Fairport Flyer2a

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Fairport Convention Alling Beboerhus Mandag d. 28. April 2008 kl. 20.30 Forsalg: Ry Konfekture & Vinhandel - Entre: 280kr. Fairport Convention blev dannet tilbage i 1967 og var igennem 70'erne indbegrebet af engelsk FolkRock og det var vel nærmest dem, der opfandt den genre, hvor keltisk og britisk musiktradition smeltes sammen med moderne rockmusik. Grundstammen i orkestret er de to oprindelige medlemmer Simon Nicol og Dave Pegg, der suppleres af de to violinister Chris Leslie og Rick Sanders, samt den tidligere Cat Stevens trommeslager Gerry Conway. Det store gennembrud kom i 1969 med albummet Liege & Lief hvor gruppen, der dengang også talte violinisten Dave Swarbrick, guitaristen Richard Thompson og sangerinden Sandy Denny, skabte den ultimative folk/rock plade. Fairport Convention har nu i 40 år været på toppen af den internationale folkrock-scene. Musikken holder stadig, og gruppen turnerer flittigt overalt i verden. Simon Nicol : sang, akk. Guitar Simon har spillet med The Albion Band og tourneret med b.l.a. Beverley Craven og Art Garfunkel. Chris Leslie : Mandolin, Bouzouki, Bouzar, Violin og sang Kom med i Fairport i 1997 efter tidligere medlemskaber af Whippersnapper (med Dave Swarbrick), The Albion Band og The Mandolin Allstars. Han har bl.a. tourneret med Jethro Tull og indspillet med Richard Thompson og Christine Collister. Rick Sanders: violin Kom med i Fairport i 1985. Rick har været frontfigur på den elektriske violinscene i mange år og har b.la. været medlem af Soft Machine og The Albion Band. Han er en meget respekteret og anerkendt jazz- violinist Dave Pegg: bas guitar, mandolin og sang Kom med i Fairport i 1969. Han har spillet 16 år med Jethro Tull og har haft en omfattende karriere med over 30 år som session musiker Gerry Conway: trommer, tambourine, dhumbek, bodhrán Tidligere med Cat Stevens, Alexis Corner, Ralph McTell og er sideløbende medlem af Pentangle .

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Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts.
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Cropredy Report.Indd 43 25/11/2010 12:03
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Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
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11> 0514302 76969 establishment,” he hastened to clarify. “I wish it were called the Legion of Honour, but it’s not.” Still in all, he thinks it’s good for govern- M artin C arthy ments to give cultural awards and is suitably honored by this one, which has previously gone to such outstanding folk performers as Jeannie Robertson. To decline under such circum- stances, he said, would have been “snotty.” Don’t More importantly, he conceives of his MBE as recognition he shares with the whole Call Me folk scene. “I’ve been put at the front of a very, very long queue of people who work hard to make a folk revival and a folk scene,” he said. Sir! “All those people who organized clubs for nothing and paid you out of their own pocket, and fed you and put you on the train the next morning, and put you to bed when you were drunk! What [the government is] doing, is taking notice of the fact that something’s going on for the last more than 40 years. It’s called the folk revival. They’ve ignored it for that long. And someone has suddenly taken notice, and that’s okay. A bit of profile isn’t gonna hurt us — and I say us, the plural, for the folk scene — isn’t gonna hurt us at all.” In the same year as Carthy’s moment of recognition, something happened that did hurt the folk scene. Lal Waterson, Carthy’s sister-in- law, bandmate, near neighbor and close friend, died of cancer.
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Generator Power for Cropredy Festival 2017
caseGenerator Powerstudy for Cropredy Festival 2017 Powerhire once again provide festival generator power for Fairport Convention’s sell out folk and rock music PROJECT gig in the village of Cropredy! Powerhire provide festival 60s folk band, Fairport Convention, played its first concert generator power for in a church hall in May 1967. The youngsters ‘convened’ for Fairport Convention’s rehearsals at a house named Fairport, the family home of Festival at rhythm guitarist Simon Nicol. Thus was born the name of a Cropredy, Oxford band. Unit B1 Colliery Business Park, t 01304 833900 Pike Road, Eythorne, Kent e [email protected] CT15 4FE www.powerhire.uk.com A DIVISION OF TGC INTERNATIONAL LTD CS-143-POW-P2774-R0 ©TGC International Ltd 2017 case study After many years of success, musician changes and tragedies, the band decided to call it a day in 1979 playing their final outdoor concert in the Oxfordshire Village of Cropredy. The following year, the band staged a reunion concert in the same village of Cropredy and the famous festival was born. Starting out with just a couple of thousand spectators, Fairport’s Cropredy Convention now attracts up to 20,000 people each year, including regulars BBC Radio Oxford and welcoming this year ITV, making it the largest annual festival of its kind in Britain. Powerhire are lucky to have an engineer who has been providing generator power consultancy for the music extravaganza for 25 years. Through his many years of experience, he is aware of the festival’s generator power requirements and makes sure the necessary equipment is allocated in advance for the event at this busy time of year.
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Simon Mcbride and Hugh Cornwell
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Roots Report: Take Me out of the Ballgame
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'Across the Evening Sky': the Late Voices of Sandy Denny, Judy Collins
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