Barry Harris Trio Preminado Mp3, Flac, Wma

Barry Harris Trio Preminado mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Preminado Country: Japan Released: 1974 Style: Bop MP3 version RAR size: 1907 mb FLAC version RAR size: 1647 mb WMA version RAR size: 1900 mb Rating: 4.6 Votes: 204 Other Formats: VOC FLAC MP1 MP2 XM AHX WAV Tracklist Hide Credits My Heart Stood Still A1 6:31 Written-By – Rodgers & Hart Preminado A2 5:30 Written-By – Barry Harris I Should Care A3 3:33 Written-By – Stordahl*, Weston*, Cahn* There's No One But You A4 4:06 Written-By – Johnson*, Evans* One Down B1 4:35 Written-By – Barry Harris It's The Talk Of The Town B2 5:03 Written-By – Neiburg*, Livingston*, Symes* Play, Carol, Play B3 4:11 Written-By – Barry Harris What Is This Thing Called Love? B4 4:05 Written-By – Cole Porter Companies, etc. Manufactured By – Victor Musical Industries, Inc. Recorded At – Plaza Sound Studios Mastered At – Components Corp. Credits Bass – Joe Benjamin (tracks: A1, A2, A4 to B4) Design [Cover Designed By] – Ken Deardoff Drums – Elvin Jones (tracks: A1, A2, A4 to B4) Engineer [Recording Engineer] – Ray Fowler Liner Notes – Chris Albertson Mastered By – Jack Matthews Photography By [Back-Liner] – Lawrence N. Shustak Piano – Barry Harris Producer, Liner Notes – Orrin Keepnews Notes New York: December 21, 1960 and January 19, 1961. Track A3: solo piano Riverside logos on cover, Milestone logos on center label. Barcode and Other Identifiers Rights Society: Folster Rights Society: JASRAC Matrix / Runout (Center label, side A): RLP12-354-A Matrix / Runout (Center label, side B): RLP12-354-B Matrix / Runout (Runout, Side A): 〄Ⓑ RLP 12354AⓈ Matrix / Runout (Runout, Side B): RLP 12354BⓈ Other (Undefined number on center label): SRS-6011 Other (Retail price printed on back cover): ¥ 2,200 Other versions Category Artist Title (Format) Label Category Country Year Barry Preminado (LP, Riverside RLP 354 Harris RLP 354 US 1961 Album, Mono) Records Trio Barry Preminado (CD, Riverside VICJ-41565 Harris Album, Ltd, RE, VICJ-41565 Japan 2006 Records Trio RM, Pap) Original Jazz Barry OJCCD-486-2, Preminado (CD, Classics, OJCCD-486-2, Harris US 1990 RLP-9354 Album, RE, RM) Riverside RLP-9354 Trio Records Original Jazz Barry OJC-5486, Preminado (Cass, Classics, OJC-5486, Harris US 1990 RLP-9354 Album, RE, RM) Riverside RLP-9354 Trio Records Barry Preminado (LP, Riverside VIJ-137 Harris VIJ-137 Japan 1984 Album, RE) Records Trio Related Music albums to Preminado by Barry Harris Trio Barry Harris Quintet - Newer Than New Barry Harris - Circuit Sessions 00.3 Eddie Harris - The In Sound / Mean Greens Bill Evans Trio - Time Remembered Barry Harris - Listen To Barry Harris . Solo Piano Al Cohn & Barry Harris - The Complete Al Cohn / Barry Harris Quartets, Vol. 2 - No Problem The Chris Anderson Trio - Inverted Image + My Romance (2 Lp On 1 Cd) Barry Harris Trio - Vicissitudes Barry Harris - The Wailin' EP The Barry Harris Trio - Breakin' It Up Barry Harris - Barry Harris Plays Barry Harris Barry Harris - Live At Maybeck Recital Hall Volume Twelve.

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The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
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The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
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Charles Mcpherson Leader Entry by Michael Fitzgerald
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How to Incorporate Bebop Into Your Improvisation by Austin Vickrey Discussion Topics
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Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
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BARRY HARRIS NEA Jazz Master (1989)
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Monterey Jazz Festival
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Morgenstern, Dan. [Record Review: Sonny Stitt: Tune Up!] Down Beat
..····;,~~ii~!~d16~.M11<eBou(ll8,BillCole, Gary Giddin.~, ~l~n Heineman, ····.•· · '~a_~t 4elliil, ~ol'tn Ut.veUer,Terry Martin,Jql'tn MpDonough, Oan pqrft-.e!sen,Bop Pqrter,_Doug Ramsey.Larry ~id!ey, Robert ~.$\clet';s,)YillSlllittl,JimSzantor. and PeteWeldillg. <·.. ;.;;Wi;~;~ix~~ll~rit,*vJrygoo~, *** good. ** fafr.·*-i>oor< 1 :·•._-:",::·,:·:·•,'._-:/-'··<·: ·< ' *** ~bfc1M~itlvi;~;~e~v~1!11b!efi{purchas,e.through•thedown·beaVRECb,Jt1>CLUB. , .lF9tllljW1\)eYShjpJnforll')atlonsee,de$ailSelsewhere in_ this 1$ll\180rwrltefo ··•·· ..... ·. down peat/FlECC>:Rf?CL\Jl:I, ~2 W. Adams,Chicago, IL 60606) . \ for a split second, and when he changes gears, SPOTLIGHTREVIEW they are the perfect transmission. Harris also ALBERTA YLER J contributes some exceptional solo work (or VOLUME 1-Shandar 10.000: In Heart Only; ~ rather, what would be exceptional from a less Spirits; Holy Family; Spirits Rejoice. Personnel: Ayler, tenor sax; Call Cobbs, piano; (_/ consistent player). Steve Tintweiss, bass; Allen BlaIrman. drums. An auspicious ace of trumps in Cobble Rating: ***½ SONNY STITT stone's first deal of new releases, boding well TUNE-UPI-Cobblestone 9013: Tune-up; I for the future of a label that has shown the VOLUME 2-Shandar 10.004: Truth Is March Can't Get Started; Idaho; Just Friends; Blues for good sense of hiring Don Schlitten to pro ing In; Universal Message; Spiritual Reunion; Prez and Bird; Groovin' High; I Got Rhythm. Music Is The Healing Force of the Universe. Personnel: Stitt, alto&tenor sax; Barry Harris, duce. Personnel: as above, but add Mary Maria, voc piano; Sam Jones; bass; Alan Dawson, drums. The Gordon LP dates from the summer of al.
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JTM1711 Insidecombo 170920.Indd
On May 31, drummer Louis Hayes celebrated his 80th birthday and a new album at Dizzy’s Club Coca-Cola in New York, surrounded by friends, collaborators and acolytes, including drummers Michael Carvin, Nasheet Waits and Eric McPherson, and trumpeters Jimmy Owens and Jeremy Pelt, the latter of whom sat in. Another presence loomed large: pianist-composer Horace Silver, the subject of Hayes’ recent Blue Note debut, Serenade for Horace, a heartfelt tribute to the man who gave Hayes his start in 1956 with “Señor Blues.” It was the beginning of a three-year col- laboration that helped codify both hard bop and the Rudy Van Gelder sound over five albums. Hayes left Silver in 1959 to join the Cannonball Adderley Quintet, but the two re- mained close until the hard-bop progenitor’s passing in 2014. Stints followed with Oscar Peterson, the Louis Hayes-Woody Shaw Quintet, Stan Getz, McCoy Tyner and the Can- nonball Legacy Band, which Hayes leads. Throughout his career he’s solidified a place as one of jazz’s most soulfully swinging drummers, and become a cornerstone of the legacy of Detroit-born percussionists that includes Elvin Jones, Roy Brooks, Frank Gant and Oliver Jackson, and extends forward to Gerald Cleaver. At Dizzy’s, Hayes used his hyper-responsive left hand to goose the soloists in his sextet while keeping the fugitive spirit alive with his right on the ride cymbal. His approach seemed to declare the ensemble’s m.o., which balanced rhythmic ferocity and harmonic adventurousness with a reverence for the Silver sprezzatura.
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