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Wednesday 30 October 2019 Performed by Birmingham Royal Ballet A BRIEF NOSTALGIA A Brief Nostalgia is a Co-Production between Birmingham Royal Ballet and Queensland Ballet, and is a Ballet Now commission Choreography Jack Lister; Music Tom Harrold; Design Thomas Mika; Lighting Alexander Berlage Delia Mathews Brandon Lawrence Maureya Lebowitz Mathias Dingman Momoko Hirata Tzu-Chao Chou Samara Downs Max Maslen Alys Shee Lachlan Monaghan Beatrice Parma Kit Holder ROYAL BALLET SINFONIA Conductor Martin Georgiev; Leader Robert Gibbs Ballet Now is generously supported by Oak Foundation’s Special Interest Programme, which provided major funding for the project. Ballet Now is also supported by the Foyle Foundation, Anthony Coombs and The Keith Coombs Trust, The Big Give 2017, The John Feeney Charitable Trust, The Leche Trust, The John S Cohen Foundation, The Hochhauser Foundation, The H Steven and PE Wood Charitable Trust, The W and M Morris Charitable Trust, the estate of Judith and John Percival, Birmingham Royal Ballet’s New Work Syndicate 2017 and Director’s Appeal 2017. Music score for A Brief Nostalgia is supported by the RVW Trust INTERVAL Performed by Ballet Black Founder & Artistic Director: Cassa Pancho MBE THE SUIT Choreography Cathy Marston; Music Philip Feeney; arrangement of Kronos Quartet pieces; Design Jane Heather; Lighting David Plater; Dramaturgy Edward Kemp Matilda Cira Robinson Philemon José Alves Simon Mthuthuzeli November The Chorus and inhabitants of Sophiatown Isabela Coracy, Sayaka Ichikawa , Marie Astrid Mence, Ebony Thomas INTERVAL Performed by Birmingham Royal Ballet NINE SINATRA SONGS For Rhoda and Jerry Oster – Twyla Tharp Choreography Twyla Tharp (© 1992 Twyla Tharp); Songs sung by Frank Sinatra; Scenic design originally by Santo Loquasto; Original costume designs by Oscar de la Renta; Lighting originally by Jennifer Tipton; Staged by Richard Colton With appreciation to Sinatra Enterprises and the Frank Sinatra Foundation I Softly As I Leave You Yaoqian Shang, Rory Mackay II Strangers in the Night Emma Price, Alexander Yap III One for My Baby (and One More For the Road) Rachele Pizzillo, Edivaldo Souza da Silva IV My Way Rachele Pizzillo, Emma Price, Yaoqian Shang Rory Mackay, Edivaldo Souza da Silva, Alexander Yap V Somethin’ Stupid Alys Shee, Aitor Galende VI All the Way Lynsey Sutherland, Haoliang Feng VII Forget Domani Karla Doorbar, James Barton VIII That’s Life Maureya Lebowitz, Max Maslen IX My Way Entire Cast APPROXIMATE TIMINGS A Brief Nostalgia 30 minutes; Interval 25 minutes; The Suit 37 minutes; Interval 20 minutes; Nine Sinatra Songs 31 minutes The performance will end at approximately 10pm DON’T MISS CARLOS ACOSTA AND ALESSANDRA FERRI IN THE WORLD PREMIERE OF A NEW DUET BOOK NOW FOR BIRMINGHAM ROYAL BALLET’S SUMMER SEASON AT SADLER’S WELLS: 10 – 13 JUNE 2020 Carlos presents his first programme for Birmingham Royal Ballet: three electrifying ballets, showcasing the Company’s technique, virtuosity and versatility, and including a new duet for himself and Ferri. Book now to secure your seats: sadlerswells.com; 020 7863 8000.

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Generously Funded by I Am Going to See Houston Ballet Academy Perform 50 Years in 50 Minutes at Houston Ballet Center for Dance
Generously funded by I am going to see Houston Ballet Academy perform 50 Years in 50 Minutes at Houston Ballet Center for Dance. Lauren Anderson and Carlos Acosta in the World Premiere of Don Quixote by Ben Stevenson, after Marius Petipa Photo by Geoff Winningham Going to see a ballet is like watching t.v. or going to the movie because it tells a story. I will see ballets about people, animals, and even sports! Mireillle Hassenhoehler and Lucas Priolo in the Houston Ballet Premiere of Bruiser by Stanton Welch AM Photo by Geoff Winningham Going to see a ballet is different than watching t.v. or a movie because the dancers perform live in front of you on the stage. And in ballets, there are no words. The dancers tell the story with movement. Houston Ballet Academy in Raymonda Photo by Jim Caldwell 50 Years in 50 Minutes will be performed at Houston Ballet Center for Dance. When I arrive, I will park in the parking lot, next to the building. There will be people there to help show the way. We will walk from the parking lot to Houston Ballet Center for Dance. We will walk through two set of doors. We will enter the lobby area. This is a place where I can sit down to rest with my family and friends. Before the show, I can use the restroom or get a drink of water. I might need to get my tickets from the box office. Once I have my tickets, I can go into the theater.
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Don Quixote Press Release 2019
January 2019 Carlos Acosta’s celebrated production of Don Quixote returns Friday 15 February – Thursday 4 April 2019 Live Cinema relay: Tuesday 19 February 2019 #ROHDonQ Federico Bonelli and Sarah Lamb in Don Quixote, ©ROH/Johan Persson, 2013 Carlos Acosta’s vibrant dance production of Miguel de Cervante’s classic tale Don Quixote returns to the Royal Opera House this Spring. Created specially for The Royal Ballet in 2013, this stunning production tells the story of the bumbling knight Don Quixote and his ever-faithful squire Sancho Panza, and their efforts to help the young lovers Kitri and Basilio. This revival features exciting debuts from Lauren Cuthbertson, Yasmine Naghdi and Mayara Magri as Kitri and Matthew Ball, Alexander Campbell and Marcelino Sambé as Basilio. Don Quixote For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media includes a number of spectacular solos and pas de deux as well as outlandish comedy and romance as the dashing Basilio steals the heart of the beautiful Kitri. Don Quixote will be live streamed to cinemas on Tuesday 19 February as part of the ROH Live Cinema Season. Carlos Acosta previously danced the role of Basilio in many productions of Don Quixote. He was invited by Kevin O’Hare Director of The Royal Ballet, to re-stage this much-loved classic in 2013. Acosta’s vibrant production evokes sunny Spain with designs by Tim Hatley who has also created productions for the National Theatre and for musicals including Dreamgirls, The Bodyguard and Shrek. Acosta’s choreography draws on Marius Petipa’s 1869 production of this classic ballet and is set to an exuberant score by Ludwig Minkus arranged and orchestrated by Martin Yates.
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La Fille Mal Gardée
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Royal Ballet's
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