George S. Clinton

Total Page:16

File Type:pdf, Size:1020Kb

George S. Clinton GEORGE S. CLINTON AWARDS & NOMINATIONS BMI FILM & TV AWARD (2010) TOOTH FAIRY BMI Film Music Award PRIMETIME EMMY NOMINATION BURY MY HEART AT WOUNDED KNEE (2007) Outstanding Music Composition BMI FILM & TV AWARD (2007) THE SANTA CLAUSE 3: THE ESCAPE BMI Film Music Award CLAUSE BMI FILM & TV AWARD (2006) BMI Icon Award for Career Achievement BMI FILM & TV AWARD (2006) BIG MOMMA’S HOUSE 2 BMI Film Music Award BMI FILM & TV AWARD (2005) THE 4400 BMI Cable Award BMI FILM & TV AWARD (2003) AUSTIN POWERS: GOLDMEMBER BMI Film Music Award BMI FILM & TV AWARD (2003) THE SANTA CLAUSE 2 BMI Film Music Award BMI FILM & TV AWARD (2000) AUSTIN POWERS: THE SPY WHO BMI Film Music Award SHAGGED ME OUTFEST AUDIENCE AWARD (2000) SORDID LIVES Outstanding Soundtrack GRAMMY NOMINATION (1999) SOUL BOSSA NOVA Best Arrangement *With Quincey Jones SATURN AWARD NOMINATION (1999) WILD THINGS Academy of Science Fiction, Fantasy, & Horror Films Best Music Award BMI FILM & TV AWARD (1996) MORTAL KOMBAT BMI Film Music Award The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 GEORGE S. CLINTON FEATURE FILMS THE HARVEST Steven A. Jones, Kimberly Jose, David Elephant Eye Films Robinson, Meadow Williams, prods. John McNaughton, dir. SALVATION BOULEVARD Peter Fruchtman, Cathy Schulman, Celine Mandalay Vision Rattray, prods. George Ratliff, dir. SHARPAY’S FABULOUS ADVENTURES Jonathan Hackett, prod. Walt Disney Pictures / Blondie Girl Michael Lembeck, dir. Productions TOOTH FAIRY Jason Blum, Mark Ciardi, Gordon Gray, prods. 20th Century Fox / Walden Media Michael Lembeck, dir. HOMETOWN GLORY Waheed AlQawasmi, prod. Costa Communications / Wafilms Ray Costa, dir. EXTRACT John Altschler, Michael Rotenberg, prods. Ternion Pictures Mike Judge, dir. THE CLIQUE Bob Levy, Leslie Morgenstein, prods. Alloy Entertainment Michael Lembeck, dir. THE LOVE GURU Michael De Luca, Mike Meyers, prods. Paramount Pictures Marco Schnabel, dir. HAROLD & KUMAR: ESCAPE FROM Greg Shapiro, Nathan Kahane, prods. GUANTANAMO BAY Hayden Scholssberg, Jon Hurwitz, dirs. Newline Cinema OLDER THAN AMERICA Christine K. Walker, prod. Older Than America Georgina Lightning, dir. CODE NAME: THE CLEANER Cedric the Entertainer, Eric Rhone, Jay Stern, Newline Cinema Brett Ratner, prods. Les Mayfield, dir. DECK THE HALLS Michael Costigan, Arnon Milchan, John Regency Enterprises Whitesell, prods. John Whitesell, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 2 GEORGE S. CLINTON THE SANTA CLAUSE 3: THE ESCAPE Robert Newmyer, Brian Reilly, Jeffrey Silver, CLAUSE prods. Walt Disney Pictures Michael Lembeck, dir. BIG MOMMA’S HOUSE 2 David T. Friendly, Michael Green, prods. 20th Century Fox John Whitesell, dir. EULOGY Kirk D’Amico, Steven Haft, Richard Barton, Eulogy Productions Lewis, Lucas Foster, prods. Michael Clancy, dir. A DIRTY SHAME Ted Hope, prod. Fine Line Features John Waters, dir. NEW YORK MINUTE Denise Di Novi, Ashley Olsen, Mary-Kate Warner Bros. / Dualstar Productions Olsen, Robert Thorne, prods. Dennie Gordon, dir. CATCH THAT KID Andrew Lazar, Uwe Schott, prods. Fox 2000 Pictures Bart Freundlich, dir. THE BIG BOUNCE Steve Bing, George Armitage, Jorge Saralegui, Warner Bros. / Shangri-La Entertainment prods. George Armitage, dir. THE WORLD OF AUSTIN POWERS Liz Amsden, prod. Organa West Liz Amsden, dir. THE SANTA CLAUSE 2 Brian Reilly, Paul Newmyer, Jeffrey Silver, Walt Disney Pictures prods. Michael Lembeck, dir. AUSTIN POWERS: GOLDMEMBER Mike Meyers, Demi Moore, Eric McLeod, Newline Cinema Jennifer Todd, Suzanne Todd, prods. Jay Roach, dir. JOE SOMEBODY Kenneth Atchity, Anne Kopelson, Arnold Fox 2000 Pictures Kopelson, Matthew Gross, Brian Reilly, prods. John Pasquin, dir. SPEAKING OF SEX Pierre Edelman, Rob Scheidlinger, Alain Les Filmes Alain Sarde / Canal + Sarde, prods. John McNaughton, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 3 GEORGE S. CLINTON 3000 MILES TO GRACELAND Eric Manes, Demian Litchtenstein , Elie Franchise Pictures Samaha, Richard Spero, Andrew Stevens, prods. Demian Litchtenstein, dir. SORDID LIVES Victoria Alonso, Max Civon, J. Todd Harris, Daly-Harris Productions Sharyn Leavitt, prods. Del Shores, dir. READY TO RUMBLE Robert F. Newmyer, Jeffrey Silver, prods. Bel Air Entertainment Brian Robbins, dir. THE ASTRONAUT’S WIFE Andrew Lazal, prod. Newline Cinema Rand Ravich, dir. AUSTIN POWERS: THE SPY WHO Mike Meyers, Demi Moore, John S. Lyons, SHAGGED ME Eric McLeod, Jennifer Todd, Suzanne Todd, Newline Cinema prods. Jay Roach, dir. BLACK DOG Raffaella De Laurentis, Michael Ilitch, Jr., Universal Pictures Mark W. Koch, Peter Saphier, prods. Kevin Hooks, dir. WILD THINGS Steven A. Jones, Rodney Liber, prods. Mandalay Entertainment John McNaughton, dir. A PLACE CALLED TRUTH Jordan Leibert, prod. The Zalman King Company Rafael Eisenman, dir. MORTAL KOMBAT: ANNIHILATION Lawrence Kasanoff, prod. Newline Cinema John R. Leonetti, dir. TROJAN WAR Charles Gordon, prod. Warner Bros. / Daybreak George Huang, dir. AUSTIN POWERS: INTERNATIONAL Mike Meyers, Demi Moore, Jennifer Todd, MAN OF MYSTERY Suzanne Todd, prods. Newline Cinema Jay Roach, dir. BEVERLY HILLS NINJA Brad Krevoy, Bradley Jenkel, Steven Stabler, Beverly Hills Ninja Productions Tony Shimkin, prods. Dennis Dugan, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 4 GEORGE S. CLINTON THE LAST DAYS OF FRANKIE THE Elie Samaha, Peter Markle, prods. FLY Peter Markle, dir. Blueline Productions THE VIKING SAGAS Paul R. Gurian, Tim Van Rellim, prods. Newline Cinema Michael Chapman, dir. DELTA OF VENUS Evzen Kolar, prod. Alliance Communications Zalman King, dir. MORTAL KOMBAT Lawrence Kasanoff, prod. Newline Cinema Paul W.S. Anderson, dir. TOP DOG Andy Howard, prod. Live Entertainment / Tanglewood Aaron Norris, dir. Entertainment BRAINSCAN Michael Roy, prod. Admire Productions / Coral Productions John Flynn, dir. HELLBOUND Anthony Ridio, Dean Raphael Ferrandini, Globus Pictures / The Cannon Group prods. Aaron Norris, dir. MOTHER’S BOYS Robert Kane, Jack E. Freedman, Patricia Pathé Exchange Herskovic, Wayne S. Williams, prods. Bradley Barker, dir. PAPER HEARTS Catherine Manek, Rod McCall, prods. Kind Productions Rod McCall, dir. ALMOST PREGNANT Ray Haboush, dir. ANA Productions Michael DeLuise, dir. HARD PROMISES William Petersen, Cindy Chvatal, prods. High Horse Films Martin Davidson, dir. TEN LITTLE INDIANS Harry Alan Towers, prod. Pathé Communications / Breton Film Alan Birkinshaw, dir. Productions THE HOUSE OF USHER Harry Alan Towers, prod. Alta Vista Productions Alan Birkinshaw, dir. AMERICAN NINJA 3: BLOOD HUNT Harry Alan Towers, prod. Breton Film Productions / Cannon Group Cedric Sundstorm, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 5 GEORGE S. CLINTON PLATOON LEADER Harry Alan Towers, prod. Breton Film Productions / Cannon Group Aaron Norris, dir. TOO MUCH Menahem Golan, Yoram Globus, prods. Cannon Group Eric Rochat, dir. AMERICAN NINJA 2: THE Menahem Golan, Yoram Globus, prods. CONFRONTATION Sam Firstenberg, dir. Cannon Group / Golan-Globus Productions WILD THING David Calloway, Nicolas Clermont, prods. Atlantic Productions / Filmline International Max Reid, dir. AVENGING FORCE Menahem Golan, Yoram Globus, prods. Cannon Group / Golan-Globus Productions Sam Firstenberg, dir. DETECTIVE SCHOOL DROPOUTS Menahem Golan, Yoram Globus, prods. Cannon Films Filippo Ottoni, dir. THE BOYS NEXT DOOR Sandy Howard, Keith Rubinstein, prods. Republic Entertainment International Penelope Spheeris, dir. CHEECH & CHONG’S THE CORSICAN Peter MacGregor-Scott, prod. BROTHERS Tommy Chong, dir. Orion Pictures A ROSE FOR EMILY (Short) H. Kaye Dyal, Lyndon Chubbuck, prods. Chubbuck Production Company Lyndon Chubbuck, dir. STILL SMOKIN’ Peter MacGregor-Scott, prod. Paramount Pictures Tommy Chong, dir. PRAY TV Tina Stern, Rick Friedberg, prods. Paramount Pictures Rick Friedberg, dir. TELEVISION ZOMBIES 2 (MOW) Paul Hoen, dir. Disney Channel ZOMBIES (MOW) David Light, Joseph Raso, prods. Disney Channel Jeff Hornaday, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 6 GEORGE S. CLINTON LOVESTRUCK: THE MUSICAL (TV Gaylyn Fraiche, Salli Newman, prods. Movie) Sanaa Hamri, dir. Boss Productions BURY MY HEART AT WOUNDED KNEE Clara George, prod. (TV Movie) Yves Simoneau, dir. HBO Films THE 4400 Ira Steven Behr, showrunner American Zoetrope 44 MINUTES: THE NORTH Daniel Schneider, prod. HOLLYWOOD SHOOTOUT (TV Movie) Yves Simoneau, dir. Warner Bros. Television SHADOW REALM (TV Movie) Robert Petrovivez, prod. Warner Bros. Television Keith Gordon, Tobe Hooper, Paul Shapiro, dirs. NIGHT VISIONS Dan Angel, Billy Brown, showrunners Warner Bros. Television LANSKY (TV Movie) Fred C. Caruso, prod. HBO Films John McNaughton, dir. DOLLAR FOR THE DEAD (TV Movie) Tony Anthony, Enrique Cerezo, prods. Endemol Entertainment Gene Quintano, dir. INTENSITY (TV Movie) Preston Fischer, prod. Columbia TriStar Television / Mandalay Yves Simoneau, dir. Entertainment BUSINESS FOR PLEASURE (TV Movie) Anatoly Fradis, Zalman King, prods. Showtime Rafael Sidenman, dir. HEART OF FIRE (TV Movie) Jean O’Neill, prod. CBS John Power, dir. BEYOND THE CALL (TV Movie) Helen Buck Batlett, Doug Magee, Tony Bill, Hallmark Entertainment prods. Tony Bill, dir. HER DEADLY RIVAL (TV Movie) Judy Cairo, prod. Rysher Entertainment James Hayman, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 7 GEORGE S. CLINTON TAD (TV Movie) Robert W. Christiansen, Rick Rosenberg, Pidax Film prods. Rob Thompson, dir. MORTAL KOMBAT: BEHIND THE Anne Damato, prod. DRAGON (TV Movie) Michael Goldman, dir. Threshold Entertainment FATAL VOWS: THE ALEXANDRA Julian Marks, prod. O’HARA
Recommended publications
  • DAN LEIGH Production Designer
    (3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES
    [Show full text]
  • To Fire Support Ercises Allow the Team to Become Familiar with What They Need to by Spc
    August 6, 2008 www.dvidshub.net (search phrase: Expeditionary Times) Vol. 1, Issue 7 371st steps up for command 371st assumes logistics role in NMD–W Page 2 Photo by Spc. Charlotte Martinez Getting the right During a live burn training exercise two Soldiers from the 548th Quartermaster Company spray an Armored Security Vehicle with a chemical called ‘Purple K’ at Al Asad July 25 as part of their training to go from automated logistics specialists to a fire suppressant team. foot forward convoys that leave from Al Asad Therapists help in- From logistics specialist and are there in case anything hap- jured Iraqis get back pens.” said Staff Sgt. Michael War- on their feet ren, a Mooresville, N.C., native and platoon sergeant. “They are there to save personnel and equipment.” Page 6 Sgt. Fontella Ross, a Clarksville, Tenn., native, said the training ex- To fire support ercises allow the team to become familiar with what they need to by Spc. Charlotte Martinez do if a vehicle catches on fire dur- Expeditionary Times staff ing a convoy. She said the training “(Safety) is the differ- helps the Soldiers react to different AL ASAD, Iraq – Soldiers trav- scenarios like engine fires, interior eling on convoys are focused on fires and the other types of fires. many different things to include ence between a team suc- “To alleviate that, the battalion traffic, townspeople, and watching needed a fire suppressant team,” for improvised explosive devices said Ross “every convoy that goes while rolling down the road, so if a ceeding at their mission out, we send a team with them.” Smiling faces vehicle were to catch on fire, what That tasking not only presents can you do? Who do you call if the unit with a challenge, but gives a fire were to happen during your and failing it.” Soldiers an opportunity and the ex- Children, first signs convoy? Staff Sgt.
    [Show full text]
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009
    JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES.
    [Show full text]
  • Cablelabs Studio Code List 05/01/2006
    CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 1 120 Degree Films 120D 2 1st National FSN 3 2 Silks Releasing 2SR 4 20th Century Fox FOX 5 21st Century 21ST 6 2nd Generation 2GN 7 4th & Broadway 4TH 8 50th Street 50TH 9 7th Planet Prods 7PP 10 8X Entertainment 8X 11 A.D.G. ADG 12 A.I.P. Studios AIPS 13 Abramorama Entertainment ABR 14 Academy ACD 15 Access Motion Picture Group ACM 16 ADV Films ADV 17 AFD Theatrical AFDT 18 Alive ALV 19 Alliance Atlantis Communications AA 20 Alliance International Pictures AIP 21 Almi ALM 22 American International Pictures AINT 23 American Vacation Production AVP 24 American World Pictures AWP 25 American Zoetrope AZO 26 Amoon AMO 27 Andora Pictures AND 28 Angelika ANG 29 A-Pix APIX 30 Apollo APO 31 Apple and Honey Film Corp. AHFC 32 Arab Films ARAB 33 Arcangelo Entertainment ARC 34 Arenaplex ARN 35 Arenas Entertainment ARNS 36 Aries ARI 37 Ariztical Entertainment ARIZ 38 Arrival Pictures ARR 39 Arrow Releasing ARW 40 Arthouse Films AHF 41 Artificial Eye ARTI 42 Artisan ARTS 43 Artist View Ent. ARV 44 Artistic License ARTL 45 Artists Releasing Corp ARP 46 ArtMattan Productions AMP 47 Artrution Productions ART 48 ASA Communications ASA 49 Ascot ASC 50 Associated Film Distribution AFD 51 Astor Pictures AST 1 CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 52 Astral Films ASRL 53 At An Angle ANGL 54 Atlantic ATL 55 Atopia ATP 56 Attitude Films ATT 57 Avalanche Films AVF 58 Avatar Films AVA 59 Avco Embassy AEM 60 Avenue AVE 61 B&W Prods.
    [Show full text]
  • Ghosts Beneath the Surface: Remnants and Revenants Of
    RCL — Revista de Comunicação e Linguagens e Linguagens Comunicação de — Revista RCL Ghosts beneath the surface: Remnants and revenants of Palestine in the Cinema of the Interior Fantasmas sob a superfície: Os restos e espectros da Palestina no Cinema do Interior and Languages Communication of Journal ROBERT GEORGE WHITE Independent Scholar [email protected] N.53 (2020) ISSN 2183-7198 N.53 (2020) ISSN — Abstract In a 2003 interview with the Journal of Palestine Studies, the director Elia Sulieman evoked the spectre of the revenant (which appears by coming back) when explaining the pres- ence of Palestinians within Israel in terms of Israel’s being haunted by the spectre of the ‘becoming-Palestinian’ of the Israeli-Arab. This is both an allusion to a historical le- gal condition of present absence (the Knesset’s 1950 Law of Absentee Property), but also articulates—this article claims—an emerging hauntology/ontology of the cine- matic image of the Palestinian in Israel.This article argues that the contemporary cinema of Palestinians in Israel is essentially a cinema of ghosts, where temporal disjoint- edness and spatial displacement constantly disturb the project of national identity formation; from the haunting of Jaffa in the work of Kamal Aljafari, where Palestinian ‘ghosts’ are re-inscribed onto the work of Israeli director Menahem Golan, to the ghostly lacuna between Arab and Jew which haunts Amos Gitai’s Ana Arabia (2013). Drawing on Jacques Derrida’s notion of ‘the spectral’, alongside a critical analysis of what Edward Said termed al-dakhil (the interior), the article examines Palestinian interiors as ROBERT GEORGE WHITE 73 RCL — Revista de Comunicação e Linguagens e Linguagens Comunicação de — Revista RCL haunted sites.
    [Show full text]
  • As Writers of Film and Television and Members of the Writers Guild Of
    July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
    [Show full text]
  • PDF of Credits
    ALANA DA FONSECA EXECUTIVE MUSIC PRODUCER – SONGWRITER MOTION PICTURES EUROVISION (Music Producer, Vocal Arranger) David Dobkin, dir. Netflix THE ADDAMS FAMILY (Music Producer) Greg Tiernan, Conrad Vernon, dirs. MGM GOOD BOYS (Executive Music Producer) Gene Stupnitsky, dir. Universal Pictures PITCH PERFECT 3 (Executive Music Producer) Trish Sie, dir. Universal Pictures POMS (Executive Music Producer) Zara Hayes, dir. STX ISN’T IT ROMANTIC (Music Producer) Todd Strauss-Schulson, dir. Warner Bros. THE SECRET LIFE OF PETS (Producer “We Go Together”) Chris Renaud, dir. Universal Pictures PITCH PERFECT 2 (Arranger/Vocal Arranger) Elizabeth Banks, dir. Universal Pictures ALVIN AND THE CHIPMUNKS: THE ROAD CHIP (Executive Music Producer) Walt Becker, dir. Fox 2000 PITCH PERFECT (Additional Vocal Arranger) Jason Moore, dir. Universal Pictures HANNAH MONTANA: THE MOVIE (Producer “Let’s Do This”) Peter Chelsom dir. Walt Disney Studios 3349 Cahuenga Blvd. West Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 ALANA DA FONSECA EXECUTIVE MUSIC PRODUCER – SONGWRITER TELEVISION JULIE AND THE PHANTOMS (Vocal Arranger/Vocal Producer, Songwriter) Kenny Ortega, dir. Netflix TROLLS: THE BEAT GOES ON (Executive Music Producer, Songwriter) Hannah Friedman, creator Netflix DWA UNNANOUNCED SHOW (Executive Music Producer, Songwriter) DreamWorks Animation ALVINNN!!! AND THE CHIPMUNKS (Executive Music Producer, Songwriter) Janice Karman, creator Nickelodeon LIVE SHOW TROLLS LIVE TOURING SHOW (Music Producer) SONGWRITER NAKED (Writer “Nobody But You”) Michael Tiddes, dir. Netflix STAR (TV) (Writer “Honeysuckle”) Lee Daniels, Tom Donaghy, creators Fox ALVIN AND THE CHIPMUNKS: THE ROAD CHIP (Writer “Home”) Walt Becker, dir. Fox 2000 POWER (TV) (Writer “Old Flame”) Courtney A. Kemp, creator Starz FIFTY SHADES OF GREY (Writer “Awakening”) Sam Taylor-Johnson, dir.
    [Show full text]
  • Weller Credits 2019
    Production Design and Art Direction United Scenic Artists, Local 829 IATSE 505 Court Street 7P, Brooklyn NY 11231 NYC 212 9797761 Los Angeles 310 3981982 [email protected] IMDB: http://www.imdb.com/name/nm0919860/ LINKEDIN: www.linkedin.com/in/wellerdesign www.wellerdesign.com Production Design and Art Direction for film, television and theater. Extensive experience in single and multi camera art direction for features and network/cable television. Skillful, meticulous budgeting combined with quick and accurate drafting. Expertise in assembling and managing crews. Multiple Emmy Awards. Series NEW AMSTERDAM – Network Series - NBC UNIVERSAL 2019 Art Director ARMISTEAD MAUPIN’S TALES OF THE CITY – Mini Series- NETFLIX 2019 Assistant Art Director FIRST WIVE’S CLUB – PARAMOUNT NETWORK 2018 Art Director JESSICA JONES SEASON 3 - MARVEL PRODUCTIONS - NETFLIX 2018 Assistant Art Director JULIE’S GREENROOM – JIM HENSON PRODUCTIONS - NETFLIX –2016 Art Director QUANTICO – ABC - 2016 Assistant Art Director Feature Film LOST GIRLS – NETFLIX 2018 Art Director THE COMMUTER – LIONSGATE -2017 Assistant Art Director BRAWL IN CEL BLOCK 99 - RLJE FILMS - 2017 Art Department THE PERFECT GENTLEMAN – SHORT - 2010 Production Design BAD LIEUTENANT –ARIES FILMS -1992 Set Designer THE RAPTURE - FINE LINE FEATURES - 1991 Set Designer THE BLOODHOUNDS OF BROADWAY – COLUMBIA PICTURES - 1989 Assistant Art Director Live Events THE NEW LEVANT - KENNEDY CENTER 2018 GLAMOUR WOMEN OF THE YEAR- CONDE NAST Carnegie Hall 2016, 2017 ALICIA KEYS FOR VEUVE CLIQUOT – Liberty
    [Show full text]
  • Feature Film
    RAMIN DJAWADI AWARDS & NOMINATIONS HOLLYWOOD MUSIC IN MEDIA TOM CLANCY’S JACK RYAN AWARD NOMINATION (2019) Main Title Theme – TV Show/Limited Series EMMY AWARD (2019) GAME OF THRONES Outstanding Music Composition for a “The Long Night” Series (Original Dramatic Score) EMMY AWARD (2018) GAME OF THRONES Outstanding Music Composition for a Series (Original Dramatic Score) EMMY NOMINATION (2018) WESTWORLD Outstanding Music Composition for a Series (Original Dramatic Score) GRAMMY NOMINATION (2017) GAME OF THRONES Best Score Soundtrack for Visual Media WORLD SOUNDTRACK AWARD WESTWORLD, PRISON BREAK: NOMINATION (2017) RESURRECTION, THE STRAIN Best TV Composer of the Year EMMY NOMINATION (2017) WESTWORLD Best Original Main Title Theme Music EMMY NOMINATION (2014) GAME OF THRONES Outstanding Music Composition for a Series GAME AUDIO NETWORK GUILD MEDAL OF HONOR NOMINATION (2011) Best Cinematic / Cut-Scene Audio EMMY NOMINATION (2010) FLASH FORWARD Outstanding Music Composition for a Series GRAMMY NOMINATION (2006) IRON MAN Best Score Soundtrack Album iTUNES AWARD (2008) IRON MAN Best Score The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 RAMIN DJAWADI WORLD SOUNDTRACK AWARD MR. BROOKS NOMINATION Discovery Of The Year (2007) EMMY NOMINATION (2006) PRISON BREAK Outstanding Main Title Theme Music FEATURE FILM ELEPHANT EDEN Alastair Fothergill, prod. DisneyNature Mark Linfield, dir. THE QUEEN’S CORGI Ben Stasson, prod. Lionsgate Ben Stasson, dir. SLENDER MAN Robyn Meisinger, Sarah Snow, Bradley Fischer, James Screen Gems Productions Vanderbilt, William Sherak, prods. *With Brandon Campbell Sylvain White, dir. A WRINKLE IN TIME Jim Whitaker, Catherine Hand, Adam Borba, prods. Walt Disney Studios Ava DuVernay, dir. THE MOUNTAIN BETWEEN US Peter Chernin, Jenno Topping, prods.
    [Show full text]
  • Ramin Djawadi
    RAMIN DJAWADI AWARDS & NOMINATIONS 67th ANNUAL GRAMMY AWARDS GAME OF THRONES: SEASON 8 NOMINATION (2020) Best Score Soundtrack for Visual Media HOLLYWOOD MUSIC IN MEDIA TOM CLANCY’S JACK RYAN AWARD NOMINATION (2019) Main Title Theme – TV Show/Limited Series EMMY AWARD (2019) GAME OF THRONES Outstanding Music Composition for a “The Long Night” Series (Original Dramatic Score) EMMY AWARD (2018) GAME OF THRONES Outstanding Music Composition for a Series (Original Dramatic Score) EMMY NOMINATION (2018) WESTWORLD Outstanding Music Composition for a Series (Original Dramatic Score) GRAMMY NOMINATION (2017) GAME OF THRONES Best Score Soundtrack for Visual Media WORLD SOUNDTRACK AWARD WESTWORLD, PRISON BREAK: NOMINATION (2017) RESURRECTION, THE STRAIN Best TV Composer of the Year EMMY NOMINATION (2017) WESTWORLD Best Original Main Title Theme Music EMMY NOMINATION (2014) GAME OF THRONES Outstanding Music Composition for a Series GAME AUDIO NETWORK GUILD MEDAL OF HONOR NOMINATION (2011) Best Cinematic / Cut-Scene Audio EMMY NOMINATION (2010) FLASH FORWARD Outstanding Music Composition for a Series The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 RAMIN DJAWADI GRAMMY NOMINATION (2006) IRON MAN Best Score Soundtrack Album iTUNES AWARD (2008) IRON MAN Best Score WORLD SOUNDTRACK AWARD MR. BROOKS NOMINATION Discovery Of The Year (2007) EMMY NOMINATION (2006) PRISON BREAK Outstanding Main Title Theme Music FEATURE FILM THE ETERNALS Chloé Zhao, dir. Marvel Studios Mitchell Bell, Kevin Feige, Nate Moore, prods. THE MAN FROM TORONTO Todd Black, Jason Blumenthal, Steve Tisch, prods. Sony Pictures Entertainment Patrick Hughes, dir. ELEPHANT Alastair Fothergill, prod. Disneynature Mark Linfield, dir. THE QUEEN’S CORGI Ben Stasson, prod. Lionsgate Ben Stasson, dir.
    [Show full text]
  • HBO: Brand Management and Subscriber Aggregation: 1972-2007
    1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.
    [Show full text]