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Brotherhood" “Timeless, Deeply Soulful and Uplifting Gospel-Drenched Blues, Street Corner Doo-Wop, Ballads, R&B, Country and Funk.” –NEW YORK TIMES
New from THE HOLMES BROTHERS ! brotherhood" “Timeless, deeply soulful and uplifting gospel-drenched blues, street corner doo-wop, ballads, R&B, country and funk.” –NEW YORK TIMES “Fervent, inspired and joyful blues, R&B, soul, roadhouse rock and gospel… beautiful harmonies, true magic.” –NPR Over the course of a 30-year career, with ten acclaimed albums and thousands of live performances, revered roots trio The Holmes Brothers—Wendell Holmes on guitar, piano and vocals, Sherman Holmes on bass and vocals, brother-in-spirit Popsy Holmes on drums and vocals—have garnered heaps of critical praise and countless loyal fans. They have created a timeless blend of blues, soul, funk and country, highlighted by their heavenly gospel-inspired vocal harmonies. Brotherhood is a testament to the uplifting musical The band’s new Alligator Records album, Brotherhood, power that comes from the close-knit, fraternally produced by Glenn Patscha (Ollabelle, Marc Cohn), telepathic relationship of The Holmes Brothers. The Chris Bruce (Me’Shell NdegéOcello, Seal) and Hector album is full of deeply soulful performances, from the Castillo (Brazilian Girls, David Bowie), is another rocking Wendell original Stayed At The Party to the stellar chapter in their storied and still-evolving sweet harmonies of Ted Hawkins’ I Gave Up All I Had, history. It’s their most bluesy album yet, with the to Sherman’s intense Passing Through to the doo-wop band digging deep to deliver roadhouse wisdom, late- splendor of Popsy’s falsetto vocals on the Stax classic My night doo wop, soulful R&B and a proto-rock ‘n’ roll Kind Of Girl. -
Dog Lane Café @ Storrs Center Og Lane Café Is Scheduled to Open in the Menu at Dog Lane Café Will Be Modeled Storrs, CT Later This Year
Entertainment & Stuff Pomfret, Connecticut ® “To Bean or not to Bean...?” #63 Volume 16 Number 2 April - June 2012 Free* More News About - Dog Lane Café @ Storrs Center og Lane Café is scheduled to open in The menu at Dog Lane Café will be modeled Storrs, CT later this year. Currently, we are after The Vanilla Bean Café, drawing on influ- D actively engaged in the design and devel- ences from Panera Bread, Starbucks and Au Bon opment of our newest sister restaurant. Our Pain. Dog Lane Café will not be a second VBC kitchen layout and logo graphic design are final- but will have much of the same appeal. The ized. One Dog Lane is a brand new build- breakfast menu will consist of made to ing and our corner location has order omelets and breakfast sand- plenty of windows and a southwest- wiches as well as fresh fruit, ern exposure. Patios on both sides muffins, bagels, croissants, yogurt will offer additional outdoor seating. and other healthy selections to go. Our interior design incorporates Regular menu items served through- wood tones and warm hues for the out the day will include sandwiches, creation of a warm and inviting salads, and soups. Grilled chicken, atmosphere. Artistic style will be the hamburgers, hot dogs and vegetarian highlight of our interior space with options will be served daily along with design and installation by JP Jacquet. His art- chili, chowder and a variety of soups, work is also featured in The Vanilla Bean Café - a desserts and bakery items. Beverage choices will four panel installation in the main dining room - include smoothies, Hosmer Mountain Soda, cof- and in 85 Main throughout the design of the bar fee and tea. -
Cycle2 Playlist
Cycle_2 213 songs, 13.5 hours, 1.14 GB Name Time Album Artist Against The Wind 5:31 Harley-Davidson Cycles: Road Songs (Di... Bob Seger & The Silver Bullet Band All Or Nothin' At All 3:24 One Step Up/Two Steps Back: The Song... Marshall Crenshaw Another One Bites The Dust 3:37 Greatest Hits Queen Aragon Mill 4:02 A Water Over Stone Bok, Muir and Trickett Baby Driver 3:18 Bridge Over Troubled Water Simon & Garfunkel Bad Whiskey 3:29 Radio Chuck Brodsky The Ballad Of Eddie Klepp 3:39 Letters In The Dirt Chuck Brodsky The Band - The Weight 4:35 Original Soundtrack (Expanded Easy Rider Band From Tv - You Can't Alway 4:25 Original TV Soundtrack House, M.D. Barbie Doll 2:47 Peace, Love & Anarchy Todd Snider Beer Can Hill 3:18 1996 Merle Haggard Best For The Best 3:58 The Animal Years Josh Ritter Bill & Annie 3:40 Letters In The Dirt Chuck Brodsky Bits And Pieces 1:58 Greatest Hits Dave Clark Five Blow 'Em Away 3:44 Radio Chuck Brodsky Bonehead Merkle 4:35 Last Of The Old Time Chuck Brodsky The Boogie Man 3:52 Spend My Time Clint Black Boys In The Back Room 3:48 Last Of The Old Time Chuck Brodsky Broken Bed 4:57 Best Of The Sugar Hill Years James McMurtry Brown Sugar 3:50 Sticky Fingers The Rolling Stones Buffy's Quality Cafe 3:17 Going to the West Bill Staines Cheap Motels 2:04 Doublewide and Live Southern Culture On The Skids Choctaw Bingo 8:35 Best Of The Sugar Hill Years James McMurtry Circle 3:00 Radio Chuck Brodsky Claire & Johnny 6:16 Color Came One Day Chuck Brodsky Cocaine 2:50 Fahrenheit 9/11: Original Soundtrack J.J. -
I Kept My Grammys in a Basement Closet Because of This Fear That If You Live in That Moment Too Long, You Lose the Focus to M
THE 59TH ANNUAL GRAMMY AWARDS BEST COUNTRY SONG Lambert took center stage at the iHeart Country Festival in “Blue Ain’t Your Color” Austin in April. KEITH URBAN Songwriters Clint Lagerberg, Hillary Lindsey, Steven Lee Olsen This fresh spin on barroom seduction, the fourth single from Urban’s Ripcord album, is the result of a collaboration between songwriting veteran Hillary Lindsey (who won the category in February with Little Big Town’s “Girl Crush,” which she co-wrote with Lori McKenna and Liz Rose) and relative newcomers Steven Lee Olsen and Clint Lagerberg. And though the tune was an aesthetic departure for Urban, who recorded it as a drum machine-driven waltz, it has spent six weeks (and counting) at No. 1 on Hot Country Songs and became the artist’s 18th top 40 hit on the Hot 100. “Die a Happy Man” THOMAS RHETT Songwriters Sean Douglas, Thomas Rhett, Joe Spargur Rhett dedicated this designed-for-frst- artist recruited pop specialists Sean “Vice” dances track to his wife, Lauren (who Douglas (Nick Jonas, David Guetta) and MIRANDA LAMBERT co-stars with him in the video), but it Joe Spargur (Fifth Harmony, Jason Derulo) Songwriters Miranda Lambert, Shane resonated with romantic country fans to co-write the single. McAnally, Josh Osborne everywhere, topping Country Airplay for With her divorce from Blake Shelton in six weeks early in 2016. “Happy Man” “Humble and Kind” the rearview mirror, Lambert teased the gives new meaning to the adage “home is TIM McGRAW November release of her double-disc The where the heart is,” citing all the ways in Songwriter Lori McKenna Weight of These Wings — one of the year’s which its subject (to Rhett, at least) is the With a video inspired by Oprah Winfrey most anticipated country albums — by eighth wonder of the world. -
Teaching Latin Love Poetry with Pop Music1
Teaching Classical Languages Volume 10, Issue 2 Kopestonsky 71 Never Out of Style: Teaching Latin Love Poetry with Pop Music1 Theodora B. Kopestonsky University of Tennessee, Knoxville ABSTRACT Students often struggle to interpret Latin poetry. To combat the confusion, teachers can turn to a modern parallel (pop music) to assist their students in understanding ancient verse. Pop music is very familiar to most students, and they already trans- late its meaning unconsciously. Building upon what students already know, teach- ers can reframe their approach to poetry in a way that is more effective. This essay shows how to present the concept of meter (dactylic hexameter and elegy) and scansion using contemporary pop music, considers the notion of the constructed persona utilizing a modern musician, Taylor Swift, and then addresses the pattern of the love affair in Latin poetry and Taylor Swift’s music. To illustrate this ap- proach to connecting ancient poetry with modern music, the lyrics and music video from one song, Taylor Swift’s Blank Space (2014), are analyzed and compared to poems by Catullus. Finally, this essay offers instructions on how to create an as- signment employing pop music as a tool to teach poetry — a comparative analysis between a modern song and Latin poetry in the original or in translation. KEY WORDS Latin poetry, pedagogy, popular music, music videos, song lyrics, Taylor Swift INTRODUCTION When I assign Roman poetry to my classes at a large research university, I re- ceive a decidedly unenthusiastic response. For many students, their experience with poetry of any sort, let alone ancient Latin verse, has been fraught with frustration, apprehension, and confusion. -
Date Artist App Notes Updated 2017/06/29 1960/05/20, 21 Jackie
Date Artist App Notes updated 2017/06/29 1960/05/20, 21 Jackie Washington 1 Maxine Abel 1 1960/05/27-29 Weekend Folk Song Jamboree w Tom Paley and Sylvia Marrs 1960/06/03-05 Jackie Gibson 1 Schenectady balladeer Peter Stanfield and Dave Levy 1 NYC Country Music Men 1960/06/10, 11 Annie Bird 1 1960/06/17, 18 Jack Ballard 1 1960/06/24, 25 Dave Van Ronk 1 1960/07/01, 02 1960/07/08, 09 Rev. Gary Davis 1 1960/07/15, 16 1960/07/22, 23 1960/07/29, 30 Hedy West 1 1960/08/05, 06 Logan English 1 1960/08/12, 13 Dave Van Ronk, Sylvia Marrs 2 1960/08/19, 20 Ian Buchanan 1 ballads and blues 1960/08/26, 27 Jackie Washington 2 1960/09/02-10 closed for vacation 1960/09/15-17 (H-S) Tom Paxton 1 1960/09/23, 24 Dick Weissman, Hedy West 1960/09/30-08/01 Dick Rosmini guitar, banjo 1960/10/07, 08 1960/10/14, 15 (FS) George “Smoke” Dawson and Rob Hunter 1960/10/21, 22 1960/10/28, 29 1960/11/04, 05 Dave Van Ronk 3 1960/11/11, 12 Tom Paxton 2 1960/11/13 (U) Charlie Fair Trio 1 jazz 1960/11/18, 19 Rev. Gary Davis 2 1960/11/25, 26 Hedy West 2 1960/11/27 (U) Charlie Fair Trio jazz 1960/11/29 (T) Film Series starts, T & W, showings at 6:30 and 9:15 1960/12/02, 03 Hedy West 1960/12/09, 10 1960/12/16, 17 Luke Faust and Ellen Adler 1960/12/23, 24 Dave Van Ronk 4 1960/12/30, 31 Hedy West 4 1960/01/06, 07 1961/01/12 (H) SPAKAR Auto Sports Club of Saratoga first meeting 1961/01/13, 14 Barry Kornfeld 1 protege of Gary Davis 1961/01/20, 21 Happy Traum 1 1961/01/26 (W) Charles Bell poet at Yaddo 1961/01/27, 28 Hedy West 5 1961/02/03, 04 The Modern Folk Three John Phillips, -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Spring 2013 8:00 P.M
Friday, May 17 Grant from the Southeastern Minnesota Spring 2013 8:00 p.m. Concert Hall Arts Council. Carleton Symphony Band Concert This activity is made possible by the voters of Ronald Rodman, director Sunday, April 7 Minnesota through a grant from the South- 3:00 p.m. Concert Hall The Symphony Band wraps up the aca- eastern Minnesota Arts Council thanks to a Faculty Recital demic year with a concert celebrating the legislative appropriation from the arts & cultural “Exploring Organ Music: A Survey of graduating seniors. Christophe Dethier heritage fund. Manualiter Organ Music: Program III” ‘13 will be featured as clarinet soloist Lawrence Archbold, organ performing Weber’s Concertino. Other Thursday, May 30 pieces on the program include Mendels- 12:10 p.m. Concert Hall This concert is the third in a third series sohn’s Fingal’s Cave Overture, Tichelli’s Student Chamber Recital I of “Exploring Organ Music” recitals Blue Shades, Four Scottish Dances by Nicola Melville, coordinator presented by Lawrence Archbold, the Enid Malcolm Arnold, and music from the and Henry Woodward College Organist. film, The Hobbit: an Unexpected Journey Friday, May 31 “A Survey of Manualiter Organ Music: by Howard Shore. 8:00 p.m. Concert Hall Program III” features an all-French pro- Carleton Orchestra Concert gram with music by ten composers from Timothy Semanik, director three centuries, c.1650 to c.1950, includ- Saturday, May 18 ing Couperin, Franck, and Messiaen. 8:00 p.m. Chapel Guest Artist Concert The Carleton Orchestra’s Spring Concert will include Johannes Brahms’ Second Friday, April 19 The Saint Paul Chamber Orchestra Symphony as well as performances by this 8:00 p.m. -
The Guardian, May 28, 1980
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 5-28-1980 The Guardian, May 28, 1980 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1980). The Guardian, May 28, 1980. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. The Daily Guardian V May 28, 1980 Issue 115 Volume XVI Wright State University. Dayton. Ohio J Appeals Board reaches Riding Club decision By MATT KENNEDY he was not sure that the Board Guardian Sufi Writer could have reached a decision in The University Appeals Board, Tuesday's executive session. in executive session Tuesday, SOURCES REPORTED that reached a decision concerning the there were several impropriaties expulsion of five officers from the surrounding the expulsion meet WSU Riding Club ing of the officers. It was reported the officers had not been given The decision will not be relea- time to defend themselves. sed, said Appeals Board Chairer There was question concerning Steve Renas. Because of the to the reason why Joanne Ervin. confidentiality of the case, he assistant director of Student stated, the decision will be members only. released only io Joanne Risacher, Under the charter section on director of Student Development expulsion, any member can be expelled until the end of the term by a two-thirds vote of the THE DECISION is the Appeals members present. -
A Conversation with Peter Mulvey by Frank Goodman (7/2006, Puremusic.Com)
A Conversation with Peter Mulvey by Frank Goodman (7/2006, Puremusic.com) Busker poet, Red Sox fan, enlightened romantically cynical fingerpicking wonder, and empirically reluctant mystic Peter Mulvey puts it all together in his ninth full-length release, The Knuckleball Suite. He is a wondrous songwriter, more in love with life than with himself, who is pulling all and everything from every corner of his worldly life and inner life and putting it on the table. He is a funky and very lyrical guitarist, and has a partner in crime in David "Goody" Goodrich that raises the string ante exponentially. Their stringbiosis is uncanny at times, and it's always supporting Mulvey, who's always supporting the song. Unlike most songwriter types, Mulvey and Goodrich went into the studio with a few jazz guys who play various other styles and cut the basics in two days without thinking about it too much. Play it a time or two, agree on a blueprint, and count it off. Handful of overdubs, and mix. We talk about his history in the subway, his experiences touring many times in Ireland, and his roots; how his bedside manner is a coping mechanism, and why he keeps practicing. He is a touring machine with a very good label behind him for these last five releases (one as part of Redbird, a group that includes labelmates Kris Delmhorst and Jeff Foucault). So one wonders, when he is clearly one of the very best out there, why he is not yet more famous. I'm sure there are reasons, like he needs a bigger triple A radio single, needs a TV shot, and why aren't Signature Sounds and Hear Music/Starbucks joined at the hip? Enquiring minds want to know. -
Friday, November 16, 8Pm, 2007 Umass Fine Arts Center Concert Hall
Friday, November 16, 8pm, 2007 UMass Fine Arts Center Concert Hall Unbroken Chain: The Grateful Dead in Music, Culture, and Memory As part of a public symposium, November 16-18, UMass Amherst American Beauty Project featuring Jim Lauderdale Ollabelle Catherine Russell, Larry Campbell Theresa Williams Conceived by David Spelman Producer and Artistic Director of the New York premier Program will be announced from the stage Unbroken Chain is presented by the UMass Amherst Graduate School, Department of History, Fine Arts Center, University Outreach AND University Reserach. Sponsored by The Valley Advocate, 93.9 The River, WGBY TV57 and JR Lyman Co. About the Program "The American Beauty Project" is a special tribute concert to the Grateful Dead's most important and best-loved albums, Working Man's Dead and American Beauty. In January 2007, an all-star lineup of musicians that Relix magazine called "a dream team of performers" gave the premier of this concert in front of an over-flowing crowd at the World Financial Center's Winter Garden in New York City. The New York Times' Jon Pareles wrote that the concert gave "New life to a Dead classic... and mirrored the eclecticism of the Dead," and a Variety review said that the event brought "a back- porch feel to the canyons of Gotham's financial district. The perf's real fire came courtesy of acts that like to tear open the original structures of the source material and reassemble the parts afresh - an approach well-suited to the honorees' legacy." Now, a select group of those performers, including Ollabelle, Larry Campbell & Teresa Williams, Catherine Russell, and Jim Lauderdale are taking the show on the road. -
Luther Dickinson and Sisters of the Strawberry Moon Solstice
Luther Dickinson and Sisters of the Strawberry Moon Solstice “Most of the work was in getting the spark lit,” Luther Dickinson says of assembling the all-star cast for his extraordinary new project, Luther Dickinson and Sisters of the Strawberry Moon. “It was sort of like throwing a party. Once you manage to get everybody together, you can just step back and let it all happen.” Like any good party, Luther Dickinson and Sisters of the Strawberry Moon’s debut album, Solstice, comes complete with a great soundtrack and an impeccable guest list, one that boasts Amy Helm, Birds of Chicago, Amy LaVere, and Shardé Thomas among others. And like any good host, Dickinson manages to put the spotlight on his friends here, taking a step back from the microphone in order to focus his efforts behind the scenes and flex his considerable muscles as both a producer and a guitarist. The result is an album that stands apart in Dickinson’s extensive catalog, a collection that brings together some of the most captivating female voices in modern American roots music and filters each of their distinctive personalities through a singular vision of artistic community and musical exploration. “The whole idea of this album was to introduce a bunch of friends and get them to collaborate with each other,” says Dickinson. “I wanted to let the chemistry flow, to create an environment where everyone’s flavors naturally blended together and each artist could just be themselves. I think you can feel that freedom in the music.” Freedom has long been Dickinson’s sonic signature, both on the stage and in the studio.