Love, Law and Oscar Wilde by Jerry James
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Christabel Lady Aberconway
CHRISTABEL LADY ABERCONWAY She was born into a distinguished family of Irish Macnaghtens in 1890. I was born into a family of Scottish/Australian McNaughtons fifty years later. It seemed unlikely we would ever meet. But we had some common interests and eventually did meet—in London in the Swinging Sixties. My mother, Lilian May Besant, and my father, Charles Dudley McNaughton, built a double-brick house in Burwood, eight miles from the center of Melbourne, Australia, and moved in when they married in December 1935. When my sister, Eril Margaret, was born on 8 April 1938, she occupied the second bedroom at the back of the house. After I arrived on 22 July 1940 a third bedroom was added by building a “sleep-out” of fibro-cement behind Eril’s room, punching a door through her brick wall and putting a second door from the sleep-out onto the back verandah. Our rooms were not large. Eril had to put up with traffic from inside the house to my room. The sleep-out became a refuge for some difficult-to-place furniture, including my mother’s large foot-operated Singer sewing machine, a large dark-stained secretaire that belonged to my father, and a large sailing-ship print. My father died of a brain tumor in 1944 and when my step-father joined us in 1946, his cedar chest of drawers landed in my room. I lived in this room through high school, college and a two-year master’s degree and never thought about redecorating. The brick wall between our two bedrooms was painted on my side once or twice, and the curtains on the narrow strip of windows to the south were replaced. -
A PICTURE of DORIAN GRAY Based on the Novella by Oscar Wilde • Adapted & Directed by Michael Michetti SEPTEMBER 23–NOVEMBER 16, 2018 TABLE of CONTENTS
THE S. MARK TAPER FOUNDATION PRESENTS A NOISE WITHIN’S REPERTORY THEATRE SEASON AUDIENCE GUIDE A PICTURE OF DORIAN GRAY Based on the novella by Oscar Wilde • Adapted & Directed by Michael Michetti SEPTEMBER 23–NOVEMBER 16, 2018 TABLE OF CONTENTS Character Map . 3 Synopsis . 4 About the Author: Oscar Wilde . 5 Timeline of Oscar Wilde’s Life . 6 Oscar Wilde’s World: The Victorian Era . 7 Aestheticism . 8 Oscar Wilde and Aestheticism . 9 Reception of The Picture of Dorian Gray . 10 Themes . 11 Adaptations of The Picture of Dorian Gray . 13 Notes from Michael Michetti About His Adaptation and A Noise Within’s Production . 14 Additional Resources . 15 3 A NOISE WITHIN 2018/19 REPERTORY SEASON | Fall 2018 Study Guide A Picture of Dorian Gray CHARACTER MAP Dorian Gray A young, beautiful, and reckless heir to a sizeable fortune . Basil Hallward paints a portrait of him that begins to change to reflect the state of his morality . Lord Henry Basil Hallward Sibyl Vane Alan Campbell Wotton (Harry) A painter who has become An actress who falls in A scientist and former A philosopher who infatuated with Dorian Gray . love with Dorian Gray . friend of Dorian Gray . develops a close He paints a portrait of Dorian relationship with Dorian to memorialize Dorian’s through his friendship youth and beauty . He is with Basil Hallward . friends with Lord Henry . Lady Henry James Vane Mrs. Vane Lord Henry Wotton’s wife . Sibyl Vane’s protective An actress . The mother brother, a sailor . of Sibyl and James Vane . Lord George Fermor Lord Henry’s Uncle . -
The Life of Oscar Wilde
Dixon 1 The late 19 th century was an exceptional time for literature in both Europe and the Americas. Arguably, some of the greatest minds in the history of Western literature actively published during this period. Twain, Melville, Dickens, Verne, Wilde and many others were widely circulated among both literary factions and laypersons. Through their fiction, their collective reach was enormous. For most of these writers, their fictive works have eclipsed their personal lives. Until recently, historians have focused only on these writers’ contributions to literature, rather than their intriguing personal histories as a whole. With the emergence of new types of historical inquiry, the study of literary figures has begun a paradigm shift toward examining the impact of their entire lives, rather than simply their works. In following that trend, this study will shine a unique light on not only the works, but also the life of one of the 19 th century’s most controversial authors: Oscar Wilde. Wilde saw himself as a brilliant Aesthetic artist, proclaiming during his 1882 American book tour, “I have nothing to declare but my genius.” 1 Early in his career the Victorian public viewed Wilde as an eccentric Aesthete whose plays delighted but often left the public feeling somewhat left out. Later, as Wilde’s now infamous trial approached, the public formed new ideas about homosexuality and began to develop tropes out of the mannerisms and dress of the Aesthetic movement to which Wilde belonged. The ways in which Oscar Wilde envisioned himself ran counter to the expectations of Victorian England; the mantle of homosexuality was thrust upon Wilde based on the narrow ideas of the society in which he lived – the public was simply ill- 1 Wilde, Oscar. -
Oscar Wilde and His Literary Circle Collection: Wildeiana MS.Wildeiana
http://oac.cdlib.org/findaid/ark:/13030/kt867nf36t No online items Finding Aid for the Oscar Wilde and his Literary Circle Collection: Wildeiana MS.Wildeiana Finding aid created by Rebecca Fenning Marschall William Andrews Clark Memorial Library © 2017 2520 Cimarron Street Los Angeles 90018 [email protected] URL: http://www.clarklibrary.ucla.edu/ Finding Aid for the Oscar Wilde MS.Wildeiana 1 and his Literary Circle Collection: Wildeiana MS.Wildeia... Contributing Institution: William Andrews Clark Memorial Library Title: Oscar Wilde and his Literary Circle Collection: Wildeiana Creator: William Andrews Clark Memorial Library Identifier/Call Number: MS.Wildeiana Physical Description: 19 Linear Feet27 boxes Date (inclusive): 1858-1998 Abstract: This finding aid describes a wide-ranging collection of material relating to Oscar Wilde and to his literary and artistic circle in late nineteenth- and early twentieth-century Great Britain. Clark Library. Language of Material: English . Provenance William Andrews Clark, Jr. acquired the nucleus of the Clark Library's Oscar Wilde collection from Dulau and Company, London, in 1929. Most of the Dulau material had been in the possession of Robert B. Ross (Oscar Wilde's literary executor), Christopher S. Millard (a.k.a. Stuart Mason, the Wilde bibliographer), and Vyvyan B. Holland (Wilde's only surviving son). Since 1929, the Clark Library has steadily purchased important new material and in the year 2000, the collection was estimated to contain over 65,000 items. It appears that large segments of the Wildeiana collection were likely originally part of the collection assembled by Wilde bibliographer Christopher Millard. The actual date the Clark acquired these materials is unknown and any documentation about the source of these items has been lost. -
Abigail Joseph Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate Schoo
QUEER THINGS: VICTORIAN OBJECTS AND THE FASHIONING OF HOMOSEXUALITY Abigail Joseph Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Abigail Joseph All rights reserved ABSTRACT Queer Things: Victorian Objects and the Fashioning of Homosexuality Abigail Joseph “Queer Things” takes the connections between homosexuality and materiality, and those between literary texts and cultural objects, as major repositories of queer history. It scrutinizes the objects that circulate within the works of Oscar Wilde as well as in the output of high fashion designers and the critics and consumers who engaged with them, in order to ask how gay identities and affiliations are formed and expressed through things. Bringing recent critical interest in the subtleties of nineteenth-century “thing culture” into contact with queer theory, I argue that the crowded Victorian object-world was a crucial location not only for the formation of social attitudes about homosexuality, but also for the cultivation of homosexuality’s distinctive aesthetics and affective styles. In attending to the queer pleasures activated by material attachments that have otherwise been deployed or disavowed as stereotypes, my project reconsiders some of the most celebrated works of the gay canon, and inserts into it some compelling new ones. Furthermore, in illuminating the Victorian origins of modern gay style and the incipiently modern gayness of Victorian style, it adds nuance and new substance to our understanding of the elaborate material landscapes inhabited by Victorian bodies and represented in Victorian texts. $ The first part of the dissertation uses extensive archival research to excavate a history of queer men’s involvement in women’s fashion in the mid-nineteenth century. -
Oscar Wilde Interviews and Recollections
Oscar Wilde Interviews and Recollections Volume 1 Also by E. H. Mikhail The Social and Cultural Setting of the I 8gos John Galsworthy the Dramatist Comedy and Tragedy Sean O'Casey: A Bibliography of Criticism A Bibliography of Modern Irish Drama I8gg-I970 Dissertations on Anglo-Irish Drama The Sting and the Twinkle: Conversations with Sean O'Casey (co-editor with John 0' Riordan) J. M. Synge: A Bibliography of Criticism Contemporary British Drama I950-I976 J. M. Synge: Interviews and Recollections (editor) W. B. Yeats: Interviews and Recollections (two volumes) (editor) English Drama I goo-I 950 Lady Gregory: Interviews and Recollections (editor) Oscar Wilde: An Annotated Bibliography of Criticism A Research Guide to Modern Irish Dramatists OSCAR WILDE Interviews and Recollections Volume I Edited by E. H. Mikhail Selection and editorial matter© E. H. Mikhail 1979 Softcover reprint of the hardcover 1st edition 1979 978-o-333-2.4040-3 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means without permission First published 1979 by THE MACMILLAN PRESS LTD London and Basingstoke Associated companies in Delhi Dublin Hong Kong Johannesburg Lagos Melbourne New rork Singapore Tokyo British Library Cataloguing in Publication Data Oscar Wilde, interviews and recollections Vol. 1 1. Wilde, Oscar I. Mikhail, Edward Halim 828'.8'og PR5823 ISBN 978-1-349-03925-8 ISBN 978-1-349-03923-4 (eBook) DOI 10.1007/978-1-349-03923-4 This book is sold subject to the standard conditions of the Net Book Agreement To Isabelle Contents Acknowledgements XI Biographical Table XV Introduction XIX INTERVIEWS AND RECOLLECTIONS Oscar Wilde at Trinity College Dublin Sir Edward Sullivan Memories of Trinity Days Horace Wilkins 2 Oscar Wilde at Magdalen College Oxford Sir David Hunter- Blair 3 Oscar Wilde: an Oxford Reminiscence W. -
Robert Ross Memorial Collection: Envelopes Box 1: Ross Env
Robert Ross Memorial Collection: Envelopes Box 1: Ross Env b.2 - Ross Env b.10; Ross Env c.1 - Ross Env c.35 Ross Env b.2 (Ross b.2: Pan, Vols. 19, 31, 32). Contents (5 items): 4 letters, 1 set of notes. Ross Env b.2.i A letter (1 leaf, manuscript) from H.V.S. [Hedley Vicars Storey, author and bookseller, manager of the Shelley Book Agency, 1870-1929] to Christopher Millard [Christopher Sclater Millard, author and bookseller, 1872- 1927]; dated 14th February 1912. Storey writes that he has been unwell and has gone to Brighton to recover. He explains that he has written to a friend in Oxford who will look at Pan and get the information Millard wants, noting that he was not well enough to go to the Bodleian before he left Oxford but will write again when he hears more. He also writes that he has something to send to Millard and that he recently read Millard’s letter about Oscar Wilde’s letters [the title of the publication not deciphered] and that he bought one of Wilde’s letters two years ago and, although he sold it, kept a copy which he asks if Millard would like to see. He concludes by sympathising with Millard over his financial situation and explaining that he too has yet to make his fortune, noting that his partnership was the ‘biggest trouble of my life’ [the name of Storey’s partner could not be deciphered]. Ross Env b.2.ii A letter (1 leaf, manuscript) from Hedley Storey to Christopher Millard; dated 3rd March 1912; written on headed stationery: “Shelley Book Agency for social reform literature…books, pamphlets, blue books, and periodicals…Gloucester Street, Oxford”. -
Oscar Wilde and His Literary Circle Collection: Forgeries MS
http://oac.cdlib.org/findaid/ark:/13030/kt2p3031hm No online items Finding Aid for the Oscar Wilde and his Literary Circle Collection: Forgeries MS. Wilde Forgeries Finding aid prepared by Finding aid created by Rebecca Fenning. William Andrews Clark Memorial Library 2520 Cimarron Street Los Angeles, CA, 90018 (323) 731-8529 [email protected] © 2009 Finding Aid for the Oscar Wilde MS. Wilde Forgeries 1 and his Literary Circle Collection: Forgeries MS... Title: Oscar Wilde and his Literary Circle Collection: Forgeries, Identifier/Call Number: MS. Wilde Forgeries Contributing Institution: William Andrews Clark Memorial Library Language of Material: English Physical Description: 1.0 Linear feet Date (inclusive): 1887-1900 Abstract: This finding aid describes manuscript items that are confirmed or suggested forgeries of Oscar Wilde's work and correspondence. Physical location: Clark Library. creator: William Andrews Clark Memorial Library. Provenance William Andrews Clark, Jr. acquired the nucleus of the Clark Library's Oscar Wilde collection from Dulau and Company, London, in 1929. Most of the Dulau material had been in the possession of Robert B. Ross (Oscar Wilde's literary executor), Christopher S. Millard (a.k.a. Stuart Mason, the Wilde bibliographer), and Vyvyan B. Holland (Wilde's only surviving son). Since 1929, the Clark Library has steadily purchased important new material and in the year 2000, the collection was estimated to contain over 65,000 items. Access Collection is open for research. Restrictions on Use Copyright has not been assigned to the William Andrews Clark Memorial Library. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Librarian. -
SPECIAL ARTICLE OPEN ACCESS Traditions of S.T
Zhatkin & Ryabova. Space and Culture, India 2019, 7:3 Page | 40 https://doi.org/10.20896/saci.v7i3.430 SPECIAL ARTICLE OPEN ACCESS Traditions of S.T. Coleridge’s ‘The Rime of the Ancient Mariner’ in ‘The Ballad of Reading Gaol’ by O. Wilde Dmitry N. Zhatkin†* and Anna A. RyabovaÌ Abstract This article aims to analyse the poetic traditions of The Rime of the Ancient Mariner by S.T. Coleridge, which migrated into The Ballad of Reading Gaol by O. Wilde. A comparative analysis of original poems and their Russian translations reveals a thematic and structural link that connects these two poems. The article highlights the common features and the differences in literary devices used by Coleridge and Wilde to transmit the complex concepts of suffering and forgiveness through their characters and to declare values and philosophical ideas. The literary devices in point define how these concepts are covered, and serve a common theme in the work of Coleridge and Wilde. The article also provides arguments to confirm the social situation described in the works. The lyrico-epic genre allows using both poetry analysis tools and prose research methods, which ensures high-quality research. The article frames values of the modern culture and creates conditions for discovering a conceptual similarity in the symbolism of The Rime of the Ancient Mariner and The Ballad of Reading Gaol. Keywords: Poetry, Reminiscence, Literary Tradition, English Romanticism, Ballad, Intercultural Communication, Literary Detail † Doctor of Philological Sciences, Professor, Head of the Chair, Translation and Translation Study in Penza State Technological University, Russian Federation *Corresponding Author, Email: [email protected] Ì Doctor of Philological Sciences, Professor of the Chair, Translation and Translation Study, in Penza State Technological University ©2019 Zhatkin & Ryabova. -
Buffalo Autumn Excursions: Nine European-Inspired Towers and Tales of Terror
Buffalo Autumn Excursions: Nine European-Inspired Towers and Tales of Terror The COVID-19 pandemic continues, but one silver lining has been the opportunity to spend more time outdoors. As summer turns to autumn, September and October are glorious months to experience the outdoors with cooler temperatures, gentle breezes, and leaves that change from green to brilliant shades of pumpkin orange and crimson red. It’s also a traditional time of year to experience the harvest and associated cross-cultural phenomenon of mysterious folk tales. I’ve curated nine towered architectural sites in Buffalo that can be enjoyed individually or linked together on a walk or bike ride. Each has green space nearby, a pleasant place to read or listen to spooky literary tales written to inspire shivers! This is a self- guided tour. You can visit each site on your own, or with a small group of (socially distanced) friends. Read to yourself, read aloud, or make it high-tech and listen to a LibriVox audio recording. Most of all, enjoy Buffalo’s beautiful weather, scenery, and architectural wonders. St. Michan's Church tower in Dublin inspired Dracula's castle. Towers. The mention of them conjures images of European medieval castles and battlements. The tallest structures in a town, they provided protection from potential threats by allowing townsmen to survey the surrounding grounds. But they had a darker, sinister aspect too. Because they are high off the ground, they could also be prisons. Even in fairy tales, Rapunzel was imprisoned in a tower by an evil witch. In Genesis, the builders of the Tower of Babel who sought to reach heaven were punished for their attempt. -
C K Scott Moncrieff
October/November 2014 The world in brief 5 things C K Scott Moncrieff 1. C K Scott Moncrieff was born into a 3. In 1919, he began to translate Proust’s manoeuvres, naval bases and Brits well-to-do Scottish family in the late 19th À la recherche du temps perdu. By 1929 with suspected Fascist sympathies. century. While a schoolboy, he received he had translated seven volumes – and 5. Virginia Woolf described reading an entree into the gay literary coterie was kept from the eighth and last only Scott Moncrief’s Proust as an ‘erotic centred on Robbie Ross, Oscar Wilde’s by his death from stomach cancer in experience’; F Scott Fitzgerald called it a lover, leading to a lifelong friendship with 1930, at 40. His translation, daringly ‘masterpiece in itself’; and Joseph Conrad Wilde’s son, Vyvyan Holland. retitled Remembrance of Things Past declared Scott Moncrieff’s version 2. After being sent home with a leg badly and published in 1922, was criticized to be better than the French original. broken by a British shell during fighting for taking too many liberties. A new translation did not appear until in April 1917, he was given a desk job 4. In 1923 he was recruited by the British the 1980s. at the War Office, from where he tried intelligence service and moved to Italy, ‘Chasing Lost Time: The Life of C K Scott to secure Wilfred Owen a home posting where he used his writing as a cover Moncrieff – Soldier, Spy and Translator’, to save him from a return to the front. -
Dramaturgy Packet
IOWA SUMMER REP PRESENTS The Importance of Being Earnest By Oscar Wilde Directed by Josh Sobel Production Dramaturgy by Alyssa Cokinis “God knows; I won’t be an Oxford don anyhow. I’ll be a poet, a writer, a dramatist. Somehow or other I’ll be famous, and if not famous, I’ll be notorious.” A Note from the Dramaturg Actors and team-- I know this isn’t typically standard, but I wanted to place a note here so you know my main interests as I pursued research on Oscar Wilde and The Importance of Being Earnest for this production. My two most valuable and heart-wrenching resources have been biographies of Wilde by his son Vyvyan Holland and grandson Merlin Holland. Wilde never knew his grandson and was estranged from his oldest son and Vyvyan in the last years of his life due to his wife Constance taking the children away from England following Wilde’s court sentence for homosexual acts, moving to Switzerland and then changing the family’s name to “Holland.” Wilde never saw Vyvyan and his other son Cyril after the fact. These works have touched me the most because in the text they write it is clear of their passion to know their father/grandfather despite all that transpired before, during, and after his prison sentence. It is clear that through it all, no matter what decisions Wilde made or what came his way, he loved his sons and cherished his family bond deeply; Constance forbidding Wilde to see his children is what broke his heart near the end of his life, perhaps even more than the betrayal by his lover Lord Alfred Douglas that landed him in jail.