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AtlantaTHE MONTHLY MAGAZINE OF THE ATLANTA ArtsMEMORIAL ARTS CENTER NOVEMBER 1974

f Because you cared... we care.

201 Mount Vernon Road N.W. Atlanta, Georgia

A Development of Executive Equities, Inc. rich’s St. Si II ons Island A Priceless Work of Art

St. Simons Island, nestled on the coast of Georgia, is a cultural environment of amazing natural beauty. Like all creations of worth, man must delicately and tastefully exhibit art treasures for the enjoyment of those lucky enough to appreciate their aesthetic value. And on this island abundant in American history, natural wildlife, and inherent charm, there are two distinctive and elegant year-round resorts, both tastefully enriching the artistic habitat of the island.

There's the majestic King and Prince Beach Hotel dating back to the 30's and now elegantly refurbished with antiques, stained glass windows, and bright colors. Add to that superb dining, gracious service, easy entertaining, and one of the most gentle stretches of beach in Georgia and you'll find your special retreat at the King and Prince.

For golf and tennis enthusiasts, the Sea Palms Resort is a masterpiece of sporting artistry. A sculptured championship golf course sheltered by liveoaks and bordered by winding waterways and tennis courts nestled among a hedge of island greenery add to the scenic enjoyment of both games. The Sea Palms accommodations range from a room at the Inn, to appealing villas, to elegantly appointed homes. And it's all perfect for families and conventioneers alike.

Also, for those who wish to invest in this Georgia island, there are villas, homes, homesites, and other property available for development. And, ready to open in late Fall is The Island Club, an exciting Country Club development of refined residences.

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King and Prince Reservations (912)638-3631 Sea Palms Reservations (912)638-3351 Real Estate Information, Jack Minter (912)638-3351 Convention Information, Bert Wise (404) 892-6800 King and Prince /SE4 B4IMS BEACH HOTEL / RESORT GOLF & RACQUET CLUB

ST. SIMONS COMPANY 238 Arnold Rd. / St. Simons Island, Georgia 31522 / (912) 638-9948 Of Special interest For a more AT THE CENTER beautiful tomorrow.

ALLIANCE THEATRE COMPANY 1975 Season Announced David Bishop, Managing Director of the Alliance Theatre Company, re­ cently announced the 1975 play season. “This year we’re offering the very best yet from the Alliance Theatre Com­ pany,” stated Mr. Bishop. “Last year we doubled season subscriptions and we expect to do the same this season. Already more than 2,000 subscriptions have been sold for 1975 and we are just beginning our Fall campaign. Our successes last year left many theatre­ goers standing in long box-office lines so this season we are urging subscribers to reserve their own permanent seats Cotton States early.” Following a successful pattern of the is insurance. past few years, ATC will open with a musical. Last season’s O, Coward! was a sell-out as well as the previous year’s If you like hit, Jacques Brel Is Alive and Well and Rockefeller Center, Living In Paris. For 1975 Bishop has Georgetown, selected a red-hot hoofing, roaring 20’s Park Avenue and musical, The Boy Friend. the San Francisco “With the current revival of the Fairmont Hotel, twenties’ look in fashion and the re­ you’ll love living newed interest in the music of that at Colony Square. roaring decade, The Boy Friend seems most appropriate as our season opener,” stated Mr. Bishop. The Boy Friend COLONY SQUARE HE offers a kaleidoscopic spectacle of the Peachtree and 14th in Atlanta gyrating frenzy of the jazz era. The Boy Friend, one of the biggest hits of our time, allows an audience to savor the full fun and naivete of the roaring twenties — recapturing the “vo-do-de- oh-do,” the wanton abandon, the charm and the incongruities of the long-lost Coolidge-Hoover years. Hit tunes such as “Perfect Young Ladies,” “The Boy Friend,” and “Won’t You Charleston With Me?” are inter­ spersed with moments when the entire stage erupts into a slam-bang Charles- continued We make house calls Whatever your home improvement needs . . . from custom draperies to central air-conditioning, Sears can make it easy. We’ll come to you with samples of materials and expert advice. We’ll measure and give you free estimates at no obligation and we’ll handle all the details from start to finish. Phone your convenient Sears right away. for home improvement:

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2070 Chesme Bridge Road, N.E. PHONE 634-7378 Managing Director David Bishop urges subscribers to reserve permanent seats early and avoid box office lines. Alliance Theatre’s two resident direc­ tors, Fred Chappell and Robert J. Farley will be directing this season’s productions. Last season Mr. Chappell directed Oh, Coward!, Cat On A Hot Tin Roof, and Romeo and Juliet. Mr. Farley directed Count Dracula, The Hot L Baltimore and Our Town. Alliance Theatre Company is also pleased to an­ nounce that Lewis Stone Greenleaf, III Tours and Cruises ... will be back for his third season as ATC’s production designer. by Air and Steamship ATC’s second show, When You Cornin’ Back, Red Ryder?, comes to the Alliance stage direct from off-Broad- way by special release. This new play by Mark Medoff is winner of the OBIE ATLANTA TRAVEL AGENCY Award and Outer Critics Circle Award. P I 217 Georgia Life & Health Building Red Ryder originated at tre same 66 Luckie Street, N.W. off-Broadway playhouse which last Atlanta, Georgia 30303-Alex Hitz. Jr. continued You know what you ought to do tonight? You ought to sit down at a hibachi table and treat yourself to hibachi steak, hibachi shrimp or hibachi chicken— that’s what you ought to do tonight. BaiiHnnn or tokyo 2143 Peachtree Road N.E. (404) 355-8565

and a gourmet dinner too! A full evening's entertainment cocktails 6:30-7:00 buffet dinner 7:00-8:00 curtain 8:30 Shows Monday thru Saturday all year Mon - Thurs ■ $9.00/Fri - $9.50/Sat ■ $ 10.00

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November 5 through November 30

F Reservations Required 436-6262 year introduced the remarkable Hot L Baltimore. It has been applauded by Clive Barnes as “one of the best plays of the (74) season . . . not to be missed!” Harvey, third in line in 1975, has Spend the day at delighted audiences for years with the comic antics of Elwood P. Dowd and his friend, a six-foot tall white rabbit. Theatre-goers will enjoy bringing the whole family to this one since Harvey warms the hearts of young and old alike. The Crucible is a chilling historical drama about the Puritan witch hunts in 17th century Old Salem. A white- hot drama of granite and fire, it is con­ sidered one of Arthur Miller’s finest contributions to American theatre. Sherlock Holmes is a new play by Dennis Rosa. Rosa, the nationally ac­ claimed stage adapter of Sir Arthur Conan Doyle’s famous tales, has had tremendous success with his earlier The full-size fashion store scripts featuring the master sleuth. Al­ at Phipps Plaza —with great liance Theatre Company is proud to clothes for the whole family­ present his newest version, never be­ fore produced. home fashions, too, including The Shakespeare selection for this interesting antiques. season’s Student Audience Program is A Midsummer Night's Dream. Thous­ And marvelous gifts we found ands of high school students from all for you all over the world, over the state attend matinees with weekend performances open to the many available only at public. Lord & Taylor. Season tickets are now on sale for as little as $20.00. For information, Stay for luncheon or tea call 892-2797. in our enchanting Bird Cage restaurant, open every shopping day.

Lord & Taylor, Phipps Plaza ATLANTA SYMPHONY ORCHESTRA Peachtree Road between Wieuca Atlanta Symphony Youth Orchestra and Lenox Roads —266-0600 Presents December Concert Open Monday thru Saturday The Atlanta Symphony Youth Or­ 10:00 a.m. to 6:00 p.m. chestra, a new division of the Atlanta Symphony, began rehearsals on Septem­ Open Monday and Thursday ber 14 with 80 young Georgia mu­ evenings until 9:00 p.m. sicians participating in the ensemble's first season. The Youth Orchestra, under the di- continued following program notes Almost a century ago. a maitre will welcome Atlantans French chef serving at the and their guests with the same Imperial Russian court develop­ warmth he has shown to such ed a rare and extravagant dish notables as the Queen of England, called Pheasant Souvar- Sir Winston Churchill and off. Encased in a clay dish, President Eisenhower. the pheasant was prepared The Coromandel is a with truffles, goose liver and port small restaurant, intimate, wine. When presented to the gracious, lit by the glow of candle court, the dish was embellished light. Those who dine will enjoy with ribbons and the Czar was re­ an experience which will live with quired to break the clay with a them. A luncheon or dinner in special hammer before savoring surroundings where crystal is the delicacy. crystal, the china is china the linen The clay for your Pheasant is linen and the silver is steriing. Souvaroff is being imported from Those who prefer to simply France. It. along with your ham­ relax and converse over drinks will mer, will be waiting for you at the find comfort and entertainment Coromandel. in the Coromandel Lounge. The Coromandel will offer The Coromandel takes its name to Atlanta classic French cuisine, unparalleled from the huge, twelve-paneled Chinese screen, in this part of the country. The Executive Chef depicting ancient Chinese court scenes, will oversee the preparation of the Coro­ that becomes the restaurant s focal point. mandel's specialties with the same critical eye Its decor is plush, elegantly comfortable. and palate that won him renown at Paris’ Its cuisine and ceremonies go back to famed Le Grand Vefour, and Europe's Louis XV. Its traditions go back to the highest, most coveted honors, the age of the grand hotel. And its future Guide Michelin award and the 3-__ < will be assured by The Fairmont. Taittinger Cup. The Coromandel’s For more information call 892-6000. COKOOVnWEL RESITtlRART

Colony Square Hotel Peachtree and Fourteenth Streets Atlanta Symphony Orchestra Robert Shaw, Music Director and Conductor

Thursday, Friday and Saturday evenings 8:30, October 31, November 1 and 2, 1974 GAETANO DELOGU Conducting CRAIG SHEPPARD, Piano

PROGRAM HAYDN *Symphony No. 83 in G minor The Hen (1785) Allegro spiritoso Andante Menuetto — Allegretto Vivace LISZT Concerto for Piano and Orchestra No. 1 in E-flat major (1830 — 1849) Allegro maestoso Quasi adagio Allegretto vivace Allegro marziale animato

INTERMISSION

DEBUSSY *Fantaisie for Piano and Orchestra in E minor (1889 - 1890) Andante ma non troppo — Allegro giusto Lento e molto espressivo — Allegro molto

FALLA Suite from the Ballet El A mor brujo (1915) Introduction and Scene Dance of Terror The Magic Circle (Narrative of the Fisherman) Ritual Dance of Fire (To Dispel Evil Spirits) Pantomime Finale (Morning Chimes) *First performance at these concerts

This concert will be broadcast on a delayed basis by Atlanta Public Radio, WABE FM 90.1, Monday evening at 8 p.m. by special permission of the Atlanta Federation of Musicians, Local 148-462 and the Atlanta Symphony Players’ Association.

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Tennessee Whiskey • 90 Proof • Distilled and Bottled by Jack Daniel Distillery, Lem Motlow, Prop., Inc., Lynchburg (Pop. 361), Tenn. The first Distillery placed in the National Register of Historic Places by the United States Government. PROGRAM NOTES BY PAUL AFFELDER Symphony No. 83 in G minor No. 1 in E-flat major until the late ("The Hen”) 1840’s, while he was serving as con­ Joseph Haydn (1732-1809) ductor for the Duke of Weimar. It From 1761 until 1790, Haydn was was finished in 1848 or 1849, but the in the service of the Esterhazy family, composer was dissatisfied with it and in the seclusion of whose estate he laid it aside. He made some revisions composed symphonies, operas, masses in the score in 1853 and again in 1856, and other music. Despite that seclusion, after the concerto’s premiere. That however, his fame spread widely. He premiere took place at Weimar on Feb­ was a particular favorite in Paris, and ruary 17, 1855, at a concert celebrating it was there that a number of his most the birthday of the Grand Duchess of famous symphonies received their first Weimar. Liszt played the solo part, performance. and the orchestra was under the di­ The Symphony No. 83 in G minor rection of a distinguished guest from is the second of a set of six which France—Hector Berlioz. Haydn composed on commission for The construction of the E-flat major the fashionable Parisian organization, concerto was rather unusual for its Les Concerts de la Loge Olympique. time. It is in one continuous move­ This was a private concert society that ment which, however, is divided into flourished in the French capital from four closely integrated sections, each 1770 until the time of the Revolution, corresponding to a short symphonic when most of its patrons lost their movement. Liszt, who had evolved the heads. form of the symphonic poem, had been The Symphony No. 83 in G minor using this method of structural organi­ was composed in 1785, and was duly zation in works of that type. Now he performed at the Concerts de la Loge applied it to the concerto. Olympique in 1786 or 1787. Its opening Liszt’s Concerto No. 1 is particularly Allegro spiritoso begins in a rather well organized. There is an attention­ stormy fashion, leading us to believe compelling opening section, Allegro that we are in for some very serious maestoso; a broad, lyrical Quasi adagio; music, full of passion and drama. But a scherzo. Allegretto vivace, introduced this mood is quickly dispelled, giving by a solo for the triangle, and a final, way to a light-hearted second theme march-like Allegro marziale animato. with a sort of clucking character. Al­ Throughout the concerto, there is a ways fond of giving nicknames to mu­ great deal of interrelation of themes. sic, the Parisians were quick to seize As the composer himself pointed out, upon this passage and dub the sym­ for example, all of the material of the phony La Poule (The Hen). The second finale is derived from the Quasi adagio movement is a graceful Andante, the section. third an equally graceful Menuetto, Al­ If the form of the concerto was legretto, somewhat more tender than somewhat radical for its time, even most Haydn minuets, and the fourth a more radical was Liszt’s use of a tri­ gigue-like Vivace. angle as a solo instrument in the The symphony is scored for flute, scherzo. When the concerto was first two oboes, two bassoons, two horns performed in Vienna in 1857, the anti­ and strings. Liszt, anti-Wagner critic Eduard Hans­ (Copyrighted) lick nicknamed it the Triangle Concerto. In addition to the solo piano and the Concerto for Piano and Orchestra notorious triangle, the concerto is No. 1 in E-flat major scored for two flutes, piccolo, two Franz Liszt (1811-1886) oboes, two clarinets, two bassoons, two Liszt made sketches for both his horns, two trumpets, three trombones, piano concerti as early as 1830. He kettledrums, cymbals and strings. did not resume work on the Concerto (Copyrighted) When you come into money, keep the money coming in.

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INTERIORS ANTIQUES Fantaisie for Piano and Orchestra Nevertheless, it is essentially a three- in E minor movement concerted work, the Lento Claude Achille Debussy (1862-1918) being the middle slow movement. Fur­ The Fantaisie for Piano and Orches­ thermore, the first theme of the intro­ tra is seldom heard on concert pro­ duction serves as a germinal motive grams; during Debussy’s lifetime, it was for the entire composition. not heard at all. In 1884, Debussy won Assisting the piano is an orchestra of the Prix de Rome, and early the fol­ three flutes, piccolo, two oboes, English lowing year left to take up residence horn, two clarinets, bass clarinet, three at the Villa Medici in the Eternal City. bassoons, four horns, three trumpets, He was not happy there, nor was the three trombones, kettledrums, cymbals, Academie happy with the results of two harps and strings. his work. After several flights back to (Copyrighted) Paris, he finally left Rome for good in February 1887. Nevertheless, he con­ tinued to submit the required composi­ El Amor brujo tions to the Academie in fulfillment of Manuel de Falla (1876-1946) the conditions of the Prix de Rome, The title of Manuel de Falla’s ballet­ only now they came not from Rome pantomime El Amor brujo is usually but from Paris. One of those works translated as Love, the Sorcerer or was the Fantaisie for Piano and Orches­ Love, the Magician. The Spanish word tra, though he never submitted it. brujo means a male witch, but the Composed in 1889-90, the Fantaisie story of the ballet implies a translation was engraved in the latter year by the such as Wedded by Witchcraft, publisher Choudens but was not pub­ Wedded in Spite of Witchcraft, or Love lished until 1920. It was scheduled to by Witchcraft. have its premiere at a concert of the The story of El Amor brujo con­ Societe Nationale in Paris on April 21, cerns the beautiful and passionate 1890, with Rene Chansarel as the gypsy girl Candelas, widow of an evil, soloist and Vincent d’lndy as the con­ jealous and dissolute gypsy, a man ductor. After the next to last rehearsal, whom no woman could resist and who however, Debussy, without saying a could resist no woman. While he lived. word to anyone, removed the parts Candelas was always unhappy; but from the stands and took them away, now that her husband is dead, she then wrote a letter to d’lndy notifying mourns him, and fears that his spirit him that he was withdrawing the work. will return to haunt her and love her He never allowed it to be performed in his old faithless way. With the ar­ during his lifetime. rival of spring, however, love comes The reason for Debussy's sudden again to Candelas in the person of the change of heart concerning the Fan­ young, handsome Carmelo. As the two taisie has never been made entirely are about to exchange the kiss of per­ clear, though there have been a number fect love—the kiss that will break the of attempted explanations. According evil spell over Candelas—the ghost of to one of the composer’s most prom­ her dead husband appears between inent biographers, Leon Valias, “the real them. Carmelo is determined to van­ reason why Debussy withdrew this quish his ghostly rival. Realizing that, work was that he considered the Finale even in death, he retains his old weak­ a failure. The Fantaisie had to wait ness for women, Carmelo induces Can­ until December 1919, more than a year delas’ friend Lucia to flirt with the and a half after Debussy’s death, before spectre. When the ghost returns, he is receiving its world premiere. immediately attracted to Lucia. While The Fantaisie is divided into two the two carry on a violent flirtation, main parts: I. Andante ma non troppo, Carmelo and Candelas are able at last serving as an introduction to Allegro to exchange the kiss of perfect love, giusto; II. Lento e molto espressivo, and the ghost vanishes, never to bother which leads into the final Allegro molto. them again. TAKE A LESSON FROM AN OLD MASTER, Robert E. Lee. Even in his own day, he aeccably tailored cuts and fabrics, cut a dapper figure. His secret was sure, styles change. Waists may simple—be tasteful stylish, elegant, per, lapels may widen, but the qual­ consistent. ity never varies. Tasteful, stylish, That's how we run Muse's. ■ '■ elegant, consistent. We carry the finest lines in Just a few more reasons why. menswear: names like even in Robert E. Lee’s day, they Hickey-Freeman and Louis called us the style center of the South Roth in a stunning array of

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Dine FOR THE FINEST IN FOREIGN TRAVEL Nearby ARRANGEMENTS before the show Ask the man at who's been there" CROSSROADS OSBORNE TRAVEL SERVICE restaurant and lounge 3379 Peachtree Road, N.E. 1556 peachtree st. Atlanta, Georgia 30326 open every day - 875-6375 Telephone: 404 - 261-1600 Looking For A Business Home? Montag & Caldwell incorporated / Investment Counsel JOHN HUNSINGER 2901 FIRST NATIONAL BANK TOWER & COMPANY ATLANTA. GEORGIA / 404 658-1190 Industrial and Commercial Real Estate Jh 1819 Peachtree Road N E Telephone 351-6811 When El Amor brujo was given its made his English debut with the Royal world premiere in Madrid on April 15, Philharmonic Orchestra at the Royal 1915, Falla authorized the following Festival Hall. statement: “The composer, whose feel­ In September 1973 Mr. Delogu ing for and command of his country's made his English operatic debut con­ folk music are well-known, saw that it ducting performances of “Turandot” at would be impossible to write true the Royal Opera House, Covent Gar­ gypsy music by restricting himself to den, and received unanimous praise instrumental dances alone, and without from the English national press. resorting to the gypsies’ most character­ Mr. Delogu makes his American de­ istic feature: their songs. But he has by but in these concerts with the Atlanta no means used actual folk melodies. Symphony. Other engagements this sea­ Every song is his own invention, and it son include further appearances at is his particular glory that he has suc­ Covent Garden, with the Royal Liver­ ceeded in making it almost impossible pool Philharmonic, recording for EMI to believe that they are not actual pop­ Records in London, and appearances ular material.” with the Scottish National Orchestra. Falla’s original scoring calls for a In August, 1975, Gaetano Delogu small orchestra consisting of two flutes, makes his debut with the Cleveland Or­ piccolo, oboe, English horn, two clari­ chestra at the Blossom Festival. nets, bassoon, two horns, two trum­ pets, kettledrums, bells, piano and strings. CRAIG SHEPPARD (Copyrighted) Second Prize winner of the 1972 Leeds International Piano GAETANO DELOGU Competition, Craig Gaetano Delogu was Sheppard has already born in Messina, Italy established himself as and trained with Fran­ a major artist of this co Ferrara in Rome generation. In addi­ and Venice. After tion to being a past winning first prize in winner of the Los Angeles Young Mu­ * the Young Conduc­ sicians’ Foundation Debut Award, the tors Competition in Dealey Award of Dallas, and the In­ Florence in 1964, he ternational Busoni Competition in Italy, conducted all tl e foremost Italian or- he has appeared with the orchestras of chestras. and i 1 1968 he won first Philadelphia, Boston, Buffalo, Dallas, prize in the Dimitri Mitropoulos Inter­ Los Angeles, and San Francisco. Since national Competition in New York. He his prize in Leeds, he has been heard subsequently conducted the New York on numerous occasions over both BBC Philharmonic and Washington National Radio and Television, including a na­ Symphony Orchestras, working with tionally televised Gershwin Special over George Szell and Leonard Bernstein. the BBC Network last Christmas. Mr. Since then he has conducted many Sheppard will undertake a tour of con­ international orchestras (including the certs throughout the United States and Suisse Romande, Vienna Symphony, England this season, including a special Belgrade Philharmonic, Salzburg Mo- program on the life of Liszt to be filmed zarteum, Zagreb Philharmonic, Prague by the Independent Television Network Symphony, and Academia Santa Ce­ in London. cilia). In Italy, he also regularly con­ Mr. Sheppard was born in Phila­ ducts the three RAI orchestras in Milan, delphia in 1947 and started playing the Turin and Rome, and has conducted in piano at the age of five. He studied the Opera houses of Rome, Palermo, with Eleanor Sokoloff, Sacha Gorod- Naples, Florence and Milan. nitzki (at the Juilliard School) and is In_ January, 1973 Gaetano Delogu presently working with Ilona Kabos. ______tb\ ill’ll 11 I A 111

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NORTHSIDE/DOWNTOWN/DECATUR/CUMBERLAND MALL SYMPHONY HALL

SUNDAY, NOVEMBER 3 • 2:30 P.M.

TRAVELOGSWORLD TRAVEL ADVENTURE FILMS Bill Herring, Director

present

SCOTLAND & WALES

Narrated in person by ED LARK

Although Scotland and Wales are part of the British Empire, they have stubbornly retained their own national character and individuality. Slow to turn from traditional ways, the Scots and Welsh nevertheless realize the need for progress and have build new industries to supplement their depleting natural resources.

SYNOPSIS

Scotland’s magnificent and varied scenery continues to lure every Scotsman back to his beloved homeland.

Ancient ruins dating back thousands of years trace a vivid history of an un­ friendly land gripped in conflict. At some unknown time in history the kilt be­ came the traditional garment of the land. As peace finally settled over the tur­ bulent countryside, the arts flourished, and Robert Burns became Scotland’s national poet. Edinburgh, the capital of Scotland, has much to offer the visitor: Prince’s Street Park, fashionable department stores, the Royal Mile and St. Giles Cathedral in the Old Town, Order of the Thistle ceremony with Queen Elizabeth officiating, Military School of Piping, bagpipe factory, Royal Highland Show, and the Edin­ burgh zoo containing the largest penguin colony in captivity. We leave Edinburgh and cross the Firth Of Forth to St. Andrews where we trace the history of golf and visit the famous Old Course. St. Andrews is a cul­ tural center, having the oldest university in the country. We take part in a sheep roundup in the Dee Valley, and visit Balmoral Castle, the private home of Queen Elizabeth. The ARTS IN ATLANTA Calendar is inside. Please open from the top.

“His talent is the kind of which legends are made.”

Latest Release: SCHUMANN AND GRIEG PIANO CONCERTOS The London Symphony—Andre Previn CS-6840 BEETHOVEN: PATHETIQUE, MOONLIGHT and WALDSTEIN SONATAS CS-6806 Beethoven: PIANO CONCERTO NO. 3; 33 VARIATIONS ON AN ORIGINAL THEME The London Symphony Orchestra- Lawrence Foster CS-6715 Schubert: SONATA IN A MINOR (Op. 143) Brahms: RHAPSODY IN B MINOR (Op. 79, No. 1) 3 INTERMEZZI (Op. 117, Nos. 1/3) CS-6716

A-74 Photo: Steiner CRUISE WITH THE STARS!

Enjoy a 12-day Caribbean Holiday with theatre excitement and luxurious cruise living aboard Holland America's Flagship SS ROTTERDAM.

Let THOMAS COOK WORLD TRAVEL, the world's oldest and largest travel service book you on this cruise with such stars as CYRIL RITCHARD, MORRIS CARNOVSKY, LILLIAN GISH, MARTYN GREEN, TAMMY GRIMES, MELBA MOORE, ROBERT MORSE, PATRICE MUNSEL, JOHN RAITT, DICK SHAWN.

Theatre at Sea presented by the Theatre Guild and Holland America Cruises sailing from Miami April 19, 1975, priced from $735.00 per person, sharing two berth accommodations.

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SS ROTTERDAM registered in Netherland Antilles • Travelers Cheques issued free of service charge to clients

A Thought for Christmas Gifts A BOOK FROM GEORGIA

1) Atlanta Cooks for Company...... $ 5.00 Atlanta’s official cookbook by the Atlanta Music Club 2) Sketching and Etching Georgia...... $30.00 a limited edition of drawings by Ledlie W. Conger 3) Roswell: Historic Homes and Landmarks...... $12.50 a collection of drawings by Ernest E. DeVane, text by Clarece Martin 4) Historic Clayton County, home of Gone With the Wind . . . $10.00 a pictoral history by Terry Bakken & Historic Jonesboro, Inc. 5) Georgia Recipes & Food...... $ 5.50 compiled from Georgia families by the Women’s Auxil. to the Medical Assn, of Atlanta

These books may be purchased from Rich’s, your local book store, or send a check, including 75

CONTINUING 1974 THE CITY Exhibition. HM. Junior Gallery. An ex­ Exhibitions & Events hibition showing Atlanta as a place composed of IN AND AROUND TOWN MEMORIAL ARTS CENTER the elements of design. 25c children, 50c adults, Museum Members free. 3-5 weekdays, 12-5 week­ ends. Architecture in Atlanta. Sponsored by Atlanta Chapter of American Institute of Architects. 11 /10, SH: AT: Special Loans from the Metropolitan Museum of This information is offered as a community service Symphony Hall Alliance Theatre group of paintings from the permanent Colony Square, Peachtree and 14th Streets; Jova, HM: High Museum HA: Hill Auditorium Art. HM. A by the Members Guild of the High Museum. Or­ Daniels, Busby, Architects. 2:00-5:00. collection of the Museum of Art, New York. ST: Studio Theatre G: Galleria ganizations should send copy 6 weeks prior to publication date (the first of each month) to: Mrs. Master Drawings from Sacramento. November For ticket information, call the box office at 892-2414 The William and Robert Arnett Collection of An­ Young T. Sheffield, Jr., 687 Longwood Dr., N.W., thru 12/8. Georgia Museum of Arts, Athens. tique Chinese Jades. McBurney Gallery, 3rd floor. Allan.a, 3u3U5. (351-4870) Toulouse-Lautrec. Georgia State University, Uni­ WEDNESDAY, NOVEMBER 6 versity Gallery, Art and Music Building. Mon.-Fri., 8:00-8:00. Thru 11/20. Not open weekends. Call Concerts Great Artists lecture. HA. 10:30 a.m. & 8:00: 658-3424 for information. Catherine Evans, Museum lecturer. Subject: “19th Galleries Century Social Consciousness.’’ Admission fee. Fernbank Science Center. 156 Heaton Park Dr., THURSDAY, FRIDAY & SATURDAY N.E., 378-4311. Yearly exhibits: 1. Apollo 6 Space OCTOBER 31; NOVEMBER 1 & 2 THURSDAY & FRIDAY, NOVEMBER 7 & 8 Capsule used in NASA’s last unmanned space Allison Art Gallery and School of Art—3940 N. flight; 2. Collection of 21 paintings of space sub­ Peachtree Rd., Chamblee. 457-3080. Mixed media jects (mostly executed in the ’50s) by Chesley Atlanta Symphony, 8:30, SH. Subscription Series. Early American Furniture. MR. A workshop con­ by Jean Allison, Candace Allison; art classes. Guest Conductor: Gaetano Delogu; Craig Shep­ Bonestall; 3. “The Sights & Sounds of the Oke- ducted by Deanne D. Hall of Hallmark Antiques, fenokee Swamp.” pard, piano; Haydn: Symphony No. 83; Liszt: Piano Atlanta. Each workshop is limited to 50 people, Aronson Gallery—3136 Habersham Rd., N.W. 262- Concerto No. 1; Debussy: "Fantasie” for Piano; with first-come, first-serve reservations, and an 7331. By appointment only. Paintings, sculpture, Falla: Suite from "El Amor Brujo." admission fee is charged. Call 892-3600, ext. 302, graphics of 19th and 20th century. for reservations. THURSDAY, FRIDAY & SATURDAY Artventure—5948 Roswell Rd., N.E., Grant City, Lectures NOVEMBER 14, 15 4 16 SUNDAY, NOVEMBER 10 Sandy Springs. 255-3319. New original serigraphs by Leroy Neiman; original graphics by European 8:30, SH. Subscription Series. and American artists. Atlanta Symphony, by Norman Wagner, Michael Palmer conducting; Assisting Artist: Radu Printmaking Demonstrations Atlanta printmaker and professor at the Atlanta Conference on BioEthics. Public forum on genetics Lupu, piano. Penn: Spectrums; Beethoven: Piano Atlanta Artists Club and Gallery—3099 Peachtree College of Art. HM. Uhry Room. 3:00. Free and bioengineering, related ethical and sociolog­ Concerto No. 1; Brahms: Symphony No. 4. Rd., N.E. 23Z-2324. 9/9-10/20, Open gallery show ical problems, human experimentation and legal of members' work; 10/21-11/8, 20th Anniversary aspects of public policy formulation. 11/6-11/8, show; 10/27, 2-7 ART-A-RAMA Day. SATURDAY, NOVEMBER 16 WEDNESDAY, NOVEMBER 13 Presser Hall, Agnes Scott College. 3500 Peachtree Rd., Phipps Plaza. Great Artists lecture. HA. 10:30 a.m. & 8:00. Barclay Gallery— Drama Education Workshop. 11/17 & 12/8, 7:00. Pro-Mozart Society Concert, HA. 8:30. Admission 233-8712. Continuing group show of major Ameri­ Catherine Evans, Museum lecturer. Subject: “Im­ Sponsored by DeKalb Little Theater. St. Lukes free. can and European printmakers; also featuring pressionism and Post-Impressionism.’’ Admission Episcopal Church 11/10, Technical Theater Work­ fee. water-colorist Malcolm Brown, AWS; 11/10-11/30, shop. FRIDAY & SATURDAY three-man show: John Keating, King Thackston NOVEMBER 29 & 30 MONDAY, NOVEMBER 18 and Nall*. Calianwolde Poetry Series. Callanwolde Arts Cen­ ter, 980 Briarcliff Rd,, N.E. Call 872-5338 for in­ 8:30, SH. Subscription Series. Sarah Brown Studio Gallery—3108 Roswell Rd., Atlanta Symphony, N.W. 233-1800, 261-2575. Drawings, paintings, art formation. Robert Shaw conducting; Assisting Artists: Garrick Lecture by Philip Guston, one of America’s classes. Ohlsson, piano; William Noll, organist; Bach: foremost artists. AT. 8:00. Free. Piano Concerto No. 1; Saint-Saens: Symphony No. Donald J. Brundage—4079 Peachtree Rd., N.E. THURSDAY, NOVEMBER 14 3; Prokofieff: Piano Concerto No. 2. (Thursday 237-8628. Hand antiqued Georgia historical prints audience attends Saturday this concert only.) and Civil War Prints. The Romantic Rebellion film series — Lord Ken­ Concerts SUNDAY, DECEMBER 1 neth Clark. HA. 8:00 & 9:15. Film title: “Turner.” Katherine Burke Studio-Workshop—2291 N. Druid Admission fee. Hills Rd., N.E., Toco Hills Shopping Center. 636- Atlanta Symphony, 2:30, SH. Subscription Series. 9911. Art classes of painting and drawing; 4 Festival of Music: Boots Randolph, Brenda Lee, Robert Shaw conducting. Same program and SUNDAY, NOVEMBER 17 10-week sessions. Floyd Cramer. 11/2, Civic Center, 8:00, Famous Artists Series. artists as November 29 & 30. Cathreen’s Gallery—2819 Peachtree Rd., N.W. 233-

Official opening of the exhibition Artists in 2UU2. Oils and sanguine studies by Ilona Royce (Austrian Folk Group). Georgia. HM. 12:00-5:00. Salzberger Stierwascher. Smithkin; works by Mildred Hatcher. 11/2 & 11/3, 8:30. Civic Center Stage Theater. Sponsored by the Atlanta Music Club. WEDNESDAY, NOVEMBER 20 Dalton Galleries—Dana Fine Arts Bldg., Agnes Special Events Scott College, Decatur. 377-1200. Thru 11/26, Wo­ Herb Alpert and the Tijuana Brass. 11/8 & 11/9, men’s Invitational Art Show, call for information. Great Artists lecture. HA. 10:30 a.m. & 8:00. Civic Center, 8:00. Catherine Evans, Museum Lecturer. Subject: “Fu­ Decatur Art Center—113 Trinity Place, Decatur. Elton John, 11/10. The Omni. FRIDAY, NOVEMBER 15 turism and the New Realism.” Admission fee. 378-6441. Paintings by Doris Hancock, Walt Dougherty, Willoweise and others. Georgia State University Band. 11/10, 8:15, Re­ Atlanta Symphony Backstage Party immediately THURSDAY, NOVEMBER 21 cital Hall. following the Subscription Concert. Sponsored by Elson’s Sight and Sound Bookstore—3393 Peach­ the Women’s Association of the Atlanta Symphony The Romantic Rebellion film series — Lord Ken­ tree Rd., N.E. Lenox Square. 261-2781. Changing Agnes Scott College and Spellman College Glee Orchestra League. -Everyone attending the con­ neth Clark. 8:00 & 9:15. HA. Film titles: “Dela­ exhibits of paintings, prints, sculpture. Clubs. 11/14, 8:15. Presser Hall, Agnes Scott. cert is invited to attend. croix” and “Millet.” Admission fee. Galerie lllien—123 14th St., N.E. 892-2696. 9/12 Atlanta Emory Orchestra. 11/17, 5:00. Glenn WEDNESDAY, NOVEMBER 19 thru early Jan,, new paintings and drawings by Memorial Auditorium. SATURDAY & SUNDAY, NOVEMBER 23 & 24 ( Vincencia Blount; sculpture and drawings by David Heany; thru early Jan., African, pre-Columbian and Shawn Phillips Show, 8:00, SH. Program to be Classic Car Auction. Sponsored by the Junior Welsh Guard and Argyle and Southerland High­ Oceanic objects, Navajo rugs, ceramic sculpture, landers, 11/20. The Omni. sponsored by Alex Cooley & Associates. Committee of the High Museum in collaboration weaving, pottery, silk wall hangings and jewelry. with James Southard and Classic Car Invest­ Cantata Concert. 11/24, 7:30. Decatur Presbyterian ments. Phipps Plaza. Saturday, viewing, ad­ The Golden Easel—60-F Kenny’s Alley, Under­ Church. mission $3.50. Open to the public. ground Atlanta. 577-3669. Nov. & Dec., pottery, Films macrame, weaving, batik, hand-blown glass. Atlanta Community Orchestra. 11/25, 8:15. Cen­ ter for Disease Control Auditorium. Haber’s Art Gallery—3493 Northside Pkwy., N.W., W. Paces Ferry Plaza. 261-9691. Lithographs, Istomin, Stern, Rose Trio. 11/26, 8:30. Civic Cen­ SUNDAY, NOVEMBER 3 Theatre drawings and watercolors by Jon Haber. ter. Sponsored by Atlanta Music Club. Heath Gallery—34 Lombardy Way, N.E. 892-2277. George Harrison. 11/28. The Omni. Travelog Adventure Film Series, 2:30, SH. Film to Thru 11/9, new paintings by Maud Gatewood. be shown: “Scotland and Wales.’’ SATURDAY, NOVEMBER 2 Yes. 11/30. The Omni Ray Ketcham Gallery—3232 Roswell Rd., N.W. SATURDAY, NOVEMBER 9 Reynard the Fox, 2:30, AT. Atlanta Children’s 237-0770. 19th and early 20th century paintings, Theatre. ' American and European. Audubon Society Lecture and Film, 8:15, HA. Ad­ mission fee. Picture House, Inc.—1109 W. Peachtree St., N.E. NOVEMBER 1 THRU NOVEMBER 23 875-9341. Original graphics, old prints, oil paint­ Children SUNDAY, NOVEMBER 17 ings, traditional to modern in all mediums; special Peter Pan, presentetd by Vagabond Marionettes. exhibit by Paul Chelko. ST. Mon.-Thurs., 10:00 & 11:30 a.m.; Fri. 10:00 The City. High Museum. Junior Gallery. New Travelog Adventure Film Series, 2:30, SH. Film to & 11:30 a.m., 8:00 p.m.; Sat, 11:00 a:m., 1:00 I l Swan Coach House Gallery—3130 Slaton Dr., N.W. be shown; “Only in Australia.’’ p.m., & 3:00 p.m. 261-0224. Continuous show featuring works of 19 Exhibit for children showing Atlanta as a place outstanding Georgia artists; open to public. composed of the elements of design. 3:00-5:00, weekdays; 12-5:00, weekends. Children, 25c; r,x Targa Fine Arts—2218 Peachtree Rd., N.W., 351- adults, 50c. 9229. Works by gallery and internationally recog­ High Museum Events nized artists. Atlanta Children’s Theater. Thru 11/2, “Reynard Dance the Fox.” Memorial Arts Center, Alliance Theater. Twentieth Century Gallery—2289 Peachtree Rd., N.E. 355-0275. Original art, graphics, old prints. Young People’s Concerts. Atlanta Symphony Or­ High Museum hours: Mon. thru Sat., 10:00 to 5:00; chestra conducted by Michael Palmer; 10:30 a.m., MONDAY & TUESDAY Willens Art Galleries—349 Peachtree Hills Ave., 12:30 pm. 11/4-11/8; 11/18-11/22. Memorial Arts Sun., 12 noon to 5:00; closed evenings. Art Shop NOVEMBER 11 & 12 hours: Tues, thru Sun., 12:00 to 5:00; closed Mon­ N.E., 237-2991. Original oils (contemporary & Center. days and evenings. The City Exhibition and Jr. antique). Art Shop hours: Mon.-Fri., 3-5 p.m.; Sat. & Sun., American Ballet Theatre. Music by the Atlanta Vagabond Marionettes. Thru 11/23, “Peter Pan.” 12:00 to 5:00; admission fee. Closed Thanksgiving Symphony Orchestra. November 11, Repertory Memorial Arts Center, Studio Theatre. Mon-Thurs., Day. Program; Nov. 12, “Coppelia.” Performances 8:30. 10:00 & 11:30 a.m.; Fri. 10:00, 11:30 & 8:00 p.m; Civic Center. Call 892-2414 for tickets. Theatre Sat. 11:00, 1:00 & 3:00 p.m. Call 524-2095 for info. CLOSING NOVEMBER 3 SATURDAY, NOVEMBER 23 Academy Children’s Theater. “Something in a Box” for 5th thru 10th graders. Call 261-8550 for info. Folk Art in America: A Living Tradition — Selec­ tions from the Abby Aldrich Rockefeller Folk Art North Carolina Dance Theatre, AT, 8:00. Presented Barn Dinner Theatre. 1690 Terrell Mill Rd., Fernbank Science Center. 156 Heaton Park Dr., Collection, Williamsburg, Virginia. HM. Special by Dance Atlanta. Tickets on sale at Arts Center Marietta, S.E., 436-6262. 11/5-11 /30, “Everybody N.E., 378-4311. 1. Observatory in Fernbank Forest performance of theatre pieces by Kelly’s Seed and Box Office or call 892-2414 for reservations. Loves Opal.” open year round. 2. “Here, There, and Every­ Feed Theatre in the exhibition on Sunday after­ where,” Sats, throughout the year. 3. Autumn noon, November 3. Free and open to the public, SUNDAY, NOVEMBER 24 The Academy Theater. 3213 Roswell Rd., 261-8550. walk thru Fernbank Forest daily. but seating may be limited. Nov. thru Dec. 21, “Rhinoceros.” North Carolina Dance Theatre, AT, 3:00. Master Atlanta Public Library. Call your local branch for classes open to the public, Nov. 22 and 23. Druid Cellar Dinner Theater. Toco Hills Shopping information concerning films, lectures, etc. OPENING NOVEMBER 8 Center, N. Druid Hills Rd., N.E., 325-3354. Thru North Carolina Dance Theatre is presented as part of the Dance Atlanta program of the Atlanta 11/16,” “Champagne Complex.” Cator Woolford Memorial Garden. Wildflower trail American Works Past and Present. HM. The in­ Arts Alliance and Georgia State University. and greenhouses. 1815 Ponce de Leon. Sponsored augural exhibition for the Museum’s New Gallery, DeKalb Little Theater. 11/7-11/23, “Night of the by Fernbank Science Center. Call 378-4311 for info. third floor. Iguana,” St. Lukes Episcopal Church. FRIDAY & SATURDAY, NOVEMBER 29 & 30 Tullie Smith House Restoration. 3136 Slaton Dr., OPENING NOVEMBER 16 i Kelly’s Seed & Feed Theatre, Inc. 166 Garnett N.W. Call 262-1067 for info. Cobb-Marietta Ballet, AT, 8:30. St., S.W., 525-3962. Every Fri., Sat. & Sun. thru 11/17,” “Terminus.” 8:00. Artists in Georgia. HM. An invitational exhibition Stone Mountain Memorial Park. Open year ’round. SUNDAY, DECEMBER 1 Call 469-9831 for info. of the best work being done in Georgia artists’ Agnes Scott Blackfriars Production. 11/8-11/10, studios today. Catalogue available. Official open­ “The Grass Harp” by Truman Capote. Dana Fine ing on Sunday afternoon, November 17. Kennesaw Memorial Park. Open year 'round. 10-5 Cobb-Marietta Ballet, AT, 3:00. Arts Bldg. 428-0502.

November 1971

Atlanta Symphony Orchestra . High Museum ol Art • Atlanta College of Art • Alliance Theetre Company . Atlanta Children’s Theatrs /Atlanta Memorial Arts Center . 12(0 Peachtree St., N.W. • Atlenta, 30309 • (92-3800 • Box Office (92-2414 Synopsis, Cont’d.

Aberdeen’s wholesale fish market is a lively and often humorous experience. Loch Ness, which divides the Highlands from the rest of Scotland, is the home of the famous Loch Ness monster. The inhabitants of the Isle Of Skye in the Hebrides still follow a traditional life. The Skye Woollen Mill produces a wide variety of tartans and tweeds. The Orkney and Shetland Islands were settled by fierce vikings, and the islanders still show evidence of Scandinavian influence. Glasgow is Scotland’s largest city. The Clyde River, bordered by shipyards, has contributed significantly to the city's prosperity. A quaint subway system—the only one in Scotland—has been carrying passengers under the city for the past hundred years. Loch Lomond attracts thousands of vacationers to its shores. During summer the traditional highland games are held throughout the country.

INTERMISSION—fifteen minutes

In spite of their conquest by the British in the 13th century, the Welsh have retained their national character. The countryside is some of the most beautiful in Britain, and the past is evident at every turn in the road. Magnificent castles, such as Conway and Caernarvon, were built by King Edward I during his conquest of Wales. 19th century puffer-bellies carry vacationers on tours. Fishing with net and coracle boat has changed little in over 2000 years. In the 19th century the Rhonda Valley was the largest coal exporting region in the world. The mines still produce thousands of tons of coal. Swansea, on the southern coast, is the country’s major industrial city and the site of the largest steel works in Europe. As we look at Cardiff’s attractive shopping center and modern suburbs, it’s hard to believe that not too many years ago the city had suffered a twenty-year de­ pression and blitzes from German bombers. The tradition of the love spoon is gradually being revived. Tourism is a major industry and prices are reasonable. From the town of Rhyayader we tour the countryside on horseback. Motorcycle racing is also popular during the summer. The seaside resort of Rhyl has a fantastic variety of attractions for young and old. On the sheer cliffs of Mt. Snowdon in Snowdonia National Park, Hillary and his men trained for their ascent of Everest. From the top of Mt. Snowdon, which can be reached by a narrow-gauge railroad, is the most spectacular view in all of Britain. The Welshman’s love for singing and dancing is best expressed at the famous International Eisteddfod folk festival at Llangollen. 10,000 competitors from 50 different nations gather for one of the most significant music festivals in all of Europe. Introducing .... ED LARK Ed Lark is one of a rare breed, a native of California. He grew up beside the Golden Gate in San Francisco. As a teenager Ed Lark developed a serious interest in photography, and was soon winning awards for his pictures, and talking with his films. At eighteen, he spent an entire year in Europe producing his first full-length program, and at the same time presenting in a foreign language pictures he had made in America. At nineteen he was already producing commercial and educational films, as well as film lectures. Ed Lark’s formal education was completed at the University of California, where he received a degree in Engineering. He also studied speech and voice, while continuing his photographic work. His travels have taken him to many countries in all parts of the world. He has lingered in many of them long enough to know them well, and to understand their people. He has presented his programs throughout the United States and Canada, and his articles on travel have appeared in newspapers both here and abroad. His brilliant photography has won for him the reputation of being a perfectionist with a camera, and his smooth, personable manner on the platform has made him a favorite with groups of all ages.

Next travelog in this Series . . . "ONLY IN AUSTRALIA” Narrated in person by AUBERT LAVAST1DA

SYMPHONY HALL SUNDAY, NOVEMBER 17 • 2:30 P.M. Admission $3.25 (Students $2.15)

December 8: "Alberta & the Canadian Rockies"

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Thursday, Friday and Saturday evenings 8:30, November 14, 15 and 16, 1974 MICHAEL PALMER Conducting RADU LUPU, Piano

PROGRAM

PENN *Spectrums, Confusions and Sometime Moments Beyond the Order of Destiny (1968)

BEETHOVEN Concerto for Piano and Orchestra No. 1 in C major, Op. 15 (1797) Allegro con brio Largo Rondo: Allegro scherzando

INTERMISSION

BRAHMS Symphony No. 4 in E minor, Op. 98 (1885) Allegro non troppo Andante moderato Allegro giocoso Allegro energico e passionato

*First performance at these concerts

This concert will be broadcast on a delayed basis by Atlanta Public Radio, WABE FM 90.1, Monday evening at 8 p.m. by special permission of the Atlanta Federation of Musicians, Local 148-462 and the Atlanta Symphony Players’ Association.

The use of recording devices or cameras during concerts is strictly prohibited ------. Pefore or differ Decatur Federal tRe Performance

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Spectrums, Confusions and Sometimes “It might be fair to say that man as Moments Beyond the Order of subject matter has been replaced by Destiny mankind, or that man has been de­ William Penn (1943- ) scribed less than inferred. At any rate William Penn is representative of the the listener will find no themes, pat­ younger generaton of American mu­ terns or designs with which he has be­ sicians who, through desire, necessity come familiar. Is it too abstract? The or both, are pursuing multi-faceted question is inconsequential—though it careers within their chosen field. In can be worth answering if only to try his case, that field is unusually broad. to see what we mean by abstract.” He is a performer on trumpet, piano (Copyrighted) and percussion instruments, having played in jazz and rock bands, musical Concerto for Piano and Orchestra shows and for silent films. He is a con­ No. 1 in C major, Op. 15 ductor and a composer and arranger. Ludwig van Beethoven (1770-1827) He is a poet, author, musicologist, Usually credited with five piano con- and teaches theory and composition certi, Beethoven actually wrote seven, at Western Michigan University in two of these dating from his early Kalamazoo. He earned a bachelor’s de­ youth. In addition, he made an ar­ gree in trumpet and a master’s degree rangement for piano and orchestra of in composition from the State Univer­ his Violin Concerto. Of the five which sity of New York at Buffalo and a are in the standard repertoire, the pres­ Ph.D. in composition from Michigan ent Concerto in C major, although the State University. first to be published, was actually the In addition to the work on this pro­ second in order of composition, having gram, Penn’s compositions include a been preceded by what is now the string quartet, Humana Sine Nomine Concerto No. 2 in B-flat major, Op. 19. for men’s voices, Guernica and Invoca­ The C major Concerto which, ac­ tion and Pavane for solo violin, Four cording to Beethoven’s own admission, Portraits for solo cello, Rescued from still reflects the styles of Mozart and an Eagle’s Nest for piano solo with Haydn much more strongly than it film, and two musical shows. does his own, was composed in 1797 Composed in 1968, Spectrums, Con­ or 1798. Paul Bekker asserts that its fusions and Sometimes Moments Be­ first performance took place in Vienna yond the Order of Destiny for orchestra on April 2, 1800, but this is disputed received its first performance the fol­ by the autobiography of Johann Wenzel lowing year at Michigan State Uni­ Tomaschek, a Viennese-born composer versity. Here is what the composer has and pianist living in Prague, who stated written about the piece: that the premiere of the concerto oc­ “This work may be considered an curred before October 1798, not in instance of the ‘new expressionism’ in Vienna at all but in the Konviktsaale in music, different from—or even opposed Prague. Here is Tomaschek’s account to—the kind of ‘new impressionism’ and of the event, as published in the ‘total organization’ in the music of periodical Libussa in 1845: Boulez. “In the year 1798, Beethoven, that “It is also a replacement of the idea giant among players, came to Prague. of music as ‘mirror of man’ by music At a crowded concert in the Convict as a rationalization of time, space and Hall he played his Concerto in C major, color. Hence, this one-movement work Opus 15, and the Adagio and Rondo deals with spatial relationships in more Grazioso from the Sonata in A, Opus plastic shapes than is commonly found 2, and concluded with an improvisation in conventional compositions, leading on a theme given by Countess Sch. . . , to a growth of new structural-temporal ‘Ah tu fosti il primo oggetto,’ from patterns. Mozart’s ‘Clemenza di Tito.’ His mag- Dine at an Atlanta landmark. CONNOISSEURS CALL IT A MASTERPIECE . . . Anthony's is a re­ 4 stored 18th Century plantation mansion with elegant dining facilities throughout. Make your next dining occasion a memo­ rable one at Anthony's

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H. STOCKTON - ATLANTA INC. 80 Forsytii Street, N.W. Lenox Square nificent playing and particularly the ingen. Von Billow prepared the work daring flights in his improvisation for performance, and the composer ar­ stirred me to the depths of my soul; rived in time to conduct the premiere indeed, I found myself so profoundly on October 25, 1885. The work was shaken that for several days I could warmly received, and there were un­ not bring myself to touch the piano. successful demands by the audience for Indeed, it was only my inextinguishable a repetition of the Scherzo. love for the art that, after much reason­ But the Fourth Symphony was slow ing with myself, drove me back to the to win public favor. Its first hearing in instrument with ever increased in­ Brahms’ own Vienna disappointed his dustry.” friends and delighted his enemies. The concerto, which is in the cus­ Twelve years later, however, he and tomary three movements, opens with a his symphony were accorded a different sturdy Allegro con brio. The middle kind of reception. Fatally ill with a movement is a dreamy Largo, while disease of the liver, the master made the finale is a witty, robust rondo, his final appearance in public at a con­ Allegro scherzando. Beethoven’s scor­ cert of the Vienna Philharmonic Or­ ing for the accompanying orchestra calls chestra on March 7, 1897, at which the for flute, two oboes, two clarinets, two Fourth Symphony was played. In her bassoons, two horns, two trumpets, ket­ intimate biography of the composer, tledrums and strings. Florence May describes this touching (Copyrighted) scene: “The Fourth Symphony had never Symphony No. 4 in E minor, Op. 98 become a favorite work in Vienna. Re­ Johannes Brahms (1833-1897) ceived with reserve on its first perform­ Brahms was in the habit of leading ance, it had not since gained much a well-ordered life. From the time he more from the general public of the was thirty, when he settled permanently city than the respect sure to be ac­ in Vienna, he would spend his winters corded there to an important work by making guest appearances in perform­ Brahms. Today, however, a storm of ances of his music and editing certain applause broke out at the end of the of his compositions. But in the summer first movement, not to be quieted until he would retire to some small village, the composer, coming to the front of usually in the mountains, where he the ‘artist’s’ box in which he was seated, could compose amid the quiet and in­ showed himself to the audience. The spiring surroundings of the Austrian demonstration was renewed after the countryside. second and third movements, and an It was during the summers of 1884 extraordinary scene followed the con­ and 1885 that Brahms, summering at clusion of the work. The applauding, Miirzzuschlag, in the Styrian Alps of shouting house, its gaze riveted on the Austria, wrote his Fourth Symphony. figure standing in the balcony, so The first two movements were com­ familiar, and yet in present aspect so pleted during the first summer, the last strange, seemed unable to let him go. two during the second summer. The Tears ran down his cheeks as he stood symphony was almost lost, however, as there, shrunken in form, with lined it neared completion. Returning from countenance, strained expression, white a walk one day, Brahms found his lodg­ hair hanging lank, and through the au­ ings in flames. Fortunately, his friends dience there was a feeling as of a stifled were able to carry most of his books sob, for each knew that they were say­ and music out of the burning house, ing farewell. Another outburst of ap­ and the manuscript of the symphony plause, and yet another one more ac­ was among those effects which were knowledgment from the master, and saved. Brahms and his Vienna had parted for­ Brahms entrusted the first perform­ ever.” ance of his Fourth Symphony to Hans The tone of the entire Fourth Sym­ von Bulow’s ducal orchestra at Mein­ phony is one of seriousness, and the HAAS AND DODO-INSURANCE

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nNDEnmoHMD The ihifflni si, Xl* for everyone in Underground Atlanta. Just strolling along gaslit streets amid an 1890’s atmosphere is an experience not quickly forgotten. This is where Atlanta was born, and Underground Atlanta fairly echoes with the drama of history made High Museum here In some places you can actually see firelines left by General Sherman’s monumental bonfire Underground Atlanta is the past—and much more. It s a vibrant and fun place to visit, where the mystique of yesterday combines with the excitement of today. Take the food. A visitor can tickle the palate with delights that run the gamut from exotic foreign Art Shop fare to fresh homemade soft pretzels. Entertainment is just as varied. Choose from the soft music of an intimate lounge, a folk combo, solid rock, a Dixieland jam session, or maybe an hour of nostalgia at an old time penny arcade. You’ll soon discover the importance of exploring each and every doorway and passageway in Underground The Gifts that you buy in Atlanta. Because they always lead to something new like specialty shops with unique merchandise imported from all over the world, and The Art Shop special attractions enjoyed by kids of all ages Discover Underground Atlanta Have been Juried for Quality for yourself Visit “The Historic City Beneath the Streets" for a delightful experience you'll treasure for a long time to come. Shop Hours: 10 A.M. 4 P.M. Tuesday thru Saturday 12 P.M. 5 P.M. on Sundays UNDERGROUND ATLANTA Hunter Street and Central Ave. Phone 522-4801 The High Museum of Art 1280 Peachtree St., N.E., Atlanta, Georgia

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Cruise Headquarters American Express Co. work reflects the earnestness and intro­ in the 1969 Leeds Piano Competition spection of Brahms’ later years. The when he was almost 24. The oppor­ opening movement, Allegro non troppo, tunity of a career had presented itself is alternately contemplative and dra­ earlier when in 1966 he won first prize matic. There is a certain austerity about in the Van Cliburn Competition. How­ the principal theme of the second ever, showing rare self-discipline, he de­ movement, Andante moderato, which cided to return to Moscow and continue is in the old ecclesiastical Phrygian his studies for three more years. During mode (corresponding to the scale of E this time he also gained first prize in played only on the white keys of the the 1967 Enesco International Compe­ piano); but the second subject is beau­ tition in Bucharest. tifully lyrical. In fitting contrast is the Mr. Lupu was born in Romania in robust third movement, really the sym­ 1945. Although neither of his parents phony’s scherzo, which is marked Al­ were musicians, his musical gifts were legro giocoso. Brahms broke all tradi­ evident from an early age. He began tion by casting the finale, Allegro ener- to study the piano at the age of six and gico e appassionato, in the form of a at twelve made his debut in public. chaconne. (The terms chaconne and When he was seventeen he was awarded passacaglia are, for all practical pur­ a scholarship to the Moscow Conserva­ poses, interchangeable; they refer to an tory and remained there for six years old Spanish dance form, usually in 3/4 until early 1969. or 3/8 meter, which comprises a set of Having recently married a British girl, variations on a theme that is usually Elisabeth Wilson, who was a fellow eight measures long and usually in the student at the Moscow Conservatory, bass, though in the variations it does he has made his home in London where not necessarily remain there.) In this he has already established a very large symphony the theme is in the top voice and enthusiastic following. He has and is eight notes long, one note to a played with all the leading British or­ measure. Upon this theme, which he chestras including tours abroad — he took from the chaconne in Bach’s Can­ visited his native Romania as soloist tata No. 150, Nach dir, Herr, verlanget with the London Symphony, toured mich, Brahms constructed a monu­ Germany with the BBC Symphony and mental and powerful series of thirty-one played in Washington and New York variations. This movement is ac­ with the Royal Philharmonic Orchestra. knowledged to be one of the most mag­ He has already made his debut in al­ nificent symphonic finales ever written. most every European center with many The symphony is scored for two of the major orchestras such as the flutes, piccolo, two oboes, two clarinets, Berlin Philharmonic and has played in two bassoons, contra-bassoon, four Israel (more than twenty times) and horns, two trumpets, three trombones, in Europe with the Israeli Philharmonic kettledrums, triangle and strings. Orchestra. (Copyrighted) Following his American debut in RADU LUPU New York with the Cleveland Orchestra Even in this time of in February, 1972, and after a huge young artists finding success with the Chicago Symphony, fame very early in he has spent twenty weeks in America their career, it is dif­ during the past two years appearing in ficult to find a parallel every major city. with the growth of He has a long-term contract with Radu Lupu’s career London Records who plan approxi­ since he entered the mately twenty records during the next profession in Autumn, five years. His first recording with 1969. Radu Lupu started his concert them was of the Beethoven Piano Con­ career a little later than normal, wait­ certo No. 3 which was voted the out­ ing until he won a unanimous first prize standing record of 1972 in Europe. ■ »■ vOW*" *F a/-nu^/ieu> cook^s corner and cuid-M Handling quality cookware Dinner Mon. - Sat. for the serious cook. 6 — Midnight BASIC FRENCH COOKING LESSONS beginning OCTOBER 1. 3140 E. SHADOWLAWN AVE. N.E. (BUCKHEAD) Rue de Paris^'Aartca^ 60-B Kenney's Alley • Underground Atlanta • 523-6251 am*, 233-1144 315 E. Paces Ferry Rd., N.E.»» Buckhead • 261-9600

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ter: the art of interior design which takes its place with music, litera­ ture, painting as expressions of taste and continuing beauty.

From the magnificence of antique treasures to skillful variations of the contemporary style and the Tom Flournoy is charm of imported accent pieces, ours is the outstanding center for concerned with more than furniture and furnishings as art forms. just selling you an insurance policy. Southeast Wholesale His sound advice Furniture Co. can help you realize Through designers your personal goals. 1065 Williams Street, Atlanta 30309 Open 9:30 a.m. to 6:00 p.m., Monday through Friday TOM FLOURNOY, III C.L.U. 2 Peachtree Street Atlanta Atlanta Symphony Orchestra ROBERTSHAW Music Director and Conductor John Head MICHAEL PALMER Alan Balter Assistant Conductor Associate Conductor Conducting Assistant

VIOLIN* Nan Maddox Thomas Witte William Steck Bonita Potts Brice Andrus Concert master Paul Warner Christopher Scheufler Martin Sauser BASS* TRUMPET Co-Concert master Robert Harrison Dale Schmidt John Head Principal Principal Associate Concertmaster Jane Little Willard Shull Joseph Walthall Assistant Concertmaster Associate Principal Assistant Principal David Arenz Ralph Jones Prin. Second Trumpet Assistant Principal Larry Black Principal Second Violin Harvey Kaufman Jacqueline Anderson TROMBONE Frances Arm Michael Kenady Thomas Thoreson Harry Maddox Shalom Ben-Uri Randolph Ujcich Principal Anita Cahoon Wiley Weaver Richard Hansbery Piotr Haase Donald Wells Martha Reaves Head FLUTE Stephen Horvath Warren Little BASS TROMBONE Ruth Little Principal Donald Wells Karen Matthews Paul Brittan Thomas O'Donnell Benson Prichard TUBA Alice Oglesby Michael Moore Lorentz Ottzen PICCOLO Oscar Pereira Benson Prichard TIMPANI Benjamin Picone William Wilder Ann Pinney OBOE Principal Susan Pitard Elaine Douvas Jack Bell Carol Ramirez Principal Assistant Principal Juan Ramirez Elizabeth Camus Eugene Rehm Ronda Respess Assistant Principal Assistant Principal Richard Robinson Prin. Second Oboe Patricio Salvatierra Patrick McFarland PERCUSSION Edward Scruggs Jack Bell Linda Smith ENGLISH HORN Principal Patricia Vas Dias Patrick McFarland Eugene Rehm Frank Walton CLARINET HARP VIOLA* Alan Balter Judy Beattie Robert Jones Principal KEYBOARD Principal Norman Baker Peter Bertolino Associate Principal William F. Noll Ardath Cohen Douglas Smith Alice Oglesby John Detrino Robert Wingert PERSONNEL MANAGER Manuel Diaz Enid Jones BASS CLARINET Martin Sauser Marion Kent Douglas Smith PERSONNEL MGR. EMERITUS Haskell Marrinson Harry Robkin Heidi Moss E-FLAT CLARINET Robert Parcells Norman Baker LIBRARIAN CELLO* BASSOON David Hinshaw Stephen Horvath, Ass’t. Donovan Schumacher Carl Nitchie Principal Principal STAGE MANAGER Edmund Basson Charles Nussbaum Michael Destazio Assistant Principal Daniel Dowdakin MASTER ELECTRICIAN Jere Flint CONTRA BASSOON Eleanor Hodges Robert Spradlin Kathleen Kee Daniel Dowdakin Bruce Klingbeil FRENCH HORN •Players listed alphabetically Larry LeMaster John Henigbaum • Kay Lortz Principal

ADMINISTRATIVE STAFF Frank Ratka, general manager Richard W. Thompson, assistant manager Bob Wiggins, director of public relations Peter Stelling, director of audience development Mrs. Nancy Burke, director of season tickets Miss Nola Frink, choral secretary Miss Pat Perry, secretary, women's association Mrs. Julia Crawford, executive secretary Miss Betty Davenport, secretary Mrs. Susan Taylor, receptionist Steve Cucich, symphony hall house manager Dan Miller, head usher rection of Associate Conductor Michael Palmer, will present its first concert Saturday evening, December 21 in Symphony Hall. The program will be Copland’s Outdoor Overture, Schubert’s Symphony No. 8, “Unfinished” and Pictures at an Exhibition by Mous- sorgsky-Ravel. A second concert by the Youth Orchestra is scheduled for April. Rehearsals are held on Saturdays, 9:00 a.m. to 1:00 p.m., at the Memorial Arts Center. Section rehearsals are held during the first two hours with the principal players of the Atlanta Sym­ In Historic Roswell Square For The Gift That Will Become A Keepsake phony serving as coaches for individual and group instruction. The full orches­ Many Unique Gift Ideas tra rehearses during the last two hours under Mr. Palmer. Louise Davis The Atlanta Symphony’s Board of Sponsors, in response to requests from Atlanta-area educators, approved plans for the youth orchestra to operate as an official division of the Orchestra. Since its founding as a youth orchestra in 1944, the Atlanta Symphony has 589 Atlanta St., Roswell, Ga. / 993-6502 been actively involved in youth educa­ tion projects. Students ranging in age from junior 1117 Alpharetta Street high school to the college level are participating in the youth orchestra. Music Director Robert Shaw is mu­ sical advisor for the group and Atlanta Symphony guest artists and conductors throughout the season will conduct master classes with the youngsters. Frames

Of FrcX’''' "Dynamic December" Offers Concert Variety, Holiday Specials

Guest conductor, Dennis Russell Davies, 29-year-old American from Toledo, Ohio, will conduct a trio of VOLVO subscription concerts, December 5, 6 A lot more car than you bargained for. and 7, opening the dynamic December schedule for the Atlanta Symphony. Davies will be assisted by Israeli vi­ Cat's Iqtetqatiotial olinist Pinchas Zukerman, who at 25, has established himself as one of the 4051 Buford Highway great young violinists on the interna­ 325-9797 tional music scene. The program will include Mozart’s Symphony No. 32, A Full Service Dealer, m.mb., h«oa. Varese’s Ameriques; the Americas; the New World, Ravel’s Rapsodie Espag- nole and Brahms’ Violin Concerto in D major. A better mixed drink On December 13 and 14, at 8:00 employees who give a damn p.m., Robert Shaw conducts the first and an atmosphere both of two monumental choral specials genuine and relaxed. scheduled for the season. Handel’s “Is­ rael in Egypt" will feature the Atlanta Symphony Chamber Chorus, Penelope Jensen and Gianna Rolandi, sopranos; Dante's Florence Kopleff, contralto; Samuel Hagan, tenor and Peter Harrower, bass­ Sulim baritone. Tickets, scaled $7.30 to $2.60, are available at the Atlanta Symphony Box Office.

UNDERGROUND ATLANTA RESERVATIONS 577-1800

Israeli violinist, Pinchas Zuckerman, (left) will be featured soloist on the Dec. 5, 6 & 7 subscription concerts performing Brahms’ Violin Concerto in D major. Soprano Gianna Rolandi, (right) who made her Atlanta Symphony debut in the October per­ formances of Mendelssohn’s “Elijah,” will be among the soloists performing with the Chamber Chorus on Dec. 13 & 14 for Handel’s “Israel in Egypt” choral special.

GOURMET COOKWARE The eighth annual Family Christmas Festival Concert, directed by Robert Shaw, will be presented on Dec. 17, at Cumberland Mall 8:00 p.m., at the Civic Center. The 436-6229 Atlanta Symphony Chorus and special guest performers will be featured. Tickets, priced $6, $5, $4, and $3, with children under age 12, half price, will be sold by the Atlanta Symphony Box Office. Tiny Tots Concerts, directed by Industrial, Warehouse Conducting Assistant Alan Balter, are and scheduled for four different suburban Office Development locations during the week of December 10-13. Special holiday Tiny Tots Con­ certs will be given in the Arts Center SHAHEEN & COMPANY Galleria, December 26, 27 and 28. For 681-1234 ticket information, contact Peter Stell- ing, 892-3600, ext. 256. continued HIGH MUSEUM OF ART (HWKt... New Gallery Opens Nov. 8 Thanks to a fabulous gift from sev­ eral friends of the Museum, a new space on the third floor which will in­ clude three new gallery areas, visitors' lounge, and office and storage space, will open on Friday, November 8. The inaugural installation will consist of American works from the permanent collection, including paintings, sculp­ AND BEAUTIFUL FABRICS • ASK YOUR INTERIOR DESIGNER ture, drawings, prints, furniture, and other decorative arts objects from the late 18th century to the present—many of which have not been seen before because of lack of exhibition space. The recently-completed space will give the Museum 5,000 square feet, or 26% more exhibition space. Easiest access will be via the new elevator at the base of the Rodin stairway.

Artists in Georgia Exhibition Opens Nov. 16 Recent work by potters, weavers, painters, photographers, sculptors, and printmakers from across the state will be included in the Artists in Georgia Lunch • Dinner Tues.Thru Sat. invitational exhibition, which is a con­

Sat. Champagne tinuation of the Georgia Artists shows Brunch presented in recent years. Selected by Sunday Dinner Gudmund Vigtel, the exhibition will re­

Reservations: flect some of the best work being 266-8858 done in Georgia artists’ studios today and will continue to be on view through December 15. very special dining experience 3^^^oswelH^d^^blocl^iorthoHPiedmont) Dream Machines On November 23 and 24 more than 50 classic automobiles will arrive in At­ KELLY KINCANNON lanta for a special classic car auction • LIFE UNDERWRITER sponsored by the High Museum’s Junior • BUSINESS PLANNING Committee, in association with James • ESTATE PLANNING Southard and Classic Car Investments; These quality cars representative of a bygone era will be on view at Phipps JelfRPSon Plaza on Saturday, November 23, from 10:00 a.m. (admission $2), and the Stannard auction will begin on Sunday at 1:00 1720 Peachtree St., N.W. p.m. (admission $3.50). Admission and Suite 440 • Atlanta 875-9465 concession proceeds benefit the Junior Committee. THE CITY Continues to Attract Youngsters in the Junior Gallery Award Winning & Recommended by all who know the culinary arts including HOLIDAY MAGAZINE COACH & SIX RESTAURANT 1776 Peachtree St., NW 872-6666

Young visitors to THE CITY exhibit can take a “magic bus ride’’ or go “underground’’ to look around and see and touch the city's underpinnings. Atlanta (Uljina & (^lass (Ontlvt ATLANTA COLLEGE OF ART NAME BRAND CHINAS, Visiting Artist to Give Public Lecture IRONSTONES AND GIFTS Garno Antresian, lithographer and DISCOUNT ON MOST ITEMS painter, will be the first in the Visiting 1845 Piedmont Rd. Artist and Lecture Series. He will visit 876-5387 the College November 4-8, and will give a free public lecture Tuesday, Novem­ ber 5, at 8:00 p.m. in the Walter Hill Auditorium. Thanks to you Mr. Antresian's work is in collec­ tions at the Metropolitan Museum of Its working Art, the Museum of Modern Art and the Guggenheim Museum in New York, as well as the Art Institute of Chicago and the Los Angeles County Museum of Art. He is the co-author of the Tamarind Book of Lithography and is a professor at the University of New The United Wtoy Mexico in Alberquerque and consultant to the Tamarind Institute. Atlanta Arts Monthly magazine of the Elegant Dining • Classic Cuisine Atlanta Memorial Arts Center 1280 Peachtree Street, N.E. Atlanta Georgia 30309 197 I IIOI.IDW NOVEMBER, 1974 VOLUME VII ISSUE 2 Award-Winning Rest an ran I Wc Honor \inerican Express &■ THE ATLANTA ARTS ALLIANCE Other Major Credit Cards Charles R. Yates President 2470 Cheshire Bridge Rd.. X.E. • Ph. 633-2633 James K. Griffeth Controller THE ATLANTA SYMPHONY ORCHESTRA NEW COOKBOOK CONCEPT Frank Ratka General Manager ATLANTA Richard W. Thompson Assistant Manager COOHC for COMPANY THE HIGH MUSEUM OF ART Gudmund Vlgtel Director Ms. Paula Hancock YOURS Curator of Education THE ATLANTA COLLEGE OF ART FOR William Voos Dean ONLY Mrs. Guthrie Foster $5.00 Assistant Dean THE ALLIANCE THEATRE COMPANY David Bishop Managing Director THE ATLANTA CHILDREN’S THEATRE Charles L. Doughty For exciting entertaining, select from more than Director 100 complete menus accompanied by step-by- step easy to follow recipes. This charmingly PARKING FACILITIES: Center Parking garage with illustrated guide is truly the most outstanding covered parking directly adjacent to Center, en­ regional cookbook ever published. You will also trances on Peachtree and Lombardy Way; also com­ appreciate enjoyable anecdotes of the past, plus mercial parking across from Peachtree entrance an informative wine guide. to Center, and north of First Presbyterian Church. MAIL CHECK TODAY BOX OFFICE: (404) 892-2414. Hours: Mon. through ATLANTA MUSIC CLUB Fri. 9:30-5:30 (or until curtain); Sat. noon-4:00 P. O. Box 52572, Atlanta, Georgia 30305 (or until curtain); Sun. noon-3:00. The Memorial Center Box Office handles tickets for the Atlanta Please add 50^ for postage and handling Symphony, Atlanta Children’s Theatre, Alliance Theatre Company, Atlanta Music Club Membership Series, Famous Artists Series, Theatre Atlanta Name______Off Peachtree; Vagabond Marionettes; Travelogue Film Series; also on night of performance, all tickets for any event scheduled in the Arts Center. Address------TOURS: For information on regular weekday tours or group tour arrangements, call (404) 892-3600.

City______State------Zip------RESTROOMS: Located off the Galleria Balcony across from both Symphony Hall and the Alliance Theatre. Also located adjacent to the balcony lobbies inside Symphony Hall. OUR COVER—Landscape In The Harz Mountains by Worthington Whittredge. Gift in memory of Mr. Howard R. Peevy from his wife, 1973. From the High Museum’s permanent collection, in the exhi­ bition, American Works Past and Present opening WILLIAM NOLL III Nov. 8 in the Museum’s New Gallery. ATLANTA ARTS Magazine is published for the Piano Instruction Atlanta Memorial Arts Center, by The Conger Printing Co., Inc. in Atlanta, Georgia. All rights Vocal Coaching to Atlanta Arts are reserved by the Atlanta Memorial Arts Center. Reproduction from the magazine in whole or in part without permission 252-1757 is prohibited. Editorial Office, 1619 Chattahoochee Ave., N.W., Atlanta 30318. Phone (404) 352-2039 L. W. CONGER, JR. LIZ GILLIAM Publisher Editor NANCY SHEFFIELD ERNEST DeVANE In and Around Town Art Director Sometimes taking people away brings them closer together. Whether it’s the magic of an exotic culture or the exhilaration of a sunny day, sharing beautiful moments with someone you love is very precious. It is because we appreciate the value of these experiences that Eastern has done everything possible to make them affordable. Helping to bring people closer together is one of the things that makes us what we are.

EASTERN The Wings of Man.