In the Winter Dark Music Credits

Total Page:16

File Type:pdf, Size:1020Kb

In the Winter Dark Music Credits Head: Composer Peter Cobbin Tail: Composer Peter Cobbin Music Recorded & Mixed by Peter Cobbin Music Arranged & Conducted by Jonathan Allen Tenor Vocal Solo John Bowley Orchestral Contractor Isobel Griffiths Music Recorded at Abbey Road Studios, London Music Editor Simon Leadley MUSIC "Welcome to my World: Composed by John Hathcock and Ray Winkler Courtesy of Sony/ATV Tree and Sony/ATV Music Publishing Australia Recorded by Jim Reeves and Licensed by BMG Australia "Hello Darling" Recorded & Composed by Conway Twitty Courtesy of Sony/ATV Tree & Sony/ATV Music Publishing Australia "Okie From Muskogee" Composed by Merle Haggard & Roy Burris, Recorded by Merle Haggard Courtesy of Sony/ATV Tree and Sony/ATV Music Publishing Australia "If We Make It Through December" Recorded & Composed by Merle Haggard Courtesy of Sony/ATV Tree and Sony/ATV Music Publishing Australia "Am I Losing You" Composed by Jim Reeves Courtesy of Sony/ATV Tree and Sony/ATV Music Publishing Australia Recorded by Ronnie Milsap and Licensed by BMG Australia “There’s A Heartache Following Me” Composed by Ray Baker Courtesy of Sony/ATV Tree and Sony/ATV Music Publishing Australia Recorded by Jim Reeves and Licensed by BMG Australia "Holly Holy" Composed and Recorded by Neil Diamond Courtesy of Sony/ATV Music Publishing Australia & Universal Music Australia "Dimitri Shostokovich Chamber Symphony, Op. 110A" Arranged from his string quartet No. 8 by Rudolph Barshai Boosey & Hawkes Music Publishers Recorded by the Australian Chamber Orchestra Courtesy of Sony Classical by arrangement Sony Music Entertainment Australia Music in the film: There’s a substantial amount of sourced music in the film, with Jacob having a particular taste for mournful country music, but Ronnie also seizes a moment to put on her own style of music. As with everything in his house, Jacob is still stuck in the past, and favours a record player (though this would later mark him as a millennial hipster): CD: A CD of the soundtrack was released: CD (ST) Best Boy/Festival D31905 1998 (* Dialogue tracks) Original music produced by Peter Cobbin (P) 1998 RB Films & Peter Cobbin Arranged and orchestrated by Jonathon Allen Orchestral contractor: Isobel Griffiths Vocal Solo: John Bowley Recorded and mixed at Abbey Road Studios, London by Peter Cobbin Assisted by Paul Hicks and Douglas Blair Tracks 7, 13 under licence from BMG Australia Track 14 under licence from Sony Music Entertainment (Australia) Limited Tracks 10, 16 under licence from Sony Music Entertainment (Australia) Limited/ATV Music Publishing 1. In The Winter Dark Overture, Peter Cobbin (P. Cobbin) Control 2. Holding Down Your Own Secrets * 3. Darkness, Peter Cobbin (P. Cobbin) Control 4. The Neighbours * 5. Welcome To My World, vocals: Jim Reeves (J. Hathcock and Ray Winkler) Sony/ATV Tree and Son/ATV Music Publishing Australia (P) BMG Australia 6. Ida's Dream, Peter Cobbin (P. Cobbin) Control 7. Am I Losing You, vocals: Ronnie Milsap (J. Reeves), Sony/ATV Tree and Sony/ATV Music Publishing Australia (P) BMG Australia 8. Something is Out There Part I, Peter Cobbin, (P. Cobbin) Control 9. What Would Do It? * 10. Hello Darlin, vocals: Conway Twitty (C. Twitty) Sony/ATV Tree and Sony/ ATV Music Publishing Australia (P) Sony/ATV Tree and Son/ATV Music Publishing Australia 11. The Tiny Coffin, Peter Cobbin, (P. Cobbin) Control 12. Can I Stay At Your Place? * 13. There's a Heartache Following Me, vocals: Jim Reeves, (R. Baker), Sony/ ATV Tree and Sony/ATV Music Publishing Australia (P) BMG Australia 14. Dimitri Shostakovich Chamber Symphony, Op.110A, Australian Chamber Orchestra, arranged from his string quartet No. 8 by Rudolph Barshai, Boosey and Hawkes Music Publishers/AMCOS Societies (P) Sony Classical, by arrangement with Sony Entertainment Australia 15. Are You Scared? * 16. If We Make It Through December, vocals: Merle Haggard, (M. Haggard) Sony/ATV Tree and Sony/ATV Music Publishing Australia, (P) Sony/ATV Tree and Sony/ATV Music Publishing Australia 17. Something Is Out There Part II, Peter Cobbin, (P. Cobbin) Control 18. Calm and Smart and Kind * 19. Sins of the Fathers, Peter Cobbin, (P. Cobbin) Control 20. The Confusion Never Wears Off * 21. The Hysteria Sets In, Peter Cobbin, (P. Cobbin) Control 22. Confessions, Peter Cobbin, (P. Cobbin) Control 23. In The Winter Dark Overture Reprise, Peter Cobbin, (P. Cobbin) Control 24. Holly Holy, vocals: Charlotte Grace, (N. Diamond), Sony/ATV Music Publishing Australia, recorded by Russell Kilbey at Karmic Hit Studios, Sydney, (P) 1998 Festival Records Composer: Peter Cobbin was an Australian composer, who subsequently mainly worked as a recording engineer at Abbey Road studios on assorted projects. The soundtrack for the film was recorded at Abbey Road, using the London Symphony Orchestra, with director James Bogle heading across to work with Cobbin on the recording. The stories below give a flavour of Cobbin’s career (googling will produce a number of other insights into Cobbin’s work). Music Week interview/profile: In a story by Christopher Barrett for Music Week, 5th March 2010, Barrett gave some details about Cobbin, as well as one of the key points of the story, which was to offer guidance to anyone wanting to pursue a career as a music engineer. The full story was reprinted here. These are Cobbin’s career details as featured in the story: With a love of detail and passion for experimenting, Peter Cobbin is a world renowned recording engineer known for his work on an array of impressive projects ranging from The Beatles’ Anthology to The King’s Speech and Harry Potter film series. Here the Abbey Road veteran imparts his 11-point plan for recording success While recent weeks have seen The King’s Speech enjoy a wealth of BAFTA and Oscar acclaim, Tom Hooper’s film about King George VI overcoming a stutter has also been the target of criticism over its debatable historical accuracy. But with an attention to detail and love of breaking down barriers with both state-of-the-art technology and vintage equipment, Peter Cobbin added a remarkable historical element to the recording and mixing of Alexandre Desplat’s score for the film. As Abbey Road’s senior engineer for the past 16 years Cobbin has worked on numerous projects, taking in everything from mixing The Beatles Anthology series to producing scores and soundtracks to The Lord of The Rings and Harry Potter movies. By Cobbin’s standards, Desplat’s score for The King’s Speech was a small project, but nonetheless he could not resist seeking out, repairing and using the very microphones that were manufactured by EMI for the Royal Family, including George VI himself. Some 12 years ago Cobbin discovered the microphones in a dusty corner of EMI’s Heathrow archive. “It was a bit of a process getting them out and over to Abbey Road,” he admits. “Initially I just thought, ‘Wouldn’t it be great, even if the microphones are just eye candy, to have them in the studio to inspire the director when he comes in.’ But I went one step further and our marvellous mic technician here got three working. “Tom [Hooper] couldn’t believe what he was hearing, they were in some way connecting the old world of the 1930s; we were blending in the old mics, and the sound is woven into the score.” Over the years Cobbin has worked with some of the world’s most successful bands, producers and composers while embracing new technology alongside old. His work has seen him pioneer 5.1 surround sound recording and mixing techniques on projects ranging from U2’s Live from Slane Castle and Lennon: Legend while also taking the time to handle the design and implementation of Abbey Road’s successful audio plug-in reproductions, including the vintage TG12413 limiter, the RS127 EQ box and the RS124 valve compressor. Cobbin grew up in a musical family in Australia and he still remembers the day when, aged only six, he saw a studio technician on TV and immediately realised he wanted to be involved in recording music. By the age of 15 he was using his home as a makeshift recording studio. “I had my school friends collect egg cartons so I could make a four-track recording in my bedroom – these were my first clients and my parent’s house was my first studio. The experiences helped me understand the basic principles of recording music. If I wanted ambience we went into the kitchen, the lounge for piano and the bathroom for vocals,” smiles Cobbin. Currently working on the score for Harry Potter and the Deathly Hallows Part 2, Cobbin has come a long way since those early days and while continuing to balance his love of both classical and contemporary music his passion for detail and experimenting clearly remains undiminished. “It’s important to push the boundaries and push the comfort zone. There is a danger that in doing the job and performing the task you can stop smelling the roses of opportunity, but by looking over the edge you might find something that will contribute something new and vital to a project,” says Cobbin. With decades of recording experience taking on clients from Donavan to Duffy, Danny Elfman to David Gray, Cobbin is perfectly placed to conduct the latest in our series of music industry masterclasses… Follow the link above for the details of the master class … Waves interview: Cobbin was also interviewed for Waves. The full interview is here, the opening part of the interview also focussed on his career: Waves: How did you get into engineering? Cobbin: I’ve always wanted to record for as long as I can remember. I grew up playing and learning music, but always a little shy on the performance side.
Recommended publications
  • His Music Touched Millions Partab Ramchand
    REAR WINDOW JIM REEVES His music touched millions Partab Ramchand or innumerable Western were almost always emotional. music fans in India their He has either lost the girl he Fidea of nirvana or total loved, or is a victim of unrequited bliss is to close their eyes and love and has been unjustly treated listen to the velvety voice of by the girl who has ditched him. Jim Reeves. His 54th death It would appear that there is a lot anniversary falls on 31 July and of melancholy in Reeves’ songs, his 95th birth anniversary on 20 but he was able to convey the August, and as such it is a good hurt through his rich baritone time to remember the singer and apt usage of words. In his whose voice and words have numbers the music stays in touched millions of lives around the background; it is the voice the world. Among the many and words that are of utmost countries in which “Gentleman importance. Jim” was popular, India and Sri Jim Reeves Lanka rank very high. Outside of In India, Reeves continues to enjoy the US where he was born, Reeves immense popularity more than half was not complete without numerous a century after his death. Among the enjoys unprecedented popularity in requests for a Jim Reeves song. South Africa among Western singers; Anglo-Indian community there is no it would not be wrong to say that In Madras I have attended numerous function or event that does not feature India and Sri Lanka are perhaps “Jim Reeves Nite’s” over the years, a song or two by Reeves, and the next on the list.
    [Show full text]
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • George Harrison
    COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they
    [Show full text]
  • Song List - by Song - Mr K Entertainment
    Main Song List - By Song - Mr K Entertainment Title Artist Disc Track 02:00:00 AM Iron Maiden 1700 5 3 AM Matchbox 20 236 8 4:00 AM Our Lady Peace 1085 11 5:15 Who, The 167 9 3 Spears, Britney 1400 2 7 Prince & The New Power Generation 1166 11 11 Pope, Cassadee 1657 4 17 Cross Canadian Ragweed 803 12 22 Allen, Lily 1413 3 22 Swift, Taylor 1646 15 23 Mike Will Made It & Miley Cyrus 1667 16 33 Smashing Pumpkins 1662 11 45 Shinedown 1190 19 98.6 Keith 1096 4 99 Toto 1150 20 409 Beach Boys, The 989 7 911 Jean, Wyclef & Mary J. Blige 725 4 1215 Strokes 1685 12 1234 Feist 1125 12 1929 Deana Carter 1636 15 1959 Anderson, John 1416 7 1963 New Order 1313 1 1969 Stegall, Keith 1004 13 1973 Blunt, James 1294 16 1979 Smashing Pumpkins 820 4 1982 Estefan, Gloria 153 1 1982 Travis, Randy 367 5 1983 Neon Trees 1522 14 1984 Bowie, David 1455 14 1985 Bowling For Soup 670 5 1994 Aldean, Jason 1647 15 1999 Prince 182 9 Dec-43 Montgomery, John Michael 1715 4 1-2-3 Berry, Len 46 13 # Dream Lennon, John 1154 3 #1 Crush Garbage 215 12 #Selfie Chainsmokers 1666 6 Check Us Out Online at: www.AustinKaraoke.com Main Song List - By Song - Mr K Entertainment (I Know) I'm Losing You Temptations 1199 5 (Love Is Like A) Heatwave Reeves, Martha And The Vandellas 1199 6 (Your(The Angels Love Keeps Wanna Lifting Wear Me) My) Higher Red Shoes And Costello, Elvis 1209 4 Higher Wilson, Jackie 1199 8 (You're My) Soul & Inspiration Righteous Brothers 963 7 (You're) Adorable Martin, Dean 1375 11 1 2 3 4 Feist 939 14 1 Luv E40 & Leviti 1499 9 1, 2 Step Ciara & Missy Elliott 746 5 1, 2, 3 Redlight 1910 Fruitgum Co.
    [Show full text]
  • Partyman by Title
    Partyman by Title #1 Crush (SCK) (Musical) Sound Of Music - Garbage - (Musical) Sound Of Music (SF) (I Called Her) Tennessee (PH) (Parody) Unknown (Doo Wop) - Tim Dugger - That Thing (UKN) 007 (Shanty Town) (MRE) Alan Jackson (Who Says) You - Can't Have It All (CB) Desmond Decker & The Aces - Blue Oyster Cult (Don't Fear) The - '03 Bonnie & Clyde (MM) Reaper (DK) Jay-Z & Beyonce - Bon Jovi (You Want To) Make A - '03 Bonnie And Clyde (THM) Memory (THM) Jay-Z Ft. Beyonce Knowles - Bryan Adams (Everything I Do) I - 1 2 3 (TZ) Do It For You (SCK) (Spanish) El Simbolo - Carpenters (They Long To Be) - 1 Thing (THM) Close To You (DK) Amerie - Celine Dion (If There Was) Any - Other Way (SCK) 1, 2 Step (SCK) Cher (This Is) A Song For The - Ciara & Missy Elliott - Lonely (THM) 1, 2, 3, 4 (I Love You) (CB) Clarence 'Frogman' Henry (I - Plain White T's - Don't Know Why) But I Do (MM) 1, 2, 3, 4, Sumpin' New (SF) Cutting Crew (I Just) Died In - Coolio - Your Arms (SCK) 1,000 Faces (CB) Dierks Bentley -I Hold On (Ask) - Randy Montana - Dolly Parton- Together You And I - (CB) 1+1 (CB) Elvis Presley (Now & Then) - Beyonce' - There's A Fool Such As I (SF) 10 Days Late (SCK) Elvis Presley (You're So Square) - Third Eye Blind - Baby I Don't Care (SCK) 100 Kilos De Barro (TZ) Gloriana (Kissed You) Good - (Spanish) Enrique Guzman - Night (PH) 100 Years (THM) Human League (Keep Feeling) - Five For Fighting - Fascination (SCK) 100% Pure Love (NT) Johnny Cash (Ghost) Riders In - The Sky (SCK) Crystal Waters - K.D.
    [Show full text]
  • The Beatles in Context Edited by Kenneth Womack Frontmatter More Information
    Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Frontmatter More Information THE BEATLES IN CONTEXT Since their first performances in 1960, the Beatles’ cultural influence grew in unparalleled ways. From Liverpool to Beatlemania, and from Dance Halls to Abbey Road Studios and the digital age, the band’s impact exploded during their heyday, and has endured in the decades following their disbandment. Beatles’ fashion and celebrity culture, politics, psychedelia and the Summer of Love, all highlight different aspects of the band’s complex relationship with the world around them. With a wide range of short, snapshot chapters, The Beatles in Context brings together key themes in which to better explore the Beatles’ lives and work and understand their cultural legacy, focusing on the people and places central to the Beatles’ careers, the visual media that contributed to their enduring success, and the culture and politics of their time. kenneth womack is Dean of the Wayne D. McMurray School of Humanities and Social Sciences at Monmouth University, where he also serves as Professor of English. He is the author or editor of numerous books, including Long and Winding Roads (2007), Cambridge Companion to the Beatles (2009), and The Beatles Encyclopedia (2014). More recently, he is the author of a two-volume biography of Beatles producer George Martin, including Maximum Volume: The Life of Beatles Producer George Martin (The Early Years, 1926–1966) and Sound Pictures: The Life of Beatles Producer George Martin (The Later Years, 1966–2016). © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Frontmatter More Information composers in context Understanding and appreciation of musical works is greatly enhanced by knowledge of the context within which their composers lived and worked.
    [Show full text]
  • BEATLES Blossom Music Center 1145 West Steels Corners Road Cuyahoga Falls, Ohio 44223 Sunday, August 8, 2021, at 7 P.M
    Blossom Festival Week Six The Cleveland Orchestra CLASSICAL MYSTERY TOUR: CONCERT PRESENTATION A TRIBUTE TO THE BEATLES Blossom Music Center 1145 West Steels Corners Road Cuyahoga Falls, Ohio 44223 Sunday, August 8, 2021, at 7 p.m. THE CLEVELAND ORCHESTRA with Classical Mystery Tour Jim Owen, rhythm guitar, piano, vocals Tony Kishman, bass guitar, piano, vocals Tom Teeley, lead guitar, vocals Chris Camilleri, drums, vocals conducted by Martin Herman PART ONE Let It Be (instrumental opening) Songs including “Eleanor Rigby,” “Yesterday,” “Penny Lane,” and “With a Little Help from My Friends” There will be one 20-minute intermission. PART TWO Songs including “Yellow Submarine,” “Dear Prudence,” “Lady Madonna,” and “The Long and Winding Road” This PDF is a print version of our digital online Stageview program book, available at this link: stageview.co/tco ____________________________ 2021 Blossom Music Festival Presenting Sponsor: The J.M. Smucker Company This evening’s concert is sponsored by The Goodyear Tire & Rubber Company. Classical Mystery Tour’s appearance with The Cleveland Orchestra is made possible by a gift to the Orchestra’s Guest Artist Fund from The Hershey Foundation. Copyright © The Cleveland Orchestra and Musical Arts Association. All rights reserved. 1 Week Six: 2021 Blosom Music Festival — August 8: Tribute to The Beatles CONCERT OVERVIEW A H A L F C E N T U R Y after they disbanded, it is still diffi cult to fully recognize how much of a force The Beatles were in shaping — and being shaped by — the 1960s and our sense of the modern world. Not just changing music, but in trans- forming the idea and ideals of popular entertainment popular entertainment.
    [Show full text]
  • Abbey Road Institute PR FINAL for Website
    Abbey Road Studios Announce New Educational Institute The world famous Abbey Road Studios have announced their first foray into education with the launch of Abbey Road Institute. This international initiative will offer a 12 month Advanced Diploma in Music Production and Sound Engineering aimed at students aged 18 and over in locations around the world including the UK, Germany and Australia. The curriculum, developed by audio educational specialists in conjunction with Abbey Road Studios engineers, offers a unique mix of theoretical and practical modules designed to equip students for their first step toward a professional audio engineering and production career. The course also covers other areas of the music industry, including studio management and music business administration. The course will be taught by qualified lecturers and recognised music industry experts including producers and label execs alongside guest lectures from Abbey Road Studios engineers. Peter Cobbin, Senior Director of Engineering at Abbey Road Studios said of the initiative, “Abbey Road Institute benefits from the studios’ 80 years of audio expertise, distilling some of our knowledge into a curriculum of classroom learning and practical studio experience. I’m delighted that the Institute will nurture and inspire a new generation of audio professionals.” The London Institute will be housed in the legendary north London studio complex and will provide students with access to brand new, purpose-built classroom and studio facilities. Students will also have the opportunity to use Abbey Road’s hallowed recording spaces, control rooms and equipment. Luca Barassi, a qualified audio engineer with 12 years experience in audio education will head up Abbey Road Institute, London.
    [Show full text]
  • Bachelorarbeit Im Studiengang Audiovisuelle Medien
    Bachelorarbeit im Studiengang Audiovisuelle Medien Der Einfluss der Beatles auf die Musikproduktion *VORGELEGT VON DOMINIK STUHLER 1 INCH X 1800 FEET *AM 6. JULI 2016 zur Erlangung des Grades BACHELOR of Engineering *ERSTPRÜFER: PROF. OLIVER CURDT *ZWEITPRÜFER: PROF. JENS-HELGE HERGESELL Bachelorarbeit im Studiengang Audiovisuelle Medien Der Einfluss der Beatles auf die Musikproduktion vorgelegt von Dominik Stuhler an der Hochschule der Medien Stuttgart am 6. Juli 2016 zur Erlangung des akademischen Grades Bachelor of Engineering. Erstprüfer: Prof. Oliver Curdt Zweitprüfer: Prof. Jens-Helge Hergesell Erklärung Hiermit versichere ich, Dominik Stuhler, ehrenwörtlich, dass ich die vorliegende Bachelorarbeit mit dem Titel: „Der Einfluss der Beatles auf die Musikproduktion“ selbstständig und ohne fremde Hilfe verfasst und keine anderen als die angegebenen Hilfsmittel benutzt habe. Die Stellen der Arbeit, die dem Wortlaut oder dem Sinn nach anderen Werken entnommen wurden, sind in jedem Fall unter Angabe der Quelle kenntlich gemacht. Die Arbeit ist noch nicht veröffentlicht oder in anderer Form als Prüfungsleistung vorgelegt worden. Ich habe die Bedeutung der ehrenwörtlichen Versicherung und die prüfungsrechtlichen Folgen (§26 Abs. 2 Bachelor-SPO (6 Semester), § 24 Abs. 2 Bachelor-SPO (7 Semester), § 23 Abs. 2 Master-SPO (3 Semester) bzw. § 19 Abs. 2 Master-SPO (4 Semester und berufsbegleitend) der HdM) einer unrichtigen oder unvollständigen ehrenwörtlichen Versicherung zur Kenntnis genommen. Stuttgart, 4. Juli 2016 Dominik Stuhler Kurzfassung Die Beatles gehören zu den einflussreichsten Bands des 20. Jahrhunderts. Von einer Beat-Band unter vielen wandelten sie sich zu Künstlern, die die Pop- und Rockmusik revolutionierten. Ihr enormer Erfolg ermöglichte ihnen Arbeitsbedingungen im Tonstudio, die so anderen Musikern nicht möglich gewesen wären.
    [Show full text]
  • The Beatles on Film
    Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964
    [Show full text]
  • KLOS Harrisongs B'day 2015
    1 Three hours of GEORGE HARRISONGS – With and without the Beatles to celebrate his birth which took place this week 72 years ago. PLAYLIST Feb.22nd 2015 2 OPEN/9am George Harrison – Apple Scruffs - All Things Must Pass ‘70 This was a salute to the girls (and sometimes boys) who stood vigil at Apple, Abbey Road and anyplace a Fab was to likely to be. Upon recording the tune, George invited the “Apple Scruffs,” into the studio to have a listen. The Beatles - I Want To Tell You - Revolver (Harrison) Lead vocal: George The backing track was recorded in five takes on June 2, 1966. George Harrison's third song on “Revolver,” was, he later said, "about the avalanche of thoughts that are so hard to write down or say or transmit." Once again Harrison had no idea what to call his composition. The band briefly kicked around random ideas, and the song was recorded under the working title “Laxton's Superb,” a type of apple. It later became known as “I Don't Know,” which was George’s answer when producer George Martin asked whether Harrison had come up with a title. By the day of the final mix (June 6, 1966), Harrison had settled on the title “I Want To Tell You.” Contains the first bass overdub on a Beatles record. Paul had his bass recorded on a different track really allowed for more options when it came time to mix the song. On U.S. album: Revolver - Capitol LP 3 The Beatles - Blue Jay Way - Magical Mystery Tour (EP) (Harrison) Lead vocal: George Written by George Harrison on August 1, 1967 while vacationing in a rented house in the Hollywood Hills above Los Angeles.
    [Show full text]
  • CD Brochure $19.95 to $24.95 Per CD Download
    Bobby Bare – 20 Greatest Hits Johnny Paycheck 10 Greatest Hits Moe Bandy – 10 Best of Best Detroit City - Miller's Cave - Come Take This Job and Shove It - Don't It's a Cheating Situation - Hank Sunday - Please Don't Tell Me How Take Her She's All I Got - A 11 - For a Williams You Wrote My Life - I the Story Ends - Streets of Baltimore - Minute There - Someone to Give My Cheated Me Right Out Of You - Til I'm Daddy What If - All American Boy - Love to - I'm the Only Hell My Mama Too Old To Die Young - She's Not Five Hundred Miles - Green Green Ever Raised - Mister Love Maker - Really Cheatin' (She's Just Gettin' Grass of Home - The Winner - The Something About You I Love, A Good Even) - Barstool Mountain … Mermaid Song - Tender Years … Year for the Roses … Floyd Cramer – 20 Greatest Hits Stoneman Family – 28 Classics Jim Reeves - Last Date - Beautiful Isle - Arkansas 100 Years Ago - Life's Railway to 2 CD's – 20 Hits Traveler - Tonight's The Night For Heaven - Turn Me Loose – In the Mexican Joe - Welcome Love - Our Last Goodbye - I Can't Sweet By and By - Orange Blossom to My World - Bimbo - Stop Loving You - Fancy Free - Breakdown - Little Susie - That Pal Adios Amigo - When Louisiana Man - I Can't Help It If I'm of Mine - Lee Highway Blues - Two World Collides - Still In Love With You - Making Nobody's Darling But Mine - When Am I Losing You - Four Walls - Billy Bayo - He'll Have to Go Believe - Foolin' Around … the Roses Bloom Again … - Blue Side of Lonesome - I Fall to Pieces w Patsy Cline … Jack Greene & Jeanie Seely Lewis Family
    [Show full text]