Jack Hylton Complete Discography
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December 2020
East Village Place 50 Benton Drive East Longmeadow, MA 01028 Looking to stay connected? East Village Place wifi information: Our Place Network: WRC-Guest Password: 2Thrive! December 2020 Don't forget to check out our blog for fun pictures and exciting updates! Puppy Love Path to Well-Being https://www.facebook.com/EastVillagePlace/ We are so happy to welcome At East Village Place, we are proud to a new little friend to our conduct a "do what you can" exercise community. Born August 19th program; meaning, if at any point an Special Events in Trumbull, Ct, Destiny is a exercise causes you pain or severe & Outings frisky Yorkshire Terrier with discomfort, it is alright to wait for the the cutest disposition. next set of reps that suit your body's Bright Nights is back at Forest Park! Although she is still just a pup ability more comfortably. As we head Although our bus's maximum capacity is Destiny will not exceed 5 further and further into the Winter substantially lowered, for social pounds as a full grown adult. months we want to be sure that our distancing purposes, the Community A canine with style, you will, muscles and our joints don't stagnate. It Life department is determined to give more often than not, spot is extremely important to keep our every resident the opportunity to Destiny sporting a pretty little dress from her collection. Destiny bodies active. The Community Life team experience the joy of the holiday enjoys eating, sleeping and playing. Her favorite toys typically has introduced new, fun and exciting, season. -
Impex Records and Audio International Announce the Resurrection of an American Classic
Impex Records and Audio International Announce the Resurrection of an American Classic “When Johnny Cash comes on the radio, no one changes the station. It’s a voice, a name with a soul that cuts across all boundaries and it’s a voice we all believe. Yours is a voice that speaks for the saints and the sinners – it’s like branch water for the soul. Long may you sing out. Loud.” – Tom Waits audio int‘l p. o. box 560 229 60407 frankfurt/m. germany www.audio-intl.com Catalog: IMP 6008 Format: 180-gram LP tel: 49-69-503570 mobile: 49-170-8565465 Available Spring 2011 fax: 49-69-504733 To order/preorder, please contact your favorite audiophile dealer. Jennifer Warnes, Famous Blue Raincoat. Shout-Cisco (three 200g 45rpm LPs). Joan Baez, In Concert. Vanguard-Cisco (180g LP). The 20th Anniversary reissue of Warnes’ stunning Now-iconic performances, recorded live at college renditions from the songbook of Leonard Cohen. concerts throughout 1961-62. The Cisco 45 rpm LPs define the state of the art in vinyl playback. Holly Cole, Temptation. Classic Records (LP). The distinctive Canadian songstress and her loyal Jennifer Warnes, The Hunter. combo in smoky, jazz-fired takes on the songs of Private-Cisco (200g LP). Tom Waits. Warnes’ post-Famous Blue Raincoat release that also showcases her own vivid songwriting talents in an Crosby, Stills, Nash & Young, Déjá Vu. exquisite performance and recording. Atlantic-Classic (200g LP). A classic: Great songs, great performances, Doc Watson, Home Again. Vanguard-Cisco great sound. The best country guitar-picker of his day plays folk ballads, bluegrass, and gospel classics. -
Hap, Hap, Happy Days for Songwriter Charles Fox - San Jose Mercury News
Hap, hap, happy days for songwriter Charles Fox - San Jose Mercury News http://www.mercurynews.com/peninsula/ci_19678966 SIGN IN | REGISTER | NEWSLETTERS Part of the Bay Area News Group Like 22k eEdition / Subscriber Services Mobile | Mobile Alerts | RSS News Business Tech Sports Entertainment Living Opinion Publications My Town HelpJobs Cars Real Estate Classifieds Shopping POWERED BY Site Web Search by YAHOO! Recommend Send Be the first of your friends to 0 Share 2 Tweet 7 recommend this. Hap, hap, happy days for songwriter Charles Fox By Paul Freeman For The Daily News Posted: 01/05/2012 12:07:51 AM PST Updated: 01/05/2012 12:07:51 AM PST It should come as no surprise that Charles Fox recently received recognition from the Smithsonian Institute. The award- winning composer is, himself, an American institution, having penned such pop classics as "Killing Me Softly," "Ready To Take A Chance Again" and "I Got A Name," such iconic TV themes as "Happy Days," "Laverne and Shirley" and "The Love Boat," and scores for many films. Fox's success is the result not only of rare talent, but of dedication to his craft. "You never know what the public is going to reach for," he said. "But I do know if I've written a good song and I do know if there's something unique about it. You just have to know, as a songwriter, when you've written something that's special, that says what you want to say. Until then, I'm not satisfied. You keep working on it, honing away. -
* Hc Omslag Film Architecture 22-05-2007 17:10 Pagina 1
* hc omslag Film Architecture 22-05-2007 17:10 Pagina 1 Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema presents for the first time a comparative study of European film set design in HARRIS AND STREET BERGFELDER, IMAGINATION FILM ARCHITECTURE AND THE TRANSNATIONAL the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book FILM FILM offers a new insight into the development and signifi- cance of transnational artistic collaboration during this CULTURE CULTURE period. IN TRANSITION IN TRANSITION European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, this book provides a comprehensive analysis of the practices, styles, and function of cine- matic production design during this period, and its influence on subsequent filmmaking patterns. Tim Bergfelder is Professor of Film at the University of Southampton. He is the author of International Adventures (2005), and co- editor of The German Cinema Book (2002) and The Titanic in Myth and Memory (2004). Sarah Street is Professor of Film at the Uni- versity of Bristol. She is the author of British Cinema in Documents (2000), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcis- sus (2004). Sue Harris is Reader in French cinema at Queen Mary, University of London. She is the author of Bertrand Blier (2001) and co-editor of France in Focus: Film -
OPENING THEME SONG CREDITS Mp3 (01:32 Min) - Free Full Download All Music
1 / 2 Download HAPPY DAYS - Season 11 - OPENING THEME SONG CREDITS Mp3 (01:32 Min) - Free Full Download All Music THE LION KING: THE GIFT (2019) · Balance (Mufasa Interlude) Lyrics · Balance (Mufasa Interlude) Credits · Bigger Lyrics · Bigger Credits · The Stars (Mufasa .... Not all malicious and suspicious indicators are displayed. Get your own cloud service or the full version to view all details. Suspicious Indicators 4. Anti-Reverse .... These are all in MP# format's not CD's or LP's. Here it is again: +1 ... agitpop - open seasons ... antediluvian rocking horse - music for the odd occasion ... autumnfair - complete recordings 1986-1989 ... backbeat band - backbeat soundtrack ... balaam & the angel (1988) live free or die ... catherine wheel - happy days - (1995). Exotica, Polynesian, Lounge music, featuring interviews and rare vintage recordings from yesterday and today. So come join your host DigiTiki as the record lazily .... 110 BPM - Royalty free music tracks (1/25) ... This is the Wild Wild West - 120 BPM (01:32); The Life of a Cowboy - 152 BPM (01:43) ... Add to Cart Download Preview Find related Tracks ... All rights reserved. ... Perfect Days (Full Mix) 03:13 ... Sensitive, melancholic song with Spanish acoustic guitar, piano, acoustic bass and .... french series with english subtitles episode 114 Aug 01, 2020 · DOWNLOAD ... 7984cf4209 playful kiss episode 3 with english subtitles full tamil movies free download, ... Soundtrack download, Exclusive redeemable WAKFU MMO Item, Your name ... for English subtitles starting from s02e20, French won't do me any good.. min-width:500px; } /* encloses the main details area */ div#mainMiddle ... Re: The circle is complete now! theonlyrealpersonhere 1 1450 February 11, 2008 .. -
The Complete Poetry of James Hearst
The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring. -
Pressemitteilung Zu Texas
Pressemitteilung zu Texas Die Pop-Institution Texas feiert das 30-jährige Jubiläum ihres Debütalbums „Southside“ am 15.11.2020 in der Großen Freiheit 36 Hamburg, Dezember 2019 – Am Anfang stand „Southside“. Das bahnbrechende Album bildete den Auftakt zu einer grandiosen Karriere, in deren Verlauf Texas global 40 Millionen Alben verkauften und weltweit Fans in ihre Konzerte zogen. Diese ikonische Scheibe wird die Band um die charismatische Sängerin und Songwriterin Sharleen Spiteri komplett vortragen, inklusive Hits wie „I Don’t Want a Lover“ und „Thrill Has Gone“. Natürlich dürfen bei dieser Show auch die übrigen Texas-Hits wie etwa „Summer Son“, „Inner Smile“ und „Say What You Want“ nicht fehlen. Die Schotten gastieren am 15.11.2020 in der Großen Freiheit 36 in Hamburg. Texas wurden 1986 in Glasgow von Bassist Johnny McElhone gegründet. Der Name der Band stammt von dem Wim-Wenders-Film „Paris, Texas“, für den Ry Cooder seinerzeit den Soundtrack komponierte. Mit Frontfrau Sharleen Spiteri fand die Kapelle eine kreative Persönlichkeit, die den Sound des Septetts bis heute entscheidend prägt. Musikalisch sind Texas von Northern Soul, Disco sowie den Bee Gees und Orange Juice beeinflusst. „Southside“ wurde im März 1989 veröffentlicht und verkaufte sich weltweit rund zwei Millionen Mal. Als erste Single wurde „I Don´t Want a Lover“ ausgekoppelt, die prompt auf Platz 8 der UK Charts landete. Es folgten Tourneen durch Europa und den USA. Im Verlauf ihrer Karriere präsentierten die Schotten weitere Bestseller-Alben auf, darunter: „White On Blonde“ (1997), „The Hush“ (1999) und natürlich „The Greatest Hits“ (2000). Letztere stellt mit rund fünf Millionen verkaufter Einheiten die bislang erfolgreichste Veröffentlichung der Band dar. -
Business AD-Vantage
PAGE 8 PRESS & DAKOTAN n MONDAY, DECEMBER 28, 2015 ecutor who parlayed his handling Bobbi Kris- it to Me,” on the hit comedy show. a prominent figure in Margaret vehicles ranging from the beautiful of the Charles Manson trial into tina Brown, Sept. 3. Thatcher’s government but helped to the outrageous. Nov. 5. a career as a bestselling author. 22. Daughter of William Grier, 89. Psychiatrist bring about her downfall after they Gunnar Hansen, 68. He Deaths June 6. singers Whitney who co-authored the groundbreak- parted ways over policy toward played the iconic villain Leather- From Page 7 Christopher Lee, 93. Actor Houston and ing 1968 book, “Black Rage,” Europe. Oct. 9. face in the original “Texas Chain who brought dramatic gravitas Bobby Brown, which offered the first psychologi- Jerry Parr, 85. Secret Ser- Saw Massacre” film. Nov. 7. Pan- and aristocratic bearing to screen she was raised cal examination of black life in the vice agent credited with saving creatic cancer. the hail of snowballs and shower villains from Dracula to the wicked in the shadow United States. Sept. 3. President Ronald Reagan’s life Helmut Schmidt, 96. Former of boos that rained down on him. wizard Saruman in “The Lord of of fame and Martin Milner, 83. His whole- on the day he was shot outside a chancellor who guided West April 30. the Rings” trilogy. June 7. shattered by some good looks helped make Washington hotel. Oct. 9. Germany through economic turbu- Vincent Musetto, 74. Veteran Walter Dale the loss of her him the star of two hugely popular Richard Heck, 84. -
Africana Studies Review
AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 ON THE COVER DETAIL FROM A PIECE OF THE WOODEN QUILTS™ COLLECTION BY NEW ORLEANS- BORN ARTIST AND HOODOO MAN, JEAN-MARCEL ST. JACQUES. THE COLLECTION IS COMPOSED ENTIRELY OF WOOD SALVAGED FROM HIS KATRINA-DAMAGED HOME IN THE TREME SECTION OF THE CITY. ST. JACQUES CITES HIS GRANDMOTHER—AN AVID QUILTER—AND HIS GRANDFATHER—A HOODOO MAN—AS HIS PRIMARY INFLUENCES AND TELLS OF HOW HEARING HIS GRANDMOTHER’S VOICE WHISPER, “QUILT IT, BABY” ONE NIGHT INSPIRED THE ACCLAIMED COLLECTION. PIECES ARE NOW ON DISPLAY AT THE AMERICAN FOLK ART MUSEUM AND OTHER VENUES. READ MORE ABOUT ST. JACQUES’ JOURNEY BEGINNING ON PAGE 75 COVER PHOTOGRAPH BY DEANNA GLORIA LOWMAN AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 ISSN 1555-9246 AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 TABLE OF CONTENTS About the Africana Studies Review ....................................................................... 4 Editorial Board ....................................................................................................... 5 Introduction to the Spring 2019 Issue .................................................................... 6 Funlayo E. Wood Menzies “Tribute”: Negotiating Social Unrest through African Diasporic Music and Dance in a Community African Drum and Dance Ensemble .............................. 11 Lisa M. Beckley-Roberts Still in the Hush Harbor: Black Religiosity as Protected Enclave in the Contemporary US ................................................................................................ 23 Nzinga Metzger The Tree That Centers the World: The Palm Tree as Yoruba Axis Mundi ........ -
Newsletter #284 County Sales P.O
NEWSLETTER #284 COUNTY SALES P.O. Box 191 March-April 2007 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 FLATT & REB-1820 JOHN STARLING & CAROLINA SCRUGGS STAR “Slidin’ Home” One of the great singers of contemporary Bluegrass and acoustic music, John on NEW DVDS! Starling is back with a superb album that finds him in The big news this month is the release of two DVDs that a perfect setting for his soulful voice. Starling, a feature the legendary, long awaited Martha White Grand founding member of one of the all-time great acous- Ole Opry shows featuring Lester Flatt & Earl Scruggs, and tic bands, the Seldom Scene, was away from ac- originally filmed over 45 years ago. See our brief reviews tively performing for many years while he pursued of the first two volumes on page 2 (about 8 more volumes his career as a surgeon in the medical field. It’s great are projected). We will have these on sale this month for to have him back, especially in a band that is very just $ 18.00 each—they are GREAT. And to celebrate this reminiscent of the Seldom Scene—as well it should good news we are running a special sale on various Flatt & be, condsidering that two members—Mike Auldridge Scruggs CDs this month only (also on page 2). and Tom Gray—were also important & founding members of that group. Unlike the Scene, it’s a group NEW BEAR FAMILY BOXED SETS: without a banjo, but additional members Jimmy Gaudreau (mandolin) and Rickie Simpkins (fiddle) add We have just received our initial supply of two important beautifully to a tasteful and wonderfully musical treat- new Bear Family Boxed sets by BILL MONROE (My ment of some fine Last Days On Earth) and MAC WISEMAN (On Susan’s material. -
UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011
UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 i UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 FESTIVAL SPONSOR Additional programming support provided, in part, by The Hollywood Foreign Press Association ii 1 FROM THE DIRECTOR As director of UCLA Film & Television Archive, it is my great pleasure to Mysel has completed several projects, including Cry Danger (1951), a introduce the 2011 UCLA Festival of Preservation. As in past years, we have recently rediscovered little gem of a noir, starring Dick Powell as an unjustly worked to put together a program that reflects the broad and deep efforts convicted ex-con trying to clear his name, opposite femme fatale Rhonda of UCLA Film & Television Archive to preserve and restore our national mov- Fleming, and featuring some great Bunker Hill locations long lost to the Los ing image heritage. Angeles wrecking ball. An even darker film noir, Kiss Tomorrow Goodbye (1950), stars James Cagney as a violent gangster (in fact, his last great This year’s UCLA Festival of Preservation again presents a wonderful cross- gangster role) whose id is more monstrous than almost anything since Little section of American film history and genres, silent masterpieces, fictional Caesar. Add crooked cops and a world in which no one can be trusted, and shorts, full-length documentaries and television works. Our Festival opens you have a perfect film noir tale. with Robert Altman’s Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982). This restoration is the first fruit of a new project to preserve Our newsreel preservationist, Jeff Bickel, presents his restoration of John and restore the artistic legacy of Mr. -
Film Architecture and the Transnational Imagination : Set Design in 1930S European Cinema 2007
Repositorium für die Medienwissenschaft Tim Bergfelder; Sue Harris; Sarah Street Film Architecture and the Transnational Imagination : Set Design in 1930s European Cinema 2007 https://doi.org/10.5117/9789053569801 Buch / book Empfohlene Zitierung / Suggested Citation: Bergfelder, Tim; Harris, Sue; Street, Sarah: Film Architecture and the Transnational Imagination : Set Design in 1930s European Cinema. Amsterdam University Press 2007 (Film Culture in Transition). DOI: https://doi.org/10.5117/9789053569801. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons BY-NC 3.0/ This document is made available under a creative commons BY- Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz NC 3.0/ License. For more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc/3.0/ https://creativecommons.org/licenses/by-nc/3.0/ * hc omslag Film Architecture 22-05-2007 17:10 Pagina 1 Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema presents for the first time a comparative study of European film set design in HARRIS AND STREET BERGFELDER, IMAGINATION FILM ARCHITECTURE AND THE TRANSNATIONAL the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book FILM FILM offers a new insight into the development and signifi- cance of transnational artistic collaboration during this CULTURE CULTURE period. IN TRANSITION IN TRANSITION European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, this book provides a comprehensive analysis of the practices, styles, and function of cine- matic production design during this period, and its influence on subsequent filmmaking patterns.