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Popular Music Studies in Italian Universities —A Petition—
Popular Music Studies in Italian Universities: a petition — signatories 1 Popular Music Studies in Italian Universities —a Petition— Final list: 573 signatories from 47 nations (2015‐06‐14, 15:37 hrs BST) Signatory numbers by nation state Argentina 12 Australia 23 Austria 5Belgium 2Brazil 56 Bulgaria 2 Canada 34 Chile 8 China 1 Colombia 7Croatia 1Cuba 2 Cyprus 1Denmark 6Estonia 5Finland 21 France 16 Germany 18 Greece 3Iceland 1Ireland 10 Israel 4Italy 77 Jamaica 1 Japan 1 Lithuania 1Mexico 3 Mozambique 1Netherlands 9New Zealand 4 Norway 7Peru 1 Poland 1Portugal 6Singapore 1Slovenia 2 South Africa 8South Korea 1Spain 33 Sweden 5Switzerland 2South Africa 8 Turkey 3Uganda 1UK 108 Uruguay 5USA 43 THE FOLLOWING IS A LIST OF SIGNATORIES IN ALPHABETICAL ORDER OF FAMILY NAME. •There is a basic list of signatories in alphabetical order of nation state at http://tagg.org/html/Petition1405/PetitionResidence.htm •The ACTUAL PETITION can be viewed in English, Italian or Spanish by visiting http://tagg.org/html/Petition1405.html. List of 573 signatories to the petition A 1. Silvia Irene ABALLAY — Profesor Titular, Universida Nacional de Villa María (Argentina) 2. Lauren ACTON — Course Director, Centennial College/York University, Toronto (Canada) 3. Roberto, AGOSTINI — Professore a contratto, Conservatori di Cesena e di Sassari, Bologna (Italy) 4. Coriún AHARONIÁN — Composer and former professor, Escuela Universitaria de Música, Universidad de la República; Director, Centro Nacional de Documentación Musical Lauro Ayestarán; Emeritus researcher, National System of Researchers (Uruguay) 5. Michael AHLERS — Professor for music education and popular music, Leuphana University of Lüneburg (Germany) 6. Kaj AHLSVED — PhD Candidate in Musicology, Åbo Akademi University, Turku (Finland) 7. -
Contents Acknowledgements
Contents Acknowledgements 1 Welcome 2 Conference Schedule 3 Abstracts 15 Posters 79 About the RMA 80 Exhibitors & Advertisers 83 Milton Court Floor Outline 87 Conference Timetable 88 Acknowledgements Guildhall School of Music and Drama Cormac Newark (Conference Director) Aoife Shanley (Conference Manager) Sophie Timms (Conference Assistant) Research & Enterprise Team Performance Venues, Audio Visual, and Facilities Teams 1 Programme committee Suzanne Aspden (University of Oxford) Warwick Edwards (RMA / University of Glasgow) Katy Hamilton (RMA) Freya Jarman (University of Liverpool), representing RMA Annual Conference 2017 Cormac Newark (Guildhall School of Music & Drama), chair Royal Musical Association Conference programme abstracts edited by Suzanne Aspden and Freya Jarman The Royal Musical Association wishes to thank all the above, along with Routledge Taylor & Francis Group and the Musica Britannica Trust for sponsorship of the conference receptions Welcome Dear Colleagues Welcome to the 52nd Annual Conference of the Royal Musical Association, meeting at the Guildhall School of Music and Drama in London. Here we have assembled a programme of around 130 speakers from across the globe. The programme includes panel discussions by internationally renowned academics, and individual papers on topics ranging from the Cantigas de Santa Maria to Boulez. The conference also includes the Edward J. Dent medal presentation and Lecture by Marina Frolova- Walker, and in a departure from tradition the Peter Le Huray Lecture takes the form of a panel involving four leading practitioners and commentators in the field of opera production and reception. In addition to the Annual General Meeting of the Association, there are receptions sponsored by Routledge and by the Musica Britannica Trust, and the usual exhibition of books and other materials. -
Download the Annual Review 2013–14
THE BIGGEST MUSEUM ALLIANCE SCIENCE IN / The Science Museum helped The universe cannot wish The National Railway fuel my fascination with for a more perceptive eye Museum’s celebration of physics. So it is wonderful to see that than the Science Museum Mallard’s world speed record was more young people than ever are ROBBERT DIJKGRAAF a triumph, attracting an astonishing DIRECTOR AND LEON LEVY PROFESSOR AT THE INSTITUTE FOR getting the opportunity to feel that ADVANCED STUDY IN PRINCETON 364,000 visits same inspiration LORD FAULKNER OF WORCESTER SMG TRUSTEE PROFESSOR STEPHEN HAWKING AT THE LAUNCH OF THE COLLIDER EXHIBITION The Museum of Science & Our Bradford collections Industry is a fantastic asset hold many treasures by and will help keep the northwest’s media pioneers from the dawn of spirit of curiosity and innovation alive photography. These collections © 2014 The Board of Trustees of the Science Museum PROFESSOR BRIAN COX will drive the radical shift in UNIVERSITY OF MANCHESTER perceptions that is required to Edited by David Johnson with generous input from staff at SMG attract more visitors into the and its many bloggers National Media Museum LORD GRADE SMG TRUSTEE AND CHAIR, NATIONAL MEDIA MUSEUM Designed by the Science Museum Design Studio ADVISORY BOARD Project manager, Sian Worsfold SNAPSHOTS OF HUMAN INGENUITY OUR FIVE WORLD-BEATING MUSEUMS Picture researchers, Nick Hedley, Richard Nicholls Copy editor, Lawrence Ahlemeyer Science Museum, London Astronauts floating weightlessly Museum of Science & Industry, Manchester in space loved spinning around National Railway Museum, York Main photography from Group resources: like tops within the tiny Apollo Museum of Science & Industry 10 command module. -
October 1994
Features AARON COMESS Album number two sees Spin Doctors drummer Aaron Comess laying down that slippery funky thing yet again. Not that Aaron has cut down on his extracurricular jazz work. Does this guy ever stop? • Teri Saccone 20 BOB MOSES The eccentric but unarguably gifted drummer who powered the first jazz-rock band is still breaking barriers. With a brand- new album and ever-probing style, Bob Moses explains why his "Simul-Circular Loopology" might be too dangerous in live doses. • Ken Micallef 26 HIGHLIGHTS OF MD's FESTIVAL WEEKEND '94 Where should we start? Simon Phillips? Perhaps "J.R." Robinson? Say, Rod Morgenstein? How about Marvin "Smitty" Smith...or David Garibaldi...maybe Chad Smith, Clayton Cameron, or Matt Sorum.... Two days, one stage, a couple thousand drummers, mega-prizes: No matter how you slice it, it's the mother of all drum shows, and we've got the photos to prove it! 30 Volume 18, Number 9 Cover Photo By Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 52 DRUM SOLOIST 8 UPDATE Max Roach: Bill Bruford, "Blues For Big Sid" David Garibaldi, TRANSCRIBED BY Dave Mancini, CRAIG SCOTT and Ray Farrugia of Junkhouse, plus News 76 HEALTH & SCIENCE 119 INDUSTRY Focal Dystonia: HAPPENINGS A Personal Experience BY CHARLIE PERRY WITH JACK MAKER DEPARTMENTS 42 PRODUCT CLOSE-UP 80 JAZZ 4 EDITOR'S Tama Iron Cobra DRUMMERS' OVERVIEW Bass Drum Pedals WORKSHOP BY ADAM BUDOFSKY Expanding The 6 READERS' 43 Tama Tension Watch Learning Process PLATFORM Drum Tuner BY JOHN RILEY BY ADAM BUDOFSKY 12 ASK A PRO 84 Rock 'N' 44 Vic Firth Ed Shaughnessy, American Concept Sticks JAZZ CLINIC Stephen Perkins, and BY WILLIAM F. -
THE MAIN MAN "Paper Walls "
I JUNE 25, 1993 ISSUE #331 708 Stokes Road Medford, NJ 08055 phone: (609) 654-7272 fax: (609) 654-6852 TOP PRIORITY U2 NUMB HARD ACTS TO FOLLOW catant.FRnv CHANGE ALTERNATIVE PICK $iLvErl) E j THE BATS SILVERBEET INSIDE: HARD RITTER la JACOBS' NEW EDGE OUTLET: WMAD, MADIS011 • MEDIABASE RESEARCH AND PREMIER RADIO NETWORKS ANNOUNCE NEW MARKET MONITOR JOINT VENTURE • TRIPLE A PIONEER TOM TAIBER LEA VES WWCD,-COLUMBUS MD JANE WANG NAMED fNTERIM PD • MICHAEL ROSENBLATT RETURNS TO MCA AS Sr. VP/A&R II HERB ALPERT AND JERRY MOSS RELINQUISH .q&M POSTS • FORMER WEGX MORNING MAN JOHN LANDER WAKES UP SAN DIEGO • SPIRO INTERVIEWS BOB WA UGH ON THE EVE OF THE WHFStivcrl • PLUS, ALL KINDS OF ARBI7RENDS AND McGATHY PHOTO-OPS THE MAIN MAN "Paper Walls " (tile »ext track --rom Grammy-Awctr wmnin e, g ngerlsongwrtter marc co hn Ile new albtnn T H E R A I N Y S E A S O N JoH:li‘.z.egur kieN Pere ' wesli anagement THE ATLANTIC GR OUP n, 1 93 Atlantic Record.ng Corporat.on A I rne VVarner ,..ornpany TOP PRIORITY 2, "Numb", Island/KG Yep! New U2! It 's industrial, it's full ol booming bass, birds chirp, organs play (well, just a few notes) and UEdge sings! Though he doesn't show off his incredible range (he sings in monotone), Edge takes us through from beginning to end of the U2 new single and the effect is numbing (surprise!). This is the epitome of cool for U2 with a different texture and a different direction from past NUMB releases. -
Brian Malouf – Producer/Mixer/Engineer
Brian Malouf – Producer/Mixer/Engineer Brian pursued a career in music with unwavering passion from a young age. A first chair symphonic percussionist by the end of his university days, and later drumming for noted L.A. based rock and roll band Giant City. In 1983, his career as a world-class studio talent was jump-started when Michael Jackson tapped Brian to begin work with him on the album BAD, an experience that proved nothing short of life- changing, working closely with the most famous musician on earth and also witnessing the interactions between Michael and his producer, the legendary Quincy Jones. By 1989, Brian had risen to the top of his field as a mix engineer and producer. Working independently for every major label and amassing an impressive string of hit albums, singles and soundtracks for artists such as Madonna, Roxy Music, Prince, Seal, Pearl Jam, Tokio Hotel, Wolfmother and All Time Low. To date, Brian's album credits total a combined 53 Gold, Platinum and multi-platinum albums representing millions of dollars in sales. Partial Discography Mixed Dave Matthews Band “Best Of What’s Around” Live Mixes RCA Dave Matthews/Tim Reynolds “Live from Radio City” Album RCA Haley Reinhart “Soul On Fire” Track Interscope The Muppets “Original Soundtrack” Album Disney O.A.R. “All Sides” Album Atlantic “Stories Of A Stranger” Album Atlantic All American Rejects “The Poison” Album Buena Vista “Jack’s Lament” Album Disney Natasha Bedingfield “Peace Of Me” Single BMG Poema Forthcoming Album Tooth & Nail All Time Low “Too Much” Album Hopeless Records “Painting Flowers” Buena Vista Plug In Stereo “Oh Darling” (from The Patience EP) Single Atlantic Shinedown “Diamond Eyes” Single Buena Vista Wolfmother “Fell Down A Hole” Soundtrack Track Buena Vista Cont/…2 Tel : +1 917 573 1278 www.btdrum.com [email protected] Brian Malouf – Producer/Mixer/Engineer Mixed (cont) David Gray “Babylon” Single RCA “Please Forgive Me” Single RCA Hum “Downward Is Heavenward” Album RCA Prince “Batman” Album Warner Bros. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
Cheltenham Symphony’
richard witts Shopping and Fricker: the origins of the Cheltenham Festival of Modern British Music and the ‘Cheltenham Symphony’ The author is grateful to t remains a remarkable fact that during World War 2 a civic the late Mrs Ann Wilkinson and the late Mrs Eleanor enter tain ments manager in the Cotswolds planned a festival of modern Budge, whose husbands Imusic. The Tory council supported his idea. He staged it merely five were involved with the weeks after the war’s end, and it continued yearly and continues still. Festival’s creation; Steven Blake, curator of the Cheltenham’s summer festival of music occasionally tweaked its name to Cheltenham Museum; Sue meet the evolving demands of marketing, as Table 1 shows, while the share Robbins, archivist of the Gloucestershire Echo; Sue of new music in it steadily dwindled. Yet it has remained a presence on the Liptrot of the Cheltenham festival calendar and in certain contemporary music circles for 70 years. Reference Library; Meurig I argue here that the festival’s precepts are tied to the political and Bowen of Cheltenham Music Festival; Lewis Foreman, economic strategies of Cheltenham town itself. Even so, the origins of the Simon Frith and, above all, festival in wartime England deserve wider examination for three reasons. Jeremy Tyndall, formerly Head of Cheltenham Firstly, Britain’s integrative national arts policy is based on a 1940s formula Festivals. in which Cheltenham became the first peacetime example of that system in action for new music. Secondly, Cheltenham initiated the postwar arts festival movement. According to the British Arts Festivals Association there are around 140 such festivals in force, and 2,000 in general across the United Kingdom. -
2019 Richardson Helen 09664
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The economics of opera in England 1925-1939 Richardson, Helen Joanna Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 04. Oct. 2021 The Economics of Opera in England: 1925-1939 Helen Richardson King’s College London August 2019 A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of Music. -
Black Voices, German Rebels: Acts of Masculinity in Postwar Popular Culture
Black Voices, German Rebels: Acts of Masculinity in Postwar Popular Culture By Priscilla Dionne Layne A dissertation submitted in partial satisfaction of the requirements of the degree of Doctor of Philosophy in German and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Deniz Göktürk, Chair Professor Anton Kaes Professor Jocelyne Guilbault Spring 2011 Abstract Black Voices, German Rebels: Acts of Masculinity in Postwar Popular Culture by Priscilla Dionne Layne Doctor of Philosophy in German and the Designated Emphasis in Film Studies University of California, Berkeley Professor Deniz Göktürk, Chair This dissertation examines practices of embodying Black popular culture in Germany. My analysis is based on close readings of texts from a variety of media including novels, films and musical theater from West and East Germany of the 1950s to the reunified Germany of the 1990s. Black popular culture, particularly popular music, has appealed to Germans since the 19th century, when the Fisk Jubilee singers toured Europe. In most of my analyses, music plays a prominent role as a gateway to Black popular culture. Stuart Hall defines Black popular culture as a product of the African Diaspora, therefore it is produced in a space populated by people who are linked to many different geographic locales. Nevertheless, in the texts I examine, the African American contribution to this culture is given precedent. This preference for African American culture is based on an articulation of factors, including the large presence of African American GIs in occupied postwar Germany and German stereotypes that designate African Americans as both primitive and modern, oppressed victims yet also producers of incredibly different, liberating styles. -
What Is Post-Punk?
What is Post-Punk? A Genre Study of Avant-Garde Pop, 1977-1982 Mimi Haddon Schulich School of Music McGill University, Montréal April 2015 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Ph.D. in Musicology © Mimi Haddon 2015 iii TABLE OF CONTENTS Abstract ........................................................................................................................................... vi Résumé ......................................................................................................................................... vii Acknowledgements ..................................................................................................................... viii List of Musical Examples ................................................................................................................ x List of Diagrams and Tables ........................................................................................................... xi List of Figures ............................................................................................................................... xii INTRODUCTION ........................................................................................................................... 1 Historiography and Genre ........................................................................................................ 4 Genre as Musical Style .......................................................................................................... -
Winners Hot New Release
• April 5, 1993 Volume 7 Issue 336 «de WINNERS HITSBOUND • EARPICKS BREAK W ILU ‘"« PRINCE P PICVB AEROSMITH Geffen AEROSMITH Geffen DEPECHE RAN DU. NENEH CHERRY Virgin DAMN YANKEES WB CHRIS ISAAK Reprise PM DAWN G Capitol SUNSCREEM Col JEFF HEALEY Arista BELOVED AtliAti G ICE -T R Syn STEREO MC's G St/Isl/PLG DINA CARROLL A&M SUZANNE VE GA A&M ARREST. D. (Unplt Sfee Page HOT NEW RELEASE ' BOBBY BROWN DURAN DURAN KYPER LYLE LOVETT EDDIE URPHY• That's The Way... Come Undone Spin The Bottle Stand By Your Man Whatz pwitu IMCA 5P2623 Capitol 15969 TS/AtI/Atl G 10057 Curb/MCA 5P2671 Motow 22054 Y CHARLES DEBBIE GIBSON MONIE LOVE :; Shock Your Mama Born 2 B Mae, °BY ser AtI/Atl G 5050-2 • WB 4 Violin» MR .1)", Sik ,e• THE NEW SINGLE AND VIDEO FOLLOWING UP THE .SMASH MULTI-FORMAT SUCCESS OF THE #1, HIT "ORDINARY WORLD" `", • FROM THE ALBUM DURAN DURAN. ON CAPITOL COMPACT DISCS AND CASSETTES. PRODUCED BY DURAN DURAN MANAGEMENT: LEFT BANK MANAGEMENT - 01993 EMI NECOROS LTD. April 5, 1993 Volume 7 Issue 336 $6.00 DENNIS LAVINTHAL Publisher Mr. Blackwell LENNY BEER Editor In Chief SINGLES 8 TONI PROFERA Snow continues to reign, holding off the strong challenge from Executive Editor Silk. How long will this blizzard continue? DAVID ADELSON Vice President/Managing Editor MICHAEL ST. JOHN DIALOGUE Senior Broadcast Editor 36 ROY TRAKIN EMI Records Group's Charles Koppelman puffs away on a Senior Editor victory cigar, while HITS' intrepid reporter Daina "Me" ANITA WEBB Darzin "You Jane" is the butt of our jokes.