A Diversity of Paintings-*-^======rr.--^5*--.=;^ ¦. ^-¦¦^¦¦i--."izrnrss5g:v***^-¦and Prints====.==^^== sails or his feuring moonlit windmills, and about these drawings, but they are us to wonder if he has not sat profit- however, that he particularly excel3. their workmanship to wholehearted may use, at the a certain modl- yet hc would remain the diftinterested adequately executed aml reflect very at tho ap-1 most, [Works tbly feet of Haden. Some of His architectural as they of what have to cum of Old by Jongkmd mnkcr of pictures, of tho plates, good preciatfon they say. -sesthetic taste.- Mr. Stieglitz thinking only plessantly the spirit of thoir charac¬ the in color after Van mezzQtints Eyck rre, have no remarkable individuality. Mr***. Marion Gray Traver has at the has had that. but, above all, he haa un¬ beauty of atmosphere and color. If he teristic American !n a and subjects. qunn- others by Mr. Frederick Reynolds Hi3 trees are his own, a And New Ones by Carlsen was nn impressionist he was never the absolutely and, Schwartz gallery collection of about derstood hia machine and haa prodoecd tity of bronzes IVfiss Abastenia St. L. are well done and there are a eouple indeed, in all his impressions of the She are Ieast oracular in tho role. ln what ar¬ Eberle of East Side of thirty monotypes. composes herj simply good photograph3. They portrays types life, romantic aquatints by Mr. George French he filters land¬ winter scenes tists call the "facture" of a he cour.tryside rather conventionally, good particularly wrhea th?y sre por¬ sharcd his interest in of painting mostly children. They are vivid im- Senseney; but the color work 13 not, Cortissoz problems a scape sentiment through a charming snd gets out of them some pleasant traits, and there are some of these. *:** By Royal had broad, unctuoua quality, His sur- figurines full of character on the at light. The Frenchman is th-p more pressions, whole, all gratifying. temperament. The influence of Corot color". A weakness lies in which are beautiful. of miscellaneoos ex- faces aro solid and rich. At the same and the over-1 fact, positively Tjj» period big familiar. Boudin's have long movement. What they lack in origi- Tho show is not fully representative. has touched'his delineation of of the paintings time his art is sspontnneous. of boughs doing subjects; 3hc crowds too of recent Araerkan paintinf been known here. he haa never essrnttully nality style they make up in a qual¬ Several of the strongest members of and without him in At these galleries there is also on j^tjens Though Re paints his robust ten¬ leafage leaving any many details into her monotypes. But its mem¬ yet curiously ity of truth that is peculiarly sympa- the society are absent, such etchers as sense view now a of . iwe, Fhiladelphla has opened ranked among tho most renowncd der and an imitative type. His method it is jplain from the best of them, "An- just collectio?*, ChiiMM silvery impressions with thc ut- thetie. Miss Eherle may not bo a bril- Enrl Horter, and Ernest art sho*, and at the Fine Arts bers of hia group h« has always been Troy Kinney is reflned. It is given with peculiar other Storm Coming," that 3he knows objects belonging to Mr. H.ugo'E. HB-ol for tho "ensitiveness and Bauer. There are some *&. N**100*1 Academy of De¬ warmly appreciated, especially feeling to the inter- how to simplify when 3he chooses. interesting joildiBC delicate precision of hia studies of nretation of nature. Few etchers with¬ With her work in porcelains included and there ar** is prepsring for its forthcommg simplification gen¬ sign Contributions shipping. He could paint landscape and draw us so soon from appreciation of eral \-\-ould be improved. good jades. The most important part «*ring demonstration. cattle, to both of the collection is that which em- last Thursday and Friday, doing justice subjects. received and in one canvases the tr*j.rt.¦*. an and varie- Xre do ita work in time of th« here, 'arge 8d tie jury will of the at Trou- ^ated group of snuff bo:tles. The Bauer on picture marketplace the to occur Saturday, Random are to be sold on Ix opening ville, he even shows his skill in dolinc- things the afternoons 5. Tae prospectus Rivcs an im- Impressions of jureb ation of the But the February 17. 18 and 10. Another of t0 be awarded. figure. special sosing ^st PriM(S note in his art is found in those mi- collection just brought forward at the are sixteen of them aitogether. In Current Exhibitions Anderson Galleries is that catalojrued rse'r* of the m-rous little painting3 of his which of this matter priaee. record the of as belonging, simply, to a New York ».PTOpos announeement has lately beauty great sa'ling ships ;9ter«ting lying at anchor in French ports, ships The opening of the big annual show in them is gentleman. It contains paintings, draw¬ that Senator William A. workmanship competent but and fur¬ ^en made pair.ted not so much f6r their canvas of the of Artists without distinction. ings, prints, bronzes, nottery $100,000 to the Cor- Society Independent niture. The bronzes include a nuito- Clark has given aa for their ropes and spars. He was of Art. The income from is near at hand. It is set for February ber of Renaissance and jeran Gallery an incomparable master of rigging, The photographs which Mr. Alfred p'acjuettes fund 'Wil! perpetuate the prizes 26 at the Waldorf-Astoria. other pieces from the Stefano Bardini t_js bringing into his work a play of Une . Stieglitz is at the Anderson by him at the hiennial showing collection. A notable sixteenth century heretofore given as fascinating as that of a good etcher. Galleries have a lively interest for in Washington. He began inkstand is among these objects. The tjfcbStioni There is. wfthal, delightful breadth in Another body of foreign pictures is those who remember the piquant at¬ as far back as 1907. are of Italian. German, these contributions his studies. There are a dozen of them mosphere of his old at "291." drawings went to Mr. Willard presently to come into view. It con- gallery Dutch and French Har.s Bai- ytjgm, the flrst prize in this exhibition, all good to see, but In a statement prefixed to the cata- origin. to and the sists of works by Swiss artist-? which dung, Diirer, Jordaens. Guardi and L, Metcaif. Up including as it there is a littl« less ex- he that a happens will be shown at the logue says they represent (gwnth exhibition in 1909 he had ex- citement in them than there is in the Brooklyn Museum. photog-raphic development covering Boucher are among the draftsmen rep¬ in this There will be a private view on Febru- resented. There is also a landscape at- p«sd«d $31,000 way. more numerous paintings and water nearly forty years. The striking thing ary 21 and the exhibition wiil be tributed to Rembrandt. The printy are colors by Jongkind. We do not often opened about them is that they do not suggest to the public on Washington's Birthday. mostly eighteenth century French havo an opportunity like this to ob- his ever having fallen, in all that long Jongkind The museum nov,- has on loan the private Again from the Bardini collection there serve the art of one of the most noted period, into the specious conception collection of Mr. D. G. Kelekian. It con- come several Italian sculptures, relief? Pioneer in Modern Im¬ of modern Dutchmen. of photography as "an art." A Dutch tains works Photog- in various materials, and there is a The definitive establishment of im- by Gauguin, Matisse, Ce- laphy is, of course, nothing of the sort. pressionism zanne, Degas, Touiouse-Lautrec and group of old Italian paintings. This prcssionistn, if not its invention, will It is a mechanical process, in the ma- works of two painters form the other modern types. One American, fhe be associated with the name of nipulation of which a (( ontinued on nrxt at the Durand- always Arthur B. is photographer pajcr* exhibition at present Claude Monet. But criticism will al¬ Davies, represented. the works of J. B. Rnel jrallery, Jong¬ ways be attracted the manifestation Boudin. Both are al¬ by kind and Eugene of the principle in the works of other At the Braus gallery there are a num- lied with the impressioniatic move- who masters, some of them far antedating MOONL1GHT IN HOLLAND ber of water colors by an English ar- aent, contemporariea of Monet him. lt has been asserted that Velas- DREYFOUS (From a Painting by j. B. Jongkind) tist, Mr. Charles E. Flower. His quez was the first impressionist. An ESTABLISHED 1883 sketches of cottages and gardens have a instinct for the great secret has also most freedom. He on a worked small liant modeler, but she puts an appeal- D. Roth. There are other .etchers of certain modest merit, but his pictures of been attributed to tho eighteenth cen¬ scale, making "cabinet" pictures that emotion into her .work. the Wanted ing .A.merican school who, whether great architectural monuments are un- INTERIOR FURNISHINGS & tury Venetian, Guardi. Jongkind is are ANTIQUES Paintings fricndly, companionable things. The members or not, would have been wel¬ fortunately wooily in texture. At tbe We Wish io Purchase Painlirtgs another type who had an independent oddest thing about his so far history, Prints come. Nevertheless, so far as it goes, Dudensing gallery there may be seen a RETIRING FROM BUSINESS by inspiration. filling his designs with a as the United States is concerned, is and despite the inclusion of a good collection of landscape drawings in color Inness Fuller Ryder luminosity to be ascribed not to the that he has never as Blakelock Whistler been popular The Brooklyn Society of Etch- deal that is negligible, this exhibition by Mr. Charles Reiffel. The Ainslie gal¬ Wyant traditicm of the school, but to his own American collectors as Twachtman Duveneck among he has ers and Some Others has vitality and gives a reasonable ac¬ lery exhibits paintings by A. Avinoff 33% DISCOUNT Martin innate feeling for the phenomena of deservc-d to be. Homer Weir Murphy The new Brown-Robertson gallery in count of the art as it stands with us. and portraits by the Scandinavian ar¬ nature. He was born in 1822. There 582 FIFTH Madison Avenue is inaugurated with an At the Duval gallery there are some tist, Erie C. Mounsback. There opens AVENUE, N. Y. H. AINSLIE are pictures in the Durand-Ruel exhibi¬ GEORGE exhibition organized the thirty-odd dry points and etchings by to-morrow at the an tion, painted in the '60s, which Emil Carlsen by Brooklyn Kingore gallery GALLERY early Society of Etchers. A collection of Mr. Walter Tittle, portraits of Senator exhibition of landscapes painted in Cali¬ 615 Fifth Avenue, New York show that ho was a master of light even Exhibition F.ixe American more than two hundred prints is Harding, Charles Dana Gibson, Henri fornia and Arizona De Witt Parshall. Ot PalnUng3 earlier than Monet was. It is interest¬ His Work in Sea by Landscape, shown, interesting not because it con¬ Caro-Delvaille and a numbor of per- The Lincoln shows to too, that gallery paintings by ing observe, Jongkind's Painting and Still Life tains any notably salient but sonalities of the stage. They are the Harry A. Vincent. was from the start extraordi- thing, Exhibition range because so many of the artists work of an uncommonly well PREMIER wide. He understood For the first time in many years Mr. repre¬ equipped of Brown-Robertson narily moonlight sented in it are competent craftsmen. artist. Mr. Tittle has, to begin with, as well as and he could inter- Emil Carlsen has an exhibition all to We are sorry that we have come a sunlight, A good average in this art is no small a good conception of portraiture. He EXHIBITION pret also, as witness the "Port de Hon- himself, one at the Macbeth gallery in r-tercy. The etcher of original distinc¬ conveys forcible impressio.is of his little belated to the paintings by Mr. (^lleiy415MadisonAve. dated 1864, a cool ot EXHIBITION fleur," limpid light, which he presents fifteen of his pic¬ tion is rare anywhere, at any time. sitters, and, while leaving the Iatter Oliver Dennett Grover at the Ralston a piace itself in the scale. AND of Etchcrs having by tures. These include, naturally, sev- Let us be grateful for work that is plenty of freedom as regards pose or gallery, prevented by mere circum- Brooklyn Society He never as Monet so often Flrst Tlm* in Manhattan suggests, well done, with some savor of individ¬ gesture, he contrives to secure a cer¬ stance from paying cordial tribute PAINTINGS the theorist. In his i-ral of the studies of still life which does, experimental uality. Now and then this exhibition: tain pictorial unity. He is a good where it was immediately deserved. ARIZONA choice of for from the of his career have subject, example, Monet, beginning discloses a remarkable talent. There! draftsman, too. expressive, The catalogue intimates that Mr. with his swiftly LANDSCAPES haystacks, cathedrals, poplars been expected from him as a matter of pre the landscapes by Mr. Ernest Has- and he adds to this a true feeling for Grover studied'at one time with Frank and each in a series ANTIQUES bridges, painted course. For a long time, indeed, he was kell. He has something like a style! the spirit of his instrument. Hia por¬ Duveneck, in Italy, and the wholesome by Forced sale of entire under changing conditions of light, some¬ of his own, a that is in its! traits have character and have influence of that DE known in no other branch of art. He technique they artist may be divined 10.March 5 WITT collection. Lease expiring. times seems both scientist and artist, way His "Fan Tree, Point I artistie a little almost in his work. But it lies February came into view as a man with a rare masterly. quality, sharp, obscured be- 'Dealers Inwifed) the doctrinaire playing a game to en¬ hind qualities that could only have CHAS. N. KAPNER force a given principle. Jongkind might gift for the portrayal *1% inanimato been from PARSHALL, N. A. developed within. They are paint never so often his ships with flut- the same the AT THE 598 Park Ave., at 64th St. objects, and, by token, the qualities of a captivating colorist, LINCOLN painter of beautiful surfaces. Inevita- a man who finds good color whether he is in Venice bly, as he has gone on with still life, painting or New England. Art Gallery KINGORE The tones in these true. he has made his of it more pictures ring An paintings have and undrr dirertion of GALLERIES Important Unrestricted Public Sale in the harmonization of val¬ They quality depth. Especial- 668 5th Ave. complex ly does Mr. Grover share that old flair VV. A. SCHNEIDER Nr. 53d St. ues. "The Picture From Tibet," with At the Galleries of cf Duveneck's, the flair for pigment P. M. GATTERDAM its richly decorative background, is an and for brush illustration of his later tendeney. The work. Sometimes, as 509 Fifth Avenue .n the lovely "Emerald Lake" or the web of rose, ivory and gold in it is a SIXTH FLOOR FifthAve. Rooms' '.wo or three Venetian subjects, we are Auction one. Yet we are not sure that lovely conscious 333-341 Fourth Ave., Cor. 25th Street Mr. Carlsen is altogether well advised chiefly of just the warmth, Frank the brilliance, of the K. M. Rehn ':. these more subtle excursions of his. painter's impres-' On Free View Tomorrow and Following Days .-ions. But all of his work-- have that He was nearer to Chardin, in the old to inspiriting accent which only the in- Galleries From 9 A. M. 6 P. M. days, when his color scheme^ were itinctive technician places upon can- TO and broader; and we think, .4 tmounce ihe Exhibition BE SOLD ON THE AFTERNOONS OF nimpler vas. This is with of there was a more authoritative craftsmanship gusto PORTRAITS and 18th and 19th too, in it, well work a Series Recent Friday Saturday, February touch in his of them. The painted which gives us of handling pleasure because there is From 2 o'Clock each day. present studies seem a shade over- simply By knowledge in it. used with a wrought, to be a littlo too "precious," swing. GORDON There are a eouple of in the Chcice Home Appointments snd in their extreme refinement to portraits PAINTINGS show, one of which we recall have lost some valuable elements of vaguely Including Upholstered Suites, Odd Chairs, Console Tables, seen strength. having before. But if we had STEVENSON h Hall Cut Etc. seen the landscapes before there would Clocks, Bronzes, Hangings, Porcelains, Glass, The transcripts from nature invite have been no about our rec- ON Piano similar reflections. There ia very vagueness Edmund Greacen ollection of for are a Chickering Upright art in too them, they good gracious them, perhaps deal more than clever. ALSO BY ORDER OF much. Take, for example, tho "Summer EXHIBITION Febraary 14.March 5 Sea." It is well The great At P. St. composed. N. Gray & Co., Inc, 10*Bridge cliff on the left is lifted above. the Some years ago Miss Amy Cross won In with the Agreement water with a true feeling for design. eonsiderable popuiarity through her 6 West Fiftieth Street Ottoman of in Credit National There is fine color this, too, espe¬ floral studies. Since then she has en¬ KINGORE CONSTANTINOPLE. cially in the sea. But when he comes larged her scope, painting landscapes, to paint the cliff Mr. Carlsen works portraits, and, in Holland. inter'iors GALLERIES ALSO BY DIRECTION OF over his surface with much the same with figures. A collection of her works 668 5th Ave. 53d St. Henry W. Peabody & Co., 17 State St., New York sollcitude for tone that he shows in :n oil and water colors may be seen at At Landscape Paintings and Se\'eral Private Ownen his studies of still life. He gets tone, ihe Powell gallery. It confirma her old A Superb Collection of beautiful tone, but in some strange tepute as regards the painting of flow¬ way loses his grasp u*pan structure and ers. Her draftsmanship in this is good, Guy Wiggins Persian and texture, so that what should be a because it is firm, yet sufficiently deli- MESSRS. Antique Rugs Carpets cliff is in no Boston and Choice of heroically massive wise cate, and she makes effective play of New York Containing Many Examples impressive. The virtue of nature is THE MOONSTONE color in her decorative arrangements Street Scenes by Kermanshah, Tabriz, Sarook, Ghiordez, squeezed out of it. This remains an of roses and other b'ossoms. In the R. C. & N. M. Vose Coola and of (From the Painting by Emil Carlsen at the Macbeth Gallery) EKtabllHhed 18 tl Khorasson, Meiez, Ladik, Bokhara interesting pieco painting rather kindred field of landscape she ia not so Arthur C. An Kermanshah 23.6x16.8 than a powerful expression of nature's successful. The flower pieces are uni- Goodwin Important Carpet is a bit of matter of but with truth. In another sea Lobos," superb drawing. aggressively fact, excellent. The EXHIBITION rJnruyry t'4 to lb mighty big /.nother artist whose work shows formly landscapes vary, MEMORIAL^ Sale Conducted by "The Miraculous real- per- an unmistakabi-e sincerity enriching there is one of of Twenty handscabes by piece, Draught," scna! force is Mr. Frank W. Benson, and, indeed, only them, ism is subdued to the key of a what threatens to be a somewhat dry a of eims, in which sentiment WALLACE H. DAY, Auctioneer. again whoi has found out of doors, with the study MILCH Galleries romantic exercise in color. The ftsher- and facts are fused in a workmanlike J. Francis Murphy reedle, an not realism. N, A. 108 men the inspiration always Too those West 57th Street in their boat and tail Christ Thc; exhibition at the composition. many of paint¬ of his ."trea'-'Mr granted to his brush. Kennedy gal¬ lo) - have no dramatic significance. ings are wanting in pietorial interest.! Wudu. really The unconventionul point of view, ls devoted the works of the February 14 to 26 Ali that we feel is the delicate, almost lery to, The Dutch subjects, which are ski 11- jb!vh the fresh attack, is what we have French etcher His Whis'tlerian harmony of blues and looked for in this exhibition. Jacques Beurdeley. fully enough put together, provoke an¬ 394-398 Boybton St., BOSTON EMm°" 5and7 longest ?rt has been seen "here before, but other reservation. are a little grays that the artist has achieved. To Mr. Haskell and Mr. Benson have it. They PAINTINGS never in such comprehensive form as Miss Cross labors her, have achieved that much is something, So has Miss Anne Goldthwaite, in her heavy-handed. and there is great charm in Mr. Carl- on the present occasion. He has etched technique, with the result that it AU£TI6N R&AMS clever figure pieces. Mr. Eugene Hig¬ and 59.Sx sen's landscapes, especially In those gins is another persuasive exemplar, buildings landscape, revealing seems deficient in directhess, in nervous A. technical in his are AVINOFF treatment in Edward P. OReillv: Auctioneer which suggest the influence of Weir. rich boldness of line ad- high ability force. Her figures excellent counting of both lt is in that the TOUCHSTONE^* Whether painted at noon or by moon- mirably in his work. Mr. Will Sim- subjects. landscape, characterization. Beyond GALLERIES, 11 Weat 47th St. these are monsis on his to it in his and AINSLIE GALLERIES AT ABSOLUTE AUCTION light pictures poetically' way etch- Paintings Pastels by 615 Fifth luminous. In them there is a of animals Avenue all, too, ings and birds, but his EXHIBITION OPENS TOMORROW HEPPIE EnEARL WICKS FEBBUABV IBTH TO V ¦. A Collection of certain engagiug personal quality. But technique needs strengthening. Tech- GRACE P. NIXON Paintings over them all there is spread the effect rically Mr. Paul Roche is one of the Sculpture by CHESTER BEACH Formerly the Property of the of an inelastic style.a technical most satisfying of these exhibitors. Clarfce'g method which long addiction to still There is, indeed, almost too much so- life no doubt partially explains. The phistication in his "Curtain Call." He 42-44 Eait 58th St. (Between Madiaon Ss. Park Avea.) iransition from porcelains and metala leaves a sincerer impression in his The Sale Auction of the of the clock tower at Bordeaux. by BARON de GAGERN to the works of nature is not made study Van GOGH 'auo Architecture of on with absolute success. Mr. Carlsen is, course, visible On Free View and it is handled GURY-TORRETTE EXHIBITION o! tbe Austrian Embassy of Madrid, Spain continues to produce sensuously beau¬ every hand, skillfully COLLECTION wirnueti Fabmary DEtiDEUCr* in the of James old and modern of ¦.¦¦*.¦ toua«w RLUrLntU Chinese Antiques tiful surfaces. Even while we plates Daugherty, Paintings by Masters the Italian With Additions from respond Henry B. Shope and Louis Orr. Mr. and French Schools; also Valuable French Porcelains 48 East 57th Street to their be-guiling appeal we find our¬ of the XVIII. should an MONTROSS GALLERY PRIVATE C0LLECT10NS and ESTATES Shope ia given to a raffter unfortunaw Century prove important -550 Fifth Avenue-_ New York selves wishing that his views of land- cpottiness, but he is workmanllke, Mr. event for art lovera in this city. sca*des were bigger and freer; that he Thi* collection waa an of the Italian, French, Fiemish Orr is more than a satisfaetory work¬ started by anceator of the GURY- £ Inc. Representing Examples h»d broadened his definition of ground, man. He haa a firm grasp upon arehs- TORRETTE Family, and raoat of the old French, Dutch, Imore'sStudios, and American Schools 7ree and cloud forms. tectural forms. A number of pleaaing Fleiuiah and Italian Mastera were acquired in the early 24 EAST 61ST ST. In the lower rooms at this eighties from the private collection of the D.B. Butler gallery are MARQUIS Antique*, repro-iuction>, &Co. landscapes ecattered through the d'ALBERTAS of and that of the well- two other collections are shown. Mr. but with little that 13 Provence, France, llaliaa wroagbt iron, »ar- show, pleasing, .- known CRESP1 Family of TURIN, ITALY, and continued ble, lead. itonr, etc. Decorative Paintings italian, DAYS 5J«. FEB. 18-19 F. Luis Mora exhibits the water colors novel about them. The most intereat-, for several Gar- Dutch and ^SALE mt 2 generationa. dea fomjture, rtasonabi* French School*. o'rlock in which he commemorates a summer ing of the etchers in thia category is Frame*, ' SALE COMMENCES FEB. AT P * price*. EttuMte* Exhibition from Monday, 14, until Jiroe of »ale in "the c a Connecticut hiilside." THURSDAY, 17TH, 2:30 M gr-ea. February quiet Mr. C. Jac Young, whose trees are MR. AUGUSTUS Vf. CLARKE WILL CONDUCT THE SALE Catalosu-s SO«'. E*8^^ There is nothing ln the Ieast important .well drawn. Hia "Pine Wooda" moyea Htuui Offlc*. 601 Madison Ave. 5 VT-MPt 2»th St.. N. T. C (57 St.)