DOCSLIB.ORG

Here Are a Few Films from Male Directors, Screening out of Competition)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Here Are a Few Films from Male Directors, Screening out of Competition) Thursday 14 April 1:00 Industry event - Festival Secrets 7:30 Red Carpet Drinks 8:00 SHORTS PROGRAM + Opening Night Party Friday 15 April 5:00 Industry event - The Attic Lab Pitch + Networking Drinks 8.00 Feature film - THE INVITATION + short film THE THINGS WE TAKE 10.00 Feature film - THE LOVE WITCH + short film INNSMOUTH Saturday 16 April 11:00 Symposium - Bad Dog! (Dominic Leonard) 12:00 Symposium - Old Age and Treachery (Erin Harrington) 1:00 Symposium - Spilling Her Guts (Alison Mann) 2:30 Industry event - Tasmanian Gothic Script Readings and Awards 3.00 Industry event - Horror Now Panel 4:00 Feature film - GIRL ASLEEP 7.00 Feature film - EVOLUTION 10.00 Feature film - MIDNIGHT SHOW Sunday 17 April 11.30 Feature film - FRANKENSTEIN 2:30 Symposium - Deidre Hall is the Devil (Jodi McAlister) 3:30 Symposium - Shock And Awe (Emma Valente) 4.30 Feature film - THE FORSAKEN + short film THORN 7.00 Feature film - CRUSHED 9:00 Farewell Drinks in the Festival Club Stranger With My Face International Film Festival is supported by the Tasmanian Government through Screen Tasmania. #swmfiff Well, we’re back. After a hiatus in 2015, Stranger With My Face Horror Film Festival returns for its 4th edition—and is now known as Stranger With My Face International Film Festival. Why the name change? Don’t worry, we’re still into horror. Personally, I did get sick of about talking about the defi- nition of it all the time though, or worrying about what could or couldn’t logically be screened under that label. Genre is only a label in the end, and is useful mainly for marketing. The most interesting and notable films tend to not entirely fit conventional definitions. Or, at least, they’re redefining the genre... which is kind of the point. Stranger With My Face is still about dark storytelling. And it’s primarily about highlighting the work of women directors (there are a few films from male directors, screening out of competition). But I hope you’ll agree that, within that framework, there’s a huge diversity to be found within the pro- gram this year. Which surely reflects well on the state of indie horror filmmaking right now. And while this festival is first and foremost aimed at a genre audience, that’s not the end of the story. We also want to engage with people who say they ‘don’t like horror’ (and, to be fair, some don’t just say it, they actually mean it too!). My hot tips on that score: Girl Asleep and Evolution. But it’s not even that simple. For the fans who love zombies but can’t handle ghost stories, or for those who are into monsters but not slasher killers, the broad idea of ‘horror’, is pretty unhelpful. So for the benefit of the more wary viewer, the symbols below should provide some guidance. At the same time, I recommend that you step outside your comfort zone, at least a little, because that’s what film festivals are about. Buy a festival pass, see films made by directors you’ve never heard of, go to the Mary Shelley Symposium... surprise yourself! Stranger With My Face is intended to operate as a curated conversation: first, between the artists involved, and then between the artists and the audience. That’s you. Briony Kidd Festival Director SUPERNATURAL THEMES VIOLENCE GORE VERY WEIRD CULT OR OCCULT #swmfiff FEATURE FILMS Crushed Evolution Australia | 2015 | 111 minutes France/Belgium/Spain | 2015 | 81 minutes directed by Megan Riakos directed by Lucile Hadžihalilović unclassified, no under 15s unless with an adult unclassified, no under 15s unless with an adult TASMANIAN PREMIERE AUSTRALIAN PREMIERE Crushed is the story of a young woman who “Put aside everything you know about the birds returns home to her family vineyard after her and the bees. Lucile Hadžihalilović’s Evolution father dies in an accident at the winery. But when proposes an entirely new paradigm to explain his death is ruled a murder and her mother where babies come from, burrowing into becomes the prime suspect she must uncover the young men’s subconscious anxieties about truth. those aspects of their biology that they can and cannot control — including fear of penetration Starring Sarah Bishop, Roxanne Wilson and Les and pregnancy — to create an unsettling Hill, Crushed was shot on location in the beautiful companion piece to her 2005 arthouse Australian wine region of Mudgee, New South provocation, Innocence. “—Variety Wales. A bold and visually stunning work from one of Megan Riakos short film The Shed screened at world cinema’s most original filmmakers. SWMF 2013. Crushed is her feature film debut. Megan Riakos will be present for a Q&A hosted Lucile Hadžihalilović will be available for a Q&A by the Australian Director’s Guild’s Rebecca via Skype after this screening. Thomson. 7 PM, SUNDAY 17 APRIL 7 PM, SATURDAY 16 APRIL PEACOCK THEATRE PEACOCK THEATRE TICKETS $16/$18 OR WITH FESTIVAL PASS TICKETS $16/$18 OR WITH FESTIVAL PASS FEATURE FILMS Evolution The Forsaken Frankenstein Spain (English language) | 2015 | 86 minutes USA | 2015 | 90 minutes directed by Yolanda Torres directed by Bernard Rose unclassified, no under 15s unless with an adult unclassified, under 18s not admitted AUSTRALIAN PREMIERE AUSTRALIAN PREMIERE A band of criminals is hired to kidnap a wealthy Mary Shelley’s story reimagined in the modern businessman’s daughter, but the plan goes day and told from the perspective of the horribly wrong. monster, who’s been left for dead by a husband- and-wife team of eccentric scientists. A mysterious woman named Sara (Claudia Trujillo) propels us through this visceral twist on Xavier Samuel’s powerhouse performance the haunted house story. leads a stellar cast, including Carrie-Anne Moss, Danny Huston and Tony Todd. A production from Afilm International Film Workshops, made by students and teachers The acclaimed director of Candyman, Immortal from this film school located in Sitges. Beloved and Paperhouse captures the primal and uncompromising essence of a classic This film is preceded by the short film Thorn. tale, recontextualising its themes for the 21st Century. This flim is screening out of competition. Yolanda Torres will be available for a Q&A via Skype after this screening. 4.30 PM, SUNDAY 17 APRIL 11.30 AM, SUNDAY 17 APRIL PEACOCK THEATRE MONA MUSEUM TICKETS $16/$18 OR WITH FESTIVAL PASS TICKETS $16/$18 OR WITH FESTIVAL PASS FEATURE FILMS Girl Asleep The Invitation Australia | 2015 | 77 minutes USA | 2015 | 99 minutes directed by Rosemary Meyers directed by Karyn Kusama unclassified, general admittance unclassified, no under 15s unless with an adult TASMANIAN PREMIERE TASMANIAN PREMIERE Greta (Bethany Whitmore) can’t bear to leave her Will and Eden lost their son years ago. The childhood. She floats in a bubble of loserdom with tragedy affected their relationship irreversibly, her only friend Elliott (Harrison Feldmann), until to the point that she disappeared overnight. One her parents throw her a surprise 15th birthday day, Eden returns to the city; she’s married again party and she’s flung into a parallel place; a and something in her seems to have changed, world that’s weirdly erotic, a little bit violent and turning her into a disturbing presence, now thoroughly ludicrous – only there can she find unrecognizable even to Will. herself. Karyn Kusama is the acclaimed director of Based on the acclaimed production by Windmill Girlfight, Aeon Flux and Jennifer’s Body. The Theatre, Girl Asleep is a journey into the absurd, Invitation won the Jury Award at the Sitges scary and beautiful heart of the teenage mind. International Film Festival in 2015. “Girl Asleep is an exuberant example of “The shivers arrive early and often in “The imaginative filmmaking that takes its cues from Invitation,” a teasingly effective thriller that imagination and talent — with nary a focus group builds a remarkable level of tension...” in sight.”—Variety —Variety This film is preceded by the short film The Things We Take. The filmmakers will be in attendance for a Q&A. Rosemary Myers will be available for a Q&A via Skype after this screening. 4 PM, SATURDAY 16 APRIL 8 PM, FRIDAY 15 APRIL PEACOCK THEATRE PEACOCK THEATRE TICKETS $16/$18 OR WITH FESTIVAL PASS TICKETS $16/$18 OR WITH FESTIVAL PASS FEATURE FILMS The Invitation The Love Witch Midnight Show USA | 2016 | 120 minutes Indonesia (English subtitles) | 2016 | 97 minutes directed by Anna Biller directed by Ginanti Rona Tembang Asri unclassified, no under 15s unless with an adult unclassified, under 18s not admitted AUSTRALIAN PREMIERE INTERNATIONAL PREMIERE Elaine (Sarah Robinson) enchants men with her The staff of a Jakarta movie theatre are charms, consuming them by the net full. Yet this annoyed at having to work late to accommodate narcissistic witch reverses the traditional roles a small audience for the midnight showing of a of the sexes. A feminist message in a fantastic horror movie called Child. That’s nothing to how 1960s setting. they’re going to feel when the real-life killer who inspired the story pays them a visit... With impressive attention to detail in set, costumes and music (including pieces by Ennio This is the feature debut of Ginanti Rona Morricone), Biller creates a decadent retro Tembang Asri, whose previous credits include aesthetic. With a use of saturated colour that 1st assistant director on Killers and V/H/S2 and recalls Technicolor, The Love Witch was shot on as 2nd unit director on The Raid and The Raid 2. 35mm. Midnight Show was a box office hit on its release The filmmaker’s love of genre cinema is evident in Indonesia earlier this year.
Load more

Recommended publications
  • Analisis Genre Film Action
    ADLN - PERPUSTAKAAN UNIVERSITAS AIRLANGGA DAFTAR PUSTAKA Buku Altman, R 1999, Film/genre, British Film Institute, London. Boggs, Joseph M 1992, Cara menilai sebuah film (The art of waching films). Yayasan Citra, Jakarta Bordwell, D & Thompson, K 2008, Film Art: An Introduction. New York, McGraww-Hill. Grant, B 2003, Genre, film, reader III. University of Texas Press, Texas Ida, R 2011, Metode penelitian kajian media dan budaya, Pusat Penerbitan dan Percetakan Unair (AUP), Surabaya. J. Henderson, B. Zimmerman, ed. 1993. Tragedy, Comedy and the Polis. Bari, Levante Editori. Kloker, Robert P 1998, Oxford Giuide To Film Studies, OUP Oxford, Oxford. Kristanto, J 2004, Nonton film nonton Indonesia, Kompas, Jakarta. Kristanto, J 2007, Katalog film Indonesia 1926-2007, Nalar, Jakarta. Lacey, Nick 2000, Narrative And Genre: Key Concept in Media Studies, Macmilan Press, London SKRIPSI ANALISISANALISIS GENRE GENRE FILM FILM ACTION: ... ... RIZKI FEBRIANA HARDI ADLN - PERPUSTAKAAN UNIVERSITAS AIRLANGGA Nowlan, B. 2001. Basic introduction to key concept: film and culture. Material of University of Wisconsin-Eau Claire O’Shaughnessy, Michael & Jane Stadler 2005, Media and society: an introduction third edition, Oxford University Press, Australia Pratista, H 2008, Memahami film, Homerian Pustaka, Yogyakarta. Propp, V.I.A 1969, Morphology of the folk tale. University of Texas Press, Texas Sen, Krishna & David T. Hill.2000, Media, Cultural dan Politics in Indonesia, Oxford University Press, Victoria Australia. Suwardi, H 2006, Kritik Sosial Dalam Film Komedi; Studi Kasus Tujuh Film Nya Abbas Akup , FFTV – IKJ Press, Jakarta Pusat. Stokes, J 2003, How To Do Media and Cultural Studies (Panduan untuk Melaksanakan Penelitian dalam Kajian Media dan Budaya), Bentang, Yogyakarta.
    [Show full text]
  • Film Reviews
    Page 117 FILM REVIEWS Year of the Remake: The Omen 666 and The Wicker Man Jenny McDonnell The current trend for remakes of 1970s horror movies continued throughout 2006, with the release on 6 June of John Moore’s The Omen 666 (a scene­for­scene reconstruction of Richard Donner’s 1976 The Omen) and the release on 1 September of Neil LaBute’s The Wicker Man (a re­imagining of Robin Hardy’s 1973 film of the same name). In addition, audiences were treated to remakes of The Hills Have Eyes, Black Christmas (due Christmas 2006) and When a Stranger Calls (a film that had previously been ‘remade’ as the opening sequence of Scream). Finally, there was Pulse, a remake of the Japanese film Kairo, and another addition to the body of remakes of non­English language horror films such as The Ring, The Grudge and Dark Water. Unsurprisingly, this slew of remakes has raised eyebrows and questions alike about Hollywood’s apparent inability to produce innovative material. As the remakes have mounted in recent years, from Planet of the Apes to King Kong, the cries have grown ever louder: Hollywood, it would appear, has run out of fresh ideas and has contributed to its ever­growing bank balance by quarrying the classics. Amid these accusations of Hollywood’s imaginative and moral bankruptcy to commercial ends in tampering with the films on which generations of cinephiles have been reared, it can prove difficult to keep a level head when viewing films like The Omen 666 and The Wicker Man.
    [Show full text]
  • Arrow ​Gets Straight to the Point!
    FOR IMMEDIATE RELEASE London UK, xx January 2021 ARROW GETS STRAIGHT TO THE POINT! ​ THIS JANUARY ON ARROW: AN EXCLUSIVE COLLECTION OF CHILLING SHORT FILMS, CULT KITSCH IN THE LOVE WITCH, SPANISH SHOCKS IN [REC], LOVED TO ​ ​ ​ DEATH, SHORT ON TIME AND MORE! ​ ARROW is the passion-driven film platform giving film fans the opportunity to watch a curated ​ selection of movies that the Arrow Video brand is famous for. In January, ARROW are premiering a new era in short films under the ARROW Shorts banner ​ ​ ​ ​ with an exclusive collection of extraordinary Covid-era chillers that will send your mind reeling, as well as an unmissable selection of brand new additions to the channel. WATCH & SHARE THE JANUARY TRAILER HERE ​ In January ARROW presents an exclusive selection of the outstanding entries from its HORROR ​ ​ ​ ​ ​ LOCKDOWN SHORTS contest, short films delivering slick, sharp scares, delving into ​ oft-uncharted and bizarre worlds, offering a glimpse of burgeoning new talent just waiting to burst forth. The entries were judged by cult directors Justin Benson and Aaron Moorhead, who ​ ​ said the films are “better than they have any right to be”. The films include the surreal and innovative lockdown lunacy of Silent & Deadly, featuring a ​ ​ disgruntled armchair; the marvellously macabre and unexpected UnTooned; the strikingly eerie ​ ​ The Wedding Ritual; the very creepy nerve-jangler Stagnant; the mini-giallo split-screen ​ ​ ​ ​ ​ shocker A Date with Death; the almost unbearably intense and nightmarish Insecticide; the ​ ​ ​ ​ ​ ​ brilliantly chilling and atmospheric The Drawing; the mournful and moving The Garden; the ​ ​ ​ ​ unhappy playroom of Toys and the superbly realised Night Feed.
    [Show full text]
  • Sony Pictures Classics and Stage 6 Films to Unleash the Raid 2
    SONY PICTURES CLASSICS AND STAGE 6 FILMS TO UNLEASH THE RAID 2 NEW YORK (November 5, 2013) – Sony Pictures Classics and Stage 6 Films announced today that they will theatrically release THE RAID 2 in the United States. The highly-anticipated sequel to the action thriller THE RAID: REDEMPTION, the new film THE RAID 2 was once again written and directed by Gareth Evans. The film was produced by Ario Sagantoro for Merantau Films, and Aram Tertzakian and Nate Bolotin of XYZ Films. The film was executive produced by Rangga Maya Barack-Evans for Merantau Films, Irwan D. Mussry, and Nick Spicer and Todd Brown on behalf of XYZ. Matt Flannery (THE RAID: REDEMPTION) and Dimas Imam Subhono served as cinematographers with Joseph Trapanese (THE BOURNE LEGACY), Aria Prayogi (THE RAID: REDEMPTION) and Fajar Yuskemal (THE RAID: REDEMPTION) scoring the picture. THE RAID: REDEMPTION was released theatrically in March 2012 by Sony Pictures Classics to great success. Currently in post-production, THE RAID 2 picks up right where the first film left off and follows Rama (Iko Uwais) as he goes undercover and infiltrates the ranks of a ruthless Jakarta crime syndicate in order to protect his family and uncover the corruption in his own police force. ABOUT SONY PICTURES CLASSICS Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world. Barker and Bernard have released prestigious films that have won 31 Academy Awards® (27 of those at Sony Pictures Classics) and have garnered 135 Academy Award® nominations (109 at Sony Pictures Classics) including Best Picture nominations for AMOUR, MIDNIGHT IN PARIS, AN EDUCATION, CAPOTE, HOWARDS END, AND CROUCHING TIGER, HIDDEN DRAGON.
    [Show full text]
  • Mridula Sharma – Revisiting Bernard Rose's Frankenstein: Ugliness And
    / 95 Revisiting Bernard Rose’s Frankenstein: Ugliness and Exclusion MRIDULA SHARMA Abstract ary Shelley’s attempt to present what Ellen Moers labels as a ‘female gothic’ seems Mto endorse rigid notions of beauty: the transgression of socially approbated ideals of beauty leads to textual disposal in Frankenstein; or, The Modern Prometheus. Frankenstein’s desertion of the creation, for instance, testifies to the writer’s conscious effort to portray the beautiful and the ugly within the ambit of societal expectations of physical attractiveness. It is interesting to study the representation of the narrative in cinema because the transposition of Mary Shelley’s description into characters played by actors in reality is further influenced by the director’s perceptions of the textual reading as well as his presumptions of beauty. Bernard Rose’s film titled, Frankenstein (2015), appropriates the original text for public consumption: the monster’s initial corporeal beauty is transformed into supposed hideousness due to Frankenstein’s attempt to further augment his creation’s physical strength. The insertion of the monster’s Oedipal desire for Elizabeth supplements the investigation in the element of romance that is somewhat governed by the internalisation of conventional ideas of beauty. This paper endeavours to critique the contrast between the textual and cinematic portrayal of Frankenstein’s monster by examining the duality in the promotion of beauty in Rose’s film and contrasting it with the narrative space within Mary Shelley’s 1818 edition. Keywords: Mary Shelley, Frankenstein, Bernard Rose, Monster, Ugliness, Exclusion. Introduction The creations of Mary Shelley’s Frankenstein and Rose’s Frankenstein have been referred to as the ‘monster’ in the article.
    [Show full text]
  • The Writings of Leo Tolstoy
    LT224/SL424 Leo Tolstoy (Fall 2015, MWF 9:55, Van Hise 374) Dr. David S. Danaher, Professor, Slavic Languages, 1444 Van Hise 262-9765 (office)/ 617-803-1052 (cell: texting is best); pes at mac.com / dsdanaher at wisc.edu Office hours: By email or appointment “When I was in prison, I was wrapped up in all those deep books. That Tolstoy crap – people shouldn't read that stuff.” – Mike Tyson, heavyweight boxer Course objectives. This course is an introduction to the writing of the great 19th-century Russian author Leo Tolstoy (Лев Николаевич Толстой). We will read and analyze selected fictional works (short stories and novellas) by Tolstoy from his early and late periods, and we will undertake a close reading of one of his “novels of length,” Anna Karenina. In addition, we will watch film adaptations based on two of his works and compare and contrast these with Tolstoy’s original texts. An important part of this course will be hands-on literary analysis: What is the relationship in Tolstoy’s works between form and meaning? What is the significance of story-telling and how might it model a quest for self-knowledge if not also truth? What is the value of reading and how can we read critically to realize that value fully? In what ways are we all, to one degree or another and whether we realize it or not, “literary” critics? Since the key questions that Tolstoy asked – Who am I? What am I? How should I live my life? – are also basic human questions, a focus of the course will be on Tolstoy’s relevance for how we live our own lives in early 21st-century America.
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • Bab I Pendahuluan
    BAB I PENDAHULUAN 1.1 Latar Belakang Perubahan zaman yang makin maju mengakibatkan perlunya perubahan dalam strategi promosi atau pemasaran. Strategi pemasaran konvensional seperti direct marketing dan sales promotion bukan berarti tidak bermanfaat lagi di masa sekarang ini, namun tentunya perlu mempertimbangkan sebuah media baru maupun strategi baru untuk dijadikan pemasaran yang tepat dan efektif. Media baru tersebut adalah internet, di mana hal tersebut sudah menjadi hal yang makin sering digunakan kebanyakan orang. Dengan adanya internet maka berkembang pula jejaring sosial seperti friendster, facebook, twitter, youtube dan jejaring sosial lainnya, mereka dapat menjadi suatu peluang untuk pemasar memasarkan produknya. Sosial media mengalami perkembangan yang sangat signifikan dari tahun ketahun, jika pada tahun 2002 Friendster merajai sosial media dengan jumlah pengguna lebih dari 1 juta pengguna. Kini telah banyak bermunculan sosial media dengan keunikan dan karakteristik masing – masing. Terdapat MySpace pada tahun 2003, Facebook pada tahun 2004, Youtube pada tahun 2005, Twitter pada tahun 2006 dan beberapa situs lainnya. Hingga saat ini pengguna sosial media semakin meningkat setiap tahunnya. (http://teknojurnal.com diakses pada 6 Oktober 2014) Menurut comScore survey pada tahun 2010, di Indonesia pengguna internet terbanyak adalah pengunjung situs sosial media. Gambar 1.1 Grafik Pengguna Internet di Indonesia tahun 2010 1 Sumber: http://teknojurnal.com/perkembangan-internet-di-indonesia-pada-tahun- 2010/ (diaksespada 5 Juni 2014
    [Show full text]
  • God Loves Uganda | the Hooping Life | Tim’S Vermeer | the Address | Life According to Sam | the Story of the Jews Scene & He D
    July-August 2014 VOL. 29 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 4 IN THIS ISSUE God Loves Uganda | The Hooping Life | Tim’s Vermeer | The Address | Life According to Sam | The Story of the Jews scene & he d LET BAKER & TAYLOR’S SCENE & HEARD TEAM HELP MAKE BUILDING AND MAINTAINING YOUR A/V COLLECTION EASIER WITH OUR PROFESSIONAL DIGITAL MEDIA PROCESSING (DMP) SERVICES! DMP off s a v iety of key benefi ts and feat es including: ■ Digitally reproduced original cover artwork ■ Personalized library contact information ■ Detailed content checklists and messaging ■ Circulation-tough polyvinyl CD and DVD cases ■ Single, double, multiple and locking security cases available ■ Large assortment of customized, embedded labels — genre, spine and more! To learn about DMP and other A/V products and services, contact your Sales Consultant today to discuss a custom-tailored solution for all your needs! 800-775-2600 x2050 [email protected] www.baker-taylor.com STAY CONNECTED: Spotlight Review God Loves Uganda streets, LGBT activists identified in newspa- HHH1/2 pers, and finally to a killing. Williams seems (2013) 83 min. DVD: to be everywhere with his camera (although $24.95. First Run he also makes assiduous use of archival and Publisher/Editor: Randy Pitman Features (avail. from other material): on buses with young Ameri- most distributors). Closed can ministers in Uganda, in parliamentary Associate Editor: Jazza Williams-Wood captioned. session, and at town hall-like meetings where Copy Editor: Kathleen L. Florio Stunning in its rev- gay pornography is shown (even to children) elations about the ways Editorial Assistant: Chris Pitman with the intent of fomenting intolerance.
    [Show full text]
  • Arrow Video Channel Is Ready for Its Close up Watch & Share the New Trailer ​Here
    FOR IMMEDIATE RELEASE London UK, 20 August 2020 ARROW VIDEO CHANNEL IS READY FOR ITS CLOSE UP DEBUTING THIS SEPTEMBER: CRYSTAL EYES, IVANSXTC, GRAVEYARDS OF ​ HONOR, THE HOLY MOUNTAIN, FANDO Y LIS, EL TOPO, RETURN OF THE KILLER TOMATOES ARROW VIDEO CHANNEL is the passion-driven film platform giving film fans the opportunity to ​ watch a curated selection of movies that the Arrow Video brand is famous for. This September, the Arrow Video Channel is showing the superbly-stylish giallo-infused high fashion horror ​ ​ Crystal Eyes, as well as a fantastic selection of brand new additions to the channel. ​ WATCH & SHARE THE NEW TRAILER HERE ​ A camp, creepy and gloriously entertaining slasher, Crystal Eyes is set in the cutthroat world of ​ ​ fashion modelling, where people are being picked off one by one by a masked killer, on the eve of a photoshoot to commemorate a dead supermodel. A must-watch for fans of Dario Argento fans (Suspiria in particular), and Nicolas Winding Refn’s ​ ​ The Neon Demon, Crystal Eyes is wickedly scary neo-giallo, with an iconic doll-faced killer, ​ ​ ​ superbly-staged set pieces, and a true affection for the stalk-and-slash genre it pays homage to, and featuring a fabulous performance from Argentinian screen veteran Silvia Montanari as a fearsome magazine editor. You can see it on the Arrow Video Channel - the home for weird and wild cult classics, ​ ​ newly-restored gems, and genre favourites, available on Apple TV and Amazon Prime Video (UK only). Also debuting on the Arrow Video Channel this September are: ​ ​ IVANSXTC Key Talent: Bernard Rose (Candyman), ​ ​ ​ ​ Danny Huston (Wolverine), Peter Weller (Robocop) ​ ​ ​ ​ ​ ​ ​ Bernard Rose’s biting, drink-and-drug saturated satire on the behind-the-scenes of the Hollywood film industry, featuring a blistering lead performance from Danny Huston as an agent going spectacularly off the rails.
    [Show full text]
  • Id Title Year Format Cert 20802 Tenet 2020 DVD 12 20796 Bit 2019 DVD
    Id Title Year Format Cert 20802 Tenet 2020 DVD 12 20796 Bit 2019 DVD 15 20795 Those Who Wish Me Dead 2021 DVD 15 20794 The Father 2020 DVD 12 20793 A Quiet Place Part 2 2020 DVD 15 20792 Cruella 2021 DVD 12 20791 Luca 2021 DVD U 20790 Five Feet Apart 2019 DVD 12 20789 Sound of Metal 2019 BR 15 20788 Promising Young Woman 2020 DVD 15 20787 The Mountain Between Us 2017 DVD 12 20786 The Bleeder 2016 DVD 15 20785 The United States Vs Billie Holiday 2021 DVD 15 20784 Nomadland 2020 DVD 12 20783 Minari 2020 DVD 12 20782 Judas and the Black Messiah 2021 DVD 15 20781 Ammonite 2020 DVD 15 20780 Godzilla Vs Kong 2021 DVD 12 20779 Imperium 2016 DVD 15 20778 To Olivia 2021 DVD 12 20777 Zack Snyder's Justice League 2021 DVD 15 20776 Raya and the Last Dragon 2021 DVD PG 20775 Barb and Star Go to Vista Del Mar 2021 DVD 15 20774 Chaos Walking 2021 DVD 12 20773 Treacle Jr 2010 DVD 15 20772 The Swordsman 2020 DVD 15 20771 The New Mutants 2020 DVD 15 20770 Come Away 2020 DVD PG 20769 Willy's Wonderland 2021 DVD 15 20768 Stray 2020 DVD 18 20767 County Lines 2019 BR 15 20767 County Lines 2019 DVD 15 20766 Wonder Woman 1984 2020 DVD 12 20765 Blackwood 2014 DVD 15 20764 Synchronic 2019 DVD 15 20763 Soul 2020 DVD PG 20762 Pixie 2020 DVD 15 20761 Zeroville 2019 DVD 15 20760 Bill and Ted Face the Music 2020 DVD PG 20759 Possessor 2020 DVD 18 20758 The Wolf of Snow Hollow 2020 DVD 15 20757 Relic 2020 DVD 15 20756 Collective 2019 DVD 15 20755 Saint Maud 2019 DVD 15 20754 Hitman Redemption 2018 DVD 15 20753 The Aftermath 2019 DVD 15 20752 Rolling Thunder Revue 2019
    [Show full text]
  • Your Guide to August's Hottest Releases
    CATWS_Vi deoVi bes - 1 2014- 07- 01T18: 01: 18+10: 00 YOUR GUIDE TO AUGUST’S HOTTEST RELEASES BAD NEIGHBOURS NOAH THE AMAZING SPIDER-MAN 2: RISE OF ELECTRO TRANSCENDENCE NEED FOR SPEED VV10_01_FrontCover.indd 1 14/07/2014 3:36 pm Strong sexual references, sex scenes, coarse language, drug use ™ and nudity ON BLU-RAY & DVD 28 AUGUST “One of the very best shows of the decade” – Sydney Morning Herald Strong violence, drug references and sexual ™ references ON BLU-RAY & DVD 14 AUGUST Mature themes, themes, violencesex scene and and sexual referencescoarse language ON DVD 14 AUGUST © 2014 Universal Sony Pictures Home Entertainment Australia Pty Limited. All Rights Reserved. BAD NEIGHBOURS_JUSTIFIED S5_PSYCH S6 - FP RENTAL AD 893982.indd 1 7/07/14 2:36 PM AVRRA_Ads.indd 1 14/07/2014 4:50 pm &A AUGUST 2014 P.10 It’s only by the wonder of P.15 indoor heating that we’re not 4-8 NEWS 14-15 ACTION all currently frozen into pathetic What have the bold and the Divergent, April Rain, Raid 2, balls of hopelessness, so why not beautiful of fi lm and TV been up Captain America: The Winter celebrate the power of science to lately? We check out the latest Soldier and more by getting your hands on our reports from home and beyond featured fl ick Transcendence? 16-17 COMEDY Johnny Depp stars in the story of 28 COMING SOON the repercussions following an Breakaway, Bad Neighbours, About New releases to look forward Last Night, Bad Johnson and more advanced Artifi cial Intelligence’s to next month creation, and we delve a little 18-19 DRAMA deeper into the fi lmmaker’s mind P.16 on page 12.
    [Show full text]