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Collecting Through Connections
REVISTA DE HISTÓRIA /03 DA ARTE COLLECTING THROUGH CONNECTIONS GLASS AND STAINED-GLASS COLLECTORS AND THEIR NETWORKS IN THE 19TH CENTURY MAGAZINE DIRECTION (IHA/FCSH/UNL) Raquel Henriques da Silva Joana Cunha Leal Pedro Flor PUBLISHER Instituto de História da Arte SCIENTIFIC COMMITTE (RHA SÉRIE W — 03) Susan Crane University of Arizona, USA Uwe Gast Corpus Vitrearum Deutschland, Freiburg, Germany Sven Hauschke Der Veste Coburg, Corburg, Germany Dedo von Kerssenbrock-Krosigk Museum Kunstpalast, Glasmuseum Hentrich, Düsseldorf, Germany Teresa Medici DHAA/Faculdade de Letras/Universidade de Coimbra and VICARTE, Lisbon, Portugal António Nunes Pereira PSML/National Palace of Pena, Sintra, Portugal Márcia Vilarigues Faculdade de Ciências e Tecnologia/UNL and VICARTE, Lisbon, Portugal 3 4 5 Paul Williamson Victoria & Albert Museum, London, United Kingdom EDITORIAL INTERVIEW DOSSIER ORGANIZING COMMITTEE (RHA SÉRIE W — 03) Bruno A Martinho Parques de Sintra — Monte da Lua, SA / António Ressano Garcia Professor Doutor António National Palace of Pena, Sintra / CHAM, Faculdade de Ciências Sociais Lamas Lamas e Humanas, Universidade Nova de Lisboa, Universidade dos Açores Alexandra Rodrigues VICARTE and Ph.D. fellow, Dep. Conservation and Restoration, Faculdade de Ciências e Tecnologia/ UNL, Lisbon, Portugal António Nunes Pereira Parques de Sintra — Monte da Lua, SA / National Palace of Pena, Sintra, Portugal Márcia Vilarigues Faculdade de Ciências e Tecnologia/UNL and VICARTE, Lisbon, Portugal COORDINATORS Márcia Vilarigues e Bruno A Martinho TRANSLATION Alexandra Rodrigues AUTHORS Daniel Hess | Suzanne Higgott | Márcia Vilarigues Anne-Laure Carré | Paola Cordera Caroline Blondeau-Morizot | Ann Glasscock Bruno A Martinho | Ulrike Müller | Daniel Parello Alexandra Rodrigues | Jayme Yahr | Yao-Fen You REVIEWERS Susan Crane | Uwe Gast | Sven Hauschke Dedo von Kerssenbrock-Krosigk António Pires de Matos | Teresa Medici António Nunes Pereira | Márcia Vilarigues DESIGN José Domingues (Undo) Cover Julius Eugen Rühl (ca. -
Madonna Meets Mad Meg
WELCOME Two art collectors share their passion with you here. Chevaliers Florent van Ertborn and Fritz Mayer van den Bergh will take you on a journey of discovery from Flemish and other Primitives to Pieter Bruegel the Elder. With patience and dedication, the two gentlemen assembled these treasures for Antwerp. Madonna They hope you enjoy exploring the exhibition Madonna meets Mad Meg. meets Mad Meg Masterpieces and Their Collectors ENGLISH DIGITAL GUIDEBOOK 1 2 CHEVALIER FLORENT VAN ERTBORN, CHEVALIER FRITZ MAYER VAN DEN BERGH MAYOR OF ANTWERP Jozef Janssens Jozef Geefs Antwerp, 1901 Antwerp, 1849 Museum Mayer van den Bergh, MMB.1871.2 Royal Museum of Fine Arts Antwerp (KMSKA), Inv. 1067 As a young collector, Fritz Mayer van den Bergh (1858–1901) avidly studied Chevalier Florent van Ertborn (1784–1840) was once mayor of Antwerp. The Florent van Ertborn’s collection. He wanted to bring just as much beauty city was his first passion, while his second passion – art, and painting in together himself. And over ten years he succeeded. Mayer began by collecting particular – flowed naturally from the first. Our great Baroque masters were coins before gradually spreading his wings. He travelled all over Europe in already world-famous, but Van Ertborn scoured the town and countryside for search of treasures and was the first connoisseur in Antwerp to go in search paintings by their distant forebears, the Flemish Primitives of the 15th century. of a painting by Pieter Bruegel the Elder. He eventually managed to buy two This group of artists had been forgotten for many years but was rediscovered of them: to this day, they are the only Bruegels in this city where the master in the early nineteenth century. -
Henri Godts Photographie Couleurs - Kleurenfotografie : Marc Segond Impression - Druk : Édition & Imprimerie EXPOSITION5 TENTOONSTELLING Vendredi 13 Mai, 14 - 19 H
ENRI ODTS LibraireH - Expert -G Antiquaar Avenue Louise 230 Louizalaan Bruxelles 1050 Brussel T. : 00 32 (0)2 647 85 48 - F. : 00 32 (0)2 640 73 32 E-mail : [email protected] - URL : www.godts.com Vente aux enchères Openbare veiling 17-5-2011 13.30 h. / u. Hôtel de Ventes HORTA 70 / 74 av. de Roodebeek -laan Bruxelles 1030 Brussel Toute correspondance est à adresser exclusivement à la Librairie Godts Gelieve alle briefwisseling uitsluitend te richten aan het Antiquariaat Godts Base de données interrogeable & nombreuses photos sur notre site Database & numerous pictures on our website Talrijke foto’s & databank op onze website WWW.GODTS.COM Prix d’adjudication sur le site le lendemain de la vente Hamerprijzen de dag na de veiling op onze site Hammer prices listed on our website the day after the auction Le samedi qui suit la vente, la librairie est ouverte (parking plus aisé) Zaterdag volgend op de veiling is de boekhandel open (gemakkelijk te parkeren) The bookshop will be open on the Saturday after the auction (easy to park) 13.30 h- 13.30 u. - 1.30 p.m. 110 num. / heure - per uur - per hour Bibliophilie 1 - 8 Bibliofilie Imagerie 9 - 16 Volksprenten Dessins & gravures anciens 17 - 31 Oude tekeningen & prenten Dessins & gravures modernes 32 - 41 Moderne tekeningen & prenten Belgicana 42 - 126 Belgicana Arts 127 - 142 Kunsten Histoire, Droit, Politique... 143 - 189 Geschiedenis, Recht, Politiek... Voyages 190 - 215 Reizen Cartographie 216 - 228 Cartografie Sciences 229 - 246 Wetenschappen Manuscrits anciens 247 - 255 Oude handschriften Incunables 256 - 257 Incunabelen Éditions du XVIe s. -
Stained Glass and the (Re‑) Creation of an Ideal Past
STAINED GLASS AND THE (RE‑) CREATION OF AN IDEAL PAST. THE MAYER VAN DEN BERGH ULRIKE MÜLLER Ghent University/University of Antwerp COLLECTION IN ANTWERP (Joint PhD Candidate) around 1900 ABSTRACT RESUMO The Mayer van den Bergh Museum in Antwerp, Belgium, contains O Museu de Mayer van den Bergh em Antuérpia, na Bélgica, a fine collection of stained-glass panels, mainly Southern contém uma bela coleção de vitrais, principalmente rondeis do Netherlandish roundels from the Early Modern period. As an sul da Holanda, do início do período Moderno. Como colecionador internationally active private collector in the late nineteenth privado ativo ao nível internacional no final do século XIX, Fritz century, Fritz Mayer van den Bergh (1858-1901) maintained Mayer van den Bergh (1858-1901) manteve contatos próximos close contacts with art dealers, museum professionals and com negociantes de arte, profissionais de museus e outros other private collectors from various European countries. In the colecionadores privados de vários países europeus. A mãe do eventual museum, the collector’s mother Henriëtte van den Bergh colecionador, Henriëtte van den Bergh (1838-1920), integrou os (1838-1920) integrated the stained-glass panels into the decorative painéis de vitral no esquema decorativo do interior historicizante scheme of its historicizing interiors. This article explores Fritz and deste museu. Este artigo explora as estratégias colecionistas e Henriëtte Mayer van den Bergh’s collecting and display strategies, de exibição de Fritz e Henriëtte Mayer van den Bergh, localiza traces their underlying motivations, and reconstructs the function as motivações subjacentes e reconstrói a função que os vitrais historical stained glass served within the overall conception of históricos terão servido dentro da conceção geral do museu. -
'Men and Books Under Watch': the Brussels' Book Market in the Mid
‘Men and books under watch’: the Brussels’ book market in the mid-sixteenth century through the inquisitorial archives Renaud Adam To cite this version: Renaud Adam. ‘Men and books under watch’: the Brussels’ book market in the mid-sixteenth century through the inquisitorial archives. Buying and Selling : The Early Book Trade and the International Marketplace, 2019. hal-02501070 HAL Id: hal-02501070 https://hal.archives-ouvertes.fr/hal-02501070 Submitted on 6 Mar 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Chapter 16 ‘Men and books under watch’: the Brussels’ book market in the mid-sixteenth century through the inquisitorial archives Renaud Adam1 Scholars working on the book trade during the Ancien Régime face two major obstacles. The first one is of a heuristic nature: there is no reference work either listing all archives still preserved or providing a list of all those who have already been the subject of a critical edition. The second difficulty is related to the number of documents available; few lists related to the book trade have been preserved.2 The city of Brussels is no exception.3 However, for the mid-sixteenth century, a source of an exceptional nature counterbalances that statement: the booklists established by the Council of Troubles in 1569. -
In Re: Lernout & Hauspie Securities Litigation 00-CV-11589-Order And
UNITED STATES DISTRICT COURT FOR THE DISTRICT OF MASSACHUSETT S IN RE LERNOUT & HAUSPIE ) CIVIL ACTION NO. SECURITIES LITIGATION ) 00-CV-11 589 (PBS) THIS DOCUMENT RELATES TO: ) ALL ACTIONS ) On the 20th day of December, 2004, a hearing having been held before this Court to determine : (1) whether the terms and conditions of the Amended Stipulation and Agreement o f Settlement with KPMG LLP, Klynveld Peat Marwick Goerdeler Bedrijfsrevisoren ("KPMG Belgium") and Paul Behets dated December 16, 2004 (the "Stipulation") are fair , reasonable and adequate for the settlement of all claims asserted by the Class against KPMG LLP, Klynveld Peat Marwick Goerdeler Bedrijfsrevisoren and Paul Behets (collectively the "KPMG Defendants") i n the First Consolidated and Amended Class Action Complaint (the "Complaint") now pending i n this Court under the above caption, including the release of the KPMG Defendants and the Released Parties, and should be approved; (2) whether judgment should be entered dismissing the claims asserted against the KPMG Defendants in the Complaint on the merits and with prejudice in favor of the KPMG Defendants and as against all persons or entities who ar e members of the Class herein who have not requested exclusion therefrom ; (3) whether to approv e the Plan of Allocation as a fair and reasonable method to allocate the settlement proceeds amon g the members of the Class; and (4) whether and in what amount to award Plaintiffs' Counsel fees and reimbursement of expenses and compensatory awards . The Court having considered all - l - matters submitted to it at the hearing and otherwise ; and it appearing that a notice of the hearing substantially in the form approved by the Court was given to all persons or entities reasonabl y identifiable who purchased the common stock of Lernout & Hauspie Speech Products N .V. -
Spoken Word and Social Practice Medieval and Renaissance Authors and Texts
Spoken Word and Social Practice Medieval and Renaissance Authors and Texts Editor-in-Chief Francis G. Gentry (Emeritus Professor of German, Penn State University) Editorial Board Teodolinda Barolini (Columbia University) Cynthia Brown (University of California, Santa Barbara) Marina Brownlee (Princeton University) Keith Busby (University of Wisconsin-Madison) Craig Kallendorf (Texas A&M University) Alastair Minnis (Yale University) Brian Murdoch (Stirling University) Jan Ziolkowski (Harvard University) Volume 14 The titles published in this series are listed at brill.com/mrat Alexander Cowan, Reader in History (2 February 1949–30 November 2011) Spoken Word and Social Practice Orality in Europe (1400–1700) Edited by Thomas V. Cohen and Lesley K. Twomey LEIDEN | BOSTON Library of Congress Cataloging-in-Publication Data Spoken word and social practice : orality in Europe (1400–1700) / Edited by Thomas V. Cohen and Lesley K. Twomey. pages cm. — (Medieval and renaissance; Volume 14) Includes bibliographical references and index. ISBN 978-90-04-28868-3 (hardback : alk. paper) — ISBN 978-90-04-29182-9 (e-book) 1. Oral communication —Europe—Medieval, 500–1500. 2. Oral communication—Europe—Modern period, 1500–. 3. Social history—Medieval, 500–1500. 4. Social history—Modern period, 1500–. 5. Sociolinguistics— Europe—History—Medieval, 500–1500. 6. Sociolinguistics—Europe—History—Modern period, 1500–. 7. Speech acts (Linguistics)—Europe—History. 8. Europe—Intellectual life—History. 9. Europe—Social conditions—History. I. Cohen, Thomas V. (Thomas Vance), 1942– editor. II. Twomey, Lesley K., editor. P95.55.S63465 2015 302.2’242094—dc23 2015007832 This publication has been typeset in the multilingual ‘Brill’ typeface. With over 5,100 characters covering Latin, ipa, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities.