Pilobolus: Come to Your Senses
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Malpaso Dance Company Is Filled with Information and Ideas That Support the Performance and the Study Unit You Will Create with Your Teaching Artist
The Joyce Dance Education Program Resource and Reference Guide Photo by Laura Diffenderfer The Joyce’s School & Family Programs are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council; and made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Special support has been provided by Con Edison, The Walt Disney Company, A.L. and Jennie L. Luria Foundation, and May and Samuel Rudin Family Foundation, Inc. December 10, 2018 Dear Teachers, The resource and reference material in this guide for Malpaso Dance Company is filled with information and ideas that support the performance and the study unit you will create with your teaching artist. For this performance, Malpaso will present Ohad Naharin’s Tabla Rasa in its entirety. Tabula Rasa made its world premiere on the Pittsburgh Ballet Theatre on February 6, 1986. Thirty-two years after that first performance, on May 4, 2018, this seminal work premiered on Malpaso Dance Company in Cuba. Check out the link here for the mini-documentary on Ohad Naharin’s travels to Havana to work with Malpaso. This link can also be found in the Resources section of this study guide. A new work by company member Beatriz Garcia Diaz will also be on the program, set to music by the Italian composer Ezio Bosso. The title of this work is the Spanish word Ser, which translates to “being” in English. I love this quote by Kathleen Smith from NOW Magazine Toronto: "As the theatre begins to vibrate with accumulated energy, you get the feeling that they could dance just about any genre with jaw-dropping style. -
Stephen M. Rooks
Stephen M. Rooks Vassar College 95 Vassar Road Box 743 Poughkeepsie, New York 12603 124 Raymond Avenue (845) 463-0020/416-8056 (cell) Poughkeepsie, New York 12604-0743 [email protected] (845) 437-7472 (845) 437-7818 (fax) [email protected] EDUCATIONAL BACKGROUND B.A. (Cum Laude) Dartmouth College – Senior Fellow in Music 1977 The Mercersburg Academy 1973 French and German PROFESSIONAL WORK EXPERIENCE Professor of Dance and Resident Choreographer, Vassar College, 1996 to present Guest Artist-in-Residence, University of North Carolina School of the Arts, 2001 Lecturer in Dance, Howard University, 1993 – 1996 Instructor of Dance, Alvin Ailey American Dance Center, 1991 – 1996 Guest Instructor of Dance, Martha Graham Dance Center 1997 to present PRINCIPAL DANCER WITH MARTHA GRAHAM DANCE COMPANY, 1981 –1991; 1998, 2007 (Danced major roles in Graham repertory) DANCER WITH ALVIN AILEY II, 1980 – 1981 (performed in works by Alvin Ailey, Tally Beatty, Ulysses Dove, and Donald McKayle) PUBLICATIONS Rooks, Steve “An Interview with Ann Reinking: Teacher’s Wisdom” Dance Magazine, November 2006 TEACHING Undergraduate Courses: Beginning through Advanced Modern Dance (courses all informed by the codified Martha Graham technique – Vassar College), 1996 to present Graham Technique and Repertory (intermediate technique, repertory, and lectures on Martha Graham –Vassar College), 2003 to present Dance Composition/Craft of Choreography (working with students on the study, process, creation and performance of dance –Vassar College), 1996 to present Advanced -
National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................ -
ERIKA AMATO Vocal Range: D3 – A5 AEA/SAG-AFTRA/AGVA the Carson/Kolker Organization 212-221-1517| [email protected]
ERIKA AMATO Vocal Range: D3 – A5 AEA/SAG-AFTRA/AGVA The Carson/Kolker Organization www.erikaamato.com 212-221-1517| [email protected] st 1 NATIONAL TOUR Flashdance – The Musical Miss Wilde Dir. Sergio Trujillo OFF-BROADWAY The Sphinx Winx Cleopatra Dir. Matthew Hamel Signs of Life Berta Dir. Jeremy Dobrish OTHER NYC (partial list) Nell Dash...* Lady Dashwood Dir. Dennis Corsi (NY Winterfest) Jack London: Sex, Love & Revolution Ninetta Dir. Kimberly Eaton (NY Intl. Fringe) Triumph Of Love Hesione Dir. Brian Swasey (Astoria Perf. Arts. Ctr.) Waiting For Lefty Edna Dir. Victor Cuenca (Producers Club) REGIONAL (partial list) Biography* Marion Froude Dir. Gayle Stahlhuth (East Lynne Theater Co) The Secret Garden Mrs. Winthrop/Ensemble Dir. Terrence Nolen (Arden Theatre Co) A Funny Thing Happened…Forum Domina Dir. Bob Walton (The Wick Theatre) Backwards In High Heels Lela Rogers Dir. Jeremy Benton (Westchester Broadway) Into The Woods* Witch Dir. Kathryn Markey (Ocean State Theatre) Hairspray Velma Von Tussle Dir. Darryl Yeager (Tuacahn) Aladdin Beggar Woman Dir. Scott Anderson (Tuacahn) Sleeping Beauty Wakes* Bad Fairy/Clinic Director Dir. Jeff Calhoun (Center Theatre Group) Cinderella Fairy Godmother Dir. Ed Flesch (Fireside) The Sound of Music Elsa Dir. Ed Flesch (Fireside) How to Succeed in Business… Miss Jones Dir. Ed Flesch (Fireside) Anything Goes* Reno Sweeney Dir. Douglas Austin (Candlelight) White Christmas Betty Haynes Dir. Jon Engstrom (Welk Theatre) 42nd Street Dorothy Brock Dir. Jon Engstrom (Welk Theatre) The Bungler Hippolyte Dir. Jules Aaron (West Coast Ensemble) Sunday in the Park with George* Yvonne/Naomi Dir. Calvin Remsberg (West Coast Ensemble) Paint Your Wagon Cherry Jourdel Dir. -
In This Issue
FALL 2019 IN THIS ISSUE JONATHAN BISS CELEBRATING BEETHOVEN: PART I November 5 DANISH STRING QUARTET November 7 PILOBOLUS COME TO YOUR SENSES November 14–16 GABRIEL KAHANE November 23 MFA IN Fall 2019 | Volume 16, No. 2 ARTS LEADERSHIP FEATURE In This Issue Feature 3 ‘Indecent,’ or What it Means to Create Queer Jewish Theatre in Seattle Dialogue 9 Meet the Host of Tiny Tots Concert Series 13 We’re Celebrating 50 Years Empowering a new wave of Arts, Culture and Community of socially responsible Intermission Brain arts professionals Transmission 12 Test yourself with our Online and in-person trivia quiz! information sessions Upcoming Events seattleu.edu/artsleaderhip/graduate 15 Fall 2019 PAUL HEPPNER President Encore Stages is an Encore arts MIKE HATHAWAY Senior Vice President program that features stories Encore Ad 8-27-19.indd 1 8/27/19 1:42 PM KAJSA PUCKETT Vice President, about our local arts community Sales & Marketing alongside information about GENAY GENEREUX Accounting & performances. Encore Stages is Office Manager a publication of Encore Media Production Group. We also publish specialty SUSAN PETERSON Vice President, Production publications, including the SIFF JENNIFER SUGDEN Assistant Production Guide and Catalog, Official Seattle Manager ANA ALVIRA, STEVIE VANBRONKHORST Pride Guide, and the Seafair Production Artists and Graphic Designers Commemorative Magazine. Learn more at encorespotlight.com. Sales MARILYN KALLINS, TERRI REED Encore Stages features the San Francisco/Bay Area Account Executives BRIEANNA HANSEN, AMELIA HEPPNER, following organizations: ANN MANNING Seattle Area Account Executives CAROL YIP Sales Coordinator Marketing SHAUN SWICK Senior Designer & Digital Lead CIARA CAYA Marketing Coordinator Encore Media Group 425 North 85th Street • Seattle, WA 98103 800.308.2898 • 206.443.0445 [email protected] encoremediagroup.com Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Michael Warren Powellis
WELCOME to the Fifteenth Annual Last Frontier Theatre Conference. We at Prince William Sound Community College are very proud of this event, and hopefully by the end of the week you will see why. I started coming to Valdez (for the Conference) in 1995, its third year, and it became an annual pilgrimage for me. I quit jobs to make it here. I ran up credit cards. I did whatever it took for me to get to spend the week here. I crashed on the floor at the college, survived off the food at receptions, and worked on whatever anyone asked me to. No one was more important to me in those early years than Michael Warren Powell, the first coordinator of the Play Lab. I remember being in awe of how insightful the responding panel was critiquing plays that were all (in my opinion) pretty problematic. Michael and the other panelists became my idols. Which made it all the more important to me when one day I was hanging out with friends at the picnic tables in the middle of the park strip and we saw Michael walking our direction. He came up and engaged us in conversation, and we became friends. He let us know that he considered us his peers. In the late 90s, I decided that, of all the people I had met, there was no one whose life I wanted to emulate more than Michael’s. I made producing new work and nurturing playwrights my focus, and the answer to most of my questions can be found in the answer to the question “What would Michael do?” I am very excited to have him back with us this year. -
Harsh Realities: Substantial Similarity in the Reality Television Context
HARSH REALITIES: SUBSTANTIAL SIMILARITY IN THE REALITY TELEVISION CONTEXT Daniel Fox* TABLE OF CONTENTS I. INTRODUCTION ........................................... 224 II. THE "SIMPLE" LIFE: DEVELOPMENT AND EVOLUTION OF SUBSTANTIAL SIMILARITY ANALYSIS IN THE SECOND AND NINTH CIRCUITS .................................... 227 A. The Basic Elements of Copyright Infringement ....... 227 B. Substantial Similarity: Introduction and Related D octrines ............................................ 227 C. The Test for Substantial Similarity: Second and Ninth Circuit Formulations ................................. 230 1. Second Circuit: Bifurcating "Similarity" . ........ 230 2. Ninth Circuit: Extrinsic-Intrinsic Distinction ..... 231 III. THE BIGGEST LOSER(S): METCALF AND CBS ............ 234 A . M etcalf v. Bochco ................................... 235 1. O verview ........................................ 235 2. A nalysis ......................................... 237 B. CBS v. A BC ......................................... 242 1. O verview ........................................ 242 2. A nalysis ......................................... 245 IV. EXTREME MAKEOVER?: POST METCALF JURISPRUDENCE .......................................... 248 * Editor, UCLA Law Review, Volume 54. J.D. Candidate, UCLA School of Law, 2007; A.B., Harvard University, 2004. I thank Professor David Ginsburg for his invaluable gui- dance, insight, and support at every stage of this Comment's development. I also thank Eliot Hamlisch, Jen Ringel, Eric Black, Matt Segneri, Allison -
Complete Production History 2018-2019 SEASON
THEATER EMORY A Complete Production History 2018-2019 SEASON Three Productions in Rotating Repertory The Elaborate Entrance of Chad Deity October 23-24, November 3-4, 8-9 • Written by Kristoffer Diaz • Directed by Lydia Fort A satirical smack-down of culture, stereotypes, and geopolitics set in the world of wrestling entertainment. Mary Gray Munroe Theater We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Südwestafrika, Between the Years 1884-1915 October 25-26, 30-31, November 10-11 • Written by Jackie Sibblies Drury • Directed by Eric J. Little The story of the first genocide of the twentieth century—but whose story is actually being told? Mary Gray Munroe Theater The Moors October 27-28, November 1-2, 6-7 • Written by Jen Silverman • Directed by Matt Huff In this dark comedy, two sisters and a dog dream of love and power on the bleak English moors. Mary Gray Munroe Theater Sara Juli’s Tense Vagina: an actual diagnosis November 29-30 • Written, directed, and performed by Sara Juli Visiting artist Sara Juli presents her solo performance about motherhood. Theater Lab, Schwartz Center for the Performing Arts The Tatischeff Café April 4-14 • Written by John Ammerman • Directed by John Ammerman and Clinton Wade Thorton A comic pantomime tribute to great filmmaker and mime Jacques Tati Mary Gray Munroe Theater 2 2017-2018 SEASON Midnight Pillow September 21 - October 1, 2017 • Inspired by Mary Shelley • Directed by Park Krausen 13 Playwrights, 6 Actors, and a bedroom. What dreams haunt your midnight pillow? Theater Lab, Schwartz Center for the Performing Arts The Anointing of Dracula: A Grand Guignol October 26 - November 5, 2017 • Written and directed by Brent Glenn • Inspired by the works of Bram Stoker and others. -
20TH ANNIVERSARY SEASON of SUNSET CONCERTS Thursday Evenings, July 21–August 25, at 8:00 P.M
FOR IMMEDIATE RELEASE: May 5, 2016 Media Contacts: Laura B. Cohen, LC Media, (310) 867-3897, [email protected] David Monnich, LC Media, (210) 422-1764, [email protected] Mia Cariño, Skirball Cultural Center, (310) 440-4544, [email protected] Skirball Cultural Center celebrates 20TH ANNIVERSARY SEASON OF SUNSET CONCERTS Thursday evenings, July 21–August 25, at 8:00 p.m. 2016 season showcases leadings acts on both the global and national music scene— from Bay Area alt folk-rock artists to West African desert bluesmen to Colombian funk fusion players, from one of LA’s best in Brazilian samba and jazz to Southern boogie all-stars to the next generation of Middle Eastern rock musicians LOS ANGELES, CA—The Skirball Cultural Center proudly celebrates the twentieth anniversary season of its annual free music series, Sunset Concerts. Presented every summer since 1997 in the Skirball’s one-of-a-kind hillside setting, Sunset Concerts have showcased both emerging and established talents, drawing music fans from across greater Los Angeles. The new season will once again feature an eclectic lineup of artists who tap into traditional roots music for inspiration while forming their own unique, contemporary sounds. The 2016 schedule is as follows: Thao and the Get Down Stay Down (July 21); Songhoy Blues (July 28); Thalma de Freitas (August 4); M.A.K.U. Soundsystem (August 11); Music Maker Blues Revue (August 18) in their LA debut; and Shai Tsabari and the Middle East Groove All Stars (August 25). “We are grateful for the opportunity to present boundless music from around the globe with our Sunset Concerts, and we couldn’t be more excited for our milestone twentieth season,” remarked Andrew Horwitz, Vice President and Director of Programs at the Skirball. -
MUSIK 2020 Zahlen, Daten, Fakten*
MUSIK 2020 Zahlen, Daten, Fakten* 1103 131 ORGELKONZERTE VOKALENSEMBLES ZU GAST (ohne Gottesdienste und Andachten) IM KONZERT 752 200 KONZERTE DER STIFTUNG INSTRUMENTALENSEMBLES FRAUENKIRCHE DRESDEN ZU GAST IM KONZERT 33 21 Musik KONZERTE FÜR KINDER CD PRODUKTIONEN 331 7 2020 GEISTLICHE SONNTAGSMUSIK MOTETTEN-KOMPOSITIONEN von Frauenkirchenkantor Matthias Grünert 159 GOTTESDIENSTE 1630 MIT CHORMUSIK (Großer Chor) PROBEN CHOR & KAMMERCHOR 116 25 GOTTESDIENSTE GASTKONZERTE SÄCHSISCHE MIT CHORMUSIK (Kammerchor) STAATSKAPELLE DRESDEN 155 42 JOHANN SEBASTIAN BACH- GASTKONZERTE PROGRAMME DRESDNER PHILHARMONIE 12 25 DANIEL HOPE ZU GAST GASTKONZERTE DRESDNER Zeitraum: Juni 2006 bis 2019 Zeitraum: IM KONZERT MUSIKFESTSPIELE * 3 Haupt- raum Bei etwa 1.600 Sitzplätzen fällt die Auswahl schwer – vor allem, wenn Sie die Kirche zum ersten Mal im Rahmen eines Konzertes besuchen wollen! Daher bieten wir Ihnen auf unserer Internetseite einen besonderen Einblick: Mit Hilfe der Sitzplatzvorschau sehen Sie die originalgetreuen Sichtverhält- nisse von jedem einzelnen Sitzplatz aus. Und das Beste: Dieser Service steht Ihnen auch unmittelbar bei der Buchung im Ticketshop der Frauenkirche zur Verfügung! Die Frauenkirche lädt Sie ein: Sehen Sie sich um und treffen Sie die richtige Wahl! www.frauenkirche-dresden.de/ sitzplatzvorschau Preisgruppe 1 Preisgruppe 2 Preisgruppe 3 Preisgruppe 4 Altar / Orgel Sichteinschränkungen beginnen ab der Preisgruppe 2. Preisgruppe 4 sind größtenteils Hörplätze. 5 Musik 2020 6 7 GRUSSWORT Liebe Freunde der Musik in der Frauenkirche, haben Sie schon die ersten Töne des Musikjahres 2020 im Ohr? Sie halten sie in jedem Fall in den Händen. Mit über 120 feinsinnig erdachten Program- men präsentiert diese Broschüre den Klang der Frauenkirche im kommenden Jahr 2020. Noch ist er Idee, eine Vision. -
Pictured Aboved Are Two of UCLA's Greatest Basketball Figures – on The
Pictured aboved are two of UCLA’s greatest basketball figures – on the left, Lew Alcindor (now Kareem Abdul-Jabbar) alongside the late head coach John R. Wooden. Alcindor helped lead UCLA to consecutive NCAA Championships in 1967, 1968 and 1969. Coach Wooden served as the Bruins’ head coach from 1948-1975, helping UCLA win 10 NCAA Championships in his 24 years at the helm. 111 RETIRED JERSEY NUMBERS #25 GAIL GOODRICH Ceremony: Dec. 18, 2004 (Pauley Pavilion) When UCLA hosted Michigan on Dec. 18, 2004, Gail Goodrich has his No. 25 jersey number retired, becoming the school’s seventh men’s basketball player to achieve the honor. A member of the Naismith Memorial Basketball Hall of Fame, Goodrich helped lead UCLA to its first two NCAA championships (1964, 1965). Notes on Gail Goodrich A three-year letterman (1963-65) under John Wooden, Goodrich was the leading scorer on UCLA’s first two NCAA Championship teams (1964, 1965) … as a senior co-captain (with Keith Erickson) and All-America selection in 1965, he averaged a team-leading 24.8 points … in the 1965 NCAA championship, his then-title game record 42 points led No. 2 UCLA to an 87-66 victory over No. 1 Michigan … as a junior, with backcourt teammate and senior Walt Hazzard, Goodrich was the leading scorer (21.5 ppg) on a team that recorded the school’s first perfect 30-0 record and first-ever NCAA title … a two-time NCAA Final Four All-Tournament team selection (1964, 1965) … finished his career as UCLA’s all-time leader scorer (1,690 points, now No.