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												  Analisis Genre Film ActionADLN - PERPUSTAKAAN UNIVERSITAS AIRLANGGA DAFTAR PUSTAKA Buku Altman, R 1999, Film/genre, British Film Institute, London. Boggs, Joseph M 1992, Cara menilai sebuah film (The art of waching films). Yayasan Citra, Jakarta Bordwell, D & Thompson, K 2008, Film Art: An Introduction. New York, McGraww-Hill. Grant, B 2003, Genre, film, reader III. University of Texas Press, Texas Ida, R 2011, Metode penelitian kajian media dan budaya, Pusat Penerbitan dan Percetakan Unair (AUP), Surabaya. J. Henderson, B. Zimmerman, ed. 1993. Tragedy, Comedy and the Polis. Bari, Levante Editori. Kloker, Robert P 1998, Oxford Giuide To Film Studies, OUP Oxford, Oxford. Kristanto, J 2004, Nonton film nonton Indonesia, Kompas, Jakarta. Kristanto, J 2007, Katalog film Indonesia 1926-2007, Nalar, Jakarta. Lacey, Nick 2000, Narrative And Genre: Key Concept in Media Studies, Macmilan Press, London SKRIPSI ANALISISANALISIS GENRE GENRE FILM FILM ACTION: ... ... RIZKI FEBRIANA HARDI ADLN - PERPUSTAKAAN UNIVERSITAS AIRLANGGA Nowlan, B. 2001. Basic introduction to key concept: film and culture. Material of University of Wisconsin-Eau Claire O’Shaughnessy, Michael & Jane Stadler 2005, Media and society: an introduction third edition, Oxford University Press, Australia Pratista, H 2008, Memahami film, Homerian Pustaka, Yogyakarta. Propp, V.I.A 1969, Morphology of the folk tale. University of Texas Press, Texas Sen, Krishna & David T. Hill.2000, Media, Cultural dan Politics in Indonesia, Oxford University Press, Victoria Australia. Suwardi, H 2006, Kritik Sosial Dalam Film Komedi; Studi Kasus Tujuh Film Nya Abbas Akup , FFTV – IKJ Press, Jakarta Pusat. Stokes, J 2003, How To Do Media and Cultural Studies (Panduan untuk Melaksanakan Penelitian dalam Kajian Media dan Budaya), Bentang, Yogyakarta.
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												  Bab Ii Meme Internet Dan Perannya Dalam Literasi50 BAB II MEME INTERNET DAN PERANNYA DALAM LITERASI MEDIA 2.0 Pada Bab 2 ini peneliti akan menampilkan gagasan-gagasan yang berkaitan dengan penelitian ini dari ruang lingkup yang lebih luas, dengan melihat perkembangan teknologi media, fenomena yang terjadi, fitur-fitur pendukung dan dampak yang dihasilkan dari fenomena meme internet. Akan dibahas pula data meme internet global serta kategorisasinya berdasarkan pembentukan struktur kerangka. Untuk memahami perkembangan meme lebih lanjut, pada Bab ini juga akan ditampilkan sejarah bentuk visual meme secara global, antara lain bentuk visual pertama yang menyerupai meme, selain itu peneliti juga akan menjelaskan bentuk-bentuk eksploitasi gambar visual sebelum era digital yang mempopulerkan istilah meme di Indonesia. 2.1. Literasi Media 2.0 Demokrasi dan kehadiran internet memicu perilaku baru dalam konsumsi media masa, yang tadinya informasi ditransmisikan secara simultan dari satu sumber ke banyak orang, kini tidak ada lagi batas yang jelas antara pemberi dan penerima informasi, siapapun dapat menyampaikan informasi apapun kepada siapapun. Holmes (2015;10) dalam Communication Theory: Media, Technology and Society menguraikan perbedaan era media yang pertama dan kedua; 51 “Era media pertama bersifat terpusat dari sedikit sumber menuju banyak khalayak, komunikasi bersifat satu arah, diarahkan untuk kontrol negara, instrumen bagi rezim yang sedang berkuasa untuk menciptakan stratifikasi dan ketidakadilan, kalangan partisipan terfragmentasi dan terbentuk sebagai massa dan mempengaruhi kesadaran. Sementara itu era media kedua ditandai oleh terjadinya desentralisasi dari banyak pihak kepada banyak pihak, komunikasi berjalan secara dua arah, kalangan partisipan dipandang menjaga individualitas mereka dan mempengaruhi individiual terutama pengalaman ruang dan waktu”. Pengguna internet disuguhi berbagai kemudahan teknologi untuk menuangkan gagasan, merespon peristiwa dan menyampaikan opini melalui kanal website, blog, media sosial dalam bentuk tulisan, gambar, suara, atau yang kini populer yaitu meme internet.
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												  Cerita Karir Para Peraih MedaliEMPOWERING ENTREPRENEUR Money&IVOL. 108 FEB-MAR ’19 AERO SUTAN ASWAR Juara Dunia Jet Ski HARIK ADI PUTRA Juara Dunia Pencak Silat BAGUS SAPUTRA Atlet BMX peraih medali Asian Games 2018 CERITA KARIR PARA PERAIH MEDALI BAGAIMANA OLAHRAGAWAN INDONESIA MENJADIKAN ATLET SEBAGAI PROFESI? Rp. 32.500 WWW.MONEYINSIGHT.ID MONTHLY MAGAZINE ISSN: 2087-5975 Vol. 108 | Feb - Mar 2019 1 Health 2 Vol. 108 | Feb - Mar 2019 BIMCSiloam - Money & i - Advertorial - New Concept.indd All Pages 1/17/2019 2:44:03 PM Health Vol. 108 | Feb - Mar 2019 3 BIMCSiloam - Money & i - Advertorial - New Concept.indd All Pages 1/17/2019 2:44:03 PM FROM THE EDITOR Arif Rahman IG @arifrahman.journal Mengukur Prestasi Bangsa dari Olahraga Sumber : Freepik.com i akhir tahun 1920-an, pertandingan sepak bola atau yang oleh para Stagnasi prestasi sepak bola Indonesia, ‘kumpeni’ disebut voetbal, adalah hiburan pasar malam. Digelar mulai diduga salah satunya memang dari sore dan menjadi salah satu entertainment masa itu. Bukan hanya pengelolaan liga yang belum sepenuhnya D‘balbalan’ saja yang dibawa bangsa Eropa ke Indonesia, tapi ada juga profesional, sehingga praktik yang kasti, bola tangan, renang, tenis dan hoki. Semua jenis olahraga itu dimainkan tidak fair masih kerap terjadi, dan hal ini berbarengan antar kalangan, baik dari Eropa, Belanda maupun Indonesia. membuat kualitas liga dan juga pemain Namun dari berbagai permainan itu, sepak bola yang paling disukai, karena bisa kita tak bertumbuh dengan layak. dimainkan dimana saja selama ada areal lapang. Sepak bola adalah salah satu Belakangan, Belanda kerap kali membuat pertandingan yang sering dimainkan representasi, dalam sejumlah bidang oleh para serdadu, dari sinilah kemudian banyak klub bola yang dibentuk, dan olahraga lainya, prestasi kita juga belum bukan hanya dari militer saja, tetapi juga warga Belanda, Eropa maupun Indonesia.
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												  Sony Pictures Classics and Stage 6 Films to Unleash the Raid 2SONY PICTURES CLASSICS AND STAGE 6 FILMS TO UNLEASH THE RAID 2 NEW YORK (November 5, 2013) – Sony Pictures Classics and Stage 6 Films announced today that they will theatrically release THE RAID 2 in the United States. The highly-anticipated sequel to the action thriller THE RAID: REDEMPTION, the new film THE RAID 2 was once again written and directed by Gareth Evans. The film was produced by Ario Sagantoro for Merantau Films, and Aram Tertzakian and Nate Bolotin of XYZ Films. The film was executive produced by Rangga Maya Barack-Evans for Merantau Films, Irwan D. Mussry, and Nick Spicer and Todd Brown on behalf of XYZ. Matt Flannery (THE RAID: REDEMPTION) and Dimas Imam Subhono served as cinematographers with Joseph Trapanese (THE BOURNE LEGACY), Aria Prayogi (THE RAID: REDEMPTION) and Fajar Yuskemal (THE RAID: REDEMPTION) scoring the picture. THE RAID: REDEMPTION was released theatrically in March 2012 by Sony Pictures Classics to great success. Currently in post-production, THE RAID 2 picks up right where the first film left off and follows Rama (Iko Uwais) as he goes undercover and infiltrates the ranks of a ruthless Jakarta crime syndicate in order to protect his family and uncover the corruption in his own police force. ABOUT SONY PICTURES CLASSICS Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world. Barker and Bernard have released prestigious films that have won 31 Academy Awards® (27 of those at Sony Pictures Classics) and have garnered 135 Academy Award® nominations (109 at Sony Pictures Classics) including Best Picture nominations for AMOUR, MIDNIGHT IN PARIS, AN EDUCATION, CAPOTE, HOWARDS END, AND CROUCHING TIGER, HIDDEN DRAGON.
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												  2012 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS in SPOTLIGHT, PARK CITY at MIDNIGHT, NEXT <=> and NEW FRONTIERFOR IMMEDIATE RELEASE Media Contacts: December 1, 2011 Sarah Eaton 310.360.1981 [email protected] Casey De La Rosa 310.360.1981 [email protected] 2012 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN SPOTLIGHT, PARK CITY AT MIDNIGHT, NEXT <=> AND NEW FRONTIER Park City, UT — Sundance Institute announced today the films selected to screen in the 2012 Sundance Film Festival out-of-competition sections Spotlight, Park City at Midnight, NEXT <=> and New Frontier. The Festival takes place from January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at www.sundance.org/festival. Trevor Groth, Director of Programming for the Sundance Film Festival, said, “In many ways, the extremes of the Festival’s program are most readily apparent in our out-of-competition sections, which showcase the wildest comedies, the most terrifying horror films and uncompromised visions from singular voices springing up from around the country and the world. We hope audiences experiment with their film selections to an equal degree as these filmmakers have experimented with their storytelling.” SPOTLIGHT Regardless of where these films have played throughout the world, the Spotlight program is a tribute to the cinema we love. Corpo Celeste / Italy (Director and screenwriter: Alice Rohrwacher) — After moving back to southern Italy with her mother and older sister, 13-year-old Marta struggles to find her place, restlessly testing the boundaries of an unfamiliar city and the catechism of the Catholic church. Cast: Yle Vianello, Salvatore Cantalupo, Anita Caprioli, Renato Carpentiere. Declaration Of War / France (Director: Valérie Donzelli, Screenwriters: Jérémie Elkaïm, Valérie Donzelli) — A young couple embark upon a painful, enlightening journey when they discover that their newborn child is very ill.
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												  STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48 STUNT CONTACT ACTION BREAKDOWN SERVICE FOR STUNT PROFESSIONALS 1-11-2017 (323) 951-1500 WWW.STUNTCONTACT.COM 2017. Stunt Contact is provided under a single license and is for personal use only. Any sharing or commercial redistribution of information contained herein is strictly prohibited without the express written permission of the Editor and will be prosecuted to the full extent of the law. SHOW TITLE: UNDERWATER FEATURE** PRODUCTION COMPANY: CHERNIN ENTERTAINMENT / TWENTIETH CENTURY FOX FILM CORP ADDRESS: UNDERWATER - PROD OFFICE FOX LOUSIANA PRODUCTIONS LLC 8301 W JUDGE PEREZ DR SUITE 302 CHALMETTE, LA 70043 ATTN: MARK RAYNER, STUNT COORDINATOR [email protected] TEL: 504-595-1710 PRODUCER: PETER CHERNIN, TONIA DAVIS, JENNO TOPPING WRITER: BRIAN DUFFIELD DIRECTOR: WILLIAM EUBANK LOCATION: NEW ORLEANS SHOOTS: 3/6/2017 SPECIAL INSTRUCTIONS: AQUATIC THRILLER WILL BE HELMED BY “THE SIGNAL” DIRECTOR, WILLIAM EUBANK. AFTER AN EARTHQUAKE DESTROYS THEIR UNDERWATER STATION, A CREW OF SIX MUST NAVIGATE TWO MILES IN THE DANGEROUS UNKNOWN DEPTHS OF THE OCEAN FLOOR TO MAKE IT TO SAFETY. SCRIPT WAS ON THE 2015 HIT LIST. VERY EARLY. PROJ IS STILL IN CASTING - NOT CERTAIN OF DOUBLE REQUIREMENTS. LOCAL HIRES MAY SUBMIT NOW BY EMAIL ONLY. SHOOTS THRU MID-MAY. SHOW TITLE: KNUCKLEBALL FEATURE** PRODUCTION COMPANY: THE UMBRELLA COLLECTIVE / 775 MEDIA ADDRESS: KUCKLEBALL - PROD OFFICE 2003090 ALBERTA LTD 1 To subscribe go to: www.stuntcontact.com STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 2 of 48 123 CREE ROAD SHERWOOD PARK, AB T8A 3X9 ATTN: RON WEBBER, STUNT COORDINATOR [email protected] 587-328-0288 PRODUCER: KURTIS DAVID HARDER, LARS LEHMAN, JULIAN BLACK ANTELOPE WRITER: KEVIN COCKLE, MICHAEL PETERSON DIRECTOR: MICHAEL PETERSON LOCATION: EDMONTON, AB CAST: MICHAEL IRONSIDE SHOOTS: 1/16/2017 - TENT SPECIAL INSTRUCTIONS: HORROR THRILLER.
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												  Iko Uwais, Stuber's Villain, Is Hollywood's Next Big Action StarSUBSCRIBE US Iko Uwais Is Hollywood’s Next Big Martial Arts Star. Just Ask Keanu Reeves and Mark Wahlberg. Hollywood has an action aversion: turning well-choreographed ght scenes into quick-cutting, hand-held cacophonies. Iko Uwais hopes his lms will change that. BY JOSH ST. CLAIR JUL 12, 2019 RENDHA RAIS hen J.J. Abrams resurrected Star Wars, he wanted excitement—and actors who would make the new films fun. For a particular scene in The Force Awakens, when raider assassins board and attempt to hijack the Millennium Falcon from their W galactic target, Han Solo, Abrams wanted action—and actors who could make it feel real. Abrams called on Iko Uwais. It was a fan’s desire as much as it was a director’s request. Abrams, like many in Hollywood, discovered Uwais through his work on The Raid: Redemption, Welsh director Gareth Evans’ Indonesian martial arts film equally inspired by Die Hard, an M.I.A. music video, and the Malay self-defense art form Silat. The Raid became one of the most celebrated action movies of the century and featured hand-to-hand combat to render Jason Bourne a haymaker-throwing street brawler and John Wick a novice MMA fighter. (John Wick star Keanu Reeves was so enthralled by Uwais, he cast him in a small role for his directorial debut, Man of Tai Chi.) Abrams wanted that action. So he called and cast Uwais and Raid co-star Cecep Arif Rahman to hunt down Han. He also asked Uwais to choreograph a lightsaber fight for later in the film.
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												  Bab I PendahuluanBAB I PENDAHULUAN 1.1 Latar Belakang Perubahan zaman yang makin maju mengakibatkan perlunya perubahan dalam strategi promosi atau pemasaran. Strategi pemasaran konvensional seperti direct marketing dan sales promotion bukan berarti tidak bermanfaat lagi di masa sekarang ini, namun tentunya perlu mempertimbangkan sebuah media baru maupun strategi baru untuk dijadikan pemasaran yang tepat dan efektif. Media baru tersebut adalah internet, di mana hal tersebut sudah menjadi hal yang makin sering digunakan kebanyakan orang. Dengan adanya internet maka berkembang pula jejaring sosial seperti friendster, facebook, twitter, youtube dan jejaring sosial lainnya, mereka dapat menjadi suatu peluang untuk pemasar memasarkan produknya. Sosial media mengalami perkembangan yang sangat signifikan dari tahun ketahun, jika pada tahun 2002 Friendster merajai sosial media dengan jumlah pengguna lebih dari 1 juta pengguna. Kini telah banyak bermunculan sosial media dengan keunikan dan karakteristik masing – masing. Terdapat MySpace pada tahun 2003, Facebook pada tahun 2004, Youtube pada tahun 2005, Twitter pada tahun 2006 dan beberapa situs lainnya. Hingga saat ini pengguna sosial media semakin meningkat setiap tahunnya. (http://teknojurnal.com diakses pada 6 Oktober 2014) Menurut comScore survey pada tahun 2010, di Indonesia pengguna internet terbanyak adalah pengunjung situs sosial media. Gambar 1.1 Grafik Pengguna Internet di Indonesia tahun 2010 1 Sumber: http://teknojurnal.com/perkembangan-internet-di-indonesia-pada-tahun- 2010/ (diaksespada 5 Juni 2014
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												  Reviews MUSIC Lecrae | Higher "Gravity" Lyrics Amongst Some ChristiansTUESDAY, SEPTEMBER 11, 2012 reviews MUSIC Lecrae | Higher "Gravity" lyrics amongst some Christians. to Kanye West's "Mercy" in a ASIA THOMAS "Yeah, I know they go'n hate us/ recent article in The Christian Staff Reporter Type they blog up, debate us/ Post, paralleling similar vocals, TEEN They be fishin for attention but style and title. As Lecrae out INtlMBd : American Christian rap don't know how to bait us." lines his past, he also speaks of per Lecrae brings a new form of Lecrae collaborated with his zeal for his religion, which JJ DOOM Christian music in his recent Mali Music on his accompany makes this song a great high KEYTOTHEKUFFS ly released sixth studio album ing single, "Tell the World," re light of the entire feel of "Grav "Gravity." leased in mid-August. This track ity." FIERCE CREATURES "Gravity? a follow up to ear is very inspirational but also ra- In this more mainstream al CATACOMB PARTY lier released mixtape "Church dio-friendly. "Tell the World" is bum, it is apparent that Lecrae Clothes," features collaborations a more emotional single about focused on lyrical quality, as APOLLO BROWN & O.C. with artists such as Big K.R.I.T., his love of Jesus. "But you hung well as the overall production TROPHIES Mali Music, The Voice finalist there bleedin/And died for my of "Gravity." The rapper's al Mathai, and Reach labelmates lies, and my cheatin, my lust, bum has received positive feed LARGE PROFESSOR Tedashii and Trip Lee. Lecrae and my greedin." back from music sources AllHi- PROFESSOR @ LARGE also worked with DJ Khalil, Released on Aug.
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												  God Loves Uganda | the Hooping Life | Tim’S Vermeer | the Address | Life According to Sam | the Story of the Jews Scene & He DJuly-August 2014 VOL. 29 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 4 IN THIS ISSUE God Loves Uganda | The Hooping Life | Tim’s Vermeer | The Address | Life According to Sam | The Story of the Jews scene & he d LET BAKER & TAYLOR’S SCENE & HEARD TEAM HELP MAKE BUILDING AND MAINTAINING YOUR A/V COLLECTION EASIER WITH OUR PROFESSIONAL DIGITAL MEDIA PROCESSING (DMP) SERVICES! DMP off s a v iety of key benefi ts and feat es including: ■ Digitally reproduced original cover artwork ■ Personalized library contact information ■ Detailed content checklists and messaging ■ Circulation-tough polyvinyl CD and DVD cases ■ Single, double, multiple and locking security cases available ■ Large assortment of customized, embedded labels — genre, spine and more! To learn about DMP and other A/V products and services, contact your Sales Consultant today to discuss a custom-tailored solution for all your needs! 800-775-2600 x2050 [email protected] www.baker-taylor.com STAY CONNECTED: Spotlight Review God Loves Uganda streets, LGBT activists identified in newspa- HHH1/2 pers, and finally to a killing. Williams seems (2013) 83 min. DVD: to be everywhere with his camera (although $24.95. First Run he also makes assiduous use of archival and Publisher/Editor: Randy Pitman Features (avail. from other material): on buses with young Ameri- most distributors). Closed can ministers in Uganda, in parliamentary Associate Editor: Jazza Williams-Wood captioned. session, and at town hall-like meetings where Copy Editor: Kathleen L. Florio Stunning in its rev- gay pornography is shown (even to children) elations about the ways Editorial Assistant: Chris Pitman with the intent of fomenting intolerance.
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												  20 Movies 20 Years Ebook.Cdr20 MUST SEE MARTIAL ARTS MOVIES FROM THE LAST 20 YEARS THANK YOU FOR SUBSCRIBING AND DOWNLOADING THIS FREE E-BOOK! EVERY SINGLE PERSON INVOLVED MAKES THE MARTIAL ARTS ACTION MOVIE WEBSITE POSSIBLE... ...AND LOTS OF FUN! BEFORE WE GET STUCK INTO IT. In the last 4 years, I have watched and reviewed close to 500 Martial Arts films. I’ve got to say it’s a bit of an addiction but a fun one, and it’s been shared with a lot of people through Social Media channels like Facebook and Twitter, and I’ve noticed a strong pattern in the movies people love to see these days. On top of that, we’re seeing movies being released that seem to be climbing the ladder in terms of quality. For a while, martial arts movies were heading in a different direction and focusing less on the pure abilities of the actor and relying heavily on wire work. While there’s nothing wrong with that, I can safely say that most people I’ve networked with over the last few years don’t enjoy the weightless “floating” look that most of these movies produced. So most of what I write about these days focuses on the power of the individual martial artist, relying on themselves more than wires. Combined with the totality of the film making process, I’ve done my best to find the absolute most entertaining, action packed and well balanced martial arts films of recent times. So I produced this little Ebook for anyone whose looking to become immersed in the most action packed, adrenaline charged fight films from the last 20 years.
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												  Here Are a Few Films from Male Directors, Screening out of Competition)Thursday 14 April 1:00 Industry event - Festival Secrets 7:30 Red Carpet Drinks 8:00 SHORTS PROGRAM + Opening Night Party Friday 15 April 5:00 Industry event - The Attic Lab Pitch + Networking Drinks 8.00 Feature film - THE INVITATION + short film THE THINGS WE TAKE 10.00 Feature film - THE LOVE WITCH + short film INNSMOUTH Saturday 16 April 11:00 Symposium - Bad Dog! (Dominic Leonard) 12:00 Symposium - Old Age and Treachery (Erin Harrington) 1:00 Symposium - Spilling Her Guts (Alison Mann) 2:30 Industry event - Tasmanian Gothic Script Readings and Awards 3.00 Industry event - Horror Now Panel 4:00 Feature film - GIRL ASLEEP 7.00 Feature film - EVOLUTION 10.00 Feature film - MIDNIGHT SHOW Sunday 17 April 11.30 Feature film - FRANKENSTEIN 2:30 Symposium - Deidre Hall is the Devil (Jodi McAlister) 3:30 Symposium - Shock And Awe (Emma Valente) 4.30 Feature film - THE FORSAKEN + short film THORN 7.00 Feature film - CRUSHED 9:00 Farewell Drinks in the Festival Club Stranger With My Face International Film Festival is supported by the Tasmanian Government through Screen Tasmania. #swmfiff Well, we’re back. After a hiatus in 2015, Stranger With My Face Horror Film Festival returns for its 4th edition—and is now known as Stranger With My Face International Film Festival. Why the name change? Don’t worry, we’re still into horror. Personally, I did get sick of about talking about the defi- nition of it all the time though, or worrying about what could or couldn’t logically be screened under that label. Genre is only a label in the end, and is useful mainly for marketing.