DOCSLIB.ORG

Rafelson Film

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rafelson Film Rafelson Film/ TV Credits Title Song Credit Company "Doggie Boogie" (2011) Doggie Boogie Composer/Titile Song Doggie Boogie Productions Family Director: Romanus Wolter Starring:Jesse Draper/Bettina Devin/Jane Wiedlin "Overnight" ( 2010) Various Composer Red Eye Productions Comedy / Romance Director: Valerie Breiman Starring:Rachel Blanchard/James D'Arcy/Anthony LaPaglia "Pool Boys" (American Summer, 2011) Music Score Composer Parallel Media Comedy Music Supervisor Seven Arts Pictures Director: James B. Rogers Stardom Pictures Starring: Efren Ramirez / Matthew Lillard "GLEE" ( 2010) Open Your Heart Composer Fox Network Comedy/Drama Ryan Murphy Productions Director: Various Starring:Lea Michele /Jane Lynch /Matthew Morrison "Hit and Run" (2009) "Roller Coaster" Composer MGM Drama | Thriller Director: Enda McCallion Starring: Laura Breckenridge / Kevin Corrigan "Flirting with Forty" (2008) "Rafe Samba" Composer Lifetime Network Comedy | Drama | Romance Director: Mikael Salomon Starring: Heather Locklear / Robert Buckley "Deal" (2008) Music Score Composer MGM Comedy | Drama Director: Gil Cates Jr. Starring: Burt Reynolds / Shannon Elizabeth "Bumper" (2008) "Roller Coaster" Writer MGM Drama | Thriller Producer Director: Enda McCallion Starring: Laura Breckenridge "The Neighbor" (2007) Various Music Supervisor Curb Entertainment Comedy Writer Director: Eddie O'Flaherty Producer Starring: Matthew Modine / Ann Cusack Artist "Marato 2007. La" (2007) "Open Your Heart" Composer Televisió de Catalunya Television (TV3) Director: Xavi Abad Starring: Miquel Calcada "Dorm Daze 2" (2006) Music Score Music Supervisor Hill & Brand Entertainment, Comedy Composer National Lampoon Productions Director: David & Scott Hilenbrand Producer Starring: Danielle Fishel / Chris Owen "Two Brads and a Funky Girl" (2005) Music Score Composer Ho Fun Films Short | Romance Director: Michelle Ho Starring: Alexandra Aitken / Steve Aspin "Heart of the Beholder" (2005) Various Music Score Composer Beholder Productions Drama Producer Director: Ken Tipton Writer Starring: Priscilla Barnes / Michael Dorn "Hey Baby" (2003) Music Score Composer Eye Scream Films Short | Comedy Director: Sean Michael Beyer Starring: Zack Bennett / Sean Michael Beyer "Dorm Daze" (2003) Various Music Supervisor National Lampoon Productions Comedy Composer Director: David & Scott Hillenbrand Producer Starring: Tatyana Ali / Danielle Fishel "Dorm Day Crazy" (2003) Various Music Supervisor Hill & Brand Entertainment Comedy Artist Director: David & Scott Hillenbrand Producer Starring: Tatyana Ali / Danielle Fishel Writer "Rapid Guy Movement" (2003) Music Score Composer Eye Scream Films Comedy | Romance Director: Sean Michael Beyer Starring: Paul Katami / Bill Duggan "A Midsummer Night's Rave" (2002) Various Music Score Composer Velocity Home Drama Executive Producer Entertainment Director: Gil Cates Jr. Starring: Lauren German / Andrew Keegan "The House on Turk Street" (2002) "Steppin' Stone" Artist Paramount Pictures Crime | Drama | Thriller Producer Director: Bob Rafelson Starring: Samuel L. Jackson / Milla Jovovich "Crossroads" (2002) "Open Your Heart" Composer Paramount Pictures Drama Director: Tamra Davis Starring: Britney Spears "Erotic Tales" (2001) Entire Score Composer Zeigler Films Television Movie Producer Director: Bob Rafelson Starring: Bob Rafelson / Fabienne Babe "Afterthoughts" (2002) Various Composer Rafelson Media Documentary | Television Producer Director: Bob Rafelson Starring: Jack Nicholson "Hysterical Blindness" (2002) "Rush Hour" Composer HBO Drama Director: Mira Nair Starring: Uma Thurman / Gena Rowlands "Ripped" (2001) Various Composer Cardigan Road Comedy | Short Productions Director: Gregory Cooke Starring: Brent Taylor / Jennifer Capo "Boys Life 3" (2000) Music Score Composer Mongrel Media Drama | Romance Stand Releasing Director: Gregory Cooke / David Fourier Starring: Cleo Delacruz / Aurelien Bianco "Camera" (2000) Music Score Composer Odyssey Pictures Adventure | Comedy | Fantasy Director: Richard Martini Starring: Carol Alt / Angie Everhart "$30" (1999) Music Score Composer Cardigan Road Comedy | Short Productions Director: Gregory Cooke Starring: Sara Gilbert / Eric MacArthur "Poodle Springs" (1998) Multiple Cues Producer HBO Drama Writer Director: Bob Rafelson Starring: Bob Rafelson / Peter Gallagher "License to Drive" (1998) "Rush Hour" Composer Twentieth Century Fox Comedy Director: Greg Beeman Starring: Corey Haim / Corey Feldman "Café Society" (1995) "The Bust" Programmer Skyline Productions Drama "Season's Start" Artist Director: Raymond DeFelitta Starring: Frank Whaley / Peter Gallagher "Camp Nowhere" (1994) "Ready Or Not" Producer Buena Vista Comedy Composer Disney Director: Jonathan Prince Starring: Christopher Lloyd "Trial: The Price of Passion" (1992) "Ready Or Not" Composer Tristar Television Drama | Thriller Director: Paul Wendkos Starring: Peter Strauss / Veverly D'Angelo "Campus Man" (1987) "Some Become Composer RKO Pictures Comedy Strangers" Director: Ron Casden Starring: John Dye "Black Widow" (1986) "Magic Island" Composer Twentieth Century Drama "Night Hearts" Artist Fox Pictures Director: Bob Rafelson Composer Starring: Debra Winger / Dennis Hopper "Lucas" (1986) "Follow Your Heart" Producer Twentieth Century Drama Composer Fox Pictures Director: David Seltzer Starring: Corey Haim / Charlie Sheen "American Flyers" (1985) "Fly Away" Arranger Warner Bros Films Drama Artist Director: John Badham Starring: Kevin Costner "Perfect" (1985) "Follow Your Heart" Producer Columbia Pictures Drama | Romance Composer Director: James Bridges Starring: John Travolta / Jamie Lee Curtis "Fame" (1980) "Make It Up" Composer MGM TV Drama | Musical Director: Alan Parker Starring: Irene Cara, Debbie Allen.
Load more

Recommended publications
  • Jennifer Ricchiazzi, Csa
    JENNIFER RICCHIAZZI, CSA www.jenniferricchiazzi.com Selected Film & Television Credits FUTRA DAYS (Pre-Production/Currently Casting) Producer: Ryan David, Orian Williams, David Zonshine. Director/Writer: Ryan David. SHOOTING HEROIN (Post-Production) Producer: Mark Joseph. Director/Writer: Spencer Folmar. Starring: Alan Powell, Cathy Moriarty, Sherilyn Fenn, Nicholas Turturro THE UNSPOKEN (Pre-Production) Winterland Pictures. Producers: Lionel Hicks, Rebecca Tranter. Director/Writer: Andrew Hunt FIGHTING CHANCE (Pre-Production) Producers: Scott Rosenfelt, Ron Winston. Director: Mikael Salomon FALL OF EDEN (Pre-Production) Producer: Mark G Mathis. Director: Susan Dynner. Attached: Dylan McDermott, Brianna Hildebrand. BLINDED BY ED (Pre-Production) Producer: Kristy Lash. Director/Writer: Chris Fetchko. Attached: Katrina Bowden. REAGAN (Pre-Production) Independent. Producer: Mark Joseph; Executive Producer: Dawn Krantz. Director: John G. Avildsen. Attached: Jon Voight and Dennis Quaid. HAUNTING OF THE MARY CELESTE Vertical Entertainment. Producers: Norman Dreyfuss, Brian Dreyfuss, Justin Ambrosino. Writer: David Ross; Executive Producers: Eric Brodeur, Jerome Oliver. Director: Shana Betz. Starring: Emily Swallow. SOLVE Mobile Series. Vertical Networks; Snapchat. THE STOLEN Independent/Cork Films Ltd. Producer/Writer: Emily Corcoran; Executive Producer: Julia Palau. Director/Co-Writer: Niall Johnson. Starring: Alice Eve, Jack Davenport. THE CLAPPER (Tribeca Film Festival 2017) Independent. Producer: Robin Schorr. Director: Dito Montiel. Starring:
    [Show full text]
  • Free Indirect Affect in Cassavetes' Opening Night and Faces Homay King Bryn Mawr College, [email protected]
    Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2004 Free Indirect Affect in Cassavetes' Opening Night and Faces Homay King Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the Film and Media Studies Commons Custom Citation King, Homay. "Free Indirect Affect in Cassavetes' Opening Night and Faces." Camera Obscura 19, no. 2/56 (2004): 105-139, doi: 10.1215/02705346-19-2_56-105. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/40 For more information, please contact [email protected]. 1 Homay King, “Free Indirect Affect in Cassavetes’ Opening Night and Faces,” Camera Obscura 56, v. 19, n. 2 (Summer 2004): 104-135. Free Indirect Affect in Cassavetes’ Opening Night and Faces Homay King How to make the affect echo? — Roland Barthes, Roland Barthes by Roland Barthes1 1. In the Middle of Things: Opening Night John Cassavetes’ Opening Night (1977) begins not with the curtain going up, but backstage. In the first image we see, Myrtle Gordon (Gena Rowlands) has just exited stage left into the wings during a performance of the play The Second Woman. In this play, Myrtle acts the starring role of Virginia, a woman in her early sixties who is trapped in a stagnant second marriage to a photographer. Both Myrtle and Virginia are grappling with age and attempting to come to terms with the choices they have made throughout their lives.
    [Show full text]
  • Jessica Lange Regis Dialogue Formatted
    Jessica Lange Regis Dialogue with Molly Haskell, 1997 Bruce Jenkins: Let me say that these dialogues have for the better part of this decade focused on that part of cinema devoted to narrative or dramatic filmmaking, and we've had evenings with actors, directors, cinematographers, and I would say really especially with those performers that we identify with the cutting edge of narrative filmmaking. In describing tonight's guest, Molly Haskell spoke of a creative artist who not only did a sizeable number of important projects but more importantly, did the projects that she herself wanted to see made. The same I think can be said about Molly Haskell. She began in the 1960s working in New York for the French Film Office at that point where the French New Wave needed a promoter and a writer and a translator. She eventually wrote the landmark book From Reverence to Rape on women in cinema from 1973 and republished in 1987, and did sizable stints as the film reviewer for Vogue magazine, The Village Voice, New York magazine, New York Observer, and more recently, for On the Issues. Her most recent book, Holding My Own in No Man's Land, contains her last two decades' worth of writing. I'm please to say it's in the Walker bookstore, as well. Our other guest tonight needs no introduction here in the Twin Cities nor in Cloquet, Minnesota, nor would I say anyplace in the world that motion pictures are watched and cherished. She's an internationally recognized star, but she's really a unique star.
    [Show full text]
  • TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences
    TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences FILM MR. CHURCH Make-Up Department Head Director: Bruce Beresford Cast: Britt Robertson, Xavier Samuel, Christian Madsen SPY Make-Up Department Head Director: Paul Feig Cast: Jason Statham, Rose Byrme, Peter Serafinowicz, Julian Miller THE PURGE 2 - ANARCHY Make-Up Department Head and Mask Design Director: James DeMonaco Cast: Michael K. Williams, Frank Grillo, Carmen Ejogo BONNIE AND CLYDE Make-Up Department Head Director: Bruce Beresford Cast: Emile Hirsch, Holly Hunter, William Hurt, Sarah Hyland Nominee: Emmy – Outstanding Make-Up for a Miniseries or a Movie (Non-Prosthetic) ENDER’S GAME Make-Up Department Head Director: Gavin Hood Cast: Harrison Ford, Asa Butterfield, Sir Ben Kingsley JACK REACHER Make-Up Department Head Director: Christopher McQuarrie Cast: Rosamund Pike, Robert Duvall THE RITE Make-Up and Hair Designer Director: Mikael Håfström Cast: Alice Braga, Anthony Hopkins, Ciarán Hinds A NIGHTMARE ON ELM STREET Department Head Make-Up, Los Angeles Director: Samuel Bayer Cast: Jackie Earle Hayley, Kyle Gallner, Rooney Mara, Katie Cassidy, Thomas Dekker, Kellan Lutz, Clancy Brown LONDON DREAMS Make-Up and Hair Designer Director: Vipul Amrutlal Shah Cast: Salman Khan, Ajay Devgan, Asin, THE COURAGEOUS HEART Make-Up and Hair Department Head OF IRENA SENDLER Director: John Kent Harrison Hallmark Hall of Fame Cast: Anna Paquin, Goran Visnjic, Marcia Gay Harden Winner: Emmy for Outstanding Make-Up for a Miniseries or Movie
    [Show full text]
  • The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
    Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author
    [Show full text]
  • Productions in Ontario 2006
    2006 PRODUCTION IN ONTARIO with assistance from Ontario Media Development Corporation www.omdc.on.ca You belong here FEATURE FILMS – THEATRICAL ANIMAL 2 AWAY FROM HER Company: DGP Animal Productions Inc. Company: Pulling Focus Pictures ALL HAT Producers: Lewin Webb, Kate Harrison, Producer: Danny Iron, Simone Urdl, Company: No Cattle Productions Inc./ Wayne Thompson, Jennifer Weiss New Real Films David Mitchell, Erin Berry Director: Sarah Polley Producer: Jennifer Jonas Director: Ryan Combs Writers: Sarah Polley, Alice Munro Director: Leonard Farlinger Writer: Jacob Adams Production Manager: Ted Miller Writer: Brad Smith Production Manager: Dallas Dyer Production Designer: Kathleen Climie Line Producer/Production Manager: Production Designer: Andrew Berry Director of Photography: Luc Montpellier Avi Federgreen Director of Photography: Brendan Steacy Key Cast: Gordon Pinsent, Julie Christie, Production Designer: Matthew Davies Key Cast: Ving Rhames, K.C. Collins Olympia Dukakis Director of Photography: Paul Sarossy Shooting Dates: November – December 2006 Shooting Dates: February – April 2006 Key Cast: Luke Kirby, Rachael Leigh Cook, Lisa Ray A RAISIN IN THE SUN BLAZE Shooting Dates: October – November 2006 Company: ABC Television/Cliffwood Company: Barefoot Films GMBH Productions Producers: Til Schweiger, Shannon Mildon AMERICAN PIE PRESENTS: Producer: John Eckert Executive Producer: Tom Zickler THE NAKED MILE Executive Producers: Craig Zadan, Neil Meron Director: Reto Salimbeni Company: Universal Pictures Director: Kenny Leon Writer: Reto Salimbeni Producer: W.K. Border Writers: Lorraine Hansberry, Paris Qualles Line Producer/Production Manager: Director: Joe Nussbaum Production Manager: John Eckert Lena Cordina Writers: Adam Herz, Erik Lindsay Production Designer: Karen Bromley Production Designer: Matthew Davies Line Producer/Production Manager: Director of Photography: Ivan Strasburg Director of Photography: Paul Sarossy Byron Martin Key Cast: Sean Patrick Thomas, Key Cast: Til Schweiger Production Designer: Gordon Barnes Sean ‘P.
    [Show full text]
  • ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
    Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology.
    [Show full text]
  • In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
    In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. BA Bryan Adams=Canadian rock singer- Brenda Asnicar=actress, singer, model=423,028=7 songwriter=153,646=15 Bea Arthur=actress, singer, comedian=21,158=184 Ben Adams=English singer, songwriter and record Brett Anderson=English, Singer=12,648=252 producer=16,628=165 Beverly Aadland=Actress=26,900=156 Burgess Abernethy=Australian, Actor=14,765=183 Beverly Adams=Actress, author=10,564=288 Ben Affleck=American Actor=166,331=13 Brooke Adams=Actress=48,747=96 Bill Anderson=Scottish sportsman=23,681=118 Birce Akalay=Turkish, Actress=11,088=273 Brian Austin+Green=Actor=92,942=27 Bea Alonzo=Filipino, Actress=40,943=114 COMPLETEandLEFT Barbara Alyn+Woods=American actress=9,984=297 BA,Beatrice Arthur Barbara Anderson=American, Actress=12,184=256 BA,Ben Affleck Brittany Andrews=American pornographic BA,Benedict Arnold actress=19,914=190 BA,Benny Andersson Black Angelica=Romanian, Pornstar=26,304=161 BA,Bibi Andersson Bia Anthony=Brazilian=29,126=150 BA,Billie Joe Armstrong Bess Armstrong=American, Actress=10,818=284 BA,Brooks Atkinson Breanne Ashley=American, Model=10,862=282 BA,Bryan Adams Brittany Ashton+Holmes=American actress=71,996=63 BA,Bud Abbott ………. BA,Buzz Aldrin Boyce Avenue Blaqk Audio Brother Ali Bud ,Abbott ,Actor ,Half of Abbott and Costello Bob ,Abernethy ,Journalist ,Former NBC News correspondent Bella ,Abzug ,Politician ,Feminist and former Congresswoman Bruce ,Ackerman ,Scholar ,We the People Babe ,Adams ,Baseball ,Pitcher, Pittsburgh Pirates Brock ,Adams ,Politician ,US Senator from Washington, 1987-93 Brooke ,Adams
    [Show full text]
  • Verizon Channel Lineup Custom Tv
    Verizon channel lineup custom tv Continue By the mid-1960s, the participants in the traditional street scene had broken away in many directions. Some custom enthusiasts have switched to muscle cars and drag racing. Two original custom car architects, George Barris and Dean Jeffries, have been dragged into the World of Hollywood to create custom cars for television. When 20th Century-Fox and Batman producer William Dozier needed a Batmobile in 1965 (the pilot episode was supposed to premiere on ABC in January 1966), his first call went to Jeffreys, who began working on the 1959 caddy. Jeffries had to bow when he realized he couldn't meet Dozier's three-week term. Advertising custom car image Gallery Barris subsequently took the job, probably because he already owned the 1955 Lincoln Futura, a bubble-canopy concept car that Barris saved from a Ford crusher a few years ago by handing over one dollar. With a suitably low, wide chassis, as well as burning fins, a wide-mouthed grille, and a swoopy body line already in place, Futura was the Platform Barris needed to quickly deliver an outlandish, photogenic TV custom car that lived up to the manufacturer's expectations. Inside, the Futura Dash has been modified only slightly to accommodate prop gadgets such as Bat Phone, Discover-a-Scope, and Extraordinary Bat-Turn Lever. Claims about the number of Barris Batmobiles vary. Barris' crew pulled fiberglass molds from the original car to make duplicates for car show tours. Chances are four or five were made, including a drag-race race exhibition car.
    [Show full text]
  • Series 28: 7) John Cassavetes, KILLING of a CHINESE BOOKIE (1976, 135 Minutes)
    March 11, 2014 (Series 28: 7) John Cassavetes, KILLING OF A CHINESE BOOKIE (1976, 135 minutes) Directed by John Cassavetes Cinematography by Mitch Breit Ben Gazzara ... Cosmo Vittelli Timothy Carey ... Flo Al Ruban ... Marty Reitz JOHN CASSAVETES (director) (b. John Nicholas Cassavetes, December 9, 1929 in New York City, New York—d. February 3, 1989 (age 59) in Los Angeles, California) directed 16 films and TV shows, which are 1986 Big Trouble, 1984 Love Streams, 1980 Gloria, 1977 Opening Night, 1976 The Killing of a Chinese Bookie, 1974 A Woman Under the Influence, 1972 “Columbo” (TV Series), 1971 Minnie and Moskowitz, 1970 Husbands, 1968 Faces, 1966 “Bob Hope Presents the Chrysler Theatre” (TV Series), 1962-1963 “The Lloyd Bridges Show” (TV Series), 1963 A Child Is Waiting, 1961 Too Late Blues, 1959-1960 “Johnny Staccato” (TV Series), and 1959 Shadows. He also wrote 14 films and TV shows—2010 Antes del estreno (original story), MITCH BREIT (cinematography) has been cinematographer for 1999 Gloria (1980 screenplay), 1997 She's So Lovely, 1984 Love 2 films: 1976 The Killing of a Chinese Bookie and 1974 A Streams, 1980 Gloria, 1977 Opening Night, 1976 The Killing of Woman Under the Influence. a Chinese Bookie, 1974 A Woman Under the Influence, 1971 Minnie and Moskowitz, 1970 Husbands, 1968 Faces, 1966 “Bob BEN GAZZARA ... Cosmo Vittelli (b. Biagio Anthony Gazzara, Hope Presents the Chrysler Theatre” (TV Series), 1961 Too Late August 28, 1930 in New York City, New York—d. February 3, Blues, and 1959 Shadows—and edited 2—1968 Faces and 1959 2012 (age 81) in New York City, New York) appeared in 133 Shadows.
    [Show full text]
  • Ordinary Heroes: Depictions of Masculinity in World War II Film a Thesis Submitted to the Miami University Honors Program in Pa
    Ordinary Heroes: Depictions of Masculinity in World War II Film A thesis submitted to the Miami University Honors Program in partial fulfillment of the requirements for University Honors with Distinction by Robert M. Dunlap May 2007 Oxford, Ohio Abstract Much work has been done investigating the historical accuracy of World War II film, but no work has been done using these films to explore social values. From a mixed film studies and historical perspective, this essay investigates movie images of American soldiers in the European Theater of Operations to analyze changing perceptions of masculinity. An examination of ten films chronologically shows a distinct change from the post-war period to the present in the depiction of American soldiers. Masculinity undergoes a marked change from the film Battleground (1949) to Band of Brothers (2001). These changes coincide with monumental shifts in American culture. Events such as the loss of the Vietnam War dramatically changed perceptions of the Second World War and the men who fought during that time period. The United States had to deal with a loss of masculinity that came with their defeat in Vietnam and that shift is reflected in these films. The soldiers depicted become more skeptical of their leadership and become more uncertain of themselves while simultaneously appearing more emotional. Over time, realistic images became acceptable and, in fact, celebrated as truthful while no less masculine. In more recent years, there is a return to the heroism of the World War II generation, with an added emotionality and dimensionality. Films reveal not only the popular opinions of the men who fought and reflect on the validity of the war, but also show contemporary views of masculinity and warfare.
    [Show full text]