Redford United Methodist Church in liam Ifenchcl. the 18th cl"ntury rutronomer will also play further recitals in Germany, Detroit. He is a member of the Guild of who was also a brilliant mw ician. in one or PEDAL Ihe conel"rts on the new organ in Anabel Belgium. and England during September Subban 16 ft. 32 pipes Carillonneurs in North America which has Tavlor Chapel. and October. Following her visit to the U.S. Rohrgedeckt 16 ft. (Swell) published two of his carillon works. in November. MilS Weir wi!1 return to Lon­ 1I0lzgededt 16 ft. 12 pipes don for a Dec. 5 recital for the Royal Col­ Principal 8 ft. 32 pipes JOliN KUZMA conducted the soloists and MRS. DAVID STRONG was given a te5ti­ Subbau 8 ft. 12 pipes pa risi, choir of St. Paul's Episcopal Church, monial reCl"ption by the parishionen of the lege of Organists. In May of 1973, she is Rohrflate 8 ft. (Swell) scheduled to do the complete performance San Dil'go in a program of works by Brahms Easthampton, Mass., Congregational Church Oc::tav 4 h. 12 pipn alld Britten on June It. Included in the pro­ ahl"r the Sunday worship service on June 4. of Bach's "Clavierubung" in four recitals Mixtur II 64 pipn gram were Brahms' " Six Folk Songs," "Zig­ 1972 in recognition of her 25 yean of lervice for the Univenity of Wales on both harp­ Fagot 16 It. (Swell) elincrEeder," ond " Lm·csong 'Yahles, op. 52," AS the church's organist. Mn. Strong is a sichord and organ. Fagot 4 ft. (Swell) and Britten's "Hymn to St. Cecelia, op. 27." member of the Springfield Chapter AGO.

HE FINEST compliment a competitor can give you is to copy your product. All too often, though, T imitators simply copy appearance, and fail to build in hidden features that make the original so popular. So it is with Reisner's Relay Magnet, praised by organ builders throughout the world for its reliability. Bases, for instance, are made on our own die·casting machines for strength and precision, as well as absolute quality control. Contact fingers are sterling silver, and armatures are mounted on bushing felt to virtually eliminate action noise. Until features like these are copied, your best assurance of genuine relay magnet reliability is to specify REISNER.

THE d'~ nPl OZ/J.1{llj,b,V MFG. CO. 'I!I~is/fiiI, u/tra-dependable Relay Magnets VVVWV INC. dj(dff1Jl.ir@ b"~ Reisner. Small but rugged, these 'ffl;gr{e(ir are availalile with 10, 15, or 18 contacis. Stllnflprd resistance 70 ohms, other resistances P. O. Box 71, Hagerstown, Maryland 21740, phone 301·733·2650 av~e on special order.

AUGUST, 1972 11 Hints for Choosing a Harpsichord by Lorry Po/mer

help if onc chooses them can:fully and have the three choirs of string! qllilled ward logic (0 us to lea\'c them off just if he remains aware of the danger of with delrin or some other hard plastic for fear they will be misuscd. equating the volume from a dosely· (suitable "quill.substitutes" and ex­ Supposing now that onc h3! done miked recording with an actual instru· tremely durable), and to jldd a "peau his reading and listening homework, ment (one wonders where the sound de burne" or soft leather sct of plectra how could he proceed to buy an instru­ wcmt ••.) . Gustav LeonhaTdt's record­ to slroke one of the 8·foot choirs, thlls ment? The type of instrument we have ings a\'ailable in the United States on gil'ing an extra tone·color and one described is scarcely e\'er to be found the Victrola label (The Sound of the which is particularly lovcly for late in a local music emporium: where. Early Harpsicllords: Froberger, played 18th·century and contemporary harpsi­ tIlen, can it be found? The old recipe on a Ruckers instrument of 1640; chord works. for rabbit stew has one begin by find­ Fren c:h Harpsichord Mas'erpieces, mll­ If a 16·foot register is desired it is ing a rabbit, and it is not surprising sic of Louis Coupcrin and f)'Anglebert, advisable to buy a copy of an 18th that to buy a Hnc harpsichord, one played on Mr. Leonhard ..s 1962 Martin century Gennan instrument (such as should locate a harpsichord maker. The Skowroncck copy of an instrument by those from the builder Haas of Ham­ finest builders. such as those of the Dulckcn (1745), the instrument on burg) where the 16-root register had "noston School" (back to Zuckermannl) which he also recorded the three· record its own soundboard. Thc 16·£oot was are much in demand, and Ihey will sct of J, S. Bach's Well· Tempered CltrV­ extremely rare on classic in~trumenls, probably ha\'"e long waiting limes be· ier. nook 11) are excellent guides to and the prospective bu)"er should be· fore instruments can he delivercd, With rich, full·bodied harpsichord tone, as ware the 20th century claims that Bach's Ihe ad\'ent of the k.it harpsichords avail­ is Rarael Puyana's Philips recording of harpsichord had one. The "Bach.Dispo. able from sc\'cral of these Boston build­ /lalia" Harpsichord Music. sition" has been disprO\'etl so orten now ers we ha\'e noticctl the rise of local Listening emphasis placed on earl}' that it should be common knowledge, builders who usually begin with the instruments or notablc copies of early but if one wishes to pursue this matt~r kits and plans prepared by the experts, instrumcnU is strongly recommended. Zud:cr01ann discusses it, Frank. Hub· and who somctimtS go on to do their for it beromes more :md more apparent bard de\'Otcs an Appendix to the sub· own copies. By all means, im'cstigate that the h:lr~s ichord of the future will ject in his exhaustive discussion T/nee these local sourc~: lislen to the instru· be the harpSIChord of Ole past. In sim· Centuries 0/ Harpsichord Mohing (Har. ments and compOlre the sounds you hear pic teons, that means an instrument \-ard University Press. 10(5) . and a with the recorded and live sounds whidl constructcd according to the designs of small book by Friedrich Ernst, Der you have come to associate with harp­ one of the main national schools of Flucgd Johann Sebaslilltl Rne/IS (Frank­ sichord tone. Check the action care­ harpsichord building - Italian, Flem­ furt, 1955) , should set the maller to fully; listen for resonance. You will One of the most frequent questions rest forel'cr. Would that It were as sim· probably not get quite the mastcrpiece addrcssed 10 tiS in the several years of ish, Frcnch, English, or German; an in­ pic to undo all the mod~rn harpsi· that you wilt get from a master builder writing for TilE D1ArAsoN has been s'rument which will ha\'e a thin sound· "What h3rpsichord should I (or my board, a dosed hottom, thin case walls, dlorw built with 16· and 8,foot regis­ - that, after all, is why he is a master school) purch3se?" While not a simple all to allow it to resonate in much the lcrs on the lower keyboard and 8· and builder. (It has e\'er bcen so - Ruck­ question to answcr, it is easier to pro­ same way a (ine violin would resonate; 4·foot registers on the upper in cmula­ ers could not supply his whole 17th vide guidclinH for scletting a fine in­ an instrument which will have plectra tion of this supposed "Bach instru­ century world with instruments,) How· nlcnt." ever, with careful comparisons )'ou may strument Ih:m it is 10 instruct in meth­ of quill or of some quill-emulaling sub­ ods for nising the moner to pay for it, stance to allow the instrument 10 sound The instrument to be purchased get a harpsichord in less time, for less money, and you will have a hand· or c\'en, for thai maner 111 how to play with its historic tone qualily; an instru· should look like a harpsichord, both for craftcd instrument which looks and the instrument in it musiCilI and artis­ ment which will consist of not more ncsthelic reasons and because the harp­ tic manner. than three sets of slrings arrangetl in sichord, as an instrument, has been in· sounds like a harpsichord. Thc very We wually begin an answer '0 the the cI:wic disposilion of 8· amJ 4·foot ventoo for some centuries now, and does fact of buying Crom a source closer to "which one should I lIuy" query b}' di­ registers for lhe lower keyboard antI a not need to be retle:signedf It shoultl. you wiIJ allow you 10 know your buiTtJ· recting the qucstioner to 'Volfgang second 8,fool playablc from Ihe upper therefore, ha\'e a "bcnl,jide" - ... cun-ed er and to consult him about mainte· Zuckermann's TI.e Modern HGrpsie/.ord kc)'board in 2·manu:d instruments: an GlSC at Ihe riCht side or thc instrument. nance and repairs, In a sense it allows (October House. 1969). not ncccssarily instrument which has a sensitive kef­ It should ha\-e very little metal in iu one to support the Olru in his own because we subscribe to every word in board mechanism, delicately adjusted construction: heavy, reinforced cases area, as well. this illustrated volume. but because it to pluck ncar the top of the key dip, arc unnecessary when onc considers the The harpsichord, like any fine musi­ gives a point of departure for a pros· une which has an even adjustment lesser tension of harpsichord strings as cal instrumcnt. should not be mass­ pective purch:lSer. Just to realize (which throughout the range of the instrument compared to piano strings. and the produced. We do not suggest that it is few people do) that there arc at least and whid. has free· moving. non·bushed hea\'ier the case, the k'SS tone one can always necessary for one man to be one hundred harpsichord makers ac­ keys in the manner of the surviving usually expect from the instrument. responsible for the entire construction, tively at work today presents an over­ early instruments. Also, strangely cnouch, the lighter case but we do suggest that the "builder" view for some of the available choices. To elucidate these points: for those construction givcs one an instrument should be responsible for the fine reg­ We always caution prospective buyers who fancy a I·manual instrument which is at least as stable In regard to ulation of the instrument, at le3!t, and to rcad Zuckeonann with an enjoyment whether from dlOice or from necessity. tuning and maintanance as a hea,tier. that one should be on the lookout for of his biitSes and prejudices. but to usc the Italian harpsichord is a marvelous O\'erbracetl one. In our experience the instruments which arc produced by out· the addrcsscs which he gi\'es for writ· prototype. The wual disposition of two historic-copy instrument is rar more fits at the rate of more than 30 a year. ing to builders or for visiting them 8·root registers gives vancty with rich­ stable in this rcgard. The revil'at of the harpsichord in the with the objett of finding out for them­ ness anti is a perfect arrangement for Should one have pedals or handstops 20th century was accomplished with in· selves, exercising their own biases and continuo playing. There is very Iiule for changing the registers? Pedals have struments which looked backward from prejudices, as it were. literature that cannot be played on one \'ery little justification, historically the piano. ,Ve are groueful to thc build· It is tremendously important that one keyboard; abo, the wiry, aggressive speaking, but we Hnd them a necessity en and players who resurrected the in­ discover for hilUsclf how a good harpsi­ sound of thcse instruments is coming if one wishes to play 20th century mu­ strument 10 make it a musical possibil· chord should soumJ. Nothing, of course. into fashion aga.in . Still desen'edly pop. sic (a.nd helpful for late 18th century ity for us today. \Ve are even more could replace a \'isit to a collection of ' ular as an "aU.purpose'· harpsichord music, as well). As long as thc plOlyer grateru), howe"er, to lhe buildcrt and \'ener.tble instruments in playing COil' is the French.styled Jnstrument. copied knows that frequent di:lOgCS of regis· players who ha\'e rediscovered the his­ dition - sudl as one can find at the rrom the 18th century instruments of ler would not have been possible in toric harpsichord and who have made Smithsonian Institution in \Vashington, Dlanchet and Taskin. On a large in· early music the pedals Cln be useful it the standard for harpsichord tone D_C,. for instance. Recordings arc a .$Imment of this type it is possible to and need not be abused, It seems back- today.

younger and JCS5 well·known people, and tempen hot when the is!ue is is taking place. If, (or instance, that would enable us all to hear and savor dealt WitII. This Cln result in the wed· particular denomination maintains that the sound of what must have once becn ding couple taking their requests else­ evcry worship service must serve to pre­ Letters to the Editor the crowning glory of American church where, as was obscn'cd in the above· sent the doctrine of sin and grace, glori. organs. mentioned letter. fy God and certainly show the love of Joseph A. Lindquist In attempting to uphold a musical God, without whom we humans could standard for wedding music, ministers not conceive of lo\'e, then all the more Ed. tlo'e: To Mr. Li"dquist's very and organists alike. mysclf included, reason to employ music which poinl! fine suggestion above (which we think have employed a wide variety of argu· alone to God. Williams AFB, Ariz., June 16, 1972 - ;s a great idea), we would also like to ments for and against traditional wed­ Unfortunately. we have all ~en many To the Editor: add the Hook organ at Immaculate ding marches, love songJ, sccular music, i1 wedding which has a close resem­ I thoroughly enjoycd the article by Conception Church, Boston, which was etc. However, personal experience in­ blance to i1 circus, complete with movie Jim Lewis on the 1896 Farrand &: Votey recenOr recorded by Thomas Murray, dicates the necessity of determining a cameras, blinding flashhulbs, raucous organ in St. Ignatius Church. San Fran­ Doth Instrume"U are worth restoring, seemingly elementary point prior to guestJ, and music which serves in no cisco. What a shame that such a gor­ lind we would we/come word from a,,),­ all other arguments, namely: 'Vhat way to lift the mind heavcnward, t reo geous church and orgotn ha\'e been lost one interested in gelling (J "mooemetft" constitutes Ol church wedding? peat. this view expressed above will not to us forever lor such purposes unaerway, A.rticles If a wedding were to take place in be popular, especially with those who What I would like to sec next is an on old Americ:an organs are Glso most a garden, country dub. or park, em­ insist that the wedding and all its trap­ article on the organ of Holy Cross welcome. - RS ploying only ~cular ingredients in a pings are part of the "bride's day," and Cathedral, Boston. Although the instru· ritual performed in a secular surround­ that we must yield to her evcry whim. ment there has been drastically altered Elkhart, Ind" June 14, 1972 - ing, I would be the fi"t to condone But then, we arc repeatedly told by from its original 6pecification, and also To the Editor: the usc of "Love Story," "Theme from God Himself in Holy Scripture that the has fallen (through no fault of the I greatly appreciatcd the comments Romeo and Juliet," or even many of upholding of His Holy Name will never Cathedral, however) into a pitiful state by Lorene Banta in the letter ~ction the secular operatic pieces heard so be accepted as the "in" thing. of disrepair. anyone who has heard or of the June is!uc. The substance of frequently at weddings. However. the I suggest that both organists and playcd this organ (as I have) cannot this letter consisted of commending term "church wedding" implies some­ ministers alike think this issue througb help but be awestruck by its sound. the Rev. John Ashey n of Newport thing set apart from the m:unstream of carefully. since I believe that detennin­ Perhaps such an article would pro­ Beach. California, for his opposition our common concepts of life and ro­ ing the sum and substance of your vide the impctUs for a restoration of to the use of "Love Story," etc" in a mance, A church wedding is not some­ church weddings will give strength to this fantastic instrument to iu original church wedding, I suppott this point thing which is merely lifted out of the any argument which you may employ specification and character (E. &: G. G. of view, in spite of we fact that it is television and Hollywood context to in the selection of music to be used. Hook. c. 1875). Following restoration. far from popular. Any minister or or­ "happen" in church_ Rather, it is bound Thanks to Lorene Banta for bringing recordings, broadca.sts. and recitals by ganist who shares this belief will readily up in e\'ery detail with the worship a "thorny" problem out in the open. well established artists as well as by admit that relations can become strained ideal of the denomination in which It Thoma.! L. Wegener

12 THE DIAPASON Rohrflocte .. fL 32 pipet Atlanta Church to Waldnocte 2 IL !2 pipes Gct Schantz Organ M ixture t IV 128 pipes Mixture 2 DI 96 pipes Konstra Posaune 32 fL 12 pipes The First n:tptist Church. ALlanta, Posaune 16 It. 32 pipes Basson 161L (Swell) Georgia, has sigf!cd 3 contract with the Trompete 8 IL 32 p~ Schantz Org::an Co., Orrville. Ohio, for Schalmci .. ft . :t.! pipa a 4·manual, 8G'l':lOk organ. It will re· place :I. 4' mantlal Pilcher organ of ro­ mantic design which in fonner days was played by m:my notable organists in­ cluding Alhert Schweitzer. After reno­ \'alion, the present Echo dh'ision. MARIUS MONNIKENDAM chimes. and harp will be used as part of the new instrument. The new organ will be placed in 3 shallow chamber Organ Works: across the fronl or the church with tone openings being enlarged for maxi· 0537 Prelude "The Bolls" mum egress of sound to the choir loft $ 3.50 and nave. The console will be equipped 0258 Sonata do Chiesa with the latest design Schantz solid· 4.00 state memory unit capture mmbination 6933 Toccata (in preparation) system. A gallery organ will be prepared (or at the top of ahe rear gallery. Spe. 0538 Two Themes with Variations tHicalions for the instrument were pre· 4.00 pa~d by Dilvid Lowe, organist of the church, and Alrred E. LundonJ, district manager for the Schantz comp:my. John Concerti: Oil Ofgan Glover is direclor of music. Installation College. Spartanburg, South will be milde in the summer of 1973. 0134 Concerto for Organ and Brass. Score and Parts Corofina, WCH named U,..t·place winur of 6.00 the Young Artists Comptllilion sponlOAld GREAT 0470 Concerto for Organ and Orchestra. Min. Score 5.00 Vialonc 16 ft. 61 pipes jointly by Hanard Untvenity and the Sos­ Principal 8 IL 61 pipes ton Chapter AGO MtI'f 7 01 Hanord Uni· Rohrfloclc 8 ft. 61 pipes versity's Memorial Church. Mr. Smith is a 0530 - Same. Organ and Piano Reduction 10.00 Oc::tavc 4 II. 61 pipes DMA candidate at Eastman School af Music Nachehorn .. h . 61 pipa where he studies with David Craighead. He 0155 Concerto for Organ and Strings. Min. Score 3.50 Octaw Quince 2~ h. 61 pipes hal also sludied with Aussel. Saunders. As Super Octave 2 It. 61 pipes winner of the campetitlon, h. will be pr... MiJ:lure IV 244 pipa senled in Hanard', regular concert series Zymbcl III 183 pipes Choral Music: Falot 16 It. 61 pipes nexl season. Other ~nle.tanb in the cam. Trompete 8 It. 61 pipes petition included James Mlsma" a sopho­ 0528 VIA SACRA (Lat· Eng). Full Score 15.00 Trompctte en chalQade 8 ft. 61 pipe. more at Oberlin and student of Hoskell Chimes Thompson; Robert Parkin., a graduate ,tu­ Chorus Ports (SA, TB, separtltely), each 1.25 H • ." dent at Yale under Chorles Krigbaum; and Hnrp Celeste Jonny Gillock, a DMA candidate at JullUard Boys' Chorus Parts, each .80 SWELL (Expreuiw) under Vernon de Tar. The finalists for the Bourdon 16 ft. 12 pipes competition were chOien by ludge, krbara Set of Parts for Narrator, Percussion (2), Organ 30.00 Principal 8 ft. 61 pipes Owen, !kion Jones, and Max Miller from &urdon 8 (t. 61 pipes submitted tape recordings.. The final com· Vtole de Gambc 8 h. 61 pipes petition, whkh was port of .... annual meet­ Vime Crlcstc B ft. 61 pipes C. F. PETERS CORPORATION Flute 8 II. 61 l'Iipn ing of tf,:e Bosloll Chapter, was judged by Flute Celeste 8 ft. (TC) 49 pjpa Lenora Stein. Leonard RO'ter, and John 373 PARK AVENUE SOUTH Preltant 4 It. 61 pipes Skelton. NEW YORK, N. Y. 10016 Flute Conique .. fl. 61 pipes Doubleue 2 It. 61 pipa TERENCE FORD WINS (212) 686-4147 Foumiturc IV 244 pipa Plcin Jeu III 183 pipes ONTARIO COMPErION BalSOn 16 It. 61 pipa TrompeUe 8 It. 61 pipes Hautbou 8 It. GI pipes Tcrt'nce Ford nf F.dmnnlon , Alberta. Vom humaine 8 It. (prepared) W:t1 n ::J men th~ winnt'r nf the orO"'1n Clairon 4 ft. 61 pipes olilvtnv comnetilin" ht'M Tltlv 11. 1972 Trcmulant in coninnrfion wilh the Summer Imti­ from Arts Image ... Trompeue en chamade 8 ft. (Great) 'u,(' of Ch11rch Mucic :It the Ontario CHOIR (E::.:preuive) Lilrlic!'ii' ConcPe. Whirh\·. Ontll rio. Form· RICHARD HESCHKE Enahlec 16 ft. 12 pipes ('rlv a !'iitmlt'nt of Tohn MeTnlmh. Mr. Louisiana State University, Baton Rouee Spitzprincip:al 8 ft. 61 pipes Gcdackt 8 fe . 61 pipes Ford ;!Iii orc~ntlv a ~rnnd v(':)r orlrnn " ••• hi~h standard of performanco ••• crisp EnahJer 8 It. 61 pipes nt'r(onnanrc "':'Iinr at the Univ('"itv of articulatIon, brisk tempos, and bright, clear Enahler Celate 8 It. {TC} 49 pipes Western Ontario. 'onnnn. !liil udvincr or· registrations •••• an unquestionable mastery HohlOocle 4 ft. 61 pipes Imn with L.1rrv Cortner. A prize of of pedal technique •••• manifested the ac· Naut ~ It. 61 pipes ~1.000 WilS 3wilrdcd Mr. Ford as the curacy wrought of good training; but also BlodJlocte 2 ft. 61 pipes winner. Ten I~ It. 61 pipes played with authority and permeated with the Scmnd olace went tn Gcrtrude Olford spirit of a fine musician." Sillloclc I h . 61 pipes from K:mmk:ld nl!'. Onlario. a thim M iJ: lurc III 183 pipes (MUSIC, The A.G.D. Magazine) Clarind 8 It. 61 pipa ' ear mll ~ ie MItC3 rion m:tfor at the Uni. T rcmub nt \'eJ'!llirv of \\'estern Ont::!rio where !'iihe Trumpet Miliuire 8 It. 61 pipes !C tndie.! with lohn McTnto!liih . Other T rompette en d 13.Made II It. (Great) finali!C ts in the contest were Tame!'ii Zymbclstem NoakC!lii. student of the U. of WC!l:lern POSITIV Oot:trio with Toho Mctnto!liih: Scott NlUon flocte 8 ft. 61 pipes RrndFord. iIIludent of Domdas ROOle at BRADLEY HULL Principal 4 ft. 61 pipa the Universitv of T oronto: Paul Mer. Koppclflolcte 4 It. 61 pipes riu. !'iItudent 'of Larry Cortner at the Sl Bartholomew's New York, assistant Octllve 2 ft. 61 pipes "••• a youthful and very talented musician ••• Quintc I ~ ft. 61 pipes U. of W'cstern Ontario; and Claude Sesquialtcra II 122 pipes Duprn! (who won honor:rbJe mendon). skill and obvious sensItivity ••• a definitive Sharf IV 244 pipes a student of Bernard tag:rre in Mon. performance • • • dynamics and artiCUlation Ranket 16 It. 61 pipes treat among the best we've heard anywhere. It was a Krummhom 8 ft. 61 pipes Each mmpditor nb yed a maior work revelation! Audience approval was enthusiastic, Zink .. ft. 61 pipes written berore 1750 and a work hv a as well it should have been." (The Robesonlan, Tremulllni Canadian compn~ il t fh e Fi nal!. Tapcd Lumberton, N.C.) T rompele en dlamrldc 16 It. (TC) ( G r~t ) T rompele en cham:adc 8 fr . (Great) auditions included Bach"" trio Sf10ala " •• • laudable talent ••• excellent IIno and T rompete en chlUnndc .. ft. (Great) in R·nat maior ilnd a work bv a Can. musicality •••" (The Star·Ledger, New Jersey) GALLERY (Floatins:. Prepared only) adian m mpolrT. l udges (or Ule final Gcdaclt.tpommer 8 It. competition were Geonte Faxon or Rm· Prindpal .. IL ton, MaS!., and Giles Bryant of T oronto. Spitzlloctc 4 ft. also MiJ:ture III T rompctte 8 ft. HILDA JONAS HOLDS JOHN ROSE/Cathedral of the Sacred Heart, Newark GALLERY PEDAL (Prepared only) HARPSICHORD FESTN AL Bardun IG {L FRANK SPELLER/University of Texas at Austin Ra rdun 8 ft. Hilda Tnnas will ltOOnsor annthcf ECHO (Floatln" and outstanding British artists ... presenting next spring, Gedadu 8 ft . 61 pipes harnsichord (estiVilt In Cincinnati. Ohio. Salicion.. 1 8 ft. 61 pipes i" her !'iitudio Ort Auqust 29, ~O. and ~1. DAVID BRUCE-PAYNE, assistant at Westminster Abbey and Voix Cclo te 8 ft. (TC) .. 9 pipes The festiv:ll wil1 cef1ler on nach's lfTell· Abbey Choir School music master. Gedackt 4 ft. 12 pipCJI Tem pered Ktyhonrd. and participants VOlx humana 8 ft. 61 pipes may choose :IOV of the preludes or PEDAL (ulrues from Volume I and 11. There Resultant 32 ft. wi1t hc seven master c1as~s . 5 devoted Principal 16 It. 32 pipes 10 Rach and two to introduce contem· Brummball 16 fL .92 pipes norary harpdchnrd works, As in her Bourdon 16 ft. (Swell) Violone 16 ft. (Great) Put· in. nay (e,;tivals. the Cincinnati (eg· Enahler 16 It. (Choir) tl\'al wi11 end with a concert (eaturinlt Octave 8 It. 32 pipes Bach's concerto! For g and 4 harpsi· FJoclenbau 8 ft. .32 pipes chords. For inform3tion write: Hilda @.~.ttsJ~!g~ Bourdon 8 fL (SweU) lonas. ~942 Led~ewood Drive, Cindn­ PHILLIP TRUCKENBROO, Director Vinlone 8 It. (Gmt) nati, Ohio 45229.

AUGUST, 1972 13 Vo~ Sar.apl.ique 8 fl. Cor de Chamoil .. fl. Flute Cou\'erte of fl. OclOlvin 2 ft. urigne I~ fI. Plein Jeu IV (22.26-29.33) Bomba"le 16 fl. TfnmJM'Ue 8 h. THE CL,itoQ -I h. ORGAN Vnill lIumaille B fl. Tremulo SOLO (Exprl'ni~' I') Viole Coniqllc 8 h. Voix Celesle B rt. Flule a Puinte 8 fl. Vni:ot Elllil'nne 6 h. Imtalled by Alte1Jbllrg at Flute Crr:use 4 fl. CIOlriuellc 8 re. Halltbuis C10lirun " h. Trl'lIIolo I'EDAL Prillcipal.Basse 32 ft. (Acoustic) ~atut ~taut!ilatt6 SOllbasse 32 ft. (Ar:oustic) Couerl'baHe Ui h. RO~IAN CATHOLIC CIIIJRCII, SA YRIWILLE, NICII' JERSEY Violonbaue 16 h . nuurdlm Dmlll; 16 ft. Reverend LADISLAUS J, MADURA, Pastor Principal 8 h. Saliduoal 8 ft. Mrs. Irene Liss, Organist Uou"lon a Cheminee 8 U. Quinle 5~ h. InCJulnC' ~ ICl;J,tling .loy of Ihe mall"" ccnt llolntl.utl 01 ( U ~. Redman Builds for lOA! dt>liigrH.'tl Rodgers Org.lns olU! pcuunOlUy m.1nJlled by B~ de Choral of Ie . ML 0110 A Ahcnlrurc or Mr W,II •.Im 5 Wu!nn W,ite 10 Texas Church Flule Douce of It. Ihem or ull c!;tIle(1 fur Jny info rmallY U yuu molY ' <'qUll l' Til'l'a 3~ ft. Roy 1\. Red man. f ort Wotlh. Tcxa~ . FIOlscolc!t 2 fl. has built ami installed a new 2·m:ml1:11 Foumilure IV (19.22-26-29) Contre.Bombank J2 h. and pedal mechanical ;'Iclio" or(!an for Tuba Malin:. 16 h . s. Vincent'!I Episcopal Church, Eule5.'I;, Bomb.,rde 16 h. TexOls. The orJrnIl W:I~ dedicated on Trompr:lle lIarmnnique 8 h . April 16, with Enllll(!1 Smilh of Texa!l T rnmpette 8 fl. Chrisli"n Unh·ersily playing the lIedi· Clairon of ft. catory recital. The m~lnlinellt makes usc of wind chests, manllal ke)·houds. and parts of the stop :lclion which came from I-Iook ;'Ind H:lstiTIJ .."5 op. 2106. Reuter Installs Organ The R' Prinzipal. Mixture IV, 4' Rohr· mite. 2' Prinzipal and 7itnhel II were in Enid, Oklahoma made hy 1a('1 . Slinkens o r Zeist, Hoi· land. the reeds were made II)' C:HI The Reuter Organ Company, Law­ Cic5(ke &: Sohn of COllinge-II. Gcrmany. rcntt, Kansas. has recently completed and the remainder of the pipework i!l the installation of a new 3'10311ual, 45. from old Odell. .Jardine. and Pilcher rank organ in tlle First Unitcd Metho. nrgnns. All old malcriah were complete. dist Church, Enid, Oklahoma. The in. 11' reworked. The casework is complete· strument i.s inslallcd in two cham her I)' new amI designed b)' Mr. Redman. areas on either side of the choir loft Unth Slop and key actions arc mcchan· with the Swell and Choir divisions he. ical. and there 3re four combination ing exprcssh·c. Dr. Milburn Carey hC;Jd I'itillips pcdah:. The manual compass is fit 110:<.'5. of ~he ~hool of Fine Arts at the pcdal 32 noles. Unn·crsily. he;uJ.s the organ commillce and scnes as choir director for the church. '-______Exclusive Dealer In New Jersey and New Yorkr ______--' GREAT )'rilll:iPOl I 8 h . RohrJedadt 6 11 . GRE,\T Oct.we of fl. Viulnue 16 It . 61 pipes I1"b:HChe -I fl. I'rincipal 8 h . 61 pi!teS s!.itznote 2 ft. 8uurdun 8 II. 61 pipes MillllJre IV Iyj h . Octavc -I fl . 61 pi,ll's ASTEREOPHONIC RECORDING OF Trompl'le 6 h . Spillnnlr: -I fl. 61 pipes CymlM'lsll'rn Fihr:l'nlh 2 h . 61 pilll's SWELL Fourniture IV 2-1-1 pipes MUSIC AT FOURTH CHURCH Gedadr.1 6 fl. Fanfare Tnm'!'1'1 16 h . (TC I Ruhrflote -I h . Faufare Tnlln!'l't 8 ft. 61 piJles Morgan Simmons I'rinzipal 2 fl. Chimes Sesquialtr:ra II 2i-) It. CHOIR·POSITIV Organist and Chairmasler Zimhcl II V, h. Gededr.16 fl. 6) pipes Kmmmhofll Regal 8 fl . lIolilflole 8 ft. 61 pipet (oprnsh'e) Trrmulanl Dolan 6 h. 61 pipet (c:tIprr:s.sh·e) PEDAL Dolan Celcs te 8 h . (GG) .54 pip" Sweelinck • Gibbons Subb:m 16 f •. (n:pfcs.sive) I'rinzipal 8 fl. Erzihler 6 It. 61 piJteS (c:tIp rr:ssive) Choral Bass " h . Spittviol of ft. 61 pipc.s (oprcs.sive) Schutz Bach • Mozart Crotch Hol.motl' 2 fl. Nachlkorn -I h . 61 pipes Fagott 16 fl. Gemshorn 2 fl. 61 pipet (Vlp~sh'e ) Brahms Kodaly • Mathias Friedel! Larigot t ~ h. 61 pipes Sifflote I h . 61 pipes Duddy Rebuilds Zimbel II 122 pipes Avoilohl. fDr $4.50 paatpaMl Philadelphia Organ Fanr:l~ Trumpet 16 H. (TC) (Grr.ae) Fanf3re T n.mpel 8 H. (Greal) Ch.d,. payahle to The mechaniClI renov.Uion and lonal Fanfare Trumpel 4 h. (Great) Cromome 8 h. 61 pipes (aprosivc) THE FOURTH PRESBYTERIAN CHURCH revision of the organ at the Arch Choir Trl'mulanl 126 Easl Chestnut Street Street Presbyterian Church. Philadel· Positiv Tremulant phia, Pa., will be completed this month SWELL Chicago, Illinois 60611 by Brantley A. Duddy of Philadelphia. Robrnote 16 ft. 73 pipes The organ, which was presented to the Robrnole 8 ft. Church in 1914 was built by tlle Austin Viola 8 h. 61 pipes Organ Company. and it incorporated Viola Cdesle 8 ft. (GG) 54 pipes portions of an earlier instrument. The J'nncipa) 4 ft. 61 pipes Kuppr:lflote of ft. 61 pipl'S revision of the instrument has bLocn Nasard 2 ~ h. 61 pipes made according to specifications pre· Blocknote 2 ft. 61 pipes pared by Karl Michael Watson, organ· Tierce 1~ h. 61 pipes 1st of the church. A sen icc of rededica· Plein Jeu III 183 pipes tion is planned for Oct. 15. and a scr· Oboe-nassoon 16 h. as pipeJ SCHLICKER ies of recitals is planncd for the coming Trompelle 8 ft. 61 pipes year. Oboe 8 ft. Oboe Clarion" It. GRL\T Tremulant for excellence of design, the finest of quality materials, and the Violonba»e 16 ft. PEDAL Moal~ 8 h. Acoustic: Bourdon 32 fl. Salkional 8 h. Principal J6 ft. 32 pipes highest order of craftsmanship in mechanical and eledric action Prestant .. ft. Bourdon 16 ft. 56 pipes Daublelle 2 It. Violone 16 h. (Greal) pipe organ •• Foumieure IV (15·19-22·26) RohrflOle 16 fl. (Swell) Trompclle Hannonique 8 ft. Okl3v 8 h. 32 pipes Chimes Bourdon 6 ft. CHOIR Rohrnote 8 ft. (Swell) Cor de Nuit 6 ft. Choral Bass of ft. 32 pipes Flute Ouverte 4 h. Bourdon" ft. Buffalo, New York 14217 Nasard 2~ ft. Rohrnote" ft. (Swell) Principal Italien 2 re. M~ture III 96 pipes TiI'I'Ce I~ ft. Posaune 16 ft. 56 pipes 1530 Military Road Sr:ptir:me 1·1/1 ft. Oboc·Bauoon 16 It. (Swell) Cymbale III (29-33·36) Posaune 8 It. SWELL (Exprrui\'e) Fanra~ Tmmpcl 8 ft. (Greae) brochure available member APOBA Bourdon DuulI; 16 ft. Oboe·Bas.soon 8 ft. (Swell) Diapason 8 ft. Pmaune 4 ft. Bourdon a Cheminet: 8 ft. Oboc-BOlssoon .. ft. (Swell) Dulciane 8 {c. Chimes

14 THE DIAPASON ,

Qllintnote I ~ ft. Spillpfeife I ft. Mixtllr IV THE AMERICAN BACH FOUNDATION Zimbel III Schalmei 8 £t o Krummhom 8 ft. announces Zimbeh tern Trenllliant THE FIFTEENTH ANNIVERSARY AUDITION PEDALWERK Untersatz 32 ft . I'rindpal 16 h. of the SlIbhan 16 ft. Quinbt6n 16 ft. Zart ~n 16 fl . JOHANN SEBASTIAN BACH Olr. h \' 8 ft. IJommer 8 It, INTERNATIONAL COMPETITION FOR PIANISTS Koppelflote 8 ft. CllOmlbass .. h. Tr.wersfiole 4 h. to be held on Nachthonl 2 ft. Jlinlenatz IV Scharf IV JUNE 15-16-17, 1973 Kontra I'o5allne 32 ft. l'osaune 16 ft. Trompete 8 ft. for information write to: RAISSA TSELENTIS Schalmd .. ft. Founder-President 1211 Potomac Street, N.W. G. Alex Kevan. organist and choirmaster Washington, D.C. 20007 of St. John the Divine Episcopal Church. Houston. Texas. has resigned that post after 27 yean of service effective at the end of August. 1972. Mr. Kevan is a no· tlve of Middleborough, Yorkshire. England. He studied with several teachers there. In· Since 1780 cluding Donald H. Martin. deputy organist of Peterborough Cathedral. He aHained his lint position as organist and choirmaster at the age of U. In 1926 Mr. Kevan emigrated \Val~ker Organs to Regina. Sasltatchewan, Canada, where he studied with George CouHs at Regina Col· lege. In 1932 he was appointed organist Represented by: Bernard Cavelier, organ builder, voicer, now and choirmaster at St. Paul's Church in U. of Nebraska Bernard Cavelier represents the German firm, E. F. Walcker. North Bottleford. He served as president of Gets New Reuter 2519 Sheridan Drive Mr. Gavelier was born in France where he the Alberta Music Teochen Association and Tonawanda, New York 14150 learned his craft with several well·known secretory of the Alberto Music Festival Asso­ Telephone (716) 838·2509 organ companies. He then worked in Ger­ ciation, and he was a prominent radio artist. A lJ-manual, 45·rank Rcnler organ many for several years as builder and voicer having three organ programs weekly. Be­ has been installed in the new Kimball for E. F. Walcker. He came to the u.S. in Recital Hall of the Unh'crsity of Ne· fore moving to the Church of St. John the 1963 and worked for the Aeolian·Skinner Divine in Houston in 1945. he served Rob. braska, Lincoln. The new instrument ertlOn Church, Edmonton. Alberto. Mr. Kevan was donated by a.liss Clara Miskell of Organ Company, and more recently he has is on Associate of the Reco and a Fellow Lincoln, and the estate of hcr sister. been a voicer and finisher for the Schlicker of Trinity College. London. England. He will the late Miss Bcma Miskell. It is located Organ Company. continue to serve as head of the music de­ in a free·standing manncr 011 the rear portment at St. John's School in Houston. portion of the auditorium stagc and the console is mounted on a movcable E. F. WALCKER & CIE, ORGELBAU platfonn. Tonal finishing was undcr 714 Ludwigsburg Postfach 1148 Three-Manual Allen to the direction of Mr. Franklin Mitchell. West Germany Saginaw, Michigan vice president and tonal director of thc Reuter company. Professor Myron Rob· erts is head of the organ dcpartmcnt or Holv Cross Lutheran Church. Sagi­ the university. naw. Michigan. has contracted with the Builders of Fine Tracker and Allen Organ Company for a new 3· GREAT manual cuslom "Di~tal Computer Or· Quinbll"lI 16 ft. 61 piva Electro·Pneumatic Pipe Organs gan" 10 be installed this summer. Spe­ Spitzprincipa.1 8 H. 61 pipes cifications for the new instrument. Bourdon 8 ft. fit pip" Prestant .. h. fit Iliprs IlIquiries are Cordially Invited which replaces a 3·manual pipe organ. Spilln6te.J ft . ' I pipes were designed by Harlan Heideman. or· Octave 2 ft. 61 pipes Jmnist of the church. in consultation Fournitllre IV 2.... pipes W. ZiIllIller & Sons with Allen factory staff. The tonal con­ Fanfare Trumpet (Te) 16 ft. INCORPORATED cept "reflects classic tradition germane Fanfare Trumpet 8 ft. 66 piva to the Lutheran liturgy, including ap' CHOIR·POSITIV propriate attention to details of speech Gedeclr.t 8 fl. 61 pipes I1ohUiote 8 ft. 61 pipes (expressive) Mailing Add,.,,: p. O. Box 11024. Charlotte, N. C. 28209 articulation," according to the Allen Erz5.hler 8 ft. 61 pipes (expressive) NATIONS FORD ROAD' CHARLOTTE, N. C. firm. A gallery installation, the new Enahler Celesle: 8 ft. 61 pipes (expressi\'e) instrument includes a drawknob console Spitz Viole 4 ft. 61 pipes (expressive) of special dcsign and a capture combin· Nachlhorn 4 h. 61 pipes ation action. Genuhorn 2 ft. 61 pipes CRATIN CHOIR SCHOOL !.arigot I y, ft. 61 pipes IIAUI'TWERK Sirn61e I ft . 61 "il'es Qllinladen 16 It. Zimbel II 122 pipes education thru music Prinzipal 8 ft. Fanfare Trumpet 16 ft. (Great) for 4th - 8th grades Enahler 8 ft. Fanfare: Trumpet 8 ft. (Great) HohlOote 8 ft. Cromorne 8 h. 61 pipes (expressive) Okta\· 4 h. Fanfare Trllm,lCt .J ft. (Great) Uniontown, Pa. 15401 Spitznote 4 (t. Tremulant Superolr.tav 2 ft. SWELL Flachflote 2 ft. Rohrnole t6 It. 73 pipes Sesquiahefa 11 Rohrfiole 8 ft. Mixtur IV Viole de: Gambe 8 h. 61 Ilipes Scharf III Violc Celeste: 8 ft. 61 pilles Posaune 16 ft. Princi"al 4 ft. 61 pilles Trompete 8 It. Koppelnfitc .J ft. 61 pipes pocol2O Boq siooeRS Festlich Trompete 8 ft. Nasard 2% ft. 61 pilles STATE COLLEGE, EAST STROUDSBURG, PENNSYLVANIA 18301 Klarine 4 It. B10ckfliilc 2 ft. 61 pipes SCHWELLWERK Til"rce I~ ft. 61 pipes Primipal 8 ft. Scharf III 183 pipa K. BERNARD SCHADE, FOUNDER AND MUSICAL DIRECTOR Salwonal 8 ft. Colltre Halltbois 16 ft. 85 Ilipes lIolzgedackt 8 ft. Trompelle: 8 ft . 61 tlipes Spitzprimipal -4 ft. Hautbois 8 ft. Rohrflote 4 ft. Hautbois 4 It. Nasat 2;i ft. Tremulant Waldnote 2 ft. I'EDAL Ten 1% (t. GEORGE Mistur III Contra Bourdon 32 ft. 10 Ilipes MARKEY Fagott 16 ft. Principal 16 It. 32 piva Records Markey Enterprises 201-762-7674 Trompete 8 It. Bourdon 16 It. 44 pipes Hautbois 8 ft. Rohrf](jtc 16 It. (Swell) Recitals 42 Maplewood Avenue Klarine 4 h. Octave 8 ft. 32 pipes Tremulant Bourdon 8 I", Instruction Maplewood, N.J. 07040 Alternble Voice Rohrn6te 8 ft. (Swelt) Alterable Voice 2 Choral Bass 4 ft. 32 pipes Alterable Voice 3 Waldflote 4 ft. 32 pipes Alterable: Voice: 4 Rohrflote 4 ft. (Swell ) OBERWERK Mature III 96 pipes ORGAN SERVICE-J. E. Lee, Jr. Gemshom 8 ft. Grand Cornet III (Synthetie:) JULIAN E BULLEY Quintadena .8 ft. Posaune 16 ft. 56 pipa New Organs - Rebuilding KNOXVIUE, TENNESSEE 37901 Contre Hautbois 16 ft. (Swell) Prinzipal -4 ft. Service Box 2061 Koppemotc ... ft. Posaune 8 It. Nasat 2;i ft. Fanfare Trumpet 8 It. (Great) SINCE 1906 Tuning. Malnt.nance • Rebuilding Hautbois 8 ft. (Swell) Olr.tav 2 ft. 1376 Harvard Blvd.-Dayton. Ohio .(5406 Consultant. Bloclr.05tc 2 ft. Clarion 4 It. 513·276-2481 Ten 1~ ft. H.uthob 4 ft. (Swell)

AUGUST, 1972 POSITIV Edward D. Berryman, SMD Warren L Berryman, SMO Hollsedeckl 8 ft. 56 pipes Rohrnoele oJ ft. 56 pipes Italian Principal 2 ft. 56 pipet BERRYMAN Klein-Nasat IV, ft. 56 pipes Organlst-Cholrmcuter Head, Organ-Church Music Dept. Scharf III (prepared) Quinb:imlxl II 112 pipu wesTMINSTER PRESIYTERIAN CHURCH BALDWIN.WAllACE COLLEGE Krummhom 8 ft. 56 pipes Minneopolis Berea, Ohio SWELL Rllbrnoete 8 fl. 56 pipes Salidllnal 8 fl. 56 pipes Margaret Melvin Prindpal 4 ft. 56 pipes KOfllH!Hlole 4 ft. 56 pipes X.nat 2~ ft, 56 pipes DICKINSON r.emslmrn 2 £to 56 pipu University of Louisville Tl'fl I ~ ft. 56 pipes Miltilire III 56 pipes louisville Bach Society Dubian 16 ft. (prepared) Co...., EpIscopal St. Fronci,..in-th.. fielcl. EpIKOpal Sell.dmei 8 ft. (prepared) PEDAL I'rincillal 16 ft, 12 pipes 511bbass 16 ft. 30 pipes Octa\'e 8 ft. 30 pipes Metal Gedeckt 8 It. (prepared) WAYNE FISHER Labialer Dubian 4 ft. 30 pipes Huhlilfeife 2 ft. Urllm Mixture) College-Conservatory of Music ~rixture III 90 pipes Wellesley Hills Gets Fagott 16 It. 30 pipes University of Cincinnati Andover Opus 70 Schalmei 4 ft. (prepared) Historic Chicago Opus 70 of the AOlio\'cr Organ Com­ pany, Methuen, Mass" was completed Organ to Mexieo DAVID HEWLETT early in 1972 in the Unitarian Society Church. 'Vellcsley Hills, Massadlusctts. One of t llC~ historic tracker organs on MARSHALL BUSH The 22·stop. 2-manual organ has me· Chicago's 'Vest Side will find a new ch:mic:d key action and electrical stop home this fall. The old Warren Al'cnuc The ConHrYatory of Music: action. Tin pipes of the Pedal and Great Congrcgational Church has donated its at Christ Church, Flkhburg, Ma... 01420 Principals form the fronts of the classi. 13-ranL:. Felgemaker organ to the Good cally designed encasement. The console Shepherd Congregational Church of ~1I1I1I""IIII""I'IIIII'IfI"""'IIIII'""'''''''''''''llllnll1111 ••••111111111111111111 •••••••1111 ••• 11111111111111111 ••••••••••11111111" is of a low silhouette design to aid the Guadalajara, Mexico. 'Varren Church, organist in conducting choirs. The case long since having merged with the Cen­ is of stained oak and the console of tral Presb),terian Church to become the staincd oak and cherry. The tonal de­ ,Varrcn Central United Church, was the sign and finishing was done by Robert mother church of the Guadalajara mis­ 1. Reich and the physical and visual sion. George Rico. former organist and I i ~UI~A~ ~LEG~iV~ty~ ~~~ I design by Lco E. Constantinc311 of the choirmaster of 'Vatten Churc.h, made i ~ Organist: CENTER CONGREGATIONAL CHURCH, Ha~ord i Andover Cinn, in cooperation with Ed· all of the necessary negotiations to pro­ ward W. Flint. organ collsullant to the cure and removc the 1860 organ. He f"'"IIII.UIIlIlIlIlIlIlItIllIIlIlI ••••••••IIIUIllIllIlUIllIlI.IIIUUIlUIlIlIlIllIllIIlIlIIUUU ..... UUIllUUIllIllIlI.IIIIIIIIIIIIII.R church, aud Chandler Gregg, director of has also secured the voluntcer services lIlusic. of Ron Crowl and others to renovate the instrument. The organ was tempor­ GREAT arily set up at Saran Lutheran Church, JltlunlOlt Hi ft. 56 pipes Chicago, for inspection and a concert Principal 8 ft, 56 pipes on .lui)' 25. Others assisting in the proj­ Chimney Flute 8 ft. 56 pipes ect were Mike Hoppenrath, Joe Santi­ Octa\'e oJ It. 56 "ilies ago, and Richard N'ass, who also wrotc Ulock Flute 2 It. 56 pipes Sl'5quiaflera II 112 pipes a concerto for organ and strings for the Mixture IV 224 pipes July 2:j concert. The only tonal change Trlllllllet 8 ft. 56 pipes being made in the stoplist is the substi· SWELL Ultion of the 2' Flautlllo ror the old 8' Gcc..lukt 8 ft. 56 pipes ,\colina. MARIL YN MASON Spitdlute 8 ft. +l pipes CHAIRMAN, DEPARTMENT OF ORGAN I'rincillal oJ ft. 56 pipes GREAT UNIVERSITY OF MICHIGAN KlIl,pd Flule" ft. 56 pipes Open Diapason 8 ft. Octave 2 It. 56 pipes Melodia 8 ft. ANN ARIOR Larigot I V, ft. 56 pipes Dulciana 8 It. "MI.. MaIOft playecl wl,h au.ferlty and reserve, aemon.fratlng anew Scharf{ IV 224 pipes Octave oJ ft, h.,. eXlnrorcflnary facUlty •• ," On Moines Regi,'er, Odour 5, 1964 Krummhorn 8 ft. 56 pipes Twelfth 2% ft. PEDAL Fifteenth 2 ft. Sub Bass 16 ft. 32 pipes SWELL l'rincipal 8 ft. 32 pipes Viola 8 ft. Stopped Flule 8 ft. 32 pipes Stopped Diapason 8 ft. Open Flule 4 It. 32 pipes Violina

ROBINSON First Presbylerian Church &VAN LEEUWEN Felix Schoenstein PIPE ORGANS VIRGINIA COMMONWEALTH UNIVERSITY POMPANO BEACH & Sons Pipe Organ Builden ALKMAAR, HOLLAND IUCHMOND, VIRGINIA Johann ....rsplnlc FLORtDA SAN FRANCISCO, CALIF. 3020 Oalcwood Drln, S.E. Gno"" lapId., Mich. 4'_ , 16 THE DIAPASON , STEINER ORGANS Incorporated

SCHULMERICH® HELPS YOU FORM ENRICHING, INSPIRING HANDBELL CHOIRS

Reuel E. M. Gifford has been appointed Start handbell choirs for youth .•• or any organist and choirmaster of St. Mark', age grOUp ••• with Schulmerich "Precision Pori,h, Warcester, MassachuseHs. The Renais­ Tuned" Handbells, the finest. Write to Philip LaGala of Clifton. NJ., was named sance Chorale and Ensemble of Worcester, winner of the competition sponsored by the of which Mr. Gifford is founder and con­ SCHUI.MERICH CARILLONS, INC. New Jersey Chapter AGO held at the Fint dUdor. is also now based at St. 95112 Carillon Hill • Sellersville, Po. 18960 Presbyterian Church, Rutherford, NJ. lost Parish. Mr. Gifford studied organ with spring. Mr. LoGa~a studies organ with sell Greene, Ernest White, and P. Darwin Wayne Cohn at the American Academy of Stata. Previous to his going to Worcester, Music, Tenafly, New Jersey. In addition to he held church positions in Syracuse, Woter­ ht. organ playing, he Is also a member of town, and Ogdensburg, New York. Harpsichords the Clifton High School Stage Sand, the Madrigals, and he Is organist with a pop group named "Impact." The 16 year old organist was featured in a recital at the Interchurch Center, New York City. on June Clavichords 12. He plans to further his musical studies following graduation from high Khool next year. TRACKER KEYDESK First Unitarian Church Wilmington Church Louisville, Kentucky Buys Austin Recorder board switch •• Austin Organs, Inc. has just com­ in cabinels flanking pleted thc installation oC a new 2·mall· manual keyboarcls (left ual organ in Second Baptist Church, cabinet visible) \Vilmington, Dclaware. A ncw contem­ porary church has becn built by this congregation to replace thcir former downtown building. The ncw instnl' FACTORY: 1138 Garvin Plac. ment is located behind a wide open P.O. lIox 895 grille at the rear of the choir lo(t in Louisvill., Ky. 40201 the six-sided building. The several pre· New Noack Organ Phon.: (502) 583-5032 pared·for stops will be installed in the to Milford, N.H. ncar future. Robert Grooters of Swarth. more, POl. is director of music, assisted Sperrhake by Mrs. Grootcn as organist. Dr. Bert A new 2·manual organ with mechan­ D.S. WENTZ, INC. C. Prau, chairman of the organ commit­ ical action was dedicated In recital by Harpsichords tee, handled details for the church, and Thomas Jenei at the Church of Our Pipe Organs Charles L. Neill represented Austin Or­ Sa\'iour, Milford. N.H. latt: in 19i1. gans, Inc. Thc inUfument, built IJ\' the Noack P. O. Box 222 Organ Company. Georgetown. Mass., GREAT was designed by Fritz Noack. The small Passau IW. -Germany Principal 8 ft. 61 pipes size of the handsome victorian huilding Worth, III. 60482 Bourdon 8 ft. 61 pipes Gemshorn 8 ft. (prepared) and the d~sire to lea\'t= thc chancel Box 532 Octave" ft. 61 pipes ~ Iaincd glas.~ window ,'isually unimped­ WA 5-0534 GI8.o534 Nachthom .. It. 61 pipes ed presented a challenge. fur the chan­ Super OctaVl! 2 ft. 61 pipu cel was the only location for an organ Foumiture IV 244 pipes THE TEMPLE in the church. The organ was placed •••••••••••••: ORGANERIA ESPANOLA U.t.d,.. 1J Krummhom 8 h. (TC) .. 9 pipes in a .series of cases follOWing closely the diatonic :Irrangcment of the pipes, with CI.velancl, Ohio 44106 • ~ o nne - YF.s, NO ONE - buUda _'UII 8m. SWELL .Tf:n Ihan Ihe DEDICATED SPANISH ARTI­ RohrflOte 8 ft. 61 pipes the Posit ive in the cenler, the Greal in .8,.\:\8. We ne lUll VERT COMPETITIVE. Bod Viola 8 ft. 61 pipes two hah'es next to il, and the Pedal in • UI sour ,pee, or dellre. - ALL 'rIl'ER - ,,'• Viola Celeste 8 It. (TC) 49 pipes the two truditiollal lowers. The key· ••111 Quole ud perhaps lurorh!! J'IIIL D. WhIUD, Principal .. ft. 61 pipes dcsk is detached a few feet (rom the DAVID : IAGOI. Reprtl!!ntaUn. 8M! South GI'hd AnnDt. • Loa An.elu gOOu. Koppef{1ote .. ft. 61 pipes case, and an electric stop action was Octavin 2 ft. 61 pipes chosen for reasons o[ space. There is Larigol I ~ ft. 61 pipes ••••••••••••••••••••••••• Sesquialtera II (prepared) a mechanical capture type combination GOODING Trumpet 8 ft. 61 pipes .. ction of 5 generals. All voicing was Hautbois" It. (prepared) done 011 2 to 2!/: inches o[ wind with THE CLEVELAND ORCHESTRA THE DIAPASON rather high cut·ups in order to achic\'e PEDAL the warmest possible sollnd in the MUS/CAL HERITAGE SOCIETY Principal 16 ft. 12 pipes (Great) A MUST FOR Rohrbourdon 16 ft. 12 pipes (Swell) ruther dry acoustic. The manual com­ RECORDINGS Octave 8 ft. 32 pipes pass is 56 notes, the pedal 32 notes. EVERY ORGANIST Gewhorn 8 ft. (prepared) Gededt 8 ft. (Swell) GREAT $4 per year Super Octave .. ft. 12 pipes Principal 8 ft. (CC-FF# from Pedal) Nachthom" ft. (Great) (prepared) Chimney Flute 8 ft. Mixture II (prepared) Octave .. ft. Send THE DIAPASON Trumpt!t 16 ft. 12 pipes (Swell) BlockOoele 2 ft. G. F. ADAMS Krummhom" ft. (Great) Sesquiaitera II (TC) for _. ___ year(s) to Mixture IV 1~ ft. JEAN LANGLAIS is being sponsored in a Trumpet 8 ft. Organ Builders, Inc. recital Dnd wOfuhop by the Pituburgh. Pa •• POSITIVE Name ______. ____ ._ .. _._. __ Chapler AGO, Duquesne UniVl!nity, and the Gedadt 8 ft. Uuivenily or Pittsbursh on Srptember 7 and Koppelfloete .. ft. 8. The rttital will be Thunday at 8 p.m. in Principal 2 fl. 204 West Houston Street Street Heinl Chapel on the U. of Pituburgh ClDlpUS. Qllinte 1!,

TE DECET LAUS ($4 per year-do nol sencl cash) JOHN BROMBAUGH & CO. A Hymnal for the Musician ANDOVER ORGAN COMPANY, INC. a.t.d b, coC)noscenti .s "cr.m. d. t. THE DIAPASON Tracker OIPn Builders Box 36 cr.m.... Priced to a church musician'. pun•• t $5.40 postpaid. S.nt on approval 434 South Wabash Ave. 7910 Elk Creek Road Methuen, McmochuseHs 018.... on adequate id.ntification. Middletown. OhIo 45042 Adclre.s; Oliver S. lI.hz, Editor. Chicago, III. 60605 modern mechanical adlon P.O. lox 325, Loma Linda, Calif. 92354

AUGUST, 1972 17 19 August 30 August Jay Peterson, Bruton Parish Church, Messiall by Handel; The Luccrne CALENDAR Williamsburg. VA 8 pm Vocal Soloists. Mcmhers or the Ft."Sth'al Organ Concerto by Dupre, Lee Det­ Choir, Fcsthal Strings Lucerne, Ulrich lra; First Melhodist. L:mcasler, PA 8 Meyer, cond,; International Festh'al of pm Music. Lucerne, Swiuerland AUGUST Thomas Wdsflot;, Cathedral o[ St. 'orm the Evangelist. Spokane, "r,\ 2 31 August 1 2 3 4 5 pili David J . Hurd Jr .. Trinity Church. Ted AI.311 'Vorth, "Amilzing Grace," New York City 12 : ' I ~ plU 6 8 9 10 11 12 Grace Cathedral. S:tn Francisco, CA Da\'id Pizarro, F(.'Sll\'al 51. T\buriu, 7 WiUi;ml Teague, York Minster. York. Olomouc, Czechoslm'akia England 13 14 15 16 17 18 19 1 September 20 Augwt Clyde Hollowil)', Kennedy Centcr. 20 21 22 23 24 25 26 Arthur I'oisler, workshop, Coilly Col· Washinl1ton. DC lege, Waterville, ME (thru Aug. 26) ReqUIem hy Venli: l'hilh,lflllonic Or· 27 28 29 30 31 can Langlais. Shrine o[ the Imma­ chestra and Academic Choir of Uel · eli Iale Conception. Washington, DC 7 grade. Gika 7..du"ko\'itch. dir.; MUll ' pm trellX, Switzerland 8:30 pill DEADLINE FOR THIS CALENDAR WAS JULY 10 Ronald Wyatt. Air Force Academy, Colot:ldo Springs. CO 3 ~p(cmber ltIil.J(J Sole"UI;' lly Ucclho,·en: rhil­ 22 August h:mnonic Orchestra ami Academic New Age Brnss Enscmble, TrinilY Choir of Belgrade, Gika Zdravkovitch. 5 August 12 August Church, New York City 12:·J!j pm dir.; Montreu". Switzerland 8:30 pm Sisler Myrtle Edmondson. C::athcdral Gordon McMillan. Cathedral of St. Robert Noehren, 51. Thomas Church. Josef Bucher. organ recital. Interna· of St. John the Evangelist, Spokane. John the E\'angelist. Spokane. WA 2 Zurich, Switzerland tional Festival of Music, Lucerne, Switz· WA 2 pill pm erland li:1roquc Festival: MU!lic of Heinrich 23 August David Pizarro. Hcrzogcnburg. Austria Schiitz: U. of Oregon. Eug ~ ne . OR 13 August Marilyn Mason. Chautauqua Institu· William Teague. Kaiser Wilhelm Robert S. Lord. Shrine of the 1m· tion. Chautauqua, NY 5 ~ptembcr Church. Berlin, Germany maculate Conception. Washington, DC Rol>Crt Guarillo. '·0(411 recit.3l, Trinit)' 7 pm 24 August Church, New York City 12:,15 pill G August Donald S. Baber. Church of the As· sumption of the Blessed Virgin Mary. Lt"OlIard Jl:lver, Trinity Church, New WoUgang Rtibsam. Shrine or the Im­ , \'ork City 12:':15 pm 6 September maculate: Conception, Washington, DC Detroit. 1.11 4 pm Albert Russell , St. John's Episcopal, George H. Pro. Air Force Acet!emy, Marilyn Mason, Ch:mtauqua Institu· 7 pm tion. Chautauqua. N.Y. Washington, DC 12: I 0 pm Alau in B m;,ulT hy nacho Helmuth Colorado Springs. CO Robert Noehren, Vor l:n lscrs Church. Rilling. cond.; U. of Oregon. Eugene, William Teague. Notre Dame Cath· 25 August Copenh.3gen, Denmark OR edral, Paris. France Ralph Kirkp.3trick, harpsichord; In· David Pizarro, Kufstcin/Tirol. AlI5tria David Pizarro. The Cathcdral. Char· ~l.:J.rilyn Mason, Chautauqua Imtitu· tion, Chautauqu.3, NY tcrnational Festival of Music. Lucerne. tres. France Switzerland 8 August W.3ltcr Strojny. Church o[ the Straits, Mackinaw City, MI 7:30 pm SymJ?Osium Musicutn o[ "rague, au­ Frederick Swann, Riverside Church, 15 August cient IfIstrumem ensemhle. "Music 01 New YorL:. City 7 pm Harlem Woodwind Quintet. Trinity 26 Augwt the. Im~rial COlirt of Vienna :1fIc.1 the SoumIs of the 70's, instrunlCnlal re­ Church. New York City 12:45 pm Ro)'al Court of Prague." CMteau de cital. Trinity Church, New York City Elizabc:th Baake, all·Bach. Stephens Timuthy L. Zimmerman, Cathedral Chillon, Montreux-Vc\'ey, Swilzerbnd 9 12:45 fm College. Columbia. MO 8: 15 pm or St, John the E\angelist, Spokane. pm W iii a III Whitehead. Southeastern \\'A 2 pm Pennsylvania Synod Committee on Wor­ 17 August 7 September ship and MUSIC, Lansdale, PA Larry King, Trinity Church. Ncw ~ 27 AUb~t Frederick Tripodi, Trinity Church. William Tea g \I C, St. Lambert's York City 12:45 pm I Robert MacDonald. St. Patrick', New York City 12:45 pill Church, I-Iclmond. Holland Wilma Jensen. recital and clinic, Church. New YorL: City 4:45 pm Jean Langlais, Heinz Cha~1. U. of Schmitt Music Co .• Minneapolis. MN Arthur Vidrich, Shrine of the Imma­ Pittsburgh, l'ittsburgh. PA 8 pm 9 August (thru Aug. 18) culate Conception. Washington. DC 7 Douglas Rafter. Hammond Museum. David Pizarro. Marburg. Lahn, Ger ~ pon 8 Scpl

Joseph Armbrust HEINZ ARNOLD ARTHUR CARKEEK EARL CHAMBERLAIN F.A.D.O. D.Mu •• M.5.M. A.A.D.O. F.T.C.L Mu •• M. DePauw University Organist Church of tho Holy Comfort.r STEPHENS COLLEGE Gobin Memorial Church ST. STEPHEN'S CHURCH Sumt.r, South Carolina COLUMBIA, MO. Greenc:asdc, Indiana Cohallet Mossochus.tts

John Barry Gruenllein Award Sponsor Robert ClarA ROBERTA BITGOOD CHICAGO ST. LUKE'S CHURCH CLUB OP School of Music Fir.' Congregarional Church WO>l£ N University of Mich igan LONG BEACH, CALIFORNIA ORGANJSTS BATTLE CREEK, MICHIGAN Anamay Owen Wales, PresJdmt Ann Arbor

Wm. G. BLANCHARD DAVID BOWMAN WALLACE M. COURSEN, JR. ORGANIST Harry E. Cooper D.M.A. F.A.D.O. POMONA COlUGE CLAREMONT GRADUATE SCHOOL Alabama State University MU8. D., F.A.G.O. CHRIST CHURCH THE CLAREMONT CHURCH BLOOMfIELD AND GLEN RIDGE, NJ. Claremont California Montgomery, Alabama RALEIGH, N. CAROLINA Tho Kimberly School. Montclair, N. J.

ETHEL SLEEPER BRETT Henry Bridges DELBERT D1SSELHORST KATHRYN ESKEY DMA The University of Organist and Recitalist First Presbyterian Church Unlv.rsity of Iowa North Carolina fIn< MetbodUt Church. Sac:rame:ata. Cal. CharlaUe, North Carolina Iowa City Iowa aI G,•• nsbaro

III THE DIAPASON Frunk A. NO\'3k, Hanu"er, PA - Wuhing­ Recital program. for inclusion in (on Cathedral, Washington, DC May 21 : In­ troduction 31 ~ P .. ,,)Ugli.), Reller: Postiulk these pages must reach THE DIAPASON pour l'Onice de ComfJlie,. Al ain; Fantasia and within four we.k. of perfOfmance dat•. FUJUe in G minor, nach: Suite fnr Ors;lJI, Sill' Organ Recitals Near; Cl\ol';ll ";uie Ie Veni Creator, Recital. engaging more than t"'r.e or· Durune. ganilfs will not Ite Inc.ludell. The pro­ gram must state the date and place of Don. Parke . tudent of Vernon de Tar, Church or the Au:en.ion, Ntl\' Vork City May the performance as wed o. the nome 21: Fanlasia chwmatiea (Dorian), Sweelinck; of the performer. 2 lettings All glury be to God BWV ~, 1i62, Bach; Sonata, Luuir Whitc; Fusue in A-flat Claire Amold - Gnce Church, New Vork R.ichard W. Sbter, Glendale, CA - Wat­ minor, Brahms; Ol1tbnnlJi 01 joy from The City June 1: Cortlt'lt Dnd LitallY, DUllrc j Re­ minster Presbyterian. Burbank. CA June 4: Ascension, Afeniaen. joice now Christians, Come Saviour of the P:alC3n, Leillhton; EIf!VUione, Zipoli; Parlita C:.lvin Hampton, New York, NY - Cal­ Gentiles, Toccata and Fugue in D minor, on Was Golt tut, Pachelbel; Toccata and vary Episcopal, New York City M3Y 7, 14, J. Michael Bart - graduate recital. studrnt Bach; J'rimavef3 from Hannon;" or Florence, Fusue in D minor, Bach; Sketches in C and 21, and 28: Exposition with 3 Episodes for 6 o( Edsar IIillinr, Mannci Collese of Music, Bingham; Ave Maris Stella of, Dupre. D·nat Gp. 58/2, 4, Schumann; Prelude, Fupe tuned drums and" cymbals, Lamrnt (or Un­ at Church of St. Mary the Virgin, Nel\, York and Variation, Cbortal in A minor, Franck; r!!ality for .oprano a nd slockrnspieJ, Tea.... City May 2of: 1'f('lude :and FUlue in E·n:at Nonnan Cascioppo - .tudrnt or W:alter A. Choral, Honegger. down Model for electronic "rock" oraan, nwv 552, Trio Sonata 3 in 0 minor BWV Eichinger, Fint United Methodist, Sea ttle, EmerJllrncy Celebrant (or tubular dlhnes, God 527. Bach; ,\ndante Soslenulo froUl Symphony \VA June 2: Pange Lingua, de GrignYi Fast Plays Hide·and·Seek for pipe orsan and taped and Sinister from Symphony in C, Sowerby; Eileen Coggin Britton, Berkeley, CA - In­ Gothiql1c, Allesro (rom S)'1nllhonie 6, \Vidor; tentake Center, Oakl:and, CA june 4: Prelude MooS. all by Calvin Hampton. Chant de Paill:, Langlais j Suite I'p. 5, DuruUe. By the waten 01 Babylon BWV ~3 , Out or the deplhs BWV 686, jt'SUi Chritt our Sa ... ior and Fugue in E millor, Bruhns; Nun komm der joel G. McKay - Itudrllt 01 j ohn Skelton, Jldden Heiland BWV 659, Toccata, Adalio Mary Fenwick, Chalfont, PA - student nf BWV 688, Prelude and Fume in E nlinDr BWV St. AllSC!hu'. Abbqt Church, Mandlc:strr, Nil Bach; Intenneao, Alain; Final from and Fusue in C BWV 564, Baeb; lIerdich tut Cbire Coci, GlOIce Church, Nrw Ymk City m, May 8: Suite in 0 minor, Dandrieu; SonOlL"l Symphony 3, Viemr. mich verlangen, Henlich tut mieh edre-uen, MOlY 2~ : Intrnductioll :and ralUc:l.gl i:a . I'as­ 3, Mendelssohn; Son:ata (j in G BWV 530, Brahms; Piece in Frn: Form lor orpn and Pass:aC3l1lia and FUICue in C minor BWV 582, tOf3le, Reser: Triplll1l1 on Ven; Creator Spiri­ Fmerick BUr'lom:ut.cr, Buf(:alo, NY - SI. .trin!So Langl:ais; Skiliennc, Impromptu, I US, ~rOf1rre i l l'r; Ada!io :mll Finale from Virme; Finale from Symphony 2, Wkior. Bach; FanWy in C, Franek; OeUlI: Clmrah, 11 Cadledral, Buffalo June 2: Prelude .o.nd SympluHlY l, Vierne. ,,1.1", Abin. Fu!uc in F-_harp mi"or, BWlitehude; Meine SeeSe: uhcbt dn Ht'fTCn, Wir Jl:aubeft 411 . Elizabeth FIUT - Ir.1duate .h4dt:nt of Ve,.. C:.rol Warburtoo, Falls Churth, VA - Filth Jllnny M. Gillock - Itudent of Velnfln de 83dl; Adagio, Lint: Filnl;uy on 0 heilillle non de TIU', Juilliard School, at Church 01 Church of Christ, Srirntls t, WOIshinllOll, DC Tar, St;uluate recital. JuilitaN School, New Dreifahiskeit, Schroeder. the A.r.crnsion, New Yol'k City June 4: Sonata VOfk Cily ~by 26: Komm Heililltr Grist May Jot; Voluntary nil the Do:.:nlntly, l'I1rt:I'II; Gp. 86, Pe"icbcni; Prdude, Adasio and VatU· Dlessed J esu :.t Thy wnm, Sletpen wake. nwv 6.':i1 . ,' " ein Golt BWV 662, jelus Chris· Earl Eyrich. Pru"ideJtCe, RJ - St. Ff3nci. tionl on Veni Cn:."ltor, Durune; Entrance and j t'Su JOY 01 man'. desirinl, Toccata ant.! fugue lin mn er Ileil:lnd BWV 665, Faot:uia and X ..... ier Church, ProvWtncr June of : Ollertoire Communion {rom Mau {or PentecOlt, Mes· in D minor, B:u:h; ~1II3ta in C minor, Mcn· I:ul tle in G millor DWV 5-1 2, BlIIeh: FUlile ill ( Mas. lor Convenu) , Couper!n: Fugue in C tiarn: Fantasy on Hallelujab God be Prai.ed A·flat minor, Brahms; Vari:atiolll on a Reci­ delnohn; I'astortale, Adler; Prelndc. fuguc allLl minor, Brill:i ; Fugue in A minor, Cemohonky: op. 5213, Reier. Variation, Franck; Prelulle nn Rhosymedrc, tative 01'. 40, Scllflenherl; Suite in the Fourth Fugue in C, Vanhal: Prelude ond Fugue in Vaughan Williams; Toccala in B minnr, Gig­ Tone, lIuyvin. B-nat, Bach; Sonata I, Jlindemith: FDnt:uy in out. A, Franck; Dessciru rtemeb, Les Enrants de R.obert S. Baker, New York, NY - St. Timothy L. Baker, Shelbyville, KY - St. Dieu, Meuiatn; Tu c:s Petr.., Mulct. Thomas Church, New York City June 4: In­ Arthur Vidrich, Pitlsbuoch, PA - Plraunt james Ellilcop:al, Shelbyville .MDY 28: Tocota troduction and Pass:acaglia in D minor, Ittller; Hills Community Church, l'itulmrgh May 21: and Fuguc in F, BWitdll1de; Flute Solo, Arne; GWrzlC H. Pro, Kansas City, KS - Shrine Voluntary in D for Diapasons .o.nd Trumpets, Boyce; Rh.o.psody on Breton Melodies, Saint4 Sonata de prilnero (onD. Lidc,"; E.r. ist rill Rill, Toeala oII nd FUIUe in D minoft Gigue FUlue, of the Immaculate Conception, Washinston, IIrn:lich tllt mich \'erlanllen (2 .r.cttings), 0 Hach; Adl gio, C.P.E. IIldlj FOInt:uy in F DC june 4: Grand dlGeur dialogue, Gisout; Saeus; My heart is filled with lonlinl, jesus Irad me on, Brahms; Choral in minor, Welt ich muss didl b u ell . Brahms; Toa::l. ta. mil\O r K $9-1 , M OZOi rt; Vari" tionJ tie Conttrt, Prelude on lam '01 reccdit, Simonds; ~onalin:l, B AdaSio and Fugue in C UWV 56-1 ; Prelude lIonnrt; Buse de T rnmpctte (Mass for Con­ Sowerby; Prelude and Fugue in D 8WV 532, Franck; Nova, Pastorale and Avi3ry, Roberts; and Fugue in C DWV 547, Bach; Sonata ":! ,'ellu) , Couperin; Toccata in C, Pachclbel, Bnch; Henlich tut mich vulan,en, Brallmt; Prelude and Fu!ue in A minor BWV 5-13, in C minor, Mendelssohn. T0CC3b from Symphony 5, Wielor. Preludr and Fusue in B, Dupre. Bach.

GEORGE ESTEVEZ EARL EYRICH LAYTEN HECKMAN WILBUR HELD .h.m. $M.D., FAG.O. First Unitarian Church Holy Trinity Luth.ran Church Ohio Stole University Director Rhode Island College Minn ..poU., Minne.ota 5541)6 Trinity Church CHICAGO CHAMBER CHOIR Providence COLUMBUS, OHIO

Charles H. Ph. D., F. A. G. o. Harry H. Huber JOHN HUSTON GEORGE FAXON M.Mus. FINNEY FIRST PRESBYTERIAN CHURCH TRINITY CHURCH Chairman, DMslon of Music' Art Kansas Wesleyan University Houghton Colt.ge, Houghton, N.Y. University Methodist Church TEMPLE EMANU-EL BOSTON Houghton Wesleyan Method'st Church SALINA, KANSAS New York City

ELLEN KURTZ Robert Finster HENRY FUSNER d. deane A.A.G.O. JACOBSON OMA S.M.D., hutchison Flnt Pr.lbyt.rlan Church M.Mus. A.A.G.O. St. John'. Cathedral portland, oregon Nashvilt., T."nell•• 37220 p.nv ... C""","" C.III... 10

LESTER GROOM KIM R. KASLING Antone Godding Seattle D.M.A. HOWARD KELSEY Organl.t anel Chairman, KeYMarei Dlv. Oklahoma City University Seulile PuciCie Churd, of the Manlcato State CoU ..e Washinglon UniverBily Epiphany Sdtool of Music College Manlcalo, Minn. Saint Louis, Mo. 63105 98119 98122 Bishop W. Angte Smith Chap.1 Recitals - Cia.... - C... hatton.

GEORGE E. KLUMP E. LYLE HAGERT DAVID S. HARRIS DIVISION OF THE ARTS ARTHUR P. LAWRENCE Church of Our Sayiour Doc. Mu •• Am, A.A.O.O •• Ch.M. G~lhs~mane Epbcopal Church Akron, Ohio DALLAS BAPTIST CoLLEOE Saint Mary'l CoII.a. anel Minnc:apolb Minnesota 55404 The Unlv.,-sky of Not,. Dame t Organ DALLAS, TEXAS 75211 Not,. Dame, ..diana ...,56

WILL O. HEADLEE RICHARD W. L1TTERST William MacGowan Yuko Hayashi SCHOOL OF MUSIC M. S. M. All Saini. Church boston SYRACUSE UNIVERSITY SECOND CONGREGATIONAL CHURCH new england conservatory SYRACUSE, NEW YORK 13210 Rockford, illinois

ALEXANDER BOGGS Recitals and MOlter Cla ..es SAMUEL HILL Organ Consultation SL Paul', Cburdl Chicago, WlDob RYAN Cathedral Church of Christ the King Carthage COO... CONCERT ARTIST Western Michigan University at Kalamazoo Kenosha, Wbconaiu

AUGUST, 1972 19 l..ordon Zeller, Salorm, OR - student of G~e \Y. ),f

HAROLD MUELLER K. BERNARD SCHADE WILUAM H. MURRAY S.M.M. FAG.O. RUSSELL SAUNDERS STATE COLLEGE Trinity Episcopal Church Mu •• At. FAG.O. Eastman School of Music EAST STROUDSBURG, PA. Temple Sherith Israel Workshop. and lecture. SaD l'nnclJao La Grange, III. University of Rochester The Kodoly Choral Method

CARLENE NORLING john h. schneider JOSEPH SCHREIBER Independent Presbyterian Church NEIHART Calvary Presbyterian Church St. Aod ..w'. EpllCopai Church SI. John's Episcopal Church 8t,mift.ham·Southe,,, Colle •• 1M,., .1Id WomaU Kania. Clty, Mfuourl 64113 J... .., City Hdgbll New ]aacy Riverside, California 8frmfn"ham. Alabama

JOHN KEN OGASAPIAN Stephen J. Ortlip, AAGO Robert Shepfer L. ROBERT SLUSSER Saint Ann.'. Church ChaHanoola loy. Choir O,.ont.t • Cholrmatter MUS. M., A.A.G.O. SECOND PRESBYTERIAN CHURCH Mallachv"Hs Stat. Co"'.e laakout ',"byterlan Churth Indianapoli., Indiana 46260 LA JOLLA PRESBYTERIAN CHURCH lowell Sewan.. Summ.r Musk Center Recital. LA JOlLA, CALIFORNIA

FRANK. K. OWEN ROBERT SMART Jack Ossewaarde Lasow - Redmls SwartJuuore, Pcnruylvania Trinity Episcopal Church ROLLIN SMITH St. Bartholomew's Church St. Paul's Cathedral Swarthmore: College CongrcptiOD Rodepb Shalom. RECITALS New York Los Angeles 17, California Pbibddpbla IISO Forty-fint Strecl, BrookJrn. NY 11218

RICHARD M. PEEK ADOLPH STEUTERMAN Franklin E. Perkins Carl Staplin M••• Doc., F.A.G.O. Soc. Mus. Doc.. Ph.D., A.A.O.O. A.A.G.O. - Ph. D. Southwestern at Memphis Covenant Presbyterian Church Th. ladue Chapel Drake University 5 •• louil, Mluourl University Christian Church Calvary Epi.~pol Church 1000 E. Moreh.od Charlo"e, N. C. Univonity .f Missou,l, St, loul, DES MOINES, tOWA Memphis, r.nn .....

ARTHUR A. PHILLIPS MOO Ch.M. F.T.C.L william whitehead St. Alban. Conoregatlonal Church 2344 center street, bethlehem, pennsylvania 172.17 St. Alban., N.Y. 1]434 , 20 THE DIAPASON Vincent Lee Scott, W;uhiq:ton, DC - Linda McCrelcu. AJut AdIor, MJ - Zion Chrilt United Methodi5t, Arlington, VA J ... ne Lutheran Church, Ann Arbor July 5: Fanta· 2S! VoI ... ntary in C. Purn:lI; Nun komm der lia and Fugue in G minOt' BWV 542, B.ch; lIeidcn Heiland, Prelude .nd Fillue in G Deuxieme Flllntais~, Alain; Prelude el Fugue minor, D:u:h ; Sonata in A, Mencklnohn; Can-­ tur Ie nom d'Alain, DurulU. Organ Recitals labile, Choral it, A minor, Franck; Trumpet VoluntAry. Sunley; Litallia, Alain. John Upham. New York, NY - St. Paul'. Chapel. Trinity Parilh, New York City July 5: Canlon secondo, Rkereare del 7 e 8 tonn, Lawrence A. YoaaS', MinaapoUs, MN - G_ Gabrielij Sanctus, Elevation, AlI'nus Dei Mcm. MUlie 1b.II, Methuen. MA June 281 Prelude And Furue in G minCM', Bustchudc; from Mcue du '" ton. CCH'rcUe; Concerto in kster Bcrenbroick, MadilOll. NJ - Petrus­ John Tuttle, Philadelphia, PA - Mem. Mu· C , ViV3ldi·Bach. July 19: Fantasia in G, Par­ kerk. LeeRS, The Netherland! July 15: Accla­ Sonata up. 92, Kn:nelr.i Von Golt will iell lita on Christ der du bi.t der helle Tag, sic Hall, Methuen. MA July 26: Toccata in nicht lauen BWV ~, PnJucie and Fugue mations, La.nslais; Nun bitten wir, Buxtehude; F DWV 540, Christ unser lIerr .um Jordan Bach; Sonata 3, lIindemith; Toccata, Vilhan­ Noi:! Suisse ITand jeu ct duo, d'Aquin; Volun­ in A minor BWV .543, Bach; Grande Piece rico y Fuga, Ginutet'2. lam BWV GM, Prelude and Fu,ue in B Symphoniquc, Fnntk. tary in D, Croft; Prelude and Fusue in A, minor BWV 544, Bach; Choral in E, Fr:anck; Selby; Air Tendrc. Lully; F:anwy and Fugue Schena from Symphony 2, Vieme; Suite pour Charla E. C.·tllahan, Philadelphia, PA - in G minor, Bach; Concerto ,lei Sisr. Mcck, Drsue op. 5, Durn"';. Robert Luther, EvauVille, IN - Bethlehem Mem_ Mwic lIall, Methuen, MA July 5: Fan· Walther: Chaeonne, Coupcrin: 0 God Ihou UKitcd Church, Ann Arbor, MI June 28: Con­ t.'lsia in F minor K 5!H, Mozart: Ach blcib laitMu) God, Pecten; Variations on America, Samuel Lam, Ann Amor, MI - Bethle-hem certo del Sisr. Meek. Walther; An Wasser­ be; unl BWV 619, Meine Sede erhebt den Ivrs. United Church, Ann Arbor July 26: Fantasia Iliissen Babylon. Prelude and Fugue in £..nat Henen BWV 648, Kommtt du nun BWV 650, in G BWV 572, Trio Sonata .5 in C BWV Prelude and Fusue in E minor BWV 548, BWV 552. BaW. Earl Barr. St. Paul, MN - Christ United 529, 0 Mensch hewein BWV 622, Toccata and Bach; Toccata. SoftUin.J, Sowerby; Naiadrs, Fugue in D minor BWV 5(;5. Bach. Vierne; Final, Franck. Methodist, Rochrster, MN July 18: Prelude Michael Schneider, Cologne, Germany - and Fugue in A minor, Brahm.; A Lesson, Peter B. Beardsle,., San Salvador. EI Saln· Chureh or St. Paul the Apostle, New York Stephen A. Rumpf, Montl"Toll, Quebec - Selby; Prelude, Scheno and P:waC3llia, Leigh­ ton; Choral Phrygian, Alain; Hymn Toccata, llor - Metropolitan Cathedral. Guatt.m.I. City, NY June 29: Warum betriiblt du dich, St. Joseph', Oratory, Muntreal July 5: Fan· Scheidt; Trio SOnDIta in E·nat BWV 525, Fan­ Harris. City, Guatemala Aug_ 1: Prelude from Suite tasy in G, Fusue in G (Gisue), an Wass­ Mcdievale, Langlais; Prelude And Fugue in tal)' And FUJfue in G minor BWV Sf2, Bach; (liiUCR Babylnn, Prelude and Fugue in E mi­ Lays ror Organ, Frank Miroacl Beyer; Cia­ Allen. G. Brown, Barriq:lon, 1\1 - Mem. A minor, Kommsl du nun, In dir ist Frcvdc, nor, Bach; Ave Man. Siella, de Crigny; Mal­ Nun komm der Heiden Heiland, Bach; cona 011. 54, lIoller; FanLuy on W.chet .... Music lIal1. Methuen. MA J ... ly 19: Allrlyuas, Toaa· t. nillat, Ib.ndrieu; Symphony 2, Widor. la in D mimtt' 011. 59. Reser; Choral ill B Reac r • Pruton; PrKre du Christ. MUlta.cn; FUlve in F DWV 5-40, lIerr Jesu Chri.t BWV 632, rch minIM', Frand:: Par,ita on Nun kom ... der Richard D. WanOMr, Mianc:apolls, MN - Heickn Heiland, Dil ller; Schena Gp. 2, 0ufU­ Chrilt United Methodin, Rochester, MN ruE zu dir BWV 639 , Toccal..3 in F BWV 540, David Aaehliman, CoI(o, WA - Cathedral net Litanies, Alain. July II: Son.ata in F minor, Mendeluohn; &ch; Prelude and FUlue on BACH, Liut; 01. St. John the EV3n~list , Spokane, WA July Prelude on Leoni, I'roulx; Sacr~ lIar[l Suite. Palltorale, Franck; Final frorn Symphony 6, I: Procusional, Mathias; Prelude and FUJUe Viemc. TItoma.s Foster, Williamsville, NY - Mem. in E·n.t (St. Anne), Now thank we .11 our Powell; Alkluyu, Prestnn. Music Hall, Methuen, MA Aus. 2: Dialope God, Bach; Sonata 3, llindemith; The Three for the Mixtures, LanSlais; Air Tendre. Lully: Fatrs, Aeschliman; Applilfition de I'ESlise Eter. Carol Tet.i·Rotuda.a(er, Wr.-ndolte, All - John H. ParKe, Ann Arbor. 1.11 - Zion Masnificat in G, Dandricu.; F2nL1iS1e in A, Luthman, Ann Arbor jllly 19: Fanfare, Jack. nelle, Meuiaen: Toccata, Weaver. Bethlehem United Chun::ll, Ann Arbor, MI Franck: Int ~ nneuo from Symphony 6, Andan. July 12: In dir itt Frcude BWV 615. Jesus son; Fugue in E· n.:l t BWV 15~, BlIch ; Land te sostenuto from Gothic Symphony, Widor; Christul unser Heiland BWV 626, Chrilt ilt of Rest, Aberystwyth, Ne.3r: Theme .nd Var­ Cnlcirixion and Resurcction (rom Symphonic-­ John Weaver, New York, NY - Amphi. eBtanden BWV 627. Wenn wir in hkhsten iations, EpilO!ue from lIomm:l,e lL Fresco­ I'anion, Dupre. theater, Chautauqua, NY July 2: Trumpet Noten sein BWV 641, J'relude and Fusue in baldi, Lanl lais. Voluntary, Stanley; Sonata in F for nule and C minor BWV 546 , Bach: Partita on Freu Robert V. Woodside - Amphitheater, Ch.u­ keyboard, Marcello (Mari.nne Weaver, nu­ dich sehr, TaRl:·Toccata, Heiller. Byron Blackmore, La CroNe, WI _ Christ tauqua, NY Aug. 6: Prelude, Fupe and Cha. lut) ; Juu joy of man', desirinl, Praise to United Methodist, Rochester, MN July ~ : conne, Buxtehude; Lord Jesus Chrilt Thou the Lord BWV 650, Fanta. ia and Fugue in John Kuuna, San DiCJo, CA - Mem. Mu­ Voluntary in C, Anon Uhh C.; Creator o( hi!Jhett good BWV Ill. Thou Prince o( Peace G minor BWV 542, Bach; AlicluylUl, Preston; .ic H.n, Mcthuu... AlA July 12: Prelude and the StaB o( Nis hi, Schroede-r; Prelude and DWV 143, P.lU.S.C38Iia and Fugue- BWV .582, Petite fantatie PaJlnrale for nute and orsan, Fusue on B:\CH. Lint; Sonata I, Hindemith; Fugue in B minor BWV 544. Bach. Dorian Bnch; Partita on Almighty God of Majaty, Sluder; Roulade. Bingh.m; Prelude. Scherzo SonDIta 2, Mendelssohn; Sonata 2 op. 60, and Phrygian Chorals, Alain; Acclam.tions. Peeten; Roulade for O'lan, Near; Toccata And Pau:acglia Oil, oll, Leishlon. Reser. Langlais. rrom Symphony 5, Widor.

Orrin Clayton Suthem, II FREDERICK SWANN RUSSEll G. WICHMANN IlIJIJ W.hitlo'l Chatham College ProIOIOt' 01" Music The Riverside Church FOX CHAPfL EPISCOPAL CHURCH OrptWt·CoadlKtoI' Shadyside Presbyterian New York City Linc:ola Uainnity, Pa. hlx Chapel, 'ittsb"rgh. '0. 15238 Pittsburgh, Pa. 15232

JOHN M. THOMAS - AAGO George Norman Tucker O,.onl..... Director MUL Bach. HARRY WILKINSON JOHN E. WILLIAMS Fro"'e Mel!:

WIWAM The Ie,.i.. W. WILLIAM WAGNER DONALD WILLING FllANCIS Tomple George Y. Wilson r..cvIIy VOlLMO T_pIo S

WA·LI·RO sally slade warner Gary Zwicky a.a.g.o. wood BOY CHOIR em. barclay DMA FAGO CHUIlCH OF WARREN C_ MIUD - DIRECTOR ST. JOHN THE EVANGEUST FIRST BAPTIST CHURCH East... nUnol. Unlvenky Chrl.t Church, Sh ..., H"'h•• 22, Ohio Beacon Hill BaIlon Worcester _ch.... tll Charlo ....

C. GORDON CHARLOnE WILUAM CLARENCE WAIIERS Orta·1II THE ATKINSON DUO 11 ..1 .. RECITALS WEDERTZ RlSI PRESaYTUIAN CHURCH ARMY AND NAVY ACADEMY OCEANSIDE, CAUFORNIA CARLSaAD, CAlIFORNIA St. John's Church ~ West l18th SL W. Hartford, Connecticul CHICAGO 611655 BOX 785, CARLSBAD, CA 92008 • 714/729·2990

DAVID A. HARRY ARTHUR WELLS ARTHUR C. BECKER, Mus 0., A.A.G.O. WEHR Ph.D. W_hinafon Sial. U"lvenity DE PAUL UNIVERSITY Eattem Kentucky Unlnnity Pun",an 99163 ST. VINCENTS CHURCH, CHICAGO Richmond, Kentucky

Organ Builders and Inc. • Rebuilding FRANK J. SAUTER SONS • Repairing * Phone.: 388-3355 * • Contractual Servicing 4232 Wo.t 124th Place PO 7-1203 AI.ip, lIIinoi. 60658 For Unexcelled Service

AUGUST, 1972 21 CLASSIFIED ADVERTISEMENTS

POSITiON WANTED WANTED - MISCELLANEOUS MISCELLANEOUS HARPSICHORDS WANTED - MUSIC ROLLS FOR AUS· PNEUMATICS J\ND pOUCIIBOARDS OF HARPSICHORDS &: C L A V I CliO R D S. ORGANIST CHOIRMASTER, TIIIRTY Camplele kits from $218 , basic .kits from )'Un ClCllcricncr' , dcsirn to rcl0C3lc in Meth­ tin, Welte, Skinner, Aeolian, Duo-Art and any make recovered with Polyurethane plaslie. $125, Write for ff(!e iIIw.tratw. brochun: and adul. ('resbytrorian or EpiKflpal Church in Estey pi,'e organ playen. J. V. Macan"cy, Writt! (or quolation, Church Organ Co., 18 406 lIa\'crford Ave. , Nnrbt:rth, Pa. 19072. Walu;m St" EdiMon , N.J . 08817 , prke! lis t. ZuckerTll3nn Ibrpsichords, Inc., 160 Miami area of Florida. Address 0-1, Tm: Avenue of the! AnlC'rk», New Yark, N.Y. O,... ,./O SON. WANTED DEAGAN VIBRA·HARP ST. CECILIA, l'ATRONESS OF SACREO 10013 • .lind ac; lion 10 complete specification or 3·24 mu!ie, tcated .III the oTKan. Print of famous POSITION AI'dlLABLE Wicks OIPII in PactOR United Chun:h. H , C. paintins by Naujok, I doz, (5.7 ) note cu-m SPERRHAKE HARpSICHORDS AND Dlakel." 24 Ontario Street, Pielon, Ontario, Ilnd en\'c!opes (Opus #2) $3.00 postpaid, cbvichords. Excellent, dcpendable, bauti'ul. Canatla. (Sample $.50). Orsan Art, Box 309 Burlin· Robert S. Taylor, 8710 Garfield St., Bethl!Sda, ORGANIST AND CHOIRMASTER RE­ game, Ca1i£. 9-1010. Md. 20034. quireil (or St. Paul's Anglican Church. Con­ WANTED - CHEST MAGNETS OF THE Ifcgalion of 300 ramilies, Sunday .ervic~ . Rd. ncr C5 gencral type. Need 400 or more, IMPROVE TilE SOUND OF YOUR PRES· FLEMISII HARPSICHORDS CUSTOM chnin, with Casavant organ. I\(lply D:wid State trite price, Oliver, 4360 Pomona Way, ent organ with ColumnSound. Write for infor· huih from Zuclr.ennAnn kits; very reasonllble Twcel. Warden, ' 3 Charlouc Drive. Charlotte­ Li\'erlUo~ . Cali£. 9-1550. mation. Ste\'e Bannoiki, 1332 South Fairview, prices. Roy Crouse, N. Wilkesboro, N.C. tnwn, P.E.I., Canada. Park Ridge, 111. 60068. 28659. WANTED - DIREUf ELECTRIC MAN· EXPERIENCED METAL PIPEMAKER - ual chesu - Wku or Renner uniu. ,\bo Q lIALITY ALL ELEUfRIC CHESTS FINE IIARi>sICHORDS, CLAVICHORDS. UnusU31 opportunity (or tile riJllt lIarty to pipes for pme if available. ~nd description l1Iade la order. sood delivery. ,\iken Associates, 11l3dc: in divcnc:: confiJUlOItions and dispcl$itions. rdocate in Midwest aru to let 111' new Iliite and prKe to F.3. TilE DlAP.uoN. Dox 1·13, Brooklyn, P3. 18813. Write, phone, visit shop. E. O . Wilt. R3, .hop and tnin pcnonnel. Five thousand r.q1~rc Three Riven, Mich. 49003. 616/2...... 5128. fl'C1 of lp~ 3vaibblc at no cml and pauihtc WANTEO - KINURA, WURLITZER OR stock p.uticill:!.lion in long estahlished finn. equal. C. A. Scncenbaugh. 678 ChimalUl Dr. • HARPSICHORDS FOR SALE - HARPSICHORDS, CLAVI· MI reillY' held confidential. Addrw 11-8, Till!: I'alo Aho, California 94306. chords by Neupert world', finot, oldest D'ArASoN. WANTED - PIPE MAKING EQUIP. FOR SALE - ERIC HERZ, TWO·MAN· maker. Calalop on ~quClt . Magnamwic, Sha· ment. Addres.s 11.9, TUE DIAPASON. uaI Concert·Gr.llld eopy of Haas original; r..1'C; ron, COlin. 06069. WANTED - PIPE MAKER TO HELP opportunity 10 purchase £rom original owncr let up and opcnte metal Jlire .hop. In reply. this superb ill!lnlOlcnt. Per£ec::t condition. O\\n· " THE HARPSICHORD," INTERNATION· 1Il\'C resume and salary eXllccled. Address 11 ·6, WANTED - RODGERS SPECIFICATION tiD 2·manual organ with spealr.en in console, er now retired. Belt offer. For dCKription til quarterly for loV(!n of early keyboard in· TilE DIArASON', Slate Io~, c:st finn price. etc. in reply. 'Hellard write] Hugh O 'Meaght:!r, 2113 Kel1l\1ck y Ave. liruments and music. Articles, intcrviews, pho. nue, Baltimo«, Maryland 21218. tograph. and illustrations by tacby', 'oremmt tJ1I,.USUAL OPpORTUNITY FOR AMBI· Wilson, ChatcauPf. N.Y. 12920, arcisu. $8 pt!r annum. "TIlt! Harpsichord," 1iow. man 10 ICCUI1! wick and varied upcrience HARPSICIIORD KIT. RUILD l\ FULL lIox 43"..3.D, [knvcr, Colo. 80'204. in pipe orpn buildins, .lind work inlo ftSpnn· lize replica of a FrelM:h IBth century harpi. tihle poUltOn. The Gratian Orpn Builden, MISCELLANEOUS chom, 2 x B', I l( 4'. FF.s"', Designed D«alur. lIIinoia 625ZS. IVORY AND ROSEWOOD DRAWSTQPS, and made: by Fr.lnk H\lbbard, Single: manu:al, FOR SALE - PIPE ORGANS hand engr.lving, and all "Oldl olToln paru. ~ ; double manllal $860. For brochure, WANTED - FULL·TlME EXPERIENCED wnte Frank Hubbard, I85A Lymau St .• Wal· FOR SALE - WILLIS ORGAN FROM pipe orr.tn tuner·lec::hnici.n, Good inc;ome. Thus. Harrisoo ( Est. 1830 ), 66 Ada Stf'C'et, tham, Mass. 0215-1. Eton College. (Dismantled), 'our manuab, [or Tr.lyd necesmry. Single pt!ROn prefer~d. Re· London, £.8, England. immediate dispos:al, £30JO. Details from Nod ply FA, THE DIAPASON. TUNERS - TItROW AWAY MESSY FOR SALE - HARPSICHORDS AND Mander, St. Peter', Organ Worb, London, cotton once and for all! Mixture luning is davicllOrds Jnotde! by J , C . Neupert and S. VICTOR PIANOS AND ORGANS IS E·2, England. faster and IdS lrwtratillg with KD', 311·felt Sabathil &: Son Ltd. Finest qualily, fully guar· ollt'ninr new mall Ilon:s from Miami 10 Palm pipe hi", One set (ils up to 6 r.lnks. $3.50 antt:!ed. Lar'll!S1 Kkction available from our FOR SALE - NEW l'OSITIVE. ST. DlA . Beach. wm hire orpnisb for Ales trainins, • hoWl'OOmli. Finand., Naw A r:flilflbl~ . Free abo orgao scrvKcmao, pioano tecl.okla.n and postpaid. KD Karn, r.o. Box (j(j, Buckbnd 8' (Sndzlc:r scalf') ; Duklana 8 ' «(nlll1 T .C ., Station, Manello-ter, Connn:licut 1XiO-iO. Catalog. J. W. ,\Ilen. 500 Glt:!nway Brutal, hammered tin}; Pn-stant 4' (bu.mdl.ed tin) ; rdinisber. Sc,nd ra\lnte 10; Vic1t1r Pianos a: Va. 24201 103/669-8396 . • l'rinciJ)a1 2' (h;ammered tin) ; MiKlun: II Organs, 300 N.W. !H SI., Mioami, Fla. 33127. SERVICE MEN - 00 YOU LACK SHOI' I'hone 305/151·7502. (hammered lin); SCM)\lialtcr II (from middle space? "'e lpecialize in It,'ather ~'Ofk, r«O\'ler· HARI'SICHORD. VIRGINAL, C L A V I. c 15'70 liu); Cremona 8' (douhle bloch). The ing pneumlllia, pouches, Ilctions, engraving. chord kib. Full li,e ,'atteros afler 171h century St, Din., Prt'Stant alld Crenllma are divided WANTED - MISCELLANEOUS etc. Write R. M. Minium &: Son, BOl( 293, in!trumenU. from $23500. Ff(!e hmchure on at middle 1"; c;01ll11a5S CC-e3; handsome case Lewilbufl', l'a. 17837. rrqucst. Heogel Kitl, 2 bis, nle Vivicnne, o( oiled bullcnlut with Bilded, c;arved pipe Paris 2, Fmnce. WANTED - FACADE OF SIIOW PII'ES. AUSTIN AUfIONS REBUILT, (PRI. shades. Pric;e $9,875.00 FOB. A. David Moon:, Need not be in pla}'l'ble c;ondition. Must 1;O\'cr N . J'nmfret, Vt. 050)3. maries and sccondaries) with new pl;utk I'er· HARPSICHORDS AND PEDAL HARPSI. 25' in Icngth with 16' tall pillCl at ends. St. flex material. State! your neew and lend 1m chords the ideal in.trunlellU for organub, FOR SALE - NEW 3·RANK TRACKER JOK'ph's CI,urch, 6401 Palisade Aye ., West detaib. Perf1ex pouches also. Foley.Baker, Inc., individu.ab, lmd tchools. For hroc:hure IrOO 23; New York, New Jersey 01003 al1n. Fr. Miran· with aUtlc;hcd "edal. Cate o( cherry with fruit· Dox.66, Buclr.bnd Siallon, MallChcslCr, Con· to S. Sabathil &. Son Ltll., Delli. 0, 10M Ho­ di. 201/867·1142. nectlCut ()(m

QUALITY and COMPLETENESS

Your "one•stop" supplier for all pipe organ supplies and components. DURST ORGAN SUPPLY CO., INC. P. O. Box 1165 Erie, Pennsylvania 16512 MANUFACTURERS OF QUALITY ORGAN COMPONENTS

HAVE YOU EVER MADE YOUR OWN CABLES? CREATIVE ORGAN BUILDING FOR ARTlmC MUSICAL RESULTS Reduce your labor 80% and save money; use our "READY-TWIST". It. is 17 conductors of C.O.S. wire already twisted together for your con- Greenwood Organ , Company venience and only costs 3~/ft. Example: To make a 102 note cab'e, use just 6 strands of "READY-TWIST" CHARLOTTE, NORTH CAROLINA 21ZOS instead of 102 strands of wire. '7HREE GENERATIONS OF ORGAN BUIlDING" Total cost for 102 notes is 21¢/ft. "READY-TWIST" with groundwire is also available at 5¢/ft. CONTEMPORARY ORGAN SUPPLY COMPANY Box A-B Campbell, Calif. 95008 BERKSHIRE ORGAN COMPANY 6B So. Boulevard, We,t Springfield, Massachusett, DELAWARE Member: International SodetT of Orcan Builders That 10 .... ly ,ouna ••• ORGAN COMPANY, INC. Reid Organ CO. of .... South German laroque. F. C. DREWS & CO. P.O. lox 363 a prDgresslve cDmpany with traditional ideals ORGAN BUILDERS SINCE 1960 designing and building custom pipe organs (.oIl 248-3867 NEW WORK nOM $6,000. REBUILT FROM $4,000. Santa Clara, California h. 505, Mlddl. Vil1191, N.Y. Ill" 252 FILLMORE AVE. TONAWANDA, N. Y. III 21t.lU-1lIl

THE DIAPASON CLASSIFIED ADVERTISEMENTS CI •••lfled adve' 'lsin8 rat ••: per word, $.20; minimum char ••• $2.50; box numb.r, additional 51.00. Replle, t. box numbe,. should 1M leftt Cfo Th. Dlopalon, 434 S. Wabash Avenue, Chkaga. In. 6060',

FOR SAU - PIPE ORGANS FOR SALE - PIPE ORGANS FOR SAU - MISC. FOR SALE - MISC. FOR SALE - 1930 3M/ 15R WICKS OR· fOR SALE - AEOLlAN DUO·ART OR· FOR SALE - WICKS 2· MANUAL UN I· FOR SALE _ LARGE SCALE AEOLIAN pn. In Itoralc. HOBcshoe conlOlc. Pipes san, 2·malillal 5: pedal player confOle, 10 ranks, fi~d honcshoe console, $Z30. Skinner harp and proal Uourdon 16', 24 pipes with chest, uct'l­ milcn:d for low edlin,. Minor work rf'quirro. Chimr:s, lTarll; 3-r.lllk Echn. Wcid.llardt, 4142 celesla cnmbination, $130. Cornopian lIulr.cll lent condition. $150 uncnted, FOB. Dyef, Dos: Pipes like new. $2000.00. Donald L. Wilson, No. 89th St., Milw;mk....e, Wis. 53222. base rank (incomplele). $30. c/o John A. 4R9, Jelfenon City, Tennessee 37760. clo Soutbminsl!:r PrtSbytuian Church. 7001 lIall, 32 L:lnc:asler Street, Bollon, M:ua. Far Hill. Ave" Centerville (D .. yloo), Ohio 021 H. 617/742.9764. FOR SALE - 8' T.C. SAXOPHONE 49 <15459. FOR SALE - ELECTRONIC ORGANS ,Iipes w.p. 8" nue ).iIJd. 8' 73 pipcs Hec:kle­ FOR SALE - E. M. SKINNER CON. phone w.p. 10" reed pipt'S. Morel O ... an Co .• FOR SALE - 2 MANUAL ORGANS: 3- FOR SALE - I RODGERS 33·E ORGAN, sole, 4.manual, presently in we. To be re· Inc., 178 Lowell St., Reading. Mass. 01867. slop, "-S'tlP Wicu, G-ttop Mollcr, 12-SIOII di­ Ih",c·manual thealn: ..y lr:-, antique while placed on july 10. St. IJalll'1 Church, Charles & Saratoga slrC'C'ts, Baltimure, Maryland 21201. rect-elcclric; tlbo !i-IIOI' Kilgcn unit chest. cnmplcte with 2 Rudscn u u:rn :al ,pea.ken FOR SALE - 16' QUlNTI\DENA BASS, pipes, reservoir, relay. Write Rive', Inc" 811 aud I l:argc Leslie, 32' 1'\011:: pt:tblboard, leiter Salidonal, Swell shades, Wic'" Iwilc:hes, Ot'!­ Focis St., Metairie, La. ;0005. boarel toe stuhs, 3 ullmaion pedals. Two FOR SALE - 2·MANUt\L MOLLER CON_ electra rectifier, Angdus declnc player ac­ lean 'old and like new. Robert R. Strickler solrs, 4-manual cnnsolo, one "(oller ttO)) kcy. tion. Warren Iiouer, 3249 Baywood Lalle. Na­ one Skinner drawknob; manual keyboards, Iwo FOR SALE - ... MANUAL, 68·RANK ~;3S6:0~I:;i:.H3~~ill 51., R~ Lion, Penna. I'a, California 9-1558. Kimball. Built 1931. In good condition. Ideal and three manuals, SIIenccr and Kinetic bluw· (or Jars:c auditorium. Buyer to rrmovc. Fint en (rom ~ to 3 HII, Swell daades %lnd en. gi.nes, oUnote ChCSIS, unit and pilnun chesls FOR SALE - TIIEATRE ORGAN PI\RTS. CnlllJf~"liona1 Chutel., +H Broad Sireet, FOR SALE - BALDW(N MODEL 6, TWO lUanuals "nd ,""';11, 2 IClur"te Illeaker cabi· With pipes. Wrile Rive', Inc., 811 Focis St., i'ipes: Tibia, Tuba, Concert Flute (Barton), Columlivl, Ohio 432:15. aho Marr·Colton, Wurliuer, MUlier and Kim­ lieu, "chorcu," "chiU," IWU eXI)r~ion IlCda~S , Metairie. La. 700m. 39 slop' indlldius lIa'1I, Chimes. Cclest:a. C.ml. hall laipework. Chats, t~ms, replalo... . con­ FOR SALE - USED 2·MANUAL AND lon, about 4 y(an oklo $4 ,500.00. Addh:S.1 H· rolel, n:iay - much miscellaneous. Send for pnlal Wanlerin unit orpn: Open Di.3pason, FOR SALE - LARGE 4·MANUAL MOL­ IUI.- Doug ChriJteruen, 301 W. Goebel Dr., 10, T HE D "'''ASoN_ StuPlJed Dl:apalOn. Salkional. 16·ft. Bourdon I,.r console (19"l..8). All in ",orkin, onkr. From l.ombard. 111. 60148. 312/629-4067. CJlt C'n»on: cho u , pipes. t;O l'SOle, blower. kl lIv­ t\mphilheater, Chaulauqua, N.Y. Best oHcr. FOR SALE - 2·MAN UAL ARTISAN D~ 45J, Cltautauqua, N.Y. 14722. en. Tremula nl ; availalile llammer 1972. Ben Ihcater orpnj S Jell osdlblO l'S, 32.pedall»o.lnJ, FOR SALE - USED PIIIES, CHESTS, nlft'r FOB a t Church. Wetley United Metho­ 1Iope.jones ronsole, 4 yean oM, $1 ,980.00 or consoles, miK. parts. Organ Service, 80. 2061 , dill, 1101 Elm, Wausau, Wit. m ol. 715/842. $1 .560,00 IC'SS I lei oscillaton for quick late. FOR SALE - 2·h.J,\NUAL MOLLER CON­ Kno~ilk, Tenn. 37901. 3768. L. Pdlon, 5256 Don Shenk Dr., Sw.ar tz. Creek, sole; oak witb mahogany stopboard j combill3' Mich. 4&1 73. tion action: $150.00. The Christian Church, 212 S. Jlit lsburgh St., COlmell. ville. Pa. 1~25 . FOR SALE - COMPREHENSIVE SET FOR SALE - USED 7·RANK WANGER­ of rdays and switcho a"'ailable lor irupeclion. in pipe orpn com l~ e t d y playable. Make offer. FOR SALE - WURLITZER 4800 M.fPLI· 32'note pedal keyboard AGO Ip«;ifiulioftl Visitation Church. Sbcyville. l ow" 50-176. fi ed reed ofBl'n. 2 full manuals, 32·note pedal. FOR SALE - CONSOLES: 3.MANUAL mini condition never bC'en used. Two 16 ft. 515/737.2262. board. Excellent practice inurulnent or for MolIC'r. $200. 2·manual Kimball, $75. 2· manual pedal Bourdons one with chou. One bast ,mall church. $!)OO Of bett offn . Call Robert IlOneshoe w/55 ItOpke)'S, $200. ,\ddrw 11.7, oclave only no chesu. Best offer applics aU. FOR SALE - 1917 HALL ORGAN, 2- Bawtini, 312/598.1 764. TilE DIA"... soN. William Thomas. South Egn:mont, MUI. manual and II ranb . Best oUt'r including re· 500 USED 1I0ME, THEATRE, AND 01258. 413/528-0068. mova!. Contact Fint Luther.tn Church, Brook­ church OrpIlS, tip to 6&"10 off, Allell, Conn, FOR SALE - MOLLER M,\NUALS (3), recently rcco\'(rcd, & (3) Rci, ner (9 ,Iide) ings. South Dakota 57006. 605/692.6251. Gulbr.uuen, Thomas, Lowrey. W~ rli tl e r , Kim· FOR SALE - FOLLOWING FROM ES­ hall, Baldwi n, Hammond. MO\'lnS arrnngC'd. couplC'r switches, $120.00. Aeolian·Skinner ley orpn. 2 manual chesls. $50 each. 2 pecbl FOR SALE - 2· MANUAL. 7·RANK PIPE Victor PiallOS &: Ot'!:uu \\'.3I'ehowC' , 300 N .W. Iledalboard, $liO. OO. Small scale Bourdon 16' chests (1·stop) $50. 12 rankl or A-I condi­ orpn, aLout 30 yean old. 2 HP Orgoblo. St. 54- St., Miami, Fla. 33127, 305/751.7502. (#1-12) "", $35.00 or betl offer on all! tioll pipework. $50 per rank. Call OoUII);US Andrew·St. 'josellh Chureh, 9?-5 Brockhunt 51., Shipping utn. N.Y.C. an:a. AddrCi1 U·5, Hunt in evenings, 914/693-6091. Oakland, C;..lif. 94608. TilE DIAr.\sON. FOR SALE - MISC. fOR SALE - 8·STOP VENTIL CHEST, FOR SALE - MISTNER CHURCH PIPE WANTED - ORGAN BENCH (25 inches .well shunen, 16' Trombone, 8' Trumba, FOR SALE - 4 MANUAL E. M . SKIN· long) ic Robt. Morlon or 1I0Vt'ard Seal. Fred other misc. hemtJ. Sandlin, Pipe Orpn Co ., Ol'll1'n , l inille manual, root pedal. Good con' nC' r console with o\'Crhaulinl in 50', and 60'1 ditlon. c;"11 516/289·1785. McClure. 3839 No~h VenaiUcs, Dallas, TUM 8130 Garland Rd., Dallas, TX 75218. by Mollcr and Aeolian.skinner. New i"oridl, 15m. 214/526.2566. ca pt u ~ action; 51 SIOll knobs; 2fi rockinll FOR SALE - 4Y, RANKS, 2·MANUAL u1Jt~t coupkn; 4 pu lons per dwuion; 3 Jell' FOR SALE - NEW 2O·NOTE MAYLAND and pnlalhoanJ, individual du~tls mostly dirTCl. r-rab (duplicated) . Abo +I Ilipes d' p«tal 16' FOR SALE - NEW ORGAN PIPES. 51% chime action with rday, 20 chima I~" , 2.5 d«.lnc. Bounkm, [)U, pason, Mdodia, Clarinet, Trombone and 73 pipes of 8' CI:Ullbclla. Buy­ spotted metal, Mixtures, Schar HI, Cymbell. ehimo IY,", 73' nole Ki~1 POilhorn 10'" Flule. Price $800 00. J'hlJlle, Samia, Ontario er 10 rC'move by mid.5t'plembC'r. Wrile: Mi n· Octa,·cs, t' tc. Promlltly avaibblc. Exct'llenl Il feU., two 61·nole V~ ll'umana G'" press. 519/542.9915. uler of Mwie, Emmanud U.C.C., 124 Broad­ workmanshi" . 'Vri tc III : E~ fler:1 c,n Organ Delosh, 35.()8 105 St., ~na . N .Y. 11368. I'ipes, GebrUder Kis, 53 lJonn.Deuel, Wes t way, Hanover, 1'3. 1733 1. Gemlany. FOR SALE - KILGEN THEATRE OR­ FOR SALE - ORGELECTRA LIKE g"n 3/12 widl IG' Diaphune, chimcs, xylo­ FOR SALE - ALLES ORGAN CONSOLE new, 230 ,,'oil illput.mas:., 15 amp., 10-15 VOItI phuln~ . marimba, blower, but cunsole Wat (A.G.O. ) complete. Inc. .tulllS (2) ll JaUl!als FOR SALE - BEST OFFER TAKES 15 DC oUlput. Crated, $50.00. Orgdcctra, 240 burnC'd beyond me. Make oHer. St. joseph', wired to (7) Iwilcbca. Good (or small IUI,e chlln:h r.anu, two blolVen, 4-manuOI I Ruusc"'c11 volt input. 3 pluuc. 10-15 voh DC oulpul. 75 Chun:h, 60KB Palis.ade Avc., \\,r;st New Yurk, organ or JlJ';Ic/ org. $395.00 Dr belt offer. Wrile conlClh'. Painless temp, free lodgill! dUrillS aUl)JCro. Needs minor n:pain. Crated. $65.00. New Jency 07093 "UII. Fr. Mirandi. 201/867- for details. Ship)ling utn, N .V.C . area. Ad· remlu'Ul. Fn.tJ Nituchke, 5'2 Clark Street, William D. :Manley, RFD 1 Bux 657, Slock· 1142. dress 11-4, T ilE DIA",UIUN. UrollklYII, N.Y. 11201. bridge, Georgia 30281 .

CHESTER A. RAYMOND, INC. PIPE ORGAN BUILDERS

Rebuildill9, Maintenance and Additions McMANIS KANSAS CITY, KANSAS P.O. Box 55 Princeton, N.J. 08540 66IM Phone: 609-924-0935

"QIIII.'ity wi.1I ORGAN LEATHERS AIKIN ASSOCIATES EltOnomy" [AI' ALL ELECTRIC CHESTS WHITE, SON COMPANY AA ELECTRO PNEUMATIC PEDAL CHESTS 286 Summer Street Boston, Musuchusell8 02210 Bax 143 Brooklyn, Pa. 11113 717-219-4132

LOUIS F. MOHR & COMPANY o HANSEN E. H. HOLLOWAY R ORGAN G ORGANS MAINTENANCE CORPORATION A 2899 Valentine Ave. N Constructors Bui/ders 0/ New York 58, N. Y. 51.. S'lmto/o/ Q,.a/;lr; & Tdephone: SEdgwick 5-5628 Tfocker and Eleclro-pneuma'ic Rebuild ... 01 EmeflenC'y Sen-i ce Yt2rly CooUIKIJ slider chest organs. P JEROME B. MEYER &SONS QUALITY lIarpt - Chimes _ Blowen I Experl Overhaulin,c INDIANArOLlS, INDIANA 2339 SO. AUSTIN ST. PIPE ORGANS P " ..In Orll'" r,opHI, "'lZ j "'lZ i "~J "'~IZ1tS P. O. Box 20254 E MILWAUKEE, WIS, 53207 Bdr~r ,\I,,'it" QUINCY, ILLINOIS 62301 5

DO IT YOURSELF PIPE ORGAN KITS PIANO TUNING LIFE STVLE CONRAD O. DURHAM Custom IpaclflcatlolU for church or Learn Piano tuning and repair wllh easy resldenca, eomplete 0' P.rt,. full I,,· to follow hom. study COUll., Wid. open PIPE ORGAN CO. R.bulldinl _ •• volcing - Consultation struction. by ••t.bUsh.d 0''11.111 bullden. field with good earnings, Make. exc.l. lent "exlro" Writ. COLICIT MFG. Ca. P.O. Bax 112 job. 1111 Shell •• I .. ad P.o. BoJC 2125. Tallah.sM., FIa, 32304 American School of Plono Tufting A ~, ...... III , 6030 . D.,pl. D. lox 707 Gilroy, Calif. p"OtIC , ~ll!l9l ' '''l

AUGUST. 1972 23 • • L I I I a o M u r t a g h C ooeert M a ·o age ••• eot

Box 272 Canaan, Connecticut 06018 203-824-7877

NITA AKIN GERRE HANCOCK

I ~.' " SPECIAL AVAILABILITIES .. II Season 1972,73 ' j;, ~' j l I DONALD McDONALD November only V0' CLYDE HOLLOWAY f ; " V after January 1 ROBERT ANDERSON CLYDE HOLLOWAY FREDERICK SWANN LADD THOMAS Midwest & East in March

ROBERT BAKER

European Arfis1s Season '972·73

MICHAEL RADULESCU Oct.-Nov. '72 DAVID CRAIGHEAD JOAN LIPPINCOTT LADD THOMAS GILLIAN WEIR Nov. '72 KAMIEL D'HOOGHE Jan.-Feb. '73

HEINZ WUNDERLICH Feb. '73 MONlKA HENKING Mar .. Apr. '73

MICHAEL SCHNEIDER Apr.· '73

FRANCIS JACKSON May. '73

,