1 CHAPTER I INTRODUCTION This Chapter Deals with Introduction That
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Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature
DOCUMENT RESUME ED 414 606 CS 216 137 AUTHOR Power, Brenda Miller, Ed.; Wilhelm, Jeffrey D., Ed.; Chandler, Kelly, Ed. TITLE Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3905-1 PUB DATE 1997-00-00 NOTE 246p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 39051-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Collected Works - General (020) Opinion Papers (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Censorship; Critical Thinking; *Fiction; Literature Appreciation; *Popular Culture; Public Schools; Reader Response; *Reading Material Selection; Reading Programs; Recreational Reading; Secondary Education; *Student Participation IDENTIFIERS *Contemporary Literature; Horror Fiction; *King (Stephen); Literary Canon; Response to Literature; Trade Books ABSTRACT This collection of essays grew out of the "Reading Stephen King Conference" held at the University of Mainin 1996. Stephen King's books have become a lightning rod for the tensions around issues of including "mass market" popular literature in middle and 1.i.gh school English classes and of who chooses what students read. King's fi'tion is among the most popular of "pop" literature, and among the most controversial. These essays spotlight the ways in which King's work intersects with the themes of the literary canon and its construction and maintenance, censorship in public schools, and the need for adolescent readers to be able to choose books in school reading programs. The essays and their authors are: (1) "Reading Stephen King: An Ethnography of an Event" (Brenda Miller Power); (2) "I Want to Be Typhoid Stevie" (Stephen King); (3) "King and Controversy in Classrooms: A Conversation between Teachers and Students" (Kelly Chandler and others); (4) "Of Cornflakes, Hot Dogs, Cabbages, and King" (Jeffrey D. -
Performing the Self on Survivor
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Texas A&M Repository TEMPORARILY MACHIAVELLIAN: PERFORMING THE SELF ON SURVIVOR An Undergraduate Research Scholars Thesis by REBECCA J. ROBERTS Submitted to the Undergraduate Research Scholars program at Texas A&M University in partial fulfillment of the requirements for the designation as an UNDERGRADUATE RESEARCH SCHOLAR Approved by Research Advisor: Dr. James Ball III May 2018 Major: Performance Studies Psychology TABLE OF CONTENTS Page ABSTRACT ............................................................................................................................. 1 ACKNOWLEDGMENTS ........................................................................................................ 2 INTRODUCTION .................................................................................................................... 3 CHAPTERS I. OUTWIT. OUTPLAY. OUTLAST ......................................................................... 8 History of Survivor ............................................................................................ 8 Origin Story of Survivor .................................................................................. 10 Becoming the Sole Survivor ............................................................................ 12 II. IDENTITY & SELF-PRESENTATION ................................................................ 17 Role Performance ........................................................................................... -
(Books): Dark Tower (Comics/Graphic
STEPHEN KING BOOKS: 11/22/63: HB, PB, pb, CD Audiobook 1922: PB American Vampire (Comics 1-5): Apt Pupil: PB Bachman Books: HB, pb Bag of Bones: HB, pb Bare Bones: Conversations on Terror with Stephen King: HB Bazaar of Bad Dreams: HB Billy Summers: HB Black House: HB, pb Blaze: (Richard Bachman) HB, pb, CD Audiobook Blockade Billy: HB, CD Audiobook Body: PB Carrie: HB, pb Cell: HB, PB Charlie the Choo-Choo: HB Christine: HB, pb Colorado Kid: pb, CD Audiobook Creepshow: Cujo: HB, pb Cycle of the Werewolf: PB Danse Macabre: HB, PB, pb, CD Audiobook Dark Half: HB, PB, pb Dark Man (Blue or Red Cover): DARK TOWER (BOOKS): Dark Tower I: The Gunslinger: PB, pb Dark Tower II: The Drawing Of Three: PB, pb Dark Tower III: The Waste Lands: PB, pb Dark Tower IV: Wizard & Glass: PB, PB, pb Dark Tower V: The Wolves Of Calla: HB, pb Dark Tower VI: Song Of Susannah: HB, PB, pb, pb, CD Audiobook Dark Tower VII: The Dark Tower: HB, PB, CD Audiobook Dark Tower: The Wind Through The Keyhole: HB, PB DARK TOWER (COMICS/GRAPHIC NOVELS): Dark Tower: The Gunslinger Born Graphic Novel HB, Comics 1-7 of 7 Dark Tower: The Gunslinger Born ‘2nd Printing Variant’ Comic 1 Dark Tower: The Long Road Home: Graphic Novel HB (x2) & Comics 1-5 of 5 Dark Tower: Treachery: Graphic Novel HB, Comics 1–6 of 6 Dark Tower: Treachery: ‘Midnight Opening Variant’ Comic 1 Dark Tower: The Fall of Gilead: Graphic Novel HB Dark Tower: Battle of Jericho Hill: Graphic Novel HB, Comics 2, 3, 5 of 5 Dark Tower: Gunslinger 1 – The Journey Begins: Comics 2 - 5 of 5 Dark Tower: Gunslinger 1 – -
Stephen-King-Book-List
BOOK NERD ALERT: STEPHEN KING ULTIMATE BOOK SELECTIONS *Short stories and poems on separate pages Stand-Alone Novels Carrie Salem’s Lot Night Shift The Stand The Dead Zone Firestarter Cujo The Plant Christine Pet Sematary Cycle of the Werewolf The Eyes Of The Dragon The Plant It The Eyes of the Dragon Misery The Tommyknockers The Dark Half Dolan’s Cadillac Needful Things Gerald’s Game Dolores Claiborne Insomnia Rose Madder Umney’s Last Case Desperation Bag of Bones The Girl Who Loved Tom Gordon The New Lieutenant’s Rap Blood and Smoke Dreamcatcher From a Buick 8 The Colorado Kid Cell Lisey’s Story Duma Key www.booknerdalert.com Last updated: 7/15/2020 Just After Sunset The Little Sisters of Eluria Under the Dome Blockade Billy 11/22/63 Joyland The Dark Man Revival Sleeping Beauties w/ Owen King The Outsider Flight or Fright Elevation The Institute Later Written by his penname Richard Bachman: Rage The Long Walk Blaze The Regulators Thinner The Running Man Roadwork Shining Books: The Shining Doctor Sleep Green Mile The Two Dead Girls The Mouse on the Mile Coffey’s Heads The Bad Death of Eduard Delacroix Night Journey Coffey on the Mile The Dark Tower Books The Gunslinger The Drawing of the Three The Waste Lands Wizard and Glass www.booknerdalert.com Last updated: 7/15/2020 Wolves and the Calla Song of Susannah The Dark Tower The Wind Through the Keyhole Talisman Books The Talisman Black House Bill Hodges Trilogy Mr. Mercedes Finders Keepers End of Watch Short -
Chapter I Introduction
I s n a i n i | 1 CHAPTER I INTRODUCTION 1.1 Background of Research The word "literature" is derived from the Latin word litteraturae means "writings". Literature is the fictional and imaginative writings including philosophy, history and even scientific works that are especially distinguished in form, expression and emotional power addressed to a general audience. The kinds of literature are poetry, prose, prose fiction and drama. (Abrams 177). One of fictional prose is novel. Etymologically, novel is derived from the Italian word novello means 'a small new thing'. Terminologically, novel is a popular genre, its audience is not esoteric and peculiarly learned, but a representative section of society. It is like an epic that has a certain mass to qualify for the title and also has some characters, great complication of plot and concentrates modes. The novel frequently offers a decision, the portrayal of society and focuses on such issues as inheriting property and getting married. (Mikics 209). Novel is one of literature works. Since it contains intrinsic element which is called character, novel can give an image of human personality. According to Abrams, characters are the responds, in a dramatic or narrative work, endowed with moral and dispositional qualities that are expressed in what they say - the dialogue - and what they do - the action (21). Therefore, character can give an digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id I s n a i n i | 2 image of human's personality. -
An Interview with Stephen King by John C. Tibbetts
“We Walk Your Dog at Night!”: An Interview with Stephen King by John C. Tibbetts Stephen King is a phenomenon. He is without question the most popular writer of horror fiction of all time. In l973 he was living with his family in a trailor in Hampden, Maine, struggling to make a living as a high school teacher, when he published his first novel, Carrie, a tale of a girl with telekinetic powers. Its sales in hardcover were modest (l3,000) but enough to inspire a paperback reprint and a popular film adaption by Brian De Palma in l976. His “breakthrough” book, Salem's Lot, came out that year and quickly sold 3,000,000 copies. Within the next four years The Shining, The Stand, Night Shift, and The Dead Zone—all best-selling horror fiction—established King as the reigning Master of the Macabre. When he co- authored The Talisman in l984 with Peter Straub [See the Straub interview elsewhere in these pages], it was a publishing event unparalleled in modern times. Today over l00 million copies of his books are in print. King's work is frankly derivative of the traditions of l9th century gothic horror. Carrie is written in the style of the "epistolary" novel of the late l8th century. Salem's Lot is an update on Bram Stoker's vampire novel, Dracula. Christine is a variant on Oscar Wilde's The Portrait of Dorian Gray. Pet Sematary is a retelling of W. W. Jacobs' "The Monkey's Paw." And The Dark Half draws from the rich vein of "doppelganger" stories by Poe, Hoffmann, and Stevenson. -
Pennywise Dreadful the Journal of Stephen King Studies
1 Pennywise Dreadful The Journal of Stephen King Studies ————————————————————————————————— Issue 1/1 November 2017 2 Editors Alan Gregory Dawn Stobbart Digital Production Editor Rachel Fox Advisory Board Xavier Aldana Reyes Linda Badley Brian Baker Simon Brown Steven Bruhm Regina Hansen Gary Hoppenstand Tony Magistrale Simon Marsden Patrick McAleer Bernice M. Murphy Philip L. Simpson Website: https://pennywisedreadful.wordpress.com/ Twitter: @pennywisedread Facebook: https://www.facebook.com/pennywisedread/ 3 Contents Foreword …………………………………………………………………………………………………… p. 2 “Stephen King and the Illusion of Childhood,” Lauren Christie …………………………………………………………………………………………………… p. 3 “‘Go then, there are other worlds than these’: A Text-World-Theory Exploration of Intertextuality in Stephen King’s Dark Tower Series,” Lizzie Stewart-Shaw …………………………………………………………………………………………………… p. 16 “Claustrophobic Hotel Rooms and Intermedial Horror in 1408,” Michail Markodimitrakis …………………………………………………………………………………………………… p. 31 “Adapting Stephen King: Text, Context and the Case of Cell (2016),” Simon Brown …………………………………………………………………………………………………… p. 42 Review: “Laura Mee. Devil’s Advocates: The Shining. Leighton Buzzard: Auteur, 2017,” Jill Goad …………………………………………………………………………………………………… p. 58 Review: “Maura Grady & Tony Magistrale. The Shawshank Experience: Tracking the History of the World's Favourite Movie. New York, NY: Palgrave Macmillan, 2016,” Dawn Stobbart …………………………………………………………………………………………………… p. 59 Review: “The Dark Tower, Dir. Nikolaj Arcel. Columbia Pictures, -
The Shawshank Redemption”
English Language Teaching; Vol. 13, No. 5; 2020 ISSN 1916-4742 E-ISSN 1916-4750 Published by Canadian Center of Science and Education An Interpretation of Influences of Institutionalization on the Fate of Characters in “The Shawshank Redemption” Yuan-yuan Peng1 1 Tourism Department of Leshan Vocational & Technical College, China Correspondence: Yuan-yuan Peng, Tourism Department of Leshan Vocational & Technical College, Leshan, Sichuan, China. Received: March 2, 2020 Accepted: March 31, 2020 Online Published: April 9, 2020 doi: 10.5539/elt.v13n5p11 URL: https://doi.org/10.5539/elt.v13n5p11 Abstract Institutionalization is mentioned over and over again in film “The Shawshank Redemption”. In this film, the institution refers to the fixed prison institution, and institutionalization refers to a process of rigidifying prisoners’ behaviors, thoughts and mindsets in some imperceptible constraint mechanisms. In this process, the prisoners are forced to change their original behaviors, thoughts and ideas, and begin to accept, get used to and even depend on the current situation little by little. As a result, they become obedient to such prison management. They don’t want or dare to change their realistic conditions, but have to depend on them for survival. The death of Brooks, pigeon Jake and Tommy, the fear of Red and the escape of Andy are all associated with institutionalization. In this paper, influences of institutionalization on the fate of characters in “The Shawshank Redemption” were analyzed. In addition, the wisdom of coping with and avoiding institutionalization was preliminarily analyzed. Keywords: institutionalization, anti-institutionalization, survival strategies 1. Connotations of institutionalization 1.1 What Is Institutionalization? To define institutionalization, Red has vividly described his personal experience of decades-long prison life in the film: "These walls are funny. -
Identifying First Editions (Updated 2018) the Table Below Lists the First Trade
Identifying first editions (updated 2018) Compiled by Bev Vincent with the assistance of materials made available by Rich DeMars, John Mastrocco, Steve Oelrich and Shaun Nauman. E-mail corrections or questions to [email protected] The table below lists the first trade edition identification criteria for each of Stephen King's books. The early Doubleday books all say "First Edition" explicitly on the copyright page (CP). There are other identifiers for these books as well. For books that contain strings of numbers to denote the printing, the important consideration is the presence of the numeral 1 in that string, regardless of the format of the numbers. Some possible variations of the printing numbers are: 1 2 3 4 5 6 7 8 9 10 1 3 5 7 9 10 8 6 4 2 10 9 8 7 6 5 4 3 2 1 All three of these denote a first edition. The numeral 1 will be removed for a second printing. Black House is the exception. First edition copies state "First Edition" on the copyright page and the number sequence will be "2 4 6 8 9 7 5 3". Trim size is given because Book Club editions are often smaller than trade editions. Also, Book Club edition dust jackets (DJ) are occasionally found on first editions to replace lost or damaged jackets. Book Club edition dust jackets are easily identified because they do not have a price marked inside the front cover. Later printing trade edition dust jackets will often have a different price from what is found in the table. -
Effective Production Rate Estimation Using Construction Daily Work Report Data 19 001
EFFECTIVE PRODUCTION RATE ESTIMATION USING CONSTRUCTION DAILY WORK REPORT DATA 19 001/ FHWA/MT- - 9344-504 Final Report prepared for THE STATE OF MONTANA DEPARTMENT OF TRANSPORTATION in cooperation with THE U.S. DEPARTMENT OF TRANSPORTATION FEDERAL HIGHWAY ADMINISTRATION January 2019 prepared by H. David Jeong, Ph.D. Chau Le Vijay Devaguptapu Institute for Transportation Iowa State University Ames, IA RESEARCH PROGRAMS You are free to copy, distribute, display, and perform the work; make derivative works; make commercial use of the work under the condition that you give the original author and sponsor credit. For any reuse or distribution, you must make clear to others the license terms of this work. Any of these conditions can be waived if you get permission from the sponsor. Your fair use and other rights are in no way affected by the above. Effective Production Rate Estimation Using Construction Daily Work Report Data Phase I Report Effective Production Rate Estimation Using Construction Daily Work Report Data Phase I Report Principal Investigator Dr. H. David Jeong Professor Center for Transportation Research and Education, Institute for Transportation Iowa State University Chau Le, and Vijay Devaguptapu Graduate Research Assistants Sponsored by Montana Department of Transportation A report from Institute for Transportation Iowa State University 2711 South Loop Drive, Suite 4700 Ames, IA 50010-8664 Phone: 515-294-8103 Fax: 515-294-0467 www.intrans.iastate.edu TECHNICAL REPORT DOCUMENTATION PAGE 1. Report No. 2. Government Accession No. 3. Recipient’s Catalog No. FHWA/MT-19-001/9344-504 4. Title and Subtitle 5. Report Date Effective Production Rate Estimation Using Construction Daily Work Report January 2019 Data 6. -
Sample Chapter
Copyrighted material – 9781352006056 Contents List of Figures x Acknowledgements xi Preface xiii 1 The non-introduction 1 There’s something about speculative fiction … 10 The structure of this book 11 Chapter by chapter synopsis 12 The writing exercises 13 2 There’s a story in you 15 Writing—the basics 15 Other fundamentals to writing compelling speculative fiction 24 Voice as integral to a writer’s identity 30 An author’s style 32 3 Vogler’s hero/ine’s journey 41 Charting your speculative fiction 41 Vogler’s writer’s journey 42 Why archetypes 47 Plots that work 47 4 The speculative: A problem with definitions 53 The implied author/reader 55 Commercialization 56 5 Genres and subgenres of speculative fiction 59 Fantasy 59 Science fiction 63 Horror and the paranormal 67 Cross genre 68 vii Copyrighted material – 9781352006056 Copyrighted material – 9781352006056 viii Contents 6 Fantasy 70 Are there rules in fantasy? 71 7 Science fiction 77 Let’s talk about science 78 Let’s talk about ‘the alternate’ 82 Are there rules in science fiction? 83 8 Horror and the paranormal 92 The paranormal 94 Are there rules in horror and the paranormal? 96 9 Cross genre 107 Are there rules in cross genre? 108 10 Literary speculative fiction 115 Are there rules in literary speculative fiction? 115 Literary writing outside speculative fiction 121 11 Short story 124 Are there rules in a short story? 126 Stories within a story 130 12 Targeting young adults and new adults 133 YA literature—an important conversation 134 Adapting adult themes to young adult fiction -
An Alternative Approach to the Singer's Breath: Method and Workshop
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2016 An Alternative Approach to the Singer's Breath: Method and Workshop Bradley S. Williard University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.017 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Williard, Bradley S., "An Alternative Approach to the Singer's Breath: Method and Workshop" (2016). Theses and Dissertations--Music. 76. https://uknowledge.uky.edu/music_etds/76 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.