Always an Adventure: an Autobiography

University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2011 Always an Adventure: An Autobiography Dempsey, Hugh A. University of Calgary Press Dempsey, Hugh A. "Always an adventure: an autobiography". The West Series, No. 3, University of Calgary Press, Calgary, Alberta, 2011. http://hdl.handle.net/1880/48493 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com ALWAYS AN ADVENTURE: AN AUTOBIOGRAPHY by Hugh A. Dempsey ISBN 978-1-55238-568-5 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. 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Acknowledgement: We acknowledge the wording around open access used by Australian publisher, re.press, and thank them for giving us permission to adapt their wording to our policy http://www.re-press.org/content/view/17/33/ 9 Cha ng es When Allan Hammond was appointed Executive Vice-President of Glenbow in 1970, my first goal was to get as far away from administrative work as possible. Besides, I saw this as a good opportunity to get back to working with people and being involved in historical matters. There were no objections, so I carved an office for myself out of the second floor of the Central Park Library, a building that housed our Library and Archives, and settled into place a half- mile away from the executive offices. Sometime later, I was told that I was “in Coventry,” i.e., that I was being given the silent treatment by the Harvie people. I know it is true that I was excluded from many meetings where I might have been expected to be on hand and that as part of the management team I played little or no role in the decision-making process, but I don’t really know if I was being deliberately excluded or not. I was told that the best way to destroy an administrator is to cut him out of the loop and leave him hanging. That may be true, but if that’s what happened to me, it had the opposite effect. Instead of attending countless meetings, I was seeing researchers, preparing educational lectures for our museum, training docents, writing exhibition catalogues, editing our newsletter, and doing all the things I enjoyed doing. At the same time, the four departments under my care were being efficiently run by Sheilagh Jameson, Len Gottselig, Joe Schmitz, and Trudy Soby. It was an ideal situation, and I enjoyed it thoroughly. I was particularly glad I was out of the loop when there was some trouble with Eric Harvie. This occurred about four months after Hammond had taken over. Our Art Department had just installed a Gerald Tailfeathers exhibition 277 when Harvie came to see it. Lorne Render told me that Harvie “tore labels off the wall, tore a poster down, and chewed out Lorne and Al Hammond in front of the staff for nailing and sticking things on the wall.”106 I knew that Harvie did not like to mar the walls of offices and fine old buildings, but these were plasterboard panels that would repaired and repainted after every use, and were designed to be nailed, tacked, and stapled. To me, it was another sign that Harvie’s condition was becoming worse as time went on. When I first knew him in 1956 he was a strong, dynamic man with an incisive mind who always seemed to be two steps ahead of anyone else. I admired him for his strength of leadership and his ability to quickly get to the nub of any situation. I was very sad, for here was a man who had done so much for western Canada. Eric Harvie died on January 11, 1975, but no one knew about it until the family announced it after the funeral. Some weeks later, I was surprised to learn that I was being given a small bequest from the Harvie will. In spite of problems, I guess I never stopped being a part of Harvie’s Glenbow family. When I wrote to thank Mrs. Harvie for her accompanying note, I comment- ed, “Over the years, his interest in western Canadian history made it possible for me to do the things I had dreamed of, and at the same time help Mr. Harvie build the kind of Glenbow he wanted.”107 I may have disagreed with him on some matters but I never lost my respect for him or for what he had accomplished. As long as he paid my salary, I was completely faithful to him, but once I came under the authority of the Institute I owed my allegiance to that institution, which sometimes placed me at odds with the Harvie organization. The 1969–70 problems involving Doug McDermid and Dick Gordon had succeeded in causing the Harvie people to back off from the day-to-day work- ings of Glenbow, so Hammond had a fairly easy time of it at first. He was able to bring some tranquility to the organization and to improve staff morale. I called meetings in my own division and became involved in discussions rang- ing all the way from audio-visual programs to displays and public relations. Meetings of our Management Committee – Hammond, Render, Light, and me – were held on a regular basis but we never heard much about any problems with the Board so we assumed it was going all right. My first disagreement with Hammond occurred in the summer of 1971. Glenbow had been approached by the Calgary Convention Centre to see if we would provide exhibitions for a single-level area which was planned for the east end of their facility. At that time, the entire block between 8th and 9th 278 Always an Adventure Avenues, east of Centre Street, was being cleared under an urban renewal pro- gram. The Four Seasons Hotel would occupy the west third, the Convention Centre the middle third, and the east third would be for convention displays. During the time it was not required for this purpose, the Centre wanted us to install exhibits. When Hammond heard about it, he jumped on the idea of making it into a permanent Glenbow exhibition area. From there the idea grew like topsy until he and others envisioned all of Glenbow under one roof at that location. Encouraging noises were being made by civic and provincial government au- thorities, both of which agreed that Glenbow needed a modern home. In August 1971, Bert Baker, President of the Institute, asked the three Division heads to respond to this idea, and to pass their responses along to Allan Hammond. I wrote a four-page memorandum in which I was entirely opposed to the relocation. I said that while it would be nice to have Glenbow together in a modern and controlled environment, the Convention Centre was not the place to go. Some of my reasons were a severe lack of parking space, being stuck in the core area of East Calgary, being stuck beside a convention centre rather than in an educational setting, and jumping into something without any advanced planning or study.

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