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JAMES MORROW Home Work 9417 Epic Court Butler School of Music Austin, TX 78726 The University of Texas at Austin 512/331-1544 1 University Station E3100 Austin, TX 78712-0435 Office: 512/471-0950 Fax: 512/471-7836 [email protected] EDUCATION Doctor of Musical Arts, Choral Conducting The University of Texas at Austin, 1996 Master of Music, Choral Conducting The Ohio State University, 1989 Graduate Study, Choral Conducting Westminster Choir College, 1987-88 Bachelor of Music, Vocal Music Education Hardin-Simmons University, 1986 Conducting Study Morris Beachy, 1990-92 Craig Hella Johnson, 1990-92 Fiora Contino, 1991 Maurice Casey, 1989-90 Joseph Flummerfelt, 1987-88 Allen Crowell, 1987 Loyd Hawthorne, 1983-86 Conducting Master Class Helmuth Rilling, Oregon Bach Festival, 1994 Private Vocal Study Gérard Souzay, 1990-92 Elem Eley, 1987-88 William Riley, 1987 Jaynne Middleton, 1981-86 Vocal Master Classes David Garvey, 1990, 1991, 1992 Beverly Hoch, 1992 Robert Honeysucker, 1991, 1992 David Britton, 1991, 1992 D’Anna Fortunato, 1991, 1992 Julianne Baird, 1991 Additional Master Classes Samuel Baron, 1991, 1992 Ronald Roseman, 1991, 1992 Daniel Phillips, 1991, 1992 Timothy Eddy, 1991, 1992 Yehudi Wyner, 1991, 1992 1 PROFESSIONAL EXPERIENCE Teaching Experience The University of Texas at Austin, 2001-present Associate Professor of Music (tenured) Director of Choral Activities Conductor, Chamber Singers (20-36 singers) National ACDA Convention (2005, 2009) TMEA Convention (2005, 2009) Kronos Quartet (April 2005) CDs on Naxos and Koch labels TAMS Conference (2004) Conductor, Choral Arts Society Graduate Conducting Graduate Choral Literature Supervise Bach Cantata Project Supervise graduate program in Choral Conducting Administrate choral program with 6 choirs University of Florida, 1997-2001 Associate Professor of Music Director of Choral Activities Conductor, University Choir (60 singers) Convention performances: Southern Division MENC (2001) FMEA (2000) Florida ACDA (1997, 2000) Conductor, Chamber Singers (16 singers) Graduate and Undergraduate Conducting Graduate Choral Literature Supervise graduate program in Choral Conducting Hope College, 1994-97 Assistant Professor of Music Director of Choral Activities Conductor, Chapel Choir (60 singers) Divional ACDA invitation for fall 1997 MCDA (1997) Conductor, Collegium Musicum (16 singers) Conductor, College Chorus (110 singers) Applied Voice Music Appreciation Foundations and Perspectives in Music Millsaps College, 1992-94 Instructor of Music Applied Voice Conducting Women’s Chorus Opera Workshop The University of Texas at Austin, 1990-92 Graduate Teaching Assistant Conductor, University Chorus Assistant Conductor, Chamber Singers Assistant Conductor, Concert Chorale Chorus Master, UT Symphony Chorus Master, UT Opera Theater Associate Conductor, Longhorn Music Camp 2 The Ohio State University, 1988-89 Graduate Assistant Conductor Chorale Symphonic Choir Women’s Glee Club Hardin-Simmons University, 1986 Conductor, Summer Chorus Conducting Experience University of Texas at Austin, 2001-present Bach B Minor Mass Bach Magnificat Bach Motets Bach St. John Passion Beethoven Mass in C Beethoven Choral Fantasy Bernstein Chichester Psalms Brahms Ein deutsches Requiem Britten Cantata Misericordium Britten Sacred and Profane Bruckner Mass in E Minor Byrd Mass for Four Voices Delius Appalachia (chorus preparation) Duruflé Requiem Fauré Requiem Haydn The Creation Holst Two Psalms Howells Requiem Langlais Messe Solennelle Mahler Symphony No. 2 (chorus preparation) Martin Ode a là musique Mendelssohn Elijah Monteverdi Vespro della Beata Vergine 1610 Mozart Mass in C Minor Mozart Requiem (Süßmayr and Levin) Nunes Garcia Missa de Nossa Senhora da Conceição Orff Carmina Burana Pärt Berliner Messe Pärt Passio Poulenc Messe en Sol majeur Rachmaninoff Vespers Ravel Daphnis et Chloe (chorus preparation) Rossini Petite Messe Solennelle Terry Riley Sun Rings with Kronos Quartet Stravinsky Mass Szymanowski Stabat Mater Vaughan Williams Dona nobis pacem Vaughan Williams Mass in G Minor Vaughan Williams Overture to “The Wasps” Vaughan Williams Serenade to Music Verdi Requiem Vivaldi Gloria Vierne Messe Solennelle Dan Welcher JFK: The Voice of Peace (chorus preparation) Jacksonville Symphony Orchestra (FL) Chorus Director, 2000-2001 (all chorus preparation) 3 Handel Messiah Holiday Pops Mahler Third Symphony Mozart Requiem Opera Choruses Orff Carmina Burana Puccini Tosca University of Florida, 1997-2001 Bach B Minor Mass Bach St. John Passion Bach Singet dem Herrn Brahms Ein deutsches Requiem Carissimi Jephte Duruflé Requiem Haydn The Creation Mozart Coronation Mass Mozart Overture to Die Zauberflöte Mozart Piano Concerto No. 21 Mozart Requiem Pinkham Christmas Cantata Purcell Dido and Aeneas Rutter Gloria Verdi Requiem Gainesville Chamber Orchestra Poulenc L’histoire de Babar Prokofiev Peter and the Wolf Vaughan Williams Overture to The Wasps Hope College choirs and orchestra, 1994-97 Bach Jesu, meine Freude Bach St. John Passion Brahms Ein deutsches Requiem Carissimi Jephte Copland In the Beginning Haydn The Creation Purcell Dido and Aeneas Vivaldi Gloria Grace Episcopal Church, Holland, Michigan, 1995-97 Handel Messiah (Part I) Mozart Requiem Oregon Bach Festival, 1994 Bach St. Matthew Passion (excerpts), with professional soloists, chorus and orchestra of the Oregon Bach Festival Jackson Choral Society, Jackson, Mississippi, 1992-94 All-Beethoven Concert with members of the Mississippi Symphony Mass in C Hallelujah from Christus am Ölberge Elegischer Gesang Choral Fantasy, Jonathan Sweat, pianist A Romantic Portrait Pinkham Wedding Cantata 4 Britten Wedding Anthem Brahms Neue Liebeslieder Walzer Wilberg Three Scottish Folksongs and Cindy Bach Cantata 131 Scarlatti Est dies trophei Folksongs and Spirituals New Texas Festival, Austin, Texas, 1992-present All-Baroque concert with David Stevens, tenor, Stephanie Pruitt, alto, and Festival Orchestra Bach Cantata 54, Stephanie Pruitt, alto Vivaldi Concerto for 2 oboes and orchestra Handel Overture to Solomon Handel, various arias and duets with orchestra Bach Cantata 55, Karl Dent, tenor Bach Cantata 78, Festival chorus and orchestra Victoria Bach Festival, Victoria, Texas, 1992-93 Bach Cantata 51, Jana Holzmeier, soprano Bach Cantata 54, Virginia Dupuy, mezzo-soprano Bach Cantata 56, Douglas Anderson, baritone First United Methodist Church, Clinton, Mississippi, 1992-94 Saint-Saëns Christmas Oratorio The University of Texas at Austin, University Chorus, 1990-92 Fauré Requiem Handel Let Thy Hand be Strengthened Mozart Coronation Mass Rutter Gloria The University of Texas at Austin, Chorus Master, 1991-92 Copland The Tender Land Holst The Planets First English Lutheran Church, Austin, Texas, 1990-92 Handel Messiah (Part I) Haydn Kleine Orgelmesse Saint-Saëns Christmas Oratorio Telemann Lukas-Passion Worthington Chorus, Columbus, Ohio, 1988-90 Bach Magnificat Mozart Requiem Vivaldi Gloria Singing Experience Baritone Soloist Atlanta Symphony Orchestra Chamber Chorus, Norman McKenzie Copland Four Motets Vaughan Williams Mass in G Minor Robert Shaw Festival Singers, 1998 Bach Singet dem Herrn Howells Requiem Vaughan Williams Mass in G Minor Artist/Fellow, 1992 and 1993 5 Bach Aria Festival and Institute Stony Brook, NY Bach St. John Passion (Jesus) Palm Beach Atlantic College, 1999 Austin Civic Chorus and Austin Sinonietta, 1997 Rhodes Mastersingers Chorale and Memphis Symphony Chamber Orchestra, 1996 University of Texas at Austin, 1992 St. Matthew Passion (Jesus) Mormon Tabernacle Choir’s Temple Square Chorale, 2000 University of Texas at Austin, 1998 Rhodes Mastersingers Chorale and Memphis Symphony Chamber Orchestra, 1997 Christmas Oratorio Austin Civic Chorus and Austin Sinfonietta, 1991 University of Miami (FL), 1998 Magnificat, Victoria Bach Festival, 1992 Cantatas 63 and 185, Victoria Bach Festival, 1992 Britten War Requiem (excerpts), DMA recital, Ed Lundergan,1991 Noye’s Fludde (Noye), New Texas Festival, 1995 Buxtehude Cantatas, Texas Early Music Project, Round Top Early Music Festival, 1992 Duruflé Missa cum jubilo, St. Andrew’s Episcopal Cathedral, 1994 Fauré Requiem, Hope College, 1997 St. David’s Episcopal Cathedral, 1992 Mirage, Hope College, 1996 Handel Dettingen Te Deum, Austin Civic Chorus and Austin Sinfonietta, 1997 Apollo e Dafne, Jackson Handel Society, 1993 Messiah, First Baptist Church, Pearland, Texas, 1981 Haydn The Creation, St. Andrew’s Episcopal Cathedral, 1993 Mahler Rückert Lieder, Hope College Pärt Passio, New Texas Festival, 1994 Schubert Selected Songs, Hope College, 1996-97 Stravinsky Pulcinella, Victoria Bach Festival, 1992 Travener Ikon of Light, New Texas Festival, 1996 Vaughan Williams Five Mystical Songs, Millsaps College, 1994 Chorus Member Robert Shaw Festival Singers, 1992, 1994, 1998 Quercy, France and Greeneville, SC American Hymns and Spirituals Argento I Hate and I Love Badings Trois Chansons Bretonnes Barber Agnus Dei Bernstein Missa Brevis Brahms Liebeslieder Waltzes and motets Britten A.M.D.G. Britten Choral Dances from Gloriana Britten Hymn to St. Cecilia Britten Rejoice in the Lamb Britten Sacred and Profane Copland In the Beginning Debussy Trois Chanson Górecki Totus Tuus Haydn Lord Nelson Mass Hindemith Chansons Howells Requiem 6 Martin Mass Mozart Coronation Mass Mozart Requiem Mozart Solemn Vespers Pärt Magnificat Poulenc Un Soir de Neige Ravel Trois Chanson Schönberg Friede auf Erden Vaughan Williams Mass in G Minor Robert Shaw Festival Singers Carnegie Hall Poulenc Stabat Mater, 1999 Szymanowski Stabat
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    Anton BRUCKNER Messe e-Moll WAB 27 Zweite Fassung/Second version 1882 Coro (SSAATTBB) 2 Oboi, 2 Clarinetti, 2 Fagotti, 4 Corni, 2 Trombe, 3 Tromboni herausgegeben von/edited by Dagmar Glüxam Urtext Partitur/Full score C Carus 27.093 Inhalt / Contents Vorwort 4 Foreword 8 Abbildungen 12 Kyrie (Coro SSAATTBB) 14 Gloria (Coro) 20 Credo (Coro) 32 Sanctus (Coro) 49 Benedictus (Coro SSATTBB) 55 Agnus Dei (Coro SSAATTBB) 63 Kritischer Bericht 73 Zu diesem Werk liegt folgendes Aufführungsmaterial vor: Partitur (Carus 27.093), Klavierauszug (Carus 27.093/03), Klavierauszug XL Großdruck (Carus 27.093/04), Chorpartitur (Carus 27.093/05), komplettes Orchestermaterial (Carus 27.093/19). The following performance material is available: full score (Carus 27.093), vocal score (Carus 27.093/03), vocal score XL in larger print (Carus 27.093/04), choral score (Carus 27.093/05), complete orchestral material (Carus 27.093/19). Carus 27.093 3 Vorwort Als Anton Bruckner (1824–1896) zwischen August und November C-Dur (WAB 31) für vierstimmigen gemischten Chor a cappella 1866 seine Messe in e-Moll (WAB 27) komponierte, konnte er (1. Fassung 1835–1843, 2. Fassung 1891) oder der Windhaager bereits eine langjährige Erfahrung als Kirchenmusiker aufweisen und Messe in C-Dur für Alt, zwei Hörner und Orgel (WAB 25; 1842) auch auf ein überaus umfangreiches kirchenmusikalisches Œuvre können hier etwa die Messe ohne Gloria in d-Moll („Kronstorfer zurückblicken.1 Schon als Kind wurde er durch seinen musikbe- Messe“; WAB 146, 1844) für vierstimmigen gemischten Chor a geisterten Vater und Schullehrer Anton Bruckner (1791–1837) zur cappella oder das Requiem für vierstimmigen Männerchor und Mitwirkung – u.
  • Vespers 2020 Music Guide

    Vespers 2020 Music Guide

    MILLIKIN UNIVERSITY® 2 0 2 0 ALL IS BRIGHT MUSIC GUIDE VESPERS MEANS ‘EVENING’ AND IS ONE OF THE SEVEN CANONICAL HOURS OF PRAYER. MILLIKIN UNIVERSITY | SCHOOL OF MUSIC BELL CAROL (2017 All Choirs) William Mathias “AlltheBellsonEarthShallRing”wastheVespersthemeinMathias’compositionwastheperfect openingTheprocessionendeavorstorevealtoaudiencemembersthatbellsaregiftssounds(musicifyou will)oeredtothemangerIndeedtheremainderoftheprogramdisplayedbellsinbothcelebratoryand reflectivemomentsThepiecewascomposedforSirDavidWillcocksthechoirmasterwhobroughtsomuch attentiontotheLessonsandCarolsofKing’sCollegeCambridge ALLELUIA(2018 University Choir) Fredrik Sixten “SingAlleluia”wasthethemeofVespersinandSixten’sreflectivesettingcameearlyintheprogram givingthiswordusuallyconsideredfestiveinmoodasenseofadventhope LAUDATE DOMINUM (2015 Millikin Women) Gyöngyösi Levente LaudateDominumhasservedmanycomposersinincludingMozartwhouseditinhiswellknownSolemn VespersContemporaryHungariancomposerGyöngyösicombinesanincessantmantraonasinglenotewith complexrhythmsforthissettingofPs(“OPraisetheLordallyenations”)Harmonicdensityincreasesand joinstherhythmicdrivetothefinalAlleluiawheretheadditionofatambourineaddsafinalcelebratorynote MAGNIFICAT(2017 Collegiate Chorale) Bryan Kelly EvensongtheAnglicanversionofVespersalwaysincludesasettingoftheMagnificatEventhough thisiscomposedforEnglishearsBryanKelly’senthusiasmforLatinAmericanmusicisclearlyevident inthissettingfromthes GLORIA PATRIMAGNIFICAT (2019 All Choirs) John Rutter ThefinalmovementofRutter’sMagnificatgathersmanyofthework’sthemesintoatriumphantfinale