FOR IMMEDIATE RELEASE Director Vasan Bala, Actor Farhan Akhtar, Writer Varun Grover
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Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48
FOR IMMEDIATE RELEASE Media contacts: March 23, 2016 Chalena Cadenas 310.360.1981 [email protected] Mauli Singh [email protected] Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48 Lab Recognizes and Supports Six Emerging Independent Filmmakers from India Los Angeles, CA — Sundance Institute and Drishyam Films today announced the artists and creative advisors selected for the second Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48. The Lab supports emerging filmmakers in India, as part of the Institute’s sustained commitment to international artists, which in the last 25 years has included programs in Brazil, Mexico, Jordan, Turkey, Japan, Cuba, Israel and Central Europe. Now in its second year, the fourday Lab is a creative and strategic partnership between Drishyam Films and Sundance Institute, and gives independent screenwriters the opportunity to work intensively on their feature film scripts in an environment that encourages innovation and creative risktaking. The Lab is centered around oneonone story sessions with creative advisors. Screenwriting fellows engage in an artistically rigorous process that offers lessons in craft, a fresh perspective on their work and a platform to fully realize their material. Leading the Lab in India is Drishyam founder, Manish Mundra. He said, “A beautiful heritage city in my hometown of Rajasthan, Udaipur forms an ideal writers retreat, and is the perfect environment for a diverse group of emerging writers and renowned mentors to have a refreshing and productive exchange. Our goal is that the six selected Indian projects, after undergoing a comprehensive mentoring process, will quickly move from script to screen and make their mark globally. -
Movies Thatpack a Punch
Movies thatPack a 21 June JulyPunch - 01 2019 www.birminghamindianfilmfestival.co.uk Artist Cary Burman. Photo by Chila Rajinder Sawhney Kumari Celebrating our 5th Birthday, Birmingham Indian Film Festival which is part of the UK and Europe’s largest South Asian film festival is literally stuffed to the rafters with a rich assortment of entertaining and thought provoking independent films. This year’s highlights include Our Film, Power & Politics strand offers a red carpet opening night at a critical insight into the fast moving Cineworld Broad Street with the political changes of South Asia. The exciting premiere of cop whodunit astonishing documentary Reason by Article 15, starring Bollywood star Anand Patwardhan, Bangla suspense READYTO LAUNCH YOUR CAREER Ayushmann Khurrana and directed Saturday Afternoon and Gandhian by Anubhav Sinha. Our closing night black comedy #Gadhvi are a few films IN THE FILM INDUSTRY marks the return of Ritesh Batra, the to look out for. director of The Lunchbox with the premiere of Photograph starring the We are expecting a host of special MA Feature Film Development and legendary Nawazuddin Siddiqui and guests, including India’s most famous Sanya Malhotra. indie director Anurag Kashyap of MA Film Distribution and Marketing Sacred Games fame. Make sure you buy Our themes this year include the Young your tickets in advance for this one! Now open for applications Rebel strand which literally knocks out www.bcu.ac.uk/nti/courses all the stereotypes with a fist of movies We are delighted to welcome back our exploring younger lives. See director regular partners including Birmingham Rima Das’ award-winning teenage hit City University and welcome our new Bulbul Can Sing. -
Media Release Reliance Entertainment and Phantom Films
Media Release Reliance Entertainment and Phantom Films’ Super 30 to release on 23rd Nov, 2018 Directed by Vikas Bahl, “Super 30” will star Hrithik Roshan Mumbai, November 4, 2017: Anil D. Ambani led Reliance Entertainment and Phantom Films’ “Super 30” directed by Vikas Bahl and starring Hrithik Roshan in the lead role will release on 23rd November 2018. Super 30 is a story of a mathematics genius from a modest family in Bihar, Anand Kumar, who was told that only a king’s son can become a king. But he went on to prove how one poor man could create some of the world’s most genius minds. Anand Kumar’s training program is so effective that students post cracking IIT have gone on to become some of the most successful professionals. Many students trained under the Super 30 program have joined some of the top global companies like Adobe, Samsung Research Institute, Amazon etc. Anand Kumar said, “I trust Vikas Bahl with my life story and I believe that he will make a heartfelt film. I am a rooted guy so I feel some level of emotional quotient is required to live my life on screen. I have seen that in Hrithik – on and off screen. I have full faith in his capabilities.” Vikas Bahl, truly inspired by Anand Kumar’s initiative, said, “Super 30 is a story of the struggles of those genius kids who have one opportunity and how those 30 amongst thousands of others redefine success. The film will focus on the Super 30 program that Kumar started, which trains 30 IIT aspirants to crack its entrance test.” Vikas Bahl is one of the most critically and commercially acclaimed directors of our country. -
Ritesh Batra's Dabba (The Lunchbox)
Press Note Subject - Ritesh Batra’s Dabba (The Lunchbox) a part of the Film Bazaar Screenwriters’ Lab 2011 selected to be a part of CineMART, Co-Production Market of IFFR. Ritesh Batra’s Dabba (The Lunchbox), a part of Film Bazaar Screenwriters’ Lab 2011 is now selected to be a part of the CineMART, Co-Production Market of the International Film Festival Rotterdam which will be held from January 29 to February 1, 2012. The Screenwriters’ Lab was held in partnership with Binger Filmlab (Netherlands) from November 21-23, 2011 in Goa whereas the first working session of the two-part program was conducted in Venice. CineMart manager Jacobine van der Vloed said “CineMart welcomes a project by two former participants of Rotterdam Lab, CineMart’s training programme for emerging producers organized in collaboration with its partners. The Indian project THE LUNCHBOX by Ritesh Batra and producer Guneet Monga from Anurag Kashyap Productions originates from their initial meetings at Rotterdam Lab 2011. Batra’s short film CAFÉ REGULAR, CAÏRO has been selected for IFFR 2012’s Spectrum: Shorts.” Projects at Film Bazaar that have been awarded by the Hubert Bals Fund include Pushpendra Misra's Valley Song which was presented with the Hubert Bals award $6,400 (Euros5,000) towards the projects development for most promising feature film project at the third Film Bazaar in 2008. Huberts Bals awarded a cash prize of 5,000 Euros to Umesh Vinayak Kulkarni’s Deool (Temple) in the fourth Film Bazaar in 2010 for project development. Kulkarni’s project was a part of the FB Co-Production Market. -
Masaan-Press-Kit.Pdf
MACASSAR PRODUCTIONS, PATHÉ ET AND DRISHYAM FILMS PRÉSENTENT PRESENT Durée Length : 1H43 Photos et dossier de presse téléchargeables sur www.pathefilms.com Material can be downloaded on www.patheinternational.com DISTRIBUTION FRENCH DISTRIBUTION & INTERNATIONAL SALES PATHÉ DISTRIBUTION 2, rue Lamennais – 75008 Paris Tél. : 01 71 72 30 00 www.pathefilms.com www.patheinternational.com À CANNES IN CANNES INTERNATIONAL SALES Boutique Bodyguard Résidences du Grand Hôtel - IBIS Entrance 45, la Croisette Apartement 4 A/E - 4th floor Jardins du Grand Hôtel Tél. : +33 4 93 68 24 31 06400 Cannes [email protected] Tél. : 04 93 99 91 34 RELATIONS PRESSE INTERNATIONAL PRESS LE PUBLIC SYSTÈME CINÉMA Céline PETIT, Clément REBILLAT, Celia MAHISTRE & Anne-Sophie TRINTIGNAC 40, rue Anatole France – 92594 Levallois-Perret Cedex Tél. : 01 41 34 23 50 [email protected] À CANNES IN CANNES RELATIONS PRESSE FRANCE & INTERNATIONAL LE PUBLIC SYSTÈME CINÉMA Céline PETIT, Clément RÉBILLAT, Celia MAHISTRE & Anne-Sophie TRINTIGNAC 29, rue Bivouac Napoléon – 06400 Cannes Tél. : +33 7 86 23 90 85 [email protected] [email protected] [email protected] [email protected] Bénarès, la cité sainte au bord du Gange, punit cruellement ceux qui jouent Benares, the holy city on the banks of the Ganges, reserves a cruel punishment avec les traditions morales. Deepak, un jeune homme issu des quartiers for those who play with moral traditions. Deepak, a young man from a poor pauvres, tombe éperdument amoureux d’une jeune fille qui n’est pas de la neighborhood, falls hopelessly in love with a young girl from a different caste. même caste que lui. -
Form 20-F Eros International
SECURITIES AND EXCHANGE COMMISSION WASHINGTON, DC 20549 FORM 20-F ☐ REGISTRATION STATEMENT PURSUANT TO SECTION 12(b) OR 12(g) OF THE SECURITIES EXCHANGE ACT OF 1934 OR ☑ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended March 31, 2019 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 OR ☐ SHELL COMPANY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Commission file number 001-36176 EROS INTERNATIONAL PLC (Exact name of Registrant as specified in its charter) Not Applicable (Translation of Registrant’s name into English) Isle of Man (Jurisdiction of incorporation or organization) 550 County Avenue Secaucus, New Jersey 07094 Tel: +1(201) 558 9001 (Address of principal executive offices) Oliver Webster IQ EQ (Isle of Man) Limited First Names House Victoria Road Douglas, IM2 4DF Isle of Man Tel: (44) 1624 630 630 Email: [email protected] (Name, Telephone, E-mail and/or Facsimile number and Address of Company Contact Person) Securities registered or to be registered pursuant to Section 12(b) of the Act. Trading Title of each class Symbol(s) Name of each exchange on which registered A ordinary share, par value GBP 0.30 per share EROS The New York Stock Exchange Securities registered or to be registered pursuant to Section 12(g) of the Act. None (Title of Class) Securities for which there is a reporting obligation pursuant to Section 15(d) of the Act None (Title of Class) Indicate the number of outstanding shares of each of the issuer’s classes of capital or common stock as of the close of the period covered by the annual report. -
Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020
Repositorium für die Medienwissenschaft Adriane Meusch, Bianka-Isabell Scharmann u.a. (Hg.) Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium 2020 https://doi.org/10.25969/mediarep/13589 Veröffentlichungsversion / published version Konferenzbeitrag / conference object Empfohlene Zitierung / Suggested Citation: Meusch, Adriane; Scharmann, Bianka-Isabell (Hg.): Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium. Frankfurt am Main: Zenodo 2020. DOI: https://doi.org/10.25969/mediarep/13589. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5281/zenodo.3662799 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 4.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 4.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ THINK THINK FILM! Edited by Adriane MeuschandBianka- Adriane Edited by Isabell Scharmann On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Edited by Adriane Meusch & Bianka- Isabell Scharmann Frankfurt am Main, 2020 Editors Adriane Meusch and Bianka-Isabell Scharmann, in collaboration with Michelle Rafaela Kamolz https://thinkfilmsymposium.wordpress.com Copy Editor Carly Crane Graphic Design Muriel Serf (mmm.do) Bibliographic information of the German Library The German Library catalogues this publication in the German National Bibliography; detailed bibliographic information can be found on the Internet website: http://dnb.d-nb.de. -
Big Synergy and Phantom Films Enter Into an Alliance to Create a Content Production Powerhouse Across Tv and Digital Media
BIG SYNERGY AND PHANTOM FILMS ENTER INTO AN ALLIANCE TO CREATE A CONTENT PRODUCTION POWERHOUSE ACROSS TV AND DIGITAL MEDIA Mumbai, 1st July , 2016: Big Synergy Media and Phantom Films have forged an alliance to create a content production powerhouse, to deliver relevant and impactful entertainment content across TV and Digital Media. With the new alliance, both Big Synergy and Phantoms Films will benefit from each other’s core expertise to expand their businesses. Big Synergy will now have access to the tremendous creative talent resource of Phantom Films to expand their offering into the fiction segment for both TV and Digital Media. Phantom Films will build on Big Synergy’s well-established leadership in factual entertainment to expand their business in the TV and Digital Media. Phantom Films will also now have access to Big Synergy’s expertise and reach in production of regional language content across seven languages in the fiction & non-fiction space. BIG Synergy, promoted by Siddhartha Basu and Anita Kaul Basu, has built its reputation as a leader in the field of factual entertainment, starting off as one of the country's first independent television production houses in 1988. Big Synergy has since then been at the helm of producing some of the country’s most critically acclaimed and popular television programmes. Keeping abreast of constantly changing viewership and growth of regional markets, Big Synergy has incorporated top of the line technology and state-of the art techniques, creating content and programme ideas in sync with market demands across India. Phantom Films, established in 2011 by four prolific filmmakers , Anurag Kashyap, Vikas Bahl ,Vikramaditya Motwane and Madhu Mantena has earned a reputation for producing some of India’s most path breaking and engaging films in recent times. -
Reading Communication As Cannibalism in the Lunchbox and Papa No Obentō Wa Sekai Ichi
The Way to the Heart through the Stomach: Reading Communication as Cannibalism in The Lunchbox and Papa no Obentō wa Sekai Ichi Sambhabi Ghosh 1 Abstract: In this paper, I would like to explore the communication that can be enacted using the language of food, and the symbolic cannibalism in the process of understanding such language, through Ritesh Batra’s The Lunchbox (2013) and Masakazu Fukatsu’s Papa no Obentō wa Sekai Ichi (Dad’s Lunch Box 2017). The language of the food (what one eats) is intrinsically bound up with how one eats (the consumption) and how one prepares what is to be eaten (the communication) and their interaction is crucial to the recognition that “understanding is still an assimilation” (Birnbaum and Olsson). Such assimilation facilitates what Derrida calls an “infinite hospitality” (Derrida 282)—a continuous two-way nourishment of understanding the others, as well as giving oneself to be understood by the others, using “the very notion of comprehending as an act of incorporation” (Birnbaum and Olsson). I would also like to extend this idea into the relationship of the audience with film itself—in their consumption of characters, the stories, and the cultures represented—geared towards a back-and-forth nourishment between addresser and addressee. Keywords: food, cannibalism, function of language, Derrida, Jakobson Novalis, in what would seem like a bizarre supposition, speaks of friendship as a form of cannibalistic assimilation. He writes: All spiritual pleasure can be expressed through eating. In friendship, one really eats of the friend, or feeds on him. It is a genuine trope to substitute the body for the spirit – and, at a commemorative dinner for a friend, to enjoy, with bold, supersensual imagination, his flesh in every bite, and his blood in every gulp. -
Gangs of Wasseypur As an Active Archive of Popular Cinema
M A D H U J A M U K H E R J E E Of Recollection, Retelling, and Cinephilia: Reading Gangs of Wasseypur as an Active Archive of Popular Cinema This paper studies Gangs of Wasseypur (Parts 1 and 2, 2012) as a definitive text via which Anurag Kashyap’s style became particularly provocative and pointed. While a range of films (both directed and produced by Kashyap) seemingly bear a certain ‘Kashyap mark’ in the manner in which they tackle subjects of violence and belligerent speech with an unpredictable comic sense, I argue that, more importantly, these films work within a particular visual framework with regard to its mise-en- scène (including the play of light, camera movement, modes of performance), as well as produce recognisable plot structures (involving capricious and realistic events), settings and locations (like the city’s underbelly, police stations, etc.), and so on. Indeed, Kashyap has made a set of films—including Paanch (unreleased), No Smoking (2007) and Ugly (2014)—which deal with similar issues, and explore contemporary cityscapes, especially Mumbai, with fervidness, thereby commenting on urban dystopia.1 Furthermore, these films speak to what has been analysed as the ‘Bombay noir’ mode by Lalitha Gopalan, by means of thoughtful art and set design, engaging (and often hand-held) camera movements and swish-pans, uses of blue or yellow filters, character prototypes, and reflective performances, which generate a world that is engulfed by a deep sense of disquiet and distress. This paper draws attention to such stylistic explorations, especially JOURNAL OF THE MOVING IMAGE 91 to the ways in which it has developed through Kashyap’s recent films. -
The India Toy Fair Virtual-2021 27 Feb- 2 Mar-2021
THE INDIA TOY FAIR VIRTUAL-2021 27 FEB- 2 MAR-2021 1 THE INDIA TOY FAIR VIRTUAL-2021 27 FEB- 2 MAR-2021 PARTICIPANTS PROFILE 2Teeth Kidswear Address : 168, Arulandhanammalnagar, Pudukottai main Road, Thanjavur, Thanjavur - 613007 (TAMIL NADU) Contact Number : 8610225174, Email : [email protected] , Contact Person : Suganthan Product Category : Baby & Toddler Toys 3LININVOVATIONS Address : 448, BHARATHIYAR RD, PAPA NAICKENPALAYAM, COIMBATORE - 641037 (TAMIL NADU) Contact Number : 9791330359, Email : [email protected] , Contact Person : BALAJI Product Category : Action & Toy Figures 7 Star Toys Industrial Corportaion, Address : G1-1287, RIICO Industrial Area, Phase-V, Bhiwadi, Distt- Alwar, BHIWADI - 301019 (RAJASTHAN) Contact Number : 9873433143, Email : [email protected] , Contact Person : Mr MukulMehndiratta- Partner Product Category : Action & Toy Figures A K Enterprise Address : K 704 Maple Tree, B/s. Manichandra Bungalows, Nr. Surdhara Circle, Sal Hospital Road, Memnagar, Ahmedabad - (Gujarat) Contact Number : 9898812211, Email : [email protected], [email protected] , Contact Person : Kalpesh Bhatia Product Category : Bikes, Skates & Ride-Ons A STAR MARKETING PVT LTD Address : GALI NO 4, JAWAHAR COMPOUND 186, JAKARIA BUNDER RD, SHIWDI WEST, MUMBAI - 400015 (MAHARASHTRA) Contact Number : 9820644540, Email : [email protected] , Contact Person : DIPESH SAVLA Product Category : Action & Toy Figures A. JERALD SHOBAN Address : 29, Near Arul Theatre, Pookara Matha Kobil,Street, Tanjore- DCH - 613501 (TAMIL NADU) Contact Number : 9360936022, Email : [email protected] , Contact Person : A.Jerald Shoban Product Category : Traditional Toys 2 THE INDIA TOY FAIR VIRTUAL-2021 27 FEB- 2 MAR-2021 A2Z PAMTY DECCE PVT. LTD. Address : 25, 36 GOVIND NAGAR ,SODAULA LANE,BORAWALI EAST, MUMBAI - 400092 (MAHARASHTRA) Contact Number : 8104804075, Email : [email protected] , Contact Person : JAYESH M. -
P36-40 Layout 1
lifestyle TUESDAY, OCTOBER 6, 2015 Music & Movies Grateful Dead, John Mayer giving away 10K tickets to NY show embers of the Grateful Dead and John Mayer are free and we get to promote our music and share it with and I’m not going to tell you that we have them entirely giving away 10,000 free tickets to a concert next people,” Bob Weir said in an interview with The Associated locked down, but we have a good handle on them.” The Mmonth. The veteran band and Mayer, who joined Press on Saturday. Fans can enter to win tickets today band is encouraging fans who attend the show or watch forces for the supergroup Dead & Company this summer, through Thursday on Dead & Company’s website. No tick- the livestream to donate to the Robin Hood Foundation, an announced yesterday that 5,000 fans will have a chance to ets for the show will go on sale. organization fighting poverty in New York City. — AP win two tickets each to their Nov 7 show in New York City. Grateful Dead’s Weir, Mickey Hart and Bill Kreutzmann The group has partnered with American Express for its are part of Dead & Company with Mayer; Phil Lesh is not music series, “American Express Unstaged,” for the sweep- involved. They group is performing a string of US dates on File photo shows John Mayer stakes. Film director Brett Ratner will direct the concert’s a fall tour, which kicks off Oct 29 in Albany, New York. arrives at the 57th annual Grammy livestream from Madison Square Garden.