Terzakis, Dimitri Trio

Total Page:16

File Type:pdf, Size:1020Kb

Terzakis, Dimitri Trio Trio (2001) Dimitri Terzakis “This Trio does not have much in common with traditional form. It is an abstract theatre piece without story, whose characters are the instruments. It depicts a variety of situations and voices. It is not particularly programmatic, but rather a theatre piece without words.” ─Dimitri Terzakis The world premiere of Trio was on September 17, 2002 at Fundacion Mozarteum Del Uruguay, Teatro Alianza, Montevideo, Uruguay. Dimitri Terzakis (born l938, Athens, Greece) studied composition with Jannis Papaiannou at the Athens Hellenic Conservatory, followed by five years at the Hochschule für Music in Cologne, Germany where he studied composition with Alois Zimmermann and electronic music with Herbert Eimert. He received an honorary doctorate from the University of Macedonia at Thessaloniki. Over the years, Terzakis developed his own musical language as he sought to broaden the horizon of contemporary Western music. He sees himself as a “composer between the worlds,” with his work rooted in the musical cultures of Greece and the eastern Mediterranean. He has written numerous symphonic works, chamber music pieces, vocal art songs, and choral pieces such as Kassandra for the ensemble amarcord. He has also written three operas: Circus Universal, Thomas Torquemada, and Hermes. His works have been performed at the International Society for Contemporary Music Festival in Basle, the Darmstadt Artists’ Colony summer courses, and the Hamburg Das Neue Werk series. Terzakis was awarded the Apollo Award of the Friends of the Greek National Opera in 2008. He has been a corresponding member of the Academy of Athens since 2015 and has received the Academy’s Lifetime Achievement Award. Terzakis was a guest professor at the Berlin Hochschule der Kuenste in 1985−1986 and Professor for Composition at the Musikhochschule, Düsseldorf in 1989. From 1990−1997, he was head of the composition class at the Bern Conservatory, and from 1994 until his retirement, he held the Felix Mendelssohn Bartholdy Chair for Composition at the Leipzig Conservatory. He lives and composes in Leipzig and Nauplia, Greece. Additional information is available at www.dimitriterzakis.com. .
Recommended publications
  • View PDF Document
    I UCM NEW MUSIC f~ST VAL 2011: 0 D ANl;)NEW - / I . \ 1 ~011 SOCIETY OF COMPOS5RS, 11\lc. REGION VI CONFERENCE ,-A I I , , I ' , I ' ~ ~ ~ ~' ' I NIVERSllTY OF CENTRAt MISSOURI /,) I I DEPARTMENT O~MlJSl6 APRIL 8-10, 20 1 ' J UCM New Music Festival 2011: OLD AND NEW 2011 Society of Composers, Inc. Region VI Conference Festival Featured Guest Artists: ATHENS SAXOPHONE QUARTET KCCONTINUUM April 8-10, 2011 University of Central Missouri College of Arts, Humanities, and Social Sciences Department of Music An All-Steinway School Festival at a Glance Alf concerts will be held in Hart Recital Half Friday, April 8 Saturday, April 9 Sunday, April 11, 2010 8AM: Papers I (Utt 008) 8AM: Papers Ill (Utt 100) 8AM: Papers V (Utt 100) 10AM: Concert I 10AM: Concert IV 10AM: Concert VII 1PM: Papers II (Utt 107) 1 PM: Papers IV (Utt 100) 1 PM: Papers VI (Utt 100) 3PM: Concert II 3PM: Concert V 3PM: Concert VII 8PM: Concert Ill KCContinuum 8PM: Concert IX 8PM: Concert VI Athens Saxophone Quartet UNNERSI1Y OF CENTRAL MISSOURJ - - DEPARTMENTOF - ­ MUS!C _5CI - Est. 1871- AN A LL-STEINWAY SCHOOL ;ociety of Composers, Inc. UCM New Music Festival 2011: OLD AND NEW April 8-10, 2011 U niversity of Central Missouri College of Arts, Humanities, and Social Sciences Department of Music TABLE OF CONTENTS Welcome from the Chair ... ....... .. ..... ...... .. .. ...... ...... ................. ........... .......... ........ ....... ................. ... ......... 1 UCM Department of Music Faculty . ...... ....... ........ .. .... ...... ...................... .......
    [Show full text]
  • New Music Festival November 5-9, 2018
    University of Louisville School of Music Presents the Annual New Music Festival November 5-9, 2018 FEATURED GUEST COMPOSER Amy Williams GUEST ARTISTS Sam Pluta Elysian Trombone Consort A/Tonal Ensemble New Music Festival November 5-9, 2018 Amy Williams featured composer Table of Contents Greetings From Dr. Christopher Doane, Dean of the School of Music 3 Biography Amy Williams, Featured Composer 5 Sunday, November 4 Morton Feldman: His Life & Works Program 6 Monday, November 5 Faculty Chamber Music Program 10 Tuesday, November 6 Electronic Music Program 18 Wednesday, November 7 University Symphony Orchestra Program 22 Personnel 25 Thursday, November 8 Collegiate Chorale & Cardinal Singers Program 26 Personnel 32 Friday, November 9 New Music Ensemble & Wind Ensemble Program 34 Personnel 40 Guest Artist Biographies 41 Composer Biographies 43 1 Media partnership provided by Louisville Public Media 502-852-6907 louisville.edu/music facebook.com/uoflmusic Additional 2018 New Music Festival Events: Monday, November 5, 2018 Music Building Room LL28 Computer Music Composition Seminar with Sam Pluta Wednesday, November 7, 2018 Music Building Room 125 Composition Seminar with Amy Williams Thursday, November 8, 2018 Bird Recital Hall Convocation Lecture with Amy Williams To access the New Music Festival program: For Apple users, please scan the accompanying QR code. For Android users, please visit www.qrstuff.com/scan and allow the website to access your device’s camera. The New Music Festival Organizing Committee Dr. John Ritz, chair Dr. Kent Hatteberg Professor Kimcherie Lloyd Dr. Frederick Speck Dr. Krzysztof Wołek 2 The School of Music at the University of Louisville is strongly identified with the performance of contemporary music and the creation of new music.
    [Show full text]
  • GREEK FLUTE MUSIC Subsequently a Number of Works Have Been Dedicated to Her
    572369bk Greek Flute EU_572369bk Greek Flute EU 25/08/2011 10:49 Page 1 Katrin Zenz Chara Iacovidou GREEK CLASSICS Born in Donaueschingen, Southern Germany, and established Chara Iacovidou was born in Athens to a famous family of artists. She studied since 1993 in Greece, the German flautist Katrin Zenz plays a in Athens, Paris and America and was a pupil of Marie-Françoise Bucquet, central rôle in the performance of contemporary Greek flute Leon Fleischer, John Perry and Jean-Claude Pennetier. Over the last years she music. Her research in the use of extended techniques has has worked under the guidance of Alfred Brendel, the most decisive encounter brought her into close contact with many composers and in her musical life. She regularly performs as a soloist and in chamber music GREEK FLUTE MUSIC subsequently a number of works have been dedicated to her. throughout Europe, as well as in Vietnam and in America, with a New York She is a founding member of the Vivier Trio, the Ensemble Actis, début at Carnegie Hall. She has appeared as a soloist with the Greek National OF THE 20TH AND 21ST CENTURIES the Ensemble 2:13 and the Trio Windbruecke, as well as being Orchestra, the Athens Camerata, the Orchestre Philarmonique de Nice, the a member of the Ensemble Köln, the Athens Camerata, the Orchestre Symphonique dʼOrléans, and the USC Symphony Orchestra in Los Ensemble Skalkottas, and of various ensembles of free Angeles. Her Lyrinx recording of waltzes by Schubert and Ravel won Antoniou • Terzakis • Logothetis • Kounadis • Ioannidis • Adamis improvisation. Her encounter with Peter-Lukas Graf has been international critical acclaim.
    [Show full text]
  • Katalog 2013
    KATALOG 2013 S PRO NOVA O T PRO NOVA Der vorliegende Katalog enthält alle lieferbaren Werke nach dem Stand vom 1. Januar 2013. Mit dem Erscheinen dieses Katalogs verlieren alle früheren Kataloge ihre Gültigkeit. The present catalogue contains all available works up to January 1, 2013. On publication of this catalogue all prior catalogues will be invalid. Ce présent catalogue concerne toutes les œuvres disponibles à la date du 1er Janvier 2013. Ce catalogue annule et remplace ceux précédemment établis. Edition PRO NOVA Sonoton Music GmbH & Co. KG Schleibingerstr. 10 D-81669 München Germany Tel.: 089 / 44 77 82-0 Fax: 089 / 44 77 82-88 e-mail: [email protected] Auslieferung / Distribution: Verlag Neue Musik GmbH Grabbealle 15 D-13156 Berlin Germany Tel.: 030 / 61 69 81 0 Fax: 030 / 61 69 81 21 e-mail: [email protected] Die Preise sind in € angegeben. Preisänderungen und Irrtum bleiben vorbehalten. The prices are quoted in €. Prices are subject to change. Errors reserved. Les prix sont indiqués en €. Les prix peuvent être modifiés à tout moment et sont donnés sauf erreur. ♦ Inhalt ♦ Contents ♦ Table des matières ♦ ♦ Legende ♦ Legend ♦ Légend ............................................................................................................2 ♦ Abkürzungen & Übersetzungen ♦ Abbreviations & Translation ♦ Abréviations & Traduction .......2 ♦ Werke nach Komponisten ♦ Works listed by composer Classifi cation des œuvres par compositeur .......................................................................................5 ♦ Werke
    [Show full text]
  • Nycemf 2021 Program Book
    NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ VIRTUAL ONLINE FESTIVAL __ www.nycemf.org CONTENTS DIRECTOR’S WELCOME 3 STEERING COMMITTEE 3 REVIEWING 6 PAPERS 7 WORKSHOPS 9 CONCERTS 10 INSTALLATIONS 51 BIOGRAPHIES 53 DIRECTOR’S NYCEMF 2021 WELCOME STEERING COMMITTEE Welcome to NYCEMF 2021. After a year of having Ioannis Andriotis, composer and audio engineer. virtually all live music in New York City and elsewhere https://www.andriotismusic.com/ completely shut down due to the coronavirus pandemic, we decided that we still wanted to provide an outlet to all Angelo Bello, composer. https://angelobello.net the composers who have continued to write music during this time. That is why we decided to plan another virtual Nathan Bowen, composer, Professor at Moorpark electroacoustic music festival for this year. Last year, College (http://nb23.com/blog/) after having planned a live festival, we had to cancel it and put on everything virtually; this year, we planned to George Brunner, composer, Director of Music go virtual from the start. We hope to be able to resume Technology, Brooklyn College C.U.N.Y. our live concerts in 2022. Daniel Fine, composer, New York City The limitations of a virtual festival meant that we could plan only to do events that could be done through the Travis Garrison, composer, Music Technology faculty at internet. Only stereo music could be played, and only the University of Central Missouri online installations could work. Paper sessions and (http://www.travisgarrison.com) workshops could be done through applications like zoom. We hope to be able to do all of these things in Doug Geers, composer, Professor of Music at Brooklyn person next year, and to resume concerts in full surround College sound.
    [Show full text]
  • Poulenc-Chamber Music 32-Stg Layout 1 29.06.15 10:36 Seite 1
    RZneu_pmr0049_BOOKLET_poulenc-chamber music_32-stg_Layout 1 29.06.15 10:36 Seite 1 poulenc chamber music wiese lessing may wienand RZneu_pmr0049_BOOKLET_poulenc-chamber music_32-stg_Layout 1 29.06.15 10:36 Seite 2 RZneu_pmr0049_BOOKLET_poulenc-chamber music_32-stg_Layout 1 29.06.15 10:36 Seite 3 francis poulenc chamber music 3 RZneu_pmr0049_BOOKLET_poulenc-chamber music_32-stg_Layout 1 29.06.15 10:36 Seite 4 Francis Poulenc (1899–1963) Sonata for violin and piano, FP 119 (1943/49) 01 Allegro con fuoco 6:45 02 Intermezzo. Très lent et calme 6:52 03 Presto tragico 5:56 Sonata for flute and piano, FP 164 (1957) 04 Allegro malinconico 4:32 05 Cantilena 4:11 06 Presto giocoso 3:35 from Improvisations (1932–59) 07 No 1 in B minor: Presto ritmico 2:08 08 No 3 in B minor: Presto très sec 1:38 09 No 5 in A minor: Modéré mais sans lenteur 2:04 10 No 7 in C major: Modéré sans lenteur 3:00 11 No 8 in A minor: Presto 1:32 12 No 10 in F major: Modéré, sans trainer 1:39 Sonata for two pianos, FP 156 (1952–53) 13 Prologue 6:54 14 Allegro molto 5:49 15 Andante lyrico 6:18 16 Epilogue 5:39 TT 68:35 4 RZneu_pmr0049_BOOKLET_poulenc-chamber music_32-stg_Layout 1 29.06.15 10:36 Seite 5 Kolja Lessing, violin (1–3) Henrik Wiese, flute (4–6) Eva-Maria May, piano (1–7, 9, 10, 13–16) Alexander Wienand, piano (8, 11–16) 5 RZneu_pmr0049_BOOKLET_poulenc-chamber music_32-stg_Layout 1 29.06.15 10:36 Seite 6 A la recherche de l’harmonie perdue – years of experimentation, it was mainly for young com- Francis Poulenc and the Magic of Remembrance posers that aspects of direct melodic and harmonic understanding, the transparency of sound and, conse- Francis Poulenc was born in Paris on 7 January 1899.
    [Show full text]
  • Abram Loft Collection
    ABRAM LOFT COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Gail E. Lowther, Fall 2019 1 The Fine Arts Quartet (Leonard Sorkin, Abram Loft, Gerald Stanick, and George Sopkin). Photograph from publicity flyer distributed by Colbert Artists Management, from Abram Loft Collection, Box 38, Folder 3, Sleeve 1. Photograph from unidentified event, from Abram Loft Collection, Box 38, Folder 1, Sleeve 4. 2 TABLE OF CONTENTS Description of Collection . 5 Description of Series . 8 INVENTORY Sub-Group I: Papers Series 1: Publicity and press materials Sub-series A: Concert programs . 16 Sub-series B: Press clippings . 20 Series 2: Fine Arts Quartet papers Sub-series A: Papers . 30 Sub-series B: Itineraries, calendars, contract, and programs . 33 Sub-series C: Financial records . 44 Sub-series D: Program notes . 49 Sub-series E: Proposals, projects, and scripts . 57 Series 3: Eastman School of Music papers . 65 Series 4: Professional papers . 70 Series 5: Personal papers . 81 Series 6: Lecture and pedagogical material . 82 Series 7: Writing and research Sub-series A: Writing (music) . 86 Sub-series B: Card files . 109 Sub-series C: Writing (other interests) . 110 3 Series 8: Correspondence Sub-series A: Correspondence pertaining to the Fine Arts Quartet . 116 Sub-series B: Professional correspondence . 118 Sub-series C: Personal correspondence . 125 Series 9: Iconography . 126 Sub-Group II: Printed Music Series 1: Chamber music . 130 Series 2: Performance parts . 132 Series 3: Solo music . 143 Series 4: Consort music . 145 Sub-Group III: Audio-Visual Materials Series 1: 5” and 7” audio reels .
    [Show full text]
  • A Practical Guide to Twentieth-Century Violin Etudes with Performance and Theoretical Analysis
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2004 A practical guide to twentieth-century violin etudes with performance and theoretical analysis Aaron Michael Farrell Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Farrell, Aaron Michael, "A practical guide to twentieth-century violin etudes with performance and theoretical analysis" (2004). LSU Doctoral Dissertations. 1263. https://digitalcommons.lsu.edu/gradschool_dissertations/1263 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A PRACTICAL GUIDE TO TWENTIETH-CENTURY VIOLIN ETUDES WITH PERFORMANCE AND THEORETICAL ANALYSIS A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Musical Arts in The School of Music by Aaron M. Farrell B. M., Eastman School of Music, 1994 M.M., Louisiana State University, 1996 August 2004 To all of the teachers in my life ii ACKNOWLEDGEMENTS I would like to thank my mentor, Kevork Mardirossian, for all that he has done for me since 1995. A great deal of what is expressed in this paper about violin playing, technique, practicing and musicianship is derived from what I learned in my lessons with Kevork. He has been an inspiration as a teacher and a performer, and I am eternally grateful for having had the opportunity to work with him.
    [Show full text]
  • 2010 Summer Institute for Contemporary
    © 2010 NYCEMF Logo Design / Matt Simpson Program Design / Rob Collins NYCEMF 2010 TABLE OF CONTENTS Director’s Welcome 4 Staff 5 Festival at a Glance 6 Who / What / Where 7 Locations 12 Concerts & Program Notes 13 Installations 75 Composers 79 Performers & Presenters 131 Sponsors 151 3 Director’s Welcome Director’s Welcome Welcome to NYCEMF 2010. On behalf of the organizing committee, it is my pleasure to welcome you to the second New York City Electroacoustic Music Festival. We are delighted at the response that our call for works has received, and we hope you will enjoy all of the events at this festival. I would like to acknowledge the assistance and support of many people who helped bring this about: – Dr. Chase F. Robinson, Provost and Senior Vice President or the CUNY Graduate Center and Dr. David Olan, Executive Offi cer of the Doctoral Programs in Music, for letting us use the excellent facilities at the Graduate Center. – Carol Parkinson, Hans Tammen, and Harvestworks Digital Media Arts Center, once again, for their partnership and technical support. – Rachel Meyer, Steve Ellison, Gavin Canaan, and Meyer Sound for their sponsorship and generous support. – Our international panel of judges who listened to nearly 500 submissions and helped us determine the works selected for the festival. Th ese include Monty Adkins, Jason Bolte, Eric Chasalow, Ted Coff ey, Anthony Cornicello, James Dashow, Luke DuBois, Joshua Fineberg, Javier Garavaglia, John Gibson, Juraj Kojs, Paul Koonce, Michael Lipsey, Andrew May, Michael Pounds, Cur- tis Roads, James Paul Sain, David Taddie, and Maurice Wright. – Our talented performers who have also helped select the works: Kinan Azmeh, Susan Fancher, Joe Fee, David Fulmer, Margaret Lancaster, Marcel Rominger, Madeleine Shapiro, and Karisa Werdon.
    [Show full text]
  • New York University Sheen Center Fridman Gallery International Computer Music Conference __
    ICMC- NYCEMF 2019 International Computer Music Conference New York City Electroacoustic Music Festival June 16-23 NEW YORK UNIVERSITY SHEEN CENTER FRIDMAN GALLERY INTERNATIONAL COMPUTER MUSIC CONFERENCE __ NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ JUNE 16-23, 2019 NEW YORK UNIVERSITY FULTON J. SHEEN CENTER FRIDMAN GALLERY __ www.nycemf.org CONTENTS ACKNOWLEDGEMENTS 4 WELCOMING STATEMENTS 5 KEYNOTE SPEAKER 8 LOCATIONS 9 SCHEDULE 11 STEERING COMMITTEE 13 STAFF & REVIEWING 14 CONCERTS 19 IMMERSION CONCERTS 62 PAPERS 70 PANELS 77 WORKSHOPS 78 INSTALLATIONS 80 INSTALLATION ARTISTS 82 COMPOSERS 84 PERFORMERS 125 ACKNOWLEDGEMENTS DIRECTOR’S WELCOME FROM WELCOME DEPARTMENT OF MUSIC AND PERFORMING ARTS Welcome to ICMC-NYCEMF 2019 PROFESSIONS, On behalf of the Steering Committee, it is my great NEW YORK UNIVERSITY pleasure to welcome you to the 2019 joint International Computer Music Conference and New York City Welcome to the 2019 NYC International Computer Music Electroacoustic Music Festival. We have an exciting Conference! program of 25 concerts, paper sessions, sound installations, panel discussions, workshops, “immersion” It is great pleasure that New York University’s (NYU) concerts, and late-night concerts taking place in and Department of Music and Performing Arts Professions around New York University in New York City. We hope (MPAP) is partnering with NYCEMF in bringing the ICMC that you will enjoy all of them. conference to New York City this year. The ICMC-NYCEMF team and NYU team have worked We would first like to express our sincere appreciation to tirelessly to bring you 27 concerts, daily parallel paper the following people and organizations who have sessions, installations around the city (including contributed to us this year, in particular: Governor’s Island), seven panel discussions, 14 workshops, and Bard Garton as our keynote speaker.
    [Show full text]
  • Local Identity in the Music of Theodore Antoniou and Other Twentieth-Century Greek Composers Michalis Andronikou and Friedemann Sallis
    Document generated on 09/27/2021 5:09 p.m. Intersections Canadian Journal of Music Revue canadienne de musique Centring The Periphery: Local Identity in the Music of Theodore Antoniou and other Twentieth-Century Greek Composers Michalis Andronikou and Friedemann Sallis Volume 33, Number 1, Fall 2012 Article abstract This study addresses aspects of local identity in the music of Theodore URI: https://id.erudit.org/iderudit/1025553ar Antoniou and other Greek contemporary composers. It highlights DOI: https://doi.org/10.7202/1025553ar misapprehensions and obsolete conceptions of historiography and aesthetics embedded in the use of terms such as centre and periphery or high- and See table of contents low-brow styles of music, respectively. An overview of the history of art music in Greece is attempted, for a better understanding of these issues in that context. The parallel reference to significant Western contemporary Publisher(s) composers such as György Ligeti, Luigi Nono, and Mauricio Kagel supports the primary argument of the essay, which seeks fair treatment for all places that Canadian University Music Society / Société de musique des universités find themselves peripheral to a given centre. The case of Greece—one of the canadiennes cradles of Western culture—is a unique example of a problematic approach typical of Western historiographies with regard “centres” and “peripheries” ISSN that needs to be corrected. 1911-0146 (print) 1918-512X (digital) Explore this journal Cite this article Andronikou, M. & Sallis, F. (2012). Centring The Periphery: Local Identity in the Music of Theodore Antoniou and other Twentieth-Century Greek Composers. Intersections, 33(1), 11–34.
    [Show full text]
  • Programmheft Zum Download
    PROGRAMM Ferruccio Busoni Lustspiel-Ouvertüre op. 38 (8 Min.) Allegro molto – Un poco misuratamente – Tranquillo – Tempo I Werner Wolf Glaser Concertino für Violine und Orchester (1937/38) (15 Min.) Uraufführung Andante Molto allegro Kolja Lessing, Violine Max Reger Aria für Violine und kleines Orchester op. 103a Nr. 3 (6 Min.) Adagissimo Kolja Lessing, Violine PAUSE Johannes Brahms/Arnold Schönberg Klavierquartett g-Moll op. 25 für großes Orchester (42 Min.) gesetzt von Arnold Schönberg (1937) Allegro Intermezzo. Allegro ma non troppo Andante con moto Rondo alla zingarese Sendetermin Direktübertragung auf SR 2 KulturRadio und ab 29.10.2016 sieben Tage lang unter www.sr2.de 1 BEWEGENDE TAGE ... Ein Interview mit Kolja Lessing von Eckhard Roelcke über Glaser & Co Eckhard Roelcke: Werner Wolf Glaser (1913-2006) hat schon 1933 erkannt, welche Gefahren ihm als Deutschen jüdischer Herkunft drohen. Er hat das Land verlassen, ist zunächst nach Frankreich und Dänemark, 1943 schließlich nach Schweden geflohen. Zu seinem 90. Geburtstag 2003 wurde er in seiner Geburtsstadt Köln geehrt. Haben Sie ihn bei dieser Gelegenheit kennengelernt? Kolja Lessing: Ich hatte ihn schon früher kennengelernt. Dieses Geburts- tagskonzert in Köln ging auf meine Initiative zurück. Fast noch bewegen- der war das Jahr 2002. Damals ist es mir gelungen, ihn nach siebzig Jahren wieder an den Ort seiner ersten professionellen Tätigkeit zu bringen: nach Chemnitz. Als blutjunger Korrepetitor hat er dort in der Saison 1931/32 die damalige Wozzeck-Aufführung einstudiert. Doch schon 1932 wurde Glaser als Jude entlassen; von oberster Stelle hieß es, zu viele Juden seien am Opernhaus. Er war gerade 19 Jahre alt.
    [Show full text]