Teaching Primary Students About War
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SPOT the DOG Canine Companions in Art EDUCATION RESOURCE CONTENTS
SPOT THE DOG canine companions in art EDUCATION RESOURCE CONTENTS 1. About this resource page 1 2. About this exhibition page 2 3. Meet the dogs page 5 4. Keys for looking page 10 5. Engaging students page 12 6. Post-visit activities page 14 7. Visiting the exhibition page 16 This Education Resource is produced in association with the exhibition Spot the Dog: canine companions in art presented by Carrick Hill, Adelaide from 8 March – 30 June 2017. Cover image: Narelle Autio, Spotty Dog (detail), 2001, Type C print, private collection. Acknowledgements Writer: Anna Jug, Associate Curator, Carrick Hill (with acknowledgement of research and text: Katherine Kovacic, Richard Heathcote and John Neylon). Design: Sonya Rowell, Carrick Hill. 1 ABOUT THIS EDUCATION RESOURCE This resource will provide information on the following: - a history of dogs in art that will contextualise the exhibition - how students may explore the themes of the exhibition - a list of questions and exercises designed to challenge students’ engagement with the work on display Year Level This resource is designed to be used in conjunction with a visit to Carrick Hill for students in upper primary and lower secondary students. It has been designed to correspond with the Australian Curriculum standards for Year 5 Band and above¹. Students will experience artworks from a range of cultures, times and locations. They explore the arts of Aboriginal and Torres Strait Islander Peoples and of the Asia region and learn that they are used for different purposes. Sections 4, 5 and 6 of this resource motivate student engagement with the work in the exhibition. -
Antique Bookshop
ANTIQUE BOOKSHOP CATALOGUE 304 The Antique Bookshop & Curios ABN 64 646 431062 Phone Orders To: (02) 9966 9925 Fax Orders to: (02) 9966 9926 Mail Orders to: PO Box 7127, McMahons Point, NSW 2060 Email Orders to: [email protected] Web Site: http://www.antiquebookshop.com.au Books Held At: Level 1, 328 Pacific Highway, Crows Nest 2065 Hours: 10am to 5pm, Thursday to Saturday All items offered at Australian Dollar prices subject to prior CHANGE OF BOOKSHOP OPENING DAYS sale. Prices include GST. Postage & insurance is extra. It seems of late that those customers who buy books from us increasingly Payment is due on receipt of books. do so by phone or email or directly through our web site, and we send the No reply means item sold prior to receipt of your order. books to them. Because of this we have decided to reduce the number of days we are open Unless to firm order, books will only be held for three days. during the week. From the week beginning Monday 7th March we will open from CONTENTS Thursday to Saturday inclusive, from 10am to 5pm each day. I know there are those who will always wish to see the books they are buy- BOOKS OF THE MONTH 1 - 33 ing and to browse so we will be available on those three days during the AUSTRALIA & THE PACIFIC 34 - 232 week, and if this is not convenient we can be open by appointment on any AVIATION 233 - 248 other weekday at a mutually convenient time. Please call us if you wish PARIS 249 - 268 to arrange this. -
The Gate of Eternal Memories: Architecture Art and Remembrance
CONTESTED TERRAINS SAHANZ PERTH 2006 JOHN STEPHENS THE GATE OF ETERNAL MEMORIES: ARCHITECTURE ART AND REMEMBRANCE. John Richard Stephens Faculty of Built Environment Art and Design, Curtin University of Technology, Perth Western Australia, Australia. ABSTRACT The Menin Gate is a large memorial in Belgium to British Empire troops killed and missing during the battles of the Ypres Salient during the First World War. Designed by the architect Reginald Blomfield in 1922 it commemorates the 56,000 soldiers whose bodies were never found including 6,160 Australians. Blomfield’s sobering memorial has symbolic architectural meaning, and signifi- cance and commemorative meaning to relatives of those whose names appeared on the sur- faces of the structure. In 1927 the Australian artist and soldier William Longstaff painted his alle- gorical painting “Menin gate at Midnight showing the Gate as an ethereal structure in a brood- ing landscape populated with countless ghostly soldiers. The painting was an instant success and was reverentially exhibited at all Australian capital cities. From the contested terrain of war re- membrance this paper will argue that both the Gate and its representation in “Menin Gate at Midnight” are linked through the commemorative associations that each employ and have in common. “Here was the world’s worst wound. And Imperial War Graves cemetery. As a product of here with pride particular political and ethical policies, the bodies ‘Their name liveth for evermore’ the of British Empire soldiers were not returned to their Gateway claims. countries but buried close to where they met their Was ever an immolation so belied As these intolerably nameless names? fate. -
Kim Scott's Writing and the Wirlomin Noongar Language and Stories Project
Disputed Territories as Sites of Possibility: Kim Scott's Writing and the Wirlomin Noongar Language and Stories Project Natalie Quinlivan BA International Studies, BA Communications (Creative Writing), MA English A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences School of Literature, Art and Media University of Sydney April 2019 Abstract Kim Scott was the first Aboriginal author to win the Miles Franklin Literary Award in 2000 for Benang, an award he won again in 2011 for That Deadman Dance. Yet despite these national accolades, Scott interrogates the very categories of Australian and Indigenous literatures to which his work is subjected. His writing reimagines, incorporates and challenges colonial ways of thinking about people and place. This thesis reveals the provocative proposal running through Scott’s collected works and projects that contemporary Australian society (and literature) should be grafted onto regional Aboriginal languages and stories as a way to express a national sense of “who we are and what we might be”. Scott’s vision of a truly postcolonial Australia and literature is articulated through his collected writings which form a network of social, historical, political and personal narratives. This thesis traces how Scott’s writing and the Wirlomin Noongar Language and Stories Project (Wirlomin Project) reconfigure colonial power relationships in the disputed territories of place, language, history, identity and the globalised world of literature. Ultimately, Scott intends to create an empowered Noongar position in cross-cultural exchange and does so by disrupting the fixed categories inherent in these territories; territories constructed during the colonising and nationalising of Australia. -
World War II and Australia
Essay from “Australia’s Foreign Wars: Origins, Costs, Future?!” http://www.anu.edu.au/emeritus/members/pages/ian_buckley/ This Essay (illustrated) also available on The British Empire at: http://www.britishempire.co.uk/article/australiaswars9.htm 9. World War II and Australia A. September 3, 1939, War 1 (a) Poland Invaded, Britain Declares War, Australia Follows (b) Britain continues ‘Standing By’ – the Phoney War (c) German U-boat and Air Superiority B. Early Defeats 5 (a) Norway, then France, Fall (b) A British Settlement with Hitler? (c) Challenge to Churchill’s leadership fails C. Germany invades Russia 11 (a) Germany Invades Russia, June 22, 1941 (b) Churchill and Roosevelt Meet – the Atlantic Charter D. Japan Enters WWII 16 (a) Early lightning gains – with historical roots (b) Singapore Falls; facing invasion, Australia fights back (c) Midway Battle turns the Naval Tide (d) Young Australians repel forces aimed at Port Moresby (e) Its Security Assured, how then should Australia have fought the Pacific War? E. Back to ‘Germany First’& further delaying the Second Front 30 (a) The Strategy and Rationale (b) Post-Stalingrad Eastern Front: January 1943 – May 1945 (c) Britain’s Contribution to ‘Winning the War against Germany’ F. The Dominions and the RAF’s Air War on Germany (a) The Origins of the ‘Empire Air Training Scheme’ (EATS) 35 (b) EATS and the Defence of Australia - any Connection? (c) Air Operations – Europe (d) Ill-used Australian Aircrew (e) RAF Bomber Command and its Operations – (see Official UK, US Reports!) (f) A contrast: US Air Force’s Specific Target Bombing from mid-1944 G. -
Study Guide in Class Is: Australia Is at War with Japan
www.theeducationshop.com.au www.metromagazine.com.au 1 SCREEN EDUCATION SCREEN STUDYGUIDE BOB LEWIS SYNOPSIS OF THE FILM A SUGGESTED The small section is cut off from their CLASSROOM APPROACH okoda (Alister Grierson, 2006) line of communication with the main is a 96 minute film set in Papua force of the 39th Battalion. Isolated in A suggested approach for using this K(New Guinea) in August 1942. the jungle behind enemy lines, they Study Guide in class is: Australia is at war with Japan. Port must attempt to make their way back Moresby is under threat of inva- through an unforgiving, hostile terrain 1 Introductory exercise – formulating sion from Japanese forces who wish to return to their mates. Allegiences ideas from photographs capture the airfields there and so form, strengths and weaknesses 2 Locate and interview a veteran dominate the region, preventing the emerge and leadership battles threaten [see 2/16th web site www.starwon. build-up of Unites States forces on to destroy the group as the going gets com.au/-skip] the Australia mainland and in the sur- tougher and tougher. 2 Watch the film rounding islands. 3 Film discussion: General questions After three days with no food or sleep, about war, such as ‘Why did we A small group of Australian soldiers carrying their wounded and suffering fight: was it necessary [in 1942]? from the 39th Battalion have been sent the effects of malaria and dysentery, AND/OR as a forward patrol beyond the de- they emerge from the jungle exhausted 4 Film discussion: Is Kokoda good fensive perimeter of Isurava, a village to the point of collapse. -
Tobruk to Tarakan Book.Indb
TOBRUK to TARAKAN 70th Anniversary El Alamein Edition 2012 PUBLISHER’S NOTE by Paul Oaten Tobruk toTarakan: El Alamein 70th Anniversary Edition Since I was a young child, I have always had a keen interest in the 2/48th Battalion. Len Kader, my grandfather, was a member of this battalion and often spoke of the trials and tribulations of going to war. After his 1977 passing due to war wounds he received at El Alamein, I inherited photographs and memorabilia which inspired my passion for this historical event. Over the years, I have spoken to, and interviewed many of the original battalion veterans and relatives. These encounters have shown me a relaxed and funny side to some of the antics the Aussies got up to, while growing a respect for the hardships they dealt with. It has been an amazing journey for me. I have realised these were ordinary men, under extraordinary circumstances, who not only had a devotion to their country, but a devotion to each other. Their various ages and backgrounds did not matter as they saw each other as brothers. To me, it is very important that this amazing and accurate recollection of the 2/48th Battalion be republished for the 70th anniversary of the El Alamein battles. Some additional information and photographs I have accumulated over the years have been included. Many thanks to the veterans and relatives who so generously contributed. Lest we forget. Recommended Further Reading Churches, Ralph, 100Miles as the Crow Flies, 2000 (One of the Great Escapes of WWII) Dornan, Peter, The Last Man Standing, Allen and Unwin Farquhar, Murray, Derrick VC, Rigby Publishers, 1982 Fitzsimons, Peter, Tobruk, Harper Collins, 2006 Johnston, Mark, That Magnificent 9th: An Illustrated History of the Ninth Australian Division, Allen and Unwin, 2002 Spicer, Barry, Original Artwork www.barryspicer.com Stanley, Peter, Tarakan: An Australian Tragedy, Allen and Unwin, 1997 Wege, Anthony L., His Duty Done – The Story of SX7147 Corporal Harold Wilfred Gass. -
Useful Knowledge 35 Spring 2014
The Magazine of the Mechanics’ Institutes Of Victoria Inc. UsefulNo. Knowledge35 – Spring 2014 PO Box 1080, Windsor VIC 3181 Australia ISSN 1835-5242 Reg No. A0038156G ABN 60 337 355 989 Price: Five Dollars $5 "LEST WE FORGET" There would hardly be a Hall in Victoria or its Some of those who returned formed Soldier adjoining Reserve, or a nearby cenotaph that Settlements, or laboured at community projects, the words ‘Lest we Forget’ are not recorded. like the Great Ocean Road. The phrase is from Rudyard Kipling’s The A hundred years on this is an opportunity for Recessional penned for Queen Victoria’s your Hall, your community to… ‘remember them’. Diamond Jubilee in 1897. This Anzac Day why ‘Lest we forget – Lest we not also remember ‘the forget’ is repeated after going down of the sun’ an entreaty that we will with a lowering of the first four verses as on far off battlefields of Jesus Christ. kick on to a ‘welcome notThose forget threethe sacrifice iconic home’the flag. dance It couldto all localthen words ‘Lest we forget’ service personnel. A are often added at the conclusion of Laurence of Will Longstaff’s Menin Gate at midnight by Will Longstaff Binyon’s famousreflection painting at midnight ‘Menin For the Fallen. Photo from: Collection Database of the Australian ‘They shall not grow old, Gate at Midnight’ when War Memorial under the ID Number: ART09807 as we that are left grow those ghostly legions old/ Age shall not weary them, nor the years condemn./ At the going of white crosses or any resting place, with the down of the sun and in the morning,/ We will sounding of The Reveillerise and aagain Roll Call from of district fields remember them. -
Cat179 Oct 2014
1 Catalogue 179 OCTOBER 2014 2 Glossary of Terms (and conditions) Returns: books may be returned for refund within 7 days and only if not as INDEX described in the catalogue. NOTE: If you prefer to receive this catalogue via email, let us know on [email protected] CATEGORY PAGE My Bookroom is open each day by appointment – preferably in the afternoons. Give me a call. Aviation 3 Abbreviations: 8vo =octavo size or from 140mm to 240mm, ie normal size book, 4to = quarto approx 200mm x 300mm (or coffee table size); d/w = dust Espionage 4 wrapper; pp = pages; vg cond = (which I thought was self explanatory) very good condition. Other dealers use a variety including ‘fine’ which I would rather leave to coins etc. Illus = illustrations (as opposed to ‘plates’); ex lib = had an Military Biography 6 earlier life in library service (generally public) and is showing signs of wear (these books are generally 1st editions mores the pity but in this catalogue most have been restored); eps + end papers, front and rear, ex libris or ‘book plate’; Military General 7 indicates it came from a private collection and has a book plate stuck in the front end papers. Books such as these are generally in good condition and the book plate, if it has provenance, ie, is linked to someone important, may increase the Napoleonic, Crimean & Victorian Eras 8 value of the book, inscr = inscription, either someone’s name or a presentation inscription; fep = front end paper; the paper following the front cover and immediately preceding the half title page; biblio: bibliography of sources used in Naval 9 the compilation of a work (important to some military historians as it opens up many other leads). -
ADF Serials Telegraph Newsletter
John Bennett ADF Serials Telegraph Newsletter Volume 10 Issue 3: Winter 2020 Welcome to the ADF-Serials Telegraph. Articles for those interested in Australian Military Aircraft History and Serials Our Editorial and contributing Members in this issue are: John ”JB” Bennett, Garry “Shep” Shepherdson, Gordon “Gordy” Birkett and Patience “FIK” Justification As stated on our Web Page; http://www.adf-serials.com.au/newsletter.htm “First published in November 2002, then regularly until July 2008, the ADF-Serials Newsletter provided subscribers various news and articles that would be of interest to those in Australian Military Heritage. Darren Crick was the first Editor and Site Host; the later role he maintains. The Newsletter from December 2002 was compiled by Jan Herivel who tirelessly composed each issue for nearly six years. She was supported by contributors from a variety of backgrounds on subjects ranging from 1914 to the current period. It wasn’t easy due to the ebb and flow of contributions, but regular columns were kept by those who always made Jan’s deadlines. Jan has since left this site to further her professional ambitions. As stated “The Current ADF-Serials Telegraph is a more modest version than its predecessor, but maintains the direction of being an outlet and circulating Email Newsletter for this site”. Words from me I would argue that it is not a modest version anymore as recent years issues are breaking both page records populated with top quality articles! John and I say that comment is now truly being too modest! As stated, the original Newsletter that started from December 2002 and ended in 2008, and was circulated for 38 Editions, where by now...excluding this edition, the Telegraph has been posted 44 editions since 2011 to the beginning of this year, 2020. -
THE ENDURING IMPACT of the FIRST WORLD WAR a Collection of Perspectives
THE ENDURING IMPACT OF THE FIRST WORLD WAR A collection of perspectives Edited by Gail Romano and Kingsley Baird ‘That Huge, Haunted Solitude’: 1917–1927 A Spectral Decade Paul Gough Arts University Bournemouth Abstract The scene that followed was the most remarkable that I have ever witnessed. At one moment there was an intense and nerve shattering struggle with death screaming through the air. Then, as if with the wave of a magic wand, all was changed; all over ‘No Man’s Land’ troops came out of the trenches, or rose from the ground where they had been lying.1 In 1917 the British government took the unprecedented decision to ban the depiction of the corpses of British and Allied troops in officially sponsored war art. A decade later, in 1927, Australian painter Will Longstaff exhibited Menin Gate at Midnight which shows a host of phantom soldiers emerging from the soil of the Flanders battlegrounds and marching towards Herbert Baker’s immense memorial arch. Longstaff could have seen the work of British artist and war veteran Stanley Spencer. His vast panorama of post-battle exhumation, The Resurrection of the Soldiers, begun also in 1927, was painted as vast tracts of despoiled land in France and Belgium were being recovered, repaired, and planted with thousands of gravestones and military cemeteries. As salvage parties recovered thousands of corpses, concentrating them into designated burial places, Spencer painted his powerful image of recovery and reconciliation. This article will locate this period of ‘re-membering’ in the context of such artists as Will Dyson, Otto Dix, French film-maker Abel Gance, and more recent depictions of conflict by the photographer Jeff Wall. -
Saturday 5Th August 2017 2:00Pm Commemorative Service for the Centenary of the Battle of Ypres Menin Road, Passchendaele, Zonn
Commemorative Service for the Centenary of the Battle of Ypres Menin Road, Passchendaele, Zonnebeke Painting: Menin Gate at Midnight by Will Longstaff who lived and taught art in Eltham prior to enlisting for World War 1. Longstaff who is listed on the Eltham Honor Roll in the church left for Egypt on the Transport Orsova 67 on 12 Novem- ber 1915 with 4 others from Eltham also listed on the Honor Roll: Capewell WJ, Knapman AE, Morris A & Morris H. The Westhoek signboard marking the area from where Australian troops successfully advanced in the battle of Menin Road. 20 September 1917. Saturday 5th AWM RELAWMOO605 August 2017 2:00pm 16 Welcome to our special visitors: Medals were given to soldiers from the Eltham district, posthumously for those killed and to those who survived the conflict. The design of the inscriptions is found in the minutes of the Committee meetings. Obviously Hon Jenny Macklin Federal Member for Jagajaga for those killed in the conflict an expression of sympathy was sent by the Vicki Ward MP State Member for Eltham Committee to the family. During November 1917 at a Welcome Home Mayor Cr Peter Clarke Nillumbik Shire Council Reception for several soldiers Geoffrey Grant’s father was presented with an engraved medal acknowledging his son’s supreme sacrifice. Cr Jane Ashton Nillumbik Shire Council Mr Andrew Mackenzie OAM Art Historian These medals survive within the Eltham community, the Orford family for instance. Reverend David Sullivan St Matthews Panton Hill Mr Bill McKenna Montmorency - Eltham RSL Sub Branch The Committee also ensured that the names of returned soldiers were Mr Terry Phillips Montmorency - Eltham RSL Sub Branch listed in the local press.