DOCSLIB.ORG

HAROLD MABERN - Sélection Discographique Par Guy Reynard Leader/Coleader ❚■● 1970

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
HAROLD MABERN - Sélection Discographique Par Guy Reynard Leader/Coleader ❚■● 1970 40 Jazz Hot 650 6/01/14 19:09 Page 1 HAROLD MABERN - Sélection discographique par Guy Reynard Leader/coleader ❚■● 1970. Terumasa Hino, Alone Together, TAKT 32C38-7872 ❚■● 1968. A Few Miles From Memphis, Prestige 24288-2 ❚■● 1970. Lee Morgan, Live at the Lighthouse, Blue Note 8 35228-2 ● 1968. Rakin’ and Scrapin’, Prestige/OJC-330 ● 1970. David Young, David Young, Mainstream 323 ❚■● 1969. Workin’ and Wailin’, Prestige 24134-2 (Wailin’) ❚■● 1971. Lee Morgan, The Last Session, Blue Note 4 93401-2 ❚■● 1971. Greasy Kid Stuff, Prestige 34134-2 (Wailin’) ● 1972. Keno Duke Jazz Contemporaries, Reasons of Tonality, Strata-East 1972-2 ● 1972. The Piano Choir : Hanscapes, Strata-East 19730 ❚■● 1972. Lee Morgan, Fresh Sound 1024 ● 1974. The Piano Choir : Handscapes 2, Strata-East 19750 ❚■● 1972. Archie Shepp, The Cry of My People, Impulse! 000179002 ● 1980. Pisces Calling, Trident 506 ❚■● 1973. Stanley Turrentine, Don’t Mess With Mister T, CTI ZK44173 ❚■● 1984. Joy Spring, Sackville 2-2016 ❚■● 1973-75. Stanley Turrentine, The Sugar Man, CTI 6052 ❚■● 1989. Straight Street, Columbia CK 48961-2 ❚■● 1973. George Benson, Body Talk, CTI 505169-2 ❚■● 1989. The Contemporary Piano Ensemble, Four Pianos for Phineas, ● 1973. Tiny Grimes, Profoundly Blue, Muse 5012 Evidence 22156-2 ● 1973. Town Hall All Stars, On the Sunny Side of the Street, Jaquet at Town ❚■● 1989. The Contemporary Piano Ensemble, The Key Players, Columbia 475646-2 Hall 11436 ❚■● 1990. 100 Gold Fingers, Vol. 1, King KICJ-137/8 ● 1974. Keno Duke, Sense of Values, Strata-East 7416 ❚■● 1991. Philadelphia Bound, Sackville 2-3051 ❚■● 1974. Frank Foster, The Loud Minority, Mainstream 0718 ❚■● 1992. Memphis Piano Convention, DIW-613 ❚■● 1974. George Freeman, Man & Woman, Groove Merchant 3305 ❚■● 1993. The Leading Man, DIW-876 (Columbia 477288-2) ● 1974. Dave Hubbard, Booty, Mainstream 413 ❚■● 1993. Lookin’ on the Bright Side, DIW-614 ● 1976. Frank Foster, Here and Now, Catalyst 613 ❚■● 1994. The Piano Choir : Hanscapes 95, The Piano Choir 9501 ❚■● 1976. Frank Strozier, Remember Me, SteepleChase 31066 ❚■● 1995. Two Pianos Jazz-For Phineas, Sackville 2-2041 (avec Geoff Keezer) ● 1976. Frank Strozier, Dance Dance, Trident 502 ❚■● 1996. Mabern’s Grooveyard, DIW-621 ❚■● 1976. George Freeman, All in the Game, LRC 9037 ❚■● 1999. Maya With Love, DIW-622 ❚■● 1977. George Coleman, Big George, Thesis Jazz 82032 ❚■● 2001. Kiss of Fire, Venus 35301 ● 1977. Walter Lee Bolden, Nemperor JZ35569 ❚■● 2002. Falling in Love With Love, Venus 35165 ❚■● 1977. Richie Cole, Alto Madness, Muse 5155 ❚■● 2003. Don’t Know Why, Tokuma 35173 ❚■● 1977. Billy Harper, Soran-Bushi B.H., Denon CY3799 ❚■● 2004. Fantasy, Venus 35535 ● 1977; Eddie Jefferson, The Main Man, Inner City 1033 ❚■● 2005. Somewhere Over the Rainbow, Venus 35371 ❚■● 1977. Jonathan Schwartz, Alone Together, Muse 5143 ❚■● 2007. Misty, Tokuma 34407 ❚■● 1977. Frank Strozier, What’s Goin’ On, SteepleChase 31420 ❚■● 2012. Mister Lucky, HighNote 7237 ❚■● 1978. Louis Smith, Just Friends, SteepleChase 31096 ❚■● 2013. Live at Smalls, Smalls Live 32 ● 1978. Richie Cole, Keeper of the Flame, Muse 5192 ❚■● 1978. Louis Hayes, Variety Is the Spice, DCC 629 Sideman ● 1978. Stafford James, Stafford James Ensemble, Red RecordsVPA 142 ❚■● 1959. Grant Green, First Recordings, Gambit, 69268 ❚■● 1979. Mari Nakamoto, Aphroditi, JVC VDJ-1006 ❚■● 1959. Jimmy Forest, All the Gin Is Gone, Delmark 404 ● 1979. Mari Nakamoto, Something Else, JVC VIJ-6435 ❚■● 1959. Jimmy Forest, Black Forest, Delmark 427 ● 1981. Lee Willhite, First Venture, Big Tampa 0001 ❚■● 1959. Modern Jazz Trio + 3, Koch 8557 ● 1983. Jamey Aebersold, Jazz Play-A-Long Set-Vol. 28, Eight Jazz Originals By ❚■● 1959-63. Jimmy Heath, Nice People, Riverside 99910 John Coltrane, JA 1244 ❚■● 1960. Modern Jazz Trio + 3, Message From Walton Street, Koch 8558 ● 1983 Kay Boyd, First Slice, Spotlite 24 ❚■● 1960. Johnny Griffin, The Big Soul-Band, Riverside/OJC-485-2 ● 1985. George Coleman, Manahattan Panorama, Teresa 120 ❚■● 1960. Lionel Hampton, Live at the Metropole Cafe NYC, Hindsight 242 ❚■● 1987. George Coleman, at Yoshi’s, Teresa 126 ❚■● 1961. Art Farmer, Perception, Fresh Sound 90 (LP Argo 738) ❚■● 1988. Ned Otter, Focus, Ned Otter Productions N° 1 ❚■● 1961. Lionel Hampton, En Concert avec Europe 1, Trema 710462 ❚■● 1988-89. Bill Cosby, Where You Lay Your Head, Verve 841 930-2 ❚■● 1960. Modern Jazz Trio, The MJT + 3-Make Everybody Happy, Vee Jay-009 ❚■● 1990. Lewis Keel, Coming out Swinging, Muse 5438 ● 1960. Josh White, The House I Live In, Elektra 7203 ❚■● 1988. Ned Otter, The Right to Know, Ned Otter Productions N° 2 ❚■● 1962. Art Farmer-Benny Golson Jazztet, Here and Now, Mercury 558052 ❚■● 1991. George Coleman, My Horns of Plenty, Birdology 837 278-2 ❚■● 1962. Frank Strozier, March of Siamese Children, Milestone 47095-2 ❚■● 1992. Eric Alexander, Straight-Up, Delmark 461 ● 1962-75. Bill Lee, The New York Bass Violin Choir, Strata East 8003 ❚■● 1992. Donald Brown, A Season of Ballads, Space Time Records BG9703 ● 1963. Dave Burns, Warmin’ Up, Vanguard 9143 ❚■● 1992. Memphis Convention, Memphis Convention, DIW 874 ❚■● 1963 Rashaan Roland Kirk, Reeds and Deeds, Mercury 846630-2 ❚■● 1993. Eric Alexander, Up Over & Out, Delmark 476 ❚■● 1963. Rashaan Roland Kirk, Roland Kirk Meets the Benny Golson Orchestra, ❚■● 1993. Eric Alexander, Mode for Mabes, Delmark 500 Mercury 846630-2 ❚■● 1993. Donald Brown, Cartunes, Muse 5522 ❚■● 1964. Betty Carter, Inside, Capitol 7 89702-2 ❚■● 1993. Cecil Payne, Cerupa, Delmark 478 ● 1964. Frankie Dunlop, Atlantic 5047 ❚■● 1996. Bill Mobley, Live at Small’s Vol 1 & 2, Space Time BG 2320 ❚■● 1964. J. J. Johnson, Proof Positive, Impulse! GRP 11452 ❚■● 1996. Cecil Payne, Scotch and Milk, Delmark 494 ● 1964. Charlie Parker Memorial, RCA PL43560 ❚■● 1996. George Coleman, Danger High Voltage, Two and Four 3 ❚■● 1965. Freddie Hubbard, Blue Spirits, Blue Note 7243 5 94318 2 6 ❚■● 1997. Steve Davis, Crossfire, Criss Cross 1152 ❚■● 1965. Freddie Hubbard, The Night of the Cookers, Blue Note 7243 8 28882-2 ❚■● 1997. Jim Rotondi, Jim’s Bop, Criss Cross 1196 ❚■● 1965. Hank Mobley, Dippin’, Blue Note 0946 3 55508 2 5 ❚■● 1998. George Coleman, I Could Write a Book, Telarc 83439 ❚■● 1965. Jackie McLean, Consequence, Blue Note 314292 ❚■● 1998. George Coleman, Endless Miles : A Tribute to Miles Davis, N2K 43082 DVD 1965. Wes Montgomery, In Europe 1965, Impro-Jazz 504 ❚■● 1998. Cecil Payne, Payne’s Window, Delmark 509 ● 1965. Wes Montgomery, None-Label J-100 ❚■● 199?. Eric Alexander, Heavy Hitters, Alfa Jazz 3926 ❚■● 1965. Wes Montgomery, Live in Belgium 1965, Gambit 69225 ❚■● 1999. Eric Alexander, The First Milestone, Milestone 9302-2 ❚■● 1965. Wes Montgomery, Twisted Blues, Jazz Hour 7569 ❚■● 1999. Eric Alexander, Live at the Keynote, Video Arts 1047 ❚■● 1965. Wes Montgomery, Live in Paris 1965, France’s Concert Esoldun 108 ❚■● 2000. Cecil Payne, Chic Boom, Live at the Jazz Showcase, Delmark 529 ❚■● 1965. Lee Morgan, The Gigolo, Blue Note 7 84212-2 ❚■● 2000. Eric Alexander, The Second Milestone, Milestone 9315-2 ● 1965-66. Sonny Stitt, Sax Expression, Roost 2262 ❚■● 2001. Archie Shepp, French Ballads, Venus 35096 ❚■● 1966. Joe Williams, Chains of Love, Natasha Imports 4019 ❚■● 2001. Eric Alexander, Summit Meeting, Milestone 9322-2 ❚■● 1967. Lee Morgan, The Sixth Sense, Blue Note TOCJ-5736 ❚■● 2001. Ned Otter, Powder Keg, Two & Four 1 ● 1967. Buddy Terry, Electric Soul !, Prestige 7525 ❚■● 2001. Ned Otter, So Little Time, Two & Four 2 ● 1966. Blue Mitchell, Bring It Home to Me, Blue Note 84228 ❚■● 2001. Net Otter, The Secrets Inside, Two & Four 5 ❚■● 1968. Art Farmer, Art Worker, Moon 014-2 ❚■● 2001. Archie Shepp, Deja Vu, Venus 35524 ● 1968. Ivan Boogaloo Joe Jones, My Fire, Prestige 7617 ❚■● 2002. Eric Alexander, Night Life in Tokyo, Milestone 9330-2 ● 1968. Buddy Montgomery, The Two-Sided Album, Milestone 9015 ❚■● 2003. Joe Farnsworth, It’s Prime Time, 441 26 ● 1969. Lee Morgan, The Procrastinator, Blue Note LA582-J2 ❚■● 2004. Eric Alexander, Dead Center, HighNote 7131 ● 1970. Lee Morgan, All That Jazz, Trip 5041 ❚■● 2005. Eric Alexander, It’s All in the Game, HighNote 7148 ❚■● 1970. Idris Muhammad, Black Rhythm Revolution, BGP 046 (● Prestige 10005) ❚■● 2009. Eric Akexander, Revival of the Fittest, HighNote 7205 ❚■● 1970. Gene Ammons, Legend of Acid Jazz (The Black Cat), Prestige 24166 ❚■● 2011. Eric Akexander, Don’T Follow the Crowd, HighNote 7220 (● Prestige 10006) ❚■● 2013. Eric Akexander, Touching, HighNote 7248.
Load more

Recommended publications
  • Highly Recommended New Cds for 2018
    Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin
    [Show full text]
  • Jazz Lines Publications
    Jazz Lines Publications Presents sweet honey bee Arranged by duke pearson transcribed and Prepared by Dylan Canterbury full score jlp-7330 Music by Duke Pearson Copyright © 1965 Gailancy Music International Copyright Secured All Rights Reserved Logos, Graphics, and Layout Copyright © 2015 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Estate of Duke Pearson. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA duke pearson series sweet honey bee (1966) Background: Duke Pearson was an important pianist, composer, arranger and producer during the 1960s and 1970s. He was born in Atlanta, Georgia in 1932 and played trumpet as well as piano with many local groups. After attending Clark College, he toured with Tab Smith and Little Willie John before he moved to New York City in January of 1959. Donald Byrd heard him, and Byrd was the leader of Pearson’s first recording session. Soon Pearson was playing with the Benny Golson-Art Farmer Jazztet. Pearson became the musical director for Nancy Wilson, as well as continuing to tour and record with Donald Byrd. In 1963, Blue Note Records producer and musical director Ike Quebec passed away, and Pearson became Blue Note’s A&R director, as well as make his own albums. Grant Green, Stanley Turrentine, Johnny Coles, Blue Mitchell, Hank Mobley, Bobby Hutcherson, Lee Morgan and Lou Donaldson all benefited from his arranging and producing skills.
    [Show full text]
  • Booker Little
    1 The TRUMPET of BOOKER LITTLE Solographer: Jan Evensmo Last update: Feb. 11, 2020 2 Born: Memphis, April 2, 1938 Died: NYC. Oct. 5, 1961 Introduction: You may not believe this, but the vintage Oslo Jazz Circle, firmly founded on the swinging thirties, was very interested in the modern trends represented by Eric Dolphy and through him, was introduced to the magnificent trumpet playing by the young Booker Little. Even those sceptical in the beginning gave in and agreed that here was something very special. History: Born into a musical family and played clarinet for a few months before taking up the trumpet at the age of 12; he took part in jam sessions with Phineas Newborn while still in his teens. Graduated from Manassas High School. While attending the Chicago Conservatory (1956-58) he played with Johnny Griffin and Walter Perkins’s group MJT+3; he then played with Max Roach (June 1958 to February 1959), worked as a freelancer in New York with, among others, Mal Waldron, and from February 1960 worked again with Roach. With Eric Dolphy he took part in the recording of John Coltrane’s album “Africa Brass” (1961) and led a quintet at the Five Spot in New York in July 1961. Booker Little’s playing was characterized by an open, gentle tone, a breathy attack on individual notes, a nd a subtle vibrato. His soli had the brisk tempi, wide range, and clean lines of hard bop, but he also enlarged his musical vocabulary by making sophisticated use of dissonance, which, especially in his collaborations with Dolphy, brought his playing close to free jazz.
    [Show full text]
  • Victory and Sorrow: the Music & Life of Booker Little
    ii VICTORY AND SORROW: THE MUSIC & LIFE OF BOOKER LITTLE by DYLAN LAGAMMA A Dissertation submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History & Research written under the direction of Henry Martin and approved by _________________________ _________________________ Newark, New Jersey October 2017 i ©2017 Dylan LaGamma ALL RIGHTS RESERVED ABSTRACT OF THE DISSERTATION VICTORY AND SORROW: THE MUSICAL LIFE OF BOOKER LITTLE BY DYLAN LAGAMMA Dissertation Director: Henry Martin Booker Little, a masterful trumpeter and composer, passed away in 1961 at the age of twenty-three. Little's untimely death, and still yet extensive recording career,1 presents yet another example of early passing among innovative and influential trumpeters. Like Clifford Brown before him, Theodore “Fats” Navarro before him, Little's death left a gap the in jazz world as both a sophisticated technician and an inspiring composer. However, unlike his predecessors Little is hardly – if ever – mentioned in jazz texts and classrooms. His influence is all but non-existent except to those who have researched his work. More than likely he is the victim of too early a death: Brown passed away at twenty-five and Navarro, twenty-six. Bob Cranshaw, who is present on Little's first recording,2 remarks, “Nobody got a chance to really experience [him]...very few remember him because nobody got a chance to really hear him or see him.”3 Given this, and his later work with more avant-garde and dissonant harmonic/melodic structure as a writing partner with Eric Dolphy, it is no wonder that his remembered career has followed more the path of James P.
    [Show full text]
  • Vindicating Karma: Jazz and the Black Arts Movement
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
    [Show full text]
  • Stanley Turrentine Don't Mess with Mister T. Mp3, Flac, Wma
    Stanley Turrentine Don't Mess With Mister T. mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Don't Mess With Mister T. Country: US Released: 1973 Style: Soul-Jazz, Cool Jazz MP3 version RAR size: 1358 mb FLAC version RAR size: 1936 mb WMA version RAR size: 1670 mb Rating: 4.5 Votes: 142 Other Formats: DXD RA AU DTS DMF WAV TTA Tracklist Hide Credits Don't Mess With Mister T. A1 9:50 Written-By – Marvin Gaye Two For T. A2 5:28 Written-By – Stanley Turrentine Too Blue B1 7:20 Written-By – Stanley Turrentine I Could Never Repay Your Love B2 8:00 Written-By – Bruce Hawes Companies, etc. Record Company – Creed Taylor, Inc. Phonographic Copyright (p) – Creed Taylor, Inc. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Mastered At – Van Gelder Studio, Englewood Cliffs, New Jersey Pressed By – Columbia Records Pressing Plant, Terre Haute Published By – Jobete Music Co., Inc. Published By – Twentieth Century Music Corp. Published By – Carlipam Music, Inc. Published By – Mighty Three Music Credits Alto Saxophone – Jerry Dodgion Baritone Saxophone – Pepper Adams Bass – Ron Carter Bass Trombone – Alan Raph Cello – George Ricci, Seymour Barab Conductor, Arranged By – Bob James Design – Bob Ciano Drums – Idris Muhammad Electric Piano – Bob James (tracks: A1), Harold Mabern (tracks: A2, B1) Engineer – Rudy Van Gelder Flugelhorn, Trumpet – John Frosk, Randy Brecker Guitar – Eric Gale Mastered By – RVG* Organ – Richard Tee (tracks: A1, B1, B2) Percussion – Rubens Bassini Photography By [Cover] – Alen MacWeeney Photography By [Liner] – Mort Mace Piano – Bob James (tracks: A1, B1, B2) Producer – Creed Taylor Tenor Saxophone – Joe Farrell, Stanley Turrentine Viola – Emanuel Vardi, Harold Coletta Violin – David Nadien, Emanuel Green, Guy Lumia, Harold Kohon, Harry Cykman, Harry Glickman, Irving Spice, John Pintaualle* Notes Label variation, no 'Side A / Side B' on labels, differs from this version.
    [Show full text]
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
    [Show full text]
  • A4 BORCHURE 17.Qxp Mise En Page 1
    UnaVoltaMusic News #17 Le Magazine du distributeur passionné pour les mélomanes et amateurs UnaVoltaMusic Monte­Carlo. Brahms a composé ces deux Musica Anqua Provence concertos à un quart de siècle d’intervalle : le Chrisan Mendoze, direcon Premier en ré mineur est d’allure échevelée, parfois violente et presque en colère, celle de Eleonora Deveze, soprano l’impétueux jeune homme d’une vingtaine Zoé Vauconsant­Massicoe, contralto d’années dont la carrière de pianiste soliste L.Loredo De Sa, guitare espagnole n’est pas encore totalement exclue de ses Françoise Johannel, harpe espagnole ambions ; le Second en si bémol majeur Dominique Gauthier, flûtes à bec respire la sérénité de l’homme mûr passé la flûte du 6, flûte de voix quarantaine. Et Philippe Bianconi maîtrise à merveille tous les registres expressifs de ces Le baroque espagnol s’est épanoui au théâtre, dans la musique instrumentale et le chant profane, deux oeuvres, depuis celui de la tragédie qui mêlant influences française et italienne, avec une emporte l’opus 15 jusqu’à celui du lyrisme et saveur véritablement espagnole. Ces danses ont été de la poésie qui émane de l’opus 83. ulisées, ornementées et adaptées en foncon de leur desnaon. À l’époque baroque, l’Espagne rude et austère de l’Escurial a voisiné avec l’Espagne 18331897 FANDANGO ! Johannes BRAHMS populaire, heureuse de vivre, de danser et de Danses baroques du Mexique chanter. On dansait en effet dans toutes les classes Concertos pour piano de la société, seul ou en groupe, dans les églises, au moment des fêtes profanes, pendant les proces­ Concerto pour piano n°1 en ré min Op.15, Recueil Codex Saldivar de Sanago De Mur­ Concerto pour piano n°2 en si b Maj Op.83 sions, lors des comédies ou intermèdes mêlés de cia (1673­1739) : La Jota, Canarios, Cumbee, chants et de danses accompagnées de castagnees, Fandango, El Paloteado, Folias Gallegas, Tar­ de guitare, de tambour de basque, de grelots.
    [Show full text]
  • Johnny O'neal
    OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society.
    [Show full text]
  • The New York City Jazz Record
    BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 THE NEW YORK CITY JAZZ RECORD BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 MUSICIANS OF THE YEAR ALBUMS OF THE YEAR MISCELLANEOUS CATEGORIES OF THE YEAR LAKECIA BENJAMIN (saxophone) JUHANI AALTONEN, JONAS KULLHAMMAR, JUHANI AALTONEN, JONAS KULLHAMMAR, TIM BERNE (saxophone) CHRISTIAN MEAAS SVENDSEN, CHRISTIAN MEAAS SVENDSEN, SOLO RECORDINGS BOXED SETS UNEARTHED GEMS ILMARI HEIKINHEIMO— ILMARI HEIKINHEIMO— MATS GUSTAFSSON (saxophone) CHRIS CORSANO—Mezzaluna (Catalytic Sound) PAUL DESMOND—The Complete 1975 Toronto Recordings ART BLAKEY & THE JAZZ MESSENGERS— The Father, the Sons & The Junnu (Moserobie) The Father, the Sons & The Junnu (Moserobie) (Mosaic) Just Coolin’ (Blue Note) JAMES BRANDON LEWIS (saxophone) SIGURD HOLE—Lys / Mørke ( Light / Darkness ) (s/r) DANIEL BINGERT—Berit in Space (Moserobie) PETER EVANS—Into the Silence (More is More-Old Heaven) HERMIONE JOHNSON—Tremble (Relative Pitch) CHARLES LLOYD—8: Kindred Spirits (Live From the Lobero) ELLA FITZGERALD—The Lost Berlin Tapes (Verve) CHARLES LLOYD (saxophone) (Blue Note) LUCA T. MAI—Heavenly Guide (Trost) LONDON JAZZ COMPOSERS ORCHESTRA— COLLOCUTOR—Continuation (On The Corner) FIRE! ORCHESTRA—Actions (Rune Grammofon) MODERN JAZZ QUINTET KARLSRUHE/ That Time (Not Two) MATTHEW SHIPP—The Piano Equation (Tao Forms) FOUR MEN ONLY—Complete Recordings (NoBusiness) CHARLES MINGUS—@ Bremen 1964 & 1975 (Sunnyside) ANDREA KELLER—Journey Home (s/r) DAVID KRAKAUER/KATHLEEN TAGG— UP-AND-COMERS OF THE YEAR CHARLIE PARKER—The Mercury & Clef 10-Inch LP ALAN WAKEMAN—The Octet Broadcasts (1969 and 1979) Breath & Hammer (Table Pounding) Collection (Verve) EMMET COHEN (piano) JON-ERIK KELLSO—Sweet Fruits Salty Roots (Jazzology) LATIN RELEASES (Gearbox) CHARLES LLOYD VARIOUS ARTISTS—Not Two..
    [Show full text]
  • The Jazz Record
    oCtober 2019—ISSUe 210 YO Ur Free GUide TO tHe NYC JaZZ sCene nyCJaZZreCord.Com BLAKEYART INDESTRUCTIBLE LEGACY david andrew akira DR. billy torn lamb sakata taylor on tHe Cover ART BLAKEY A INDESTRUCTIBLE LEGACY L A N N by russ musto A H I G I A N The final set of this year’s Charlie Parker Jazz Festival and rhythmic vitality of bebop, took on a gospel-tinged and former band pianist Walter Davis, Jr. With the was by Carl Allen’s Art Blakey Centennial Project, playing melodicism buoyed by polyrhythmic drumming, giving replacement of Hardman by Russian trumpeter Valery songs from the Jazz Messengers songbook. Allen recalls, the music a more accessible sound that was dubbed Ponomarev and the addition of alto saxophonist Bobby “It was an honor to present the project at the festival. For hardbop, a name that would be used to describe the Watson to the band, Blakey once again had a stable me it was very fitting because Charlie Parker changed the Jazz Messengers style throughout its long existence. unit, replenishing his spirit, as can be heard on the direction of jazz as we know it and Art Blakey changed By 1955, following a slew of trio recordings as a album Gypsy Folk Tales. The drummer was soon touring my conceptual approach to playing music and leading a sideman with the day’s most inventive players, Blakey regularly again, feeling his oats, as reflected in the titles band. They were both trailblazers…Art represented in had taken over leadership of the band with Dorham, of his next records, In My Prime and Album of the Year.
    [Show full text]
  • Downbeat.Com March 2014 U.K. £3.50
    £3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
    [Show full text]