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9111-Baildon-Mills-Brochure.Pdf
A PRESTIGIOUS DEVELOPMENT OF 1, 2, 3 & 4 BEDROOM HOMES CONTENTS 4 WELCOME TO BAILDON MILLS 6 THE HISTORY OF THE MILL 7 EXPERIENCE EXECUTIVE COUNTRY LIVING 8 INTRODUCING BAILDON 10 THE MOORS ON YOUR DOORSTEP 12 SURROUNDING CITIES HERITAGE LOOKS. 14 LOCATION & TRANSPORT 16 DEVELOPMENT OVERVIEW MODERN LIVING. 18 A SUPERIOR SPECIFICATION 21 SITE PLAN Steeped in history and brimming with character, your new home 22 PENNYTHORN at Baildon Mills will offer both traditional charm whilst being thoughtfully designed for modern living. Considered by many as one of 24 LONG RIDGE Yorkshire’s best places to live, a 26 HAWKSWORTH new home at Baildon Mills means 28 HIGH MOOR you’ll enjoy a lifestyle like no other. 29 REVA HILL 34 KMRE’S INVESTMENT OPPORTUNITY 2 3 WELCOME to BAILDON MILLS Carefully considered design means that these homes will his truly unique project will convert a beautiful, historic textile mill into a thriving community of executive new homes, in the heart of Baildon village. maintain many of the stunning T heritage features that made the Carefully considered design means that these Whether you are looking for a light and airy, open- old textile mill such a popular homes will maintain many of the stunning heritage plan dining kitchen or something a little more piece of local architecture features that made the old textile mill such a traditional, our architects have considered all the popular piece of local architecture. Allowing you ways modern living can influence how we like to to enjoy the ease and convenience of buying new, configure our homes. -
CELSIUS a Peer-Reviewed Bi-Annual Online Journal Supporting the Disciplines of Ceramics, Glass, and Jewellery and Object Design
CELSIUS A peer-reviewed bi-annual online journal supporting the disciplines of ceramics, glass, and jewellery and object design. ISSUE 1 July 2009 Published in Australia in 2009 by Sydney College of the Arts The Visual Arts Faculty The University of Sydney Balmain Road Rozelle Locked Bag 15 Rozelle, NSW 2039 +61 2 9351 1104 [email protected] www.usyd.edu.au/sca Cricos Provider Code: 00026A © The University of Sydney 2009 This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this publication may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the copyright owners. Sydney College of the Arts gratefully acknowledges the contribution of the artists and their agents for permission to reproduce their images and papers. Editor: Jan Guy Publication Layout: Nerida Olson Disclaimers 1. The material in this publication may contain references to persons who are deceased. 2. The artwork and statements in this catalogue have not been classified for viewing purposes and do not represent the views or opinions of the University of Sydney or Sydney College of the Arts. www.usyd.edu.au/sca/research/projects/celsiusjournal CELSIUS A peer-reviewed bi-annual online journal supporting the disciplines of ceramics, glass, and jewellery and object design. Mission Statement The aims of Celsius are to - provide an arena for the publication of scholarly papers concerned with the disciplines of ceramics, glass and jewellery and object design - promote artistic and technical research within these disciplines of the highest standards -foster the research of postgraduate students from Australia and around the world - complement the work being done by professional journals in the exposure of the craft based disciplines -create opportunities of professional experience in the field of publication for USYD postgraduate students Editorial Board The Celsius Editorial Board advises the editor and helps develop and guide the online journal’s publication program. -
1 Appalachian Center for Crafts Vince Pitelka, 2016 Glossary of Colored
Appalachian Center for Crafts Vince Pitelka, 2016 Glossary of Colored Clay Techniques Basalt Body: a clay body containing enough metallic oxides to fire to a gray-black or chocolate brown color. Basalt bodies may be fine-grained and smooth, as in Wedgewood black basalt ware, or may be grainy and rough, as in some sculptural works by Peter Voulkos and John Mason. Burnishing: historically the third stage in pottery decoration in almost every culture, after surface impressing and slip painting. Burnishing allows for a smooth, dense, glassy surface on any clay without the use of glazes. Color intensity is enhanced with burnishing almost as effectively as with the “wetting” effect of a clear glaze, and burnishing gives a satin texture achievable through no other method. Burnishing is generally done at the bone dry stage after re-introducing moisture into the clay with a thin coat of lard, glycerin, shortening, or cooking oil. One the lard or oil is absorbed, the surface is rubbed with a smooth hard object such as a shiny pebble or the back of a steel spoon. After firing, burnished wares are often polished further with pure tung-oil (a wood-finishing oil) or furniture polish. Clay Marquetry: similar to marquetry in wood. Small pieces of damp colored clays are assembled on a clay back-up slab (with a spray of vinegar water) to create pictorial imagery. Sometimes the designs are improvised during assembly, often overlapping components. For greater precision and pictorial clarity, an original design may be executed on poster-board, which is then cut up into individual templates. -
14.2% Vote for President Occupations Are Now out of Order
\% F E B 1 9 8 0 Tetley Bittermen. Join’em. No. 2 1 9 Friday, 8th February, 1980 FREE 14.2% vote for President LOW TURNOUT CAUSES ANGER Members of the University Union Executive have said that they are “disgusted” with the turnout at this week’s elections for President and Deputy President. President Steve Aulsebrook called it “pathetic”, while General Secretary Ray Cohen commented, “ I’m as sick as a parrot; it is ------------------------------- -———------- pretty disgusting”. In the elections, which were by Hugh Bateson held over four days at the beginning of the week, only 1504 people voted, 14.2% of the total electorate. with 310. Mr. Goodman was as In the past, voting for the President annoyed with the turnout as Mr. has usually attracted about 33%. Shenton, he said, Last year, when Mr. Aulsebrook “ I hope the students get a better was elected, the poll was considered executive than they deserve. very low at 25%. Thousands, literally thousands of Mr. Cohen explained that con people used this Union on Monday siderable efforts had been made to and Tuesday lunch times and they ensure a high turnout this year, couldn’t even be bothered to pick “ Advertising this year was up a ballot paper for their own greater than for any other year” he Union and the way it is run” . said. He continued that for the first Ian Rosenthal commented, time voting had occurred in the “I am very upset that more halls of residence, to enable people people did’t take offence at what who do not frequent the Union to I was saying and vote to keep me vote. -
Yorkshire Wildlife Park, Doncaster
Near by - Abbeydale Industrial Hamlet, Sheffield Aeroventure, Doncaster Brodsworth Hall and Gardens, Doncaster Cannon Hall Museum, Barnsley Conisbrough Castle and Visitors' Centre, Doncaster Cusworth Hall/Museum of South Yorkshire Life, Doncaster Elsecar Heritage Centre, Barnsley Eyam Hall, Eyam,Derbyshire Five Weirs Walk, Sheffield Forge Dam Park, Sheffield Kelham Island Museum, Sheffield Magna Science Adventure Centre, Rotherham Markham Grange Steam Museum, Doncaster Museum of Fire and Police, Sheffield Peveril Castle, Castleton, Derbyshire Sheffield and Tinsley Canal Trail, Sheffield Sheffield Bus Museum, Sheffield Sheffield Manor Lodge, Sheffield Shepherd's Wheel, Sheffield The Trolleybus Museum at Sandtoft, Doncaster Tropical Butterfly House, Wildlife and Falconry Centre, Nr Sheffeild Ultimate Tracks, Doncaster Wentworth Castle Gardens, Barnsley) Wentworth Woodhouse, Rotherham Worsbrough Mill Museum & Country Park, Barnsley Wortley Top Forge, Sheffield Yorkshire Wildlife Park, Doncaster West Yorkshire Abbey House Museum, Leeds Alhambra Theatre, Bradford Armley Mills, Leeds Bankfield Museum, Halifax Bingley Five Rise Locks, Bingley Bolling Hall, Bradford Bradford Industrial Museum, Bradford Bronte Parsonage Museum, Haworth Bronte Waterfall, Haworth Chellow Dean, Bradford Cineworld Cinemas, Bradford Cliffe Castle Museum, Keighley Colne Valley Museum, Huddersfield Colour Museum, Bradford Cookridge Hall Golf and Country Club, Leeds Diggerland, Castleford Emley Moor transmitting station, Huddersfield Eureka! The National Children's Museum, -
Florence Nightingale and Her Connection with Leeds
Florence Nightingale and her connection with Leeds In 2020 we celebrated the 200th anniversary of Florence Nightingale’s birth. On 25th of November, Stephanie Davies, Community Curator at Lotherton Hall kindly gave a very interesting Power Point presentation about Florence via Zoom to the u3a History group and we were joined by several members of the wider Garforth and Kippax u3a group. Some of the information provided is described below. The talk centred on Florence Nightingale’s connections to both Lotherton Hall and Leeds General Infirmary. The talk provided a fascinating example of how, in her post-Crimea years, Florence worked tirelessly with specialists in different fields to further her causes. The talk was accompanied by a wealth of vivid pictures illustrating everything from ward layouts to architectural details. Leeds General Infirmary was first created in 1767 as a place for the relief of the sick and injured poor in the Leeds parish. The first site was in a private house on Kirkgate. After four years the infirmary moved to a new site on Infirmary Street near City Square on the site of Aspire, previously the old Yorkshire Bank. It remained there until 1869. In 1862, Florence Nightingale was consulted on the building of a new hospital in Leeds by William Beckett Denison who was a banker and conservative MP. The architect appointed for the new Infirmary was George Gilbert Scott, the head of England’s largest architects. He was also the architect for St Pancras Hotel adjoining St Pancras Station and there are many similarities between the two gothic design buildings. -
AUD AP96 Page 1 of 148 City of Cedar Rapids Accounts Payable Expenditures for the Week Ending May 23, 2017
City of Cedar Rapids Accounts Payable Expenditures for the Week Ending May 23, 2017 Name Vendor Department Name Voucher Invoice Date Description Qty Unit Price Amount 7G Distributiing LLC 0000027306 GLF Ellis Golf Clubhouse 00611267 Prepaid Beer 2017-05-11 Prepaid Beer 1 6,500.00 6,500.00 7G Distributiing LLC 0000027306 GLF Gardner Clubhouse 00611267 Prepaid Beer 2017-05-11 Prepaid Beer 1 6,500.00 6,500.00 7G Distributiing LLC 0000027306 GLF Jones Club House 00611267 Prepaid Beer 2017-05-11 Prepaid Beer 1 3,000.00 3,000.00 7G Distributiing LLC 0000027306 GLF Twin Pines Club House 00611267 Prepaid Beer 2017-05-11 Prepaid Beer 1 5,000.00 5,000.00 7G Distributiing LLC 0000027306 REC Tait Cummins 00611267 Prepaid Beer 2017-05-11 Prepaid Beer 1 6,300.00 6,300.00 A Shaw Investments 8359732346 Water 00008045 8359732346 2017-05-21 UTILITY REFUND 0 0.00 207.56 A1A Sandblasting 0000030259 Swimming Pool Improvements 00608746 44 2017-04-17 Caulking & Painting Services 1 21,890.00 21,890.00 AEC Contracting Inc 0000032798 Admin.-Housing Services 00611205 7428B 2017-05-03 CDBG - 384 19th Street SE 1 6,800.00 6,800.00 AEC Contracting Inc 0000032798 Lead Base Grant 00611204 7428A 2017-05-03 CDBG - 384 19th Street SE 1 19,747.80 19,747.80 AFSCME Local 620 0000000154 Misc Employee Deductions 00611135 AFSCME051 2017-05-19 Union Dues 1 11,175.63 11,175.63 AKM Property Management LLC 0000017300 Leased Housing - HAP 00328290 V1251-1 2017-05-01 Rental Assistance 0 0.00 258.00 ASI Flex 0000021324 Flexible Spending Accounts 00610736 ASIF051517 2017-05-15 2017 FSA -
Hans Coper Kindle
HANS COPER PDF, EPUB, EBOOK Tony Birks | 224 pages | 29 Sep 2013 | Stenlake Publishing | 9781840336221 | English | Ayrshire, United Kingdom Hans Coper PDF Book The two most bankable names in this market are Hans Coper and Lucie Rie and their work can usually be relied on to dominate the top price slots. Coper and Rie worked to create functional wares often co-signing their works. News topics. His works are characterised by their innate tonality and carefully worked surface textures. To ensure you the best experience, we use cookies on our website for technical, analytical and marketing purposes. Site by Artlogic. Coper's work was widely exhibited and collected even in his lifetime. These elements are…. Simply because of their economy and concision, their qualities of distilled expansiveness to border on a contradiction in terms that carries some of the essence of the earliest vessels and figures Cycladic forms are often cited while having a very 20th century consciousness. German-born, Coper initially came to Britain in , and from worked with Lucie Rie in her London studio, moving to Hertfordshire in , and subsequently to Somerset. Invalid Email Address. Vintage Fashion Textiles. A metal alloy made from copper with up to two-thirds tin, often with other small amounts of other metals. From Wikipedia, the free encyclopedia. External Websites. In the first element of a two-part feature, ATG considers the London market. Wright Auction. Waistel Cooper in his own world 04 January Once dismissed as a mere Hans Coper follower, the studio potter is now in rising demand. American Design. Hans Coper — Hans Coper Writer He came to England in but was arrested as an alien and sent to Canada, returning to England in where he enrolled in the Pioneer Corps. -
Thematic Manifestations: an Aesthetic Journey. Jeff Kise East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2004 Thematic Manifestations: an Aesthetic Journey. Jeff Kise East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Art and Design Commons Recommended Citation Kise, Jeff, "Thematic Manifestations: an Aesthetic Journey." (2004). Electronic Theses and Dissertations. Paper 877. https://dc.etsu.edu/ etd/877 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Thematic Manifestations: an Aesthetic Journey ______________________ A thesis presented to the faculty of the Department of Art and Design East Tennessee State University ______________________ In partial fulfillment of the requirements for the degree of Master of Fine Arts in Studio Art ______________________ by Jeff Kise May 2004 _____________________ Don Davis, Chair Anita DeAngelis Catherine Murray Keywords: Ceramics, Simplicity, Aesthetics, Saggar Firing, Flash Firing, Naked Raku ABSTRACT Thematic Manifestations: An Aesthetic Journey by Jeff Kise This thesis, in support of the Master of Fine Arts exhibition entitled Thematic Manifestations at East Tennessee State University, Carroll Reece Museum, Johnson City, Tennessee, March 2-12, 2004, describes in detail three aesthetic themes that are manifested in the work exhibited. The artist discusses his journey in establishing a “criterion of aesthetic values” whereby his work is conceptually developed. The three themes – The Paradox of Simplicity, The Decorative Power of Nature, and The Beauty of the Irregular – are founded on historical and contemporary influences and are further described in practical application of form and process. -
Lucie Rie - 1902-1995
Lucie Rie - 1902-1995 Dame Lucie Rie [née Gomperz] was born on 16 March 1902 in Vienna, the third and last child of Professor Benjamin Gomperz (1861-1936), an ear, nose, and throat specialist, and his wife, Gisela (1873-1937), daughter of Ignaz Wolf and his wife, Hermine. The Wolfs were a prominent Eisenstadt family whose fortune was based on wine production. The Gomperz family, too, was prosperous and Lucie's childhood was spent between their home in the Falkstrasse and the Wolfs' country house at Eisenstadt. She was educated by a private tutor. Through her father, a friend of Sigmund Freud, and her uncle, the collector and Zionist historian Sandor Wolf, she was also in touch with the rich intellectual life of early twentieth-century Vienna. After contemplating a medical career she decided instead to enter the Kunstgewerbeschule, the art school attached to the Wiener Werkstatte, in 1922. There she was, she said, instantly 'lost' to the potter's wheel. She was taught by Michael Powolny, whose strengths as a ceramist were technical rather than aesthetic. Her work was nevertheless noticed by the co-founder of the Werkstatte, Joseph Hoffmann, who sent her pots to the Exposition des Arts Decoratifs et Modernes in Paris in 1925. Over the next decade she developed her own style. She herself later said in an interview with the author that the work of these years was 'hardly at all important', but critics have disagreed (The Guardian, 31 Aug 1988). She combined a plain, modernist aesthetic with the technical daring that Powolny had encouraged in her, somewhat perversely, by telling her she would never be able to imitate ancient glazes. -
Media Release
MEDIA RELEASE October 8, 2014 Conversations with Lucie Rie Conversations with Lucie Rie October 17, 2014 to March 9, 2015 Drury Gallery How incredibly compelling a conversation with famed potter Lucie Rie would have been! Rie, whose life story is as awe-inspiring as her work, will be celebrated at the Art Gallery Curated by Toby Lawrence of Greater Victoria later this month when the exhibition, Conversations with Lucie Rie , opens on Oct. 17. One of the most influential potters of the 20 th century, Rie achieved damehood in 1991, and is renowned for her modernist aesthetic of spare lines and textured surfaces. Her Art Gallery of Greater Victoria career spanned seven decades during the 20th century and culminated in an exhibition at 1040 Moss Street the Metropolitan Museum of Art from 1994 to 1995—the year of her death. Rie was born in Vienna in 1902, and she was forced to leave behind a burgeoning arts career when she Victoria, British Columbia V8V 4P1 fled from the Nazis in 1938 to England. In London, Rie re-established herself through her 250.384.4171 aggv.ca own artistic language and studio at Albion Mews. “The exhibition considers the development of Rie’s work and the impact she had on her contemporaries and subsequent generations of artists, curators, collectors, and admirers,” says the exhibition’s curator, Toby Lawrence. “It also highlights the friendships and dialogue she established through her practice as a studio potter.” See aggv.ca for details “The Gallery is extremely fortunate to have 19 of Lucie Rie’s pieces in our collection,” continues Lawrence. -
Exhibitions and Events
Exhibitions and Events SEPTEMBER 2018 – MARCH 2019 Exhibitions Highlights September 2018 – March 2019 Strata | Rock | Dust | Stars 28 September – 25 November 2018 OF Day of Clay DAY 6 October 2018 The BFG in Pictures 12 October 2018 – 24 February 2019 When all is Quiet: Kaiser Chiefs in CLAY Conversation with York Art Gallery 14 December 2018 – 10 March 2019 Lucie Rie: Ceramics and Buttons Until 12 May 2019 ARTIST’S CHOICE by Per Inge Bjørlo Until 31 March 2019 6 OCTOBER 2018 Project Gallery As part of the Ceramics + Design Now Festival 2018, join York Art Gallery for a celebration of ceramics with Ulungile Magubane, eMBIZENI hands-on activities, performance art, raku firing, workshops and expert talks. From 28 September 2018 Save time and buy your ticket online – visit yorkartgallery.org.uk | 3 Strata | Rock | Dust | Stars A York Museums Trust, FACT Liverpool, and York Mediale exhibition. 28 September – 25 November 2018 This is a landmark exhibition featuring moving image, new media and interactive artwork. Strata - Rock - Dust - Stars takes its inspiration from William Smith’s ground-breaking geological map of England, Wales and Scotland, created in 1815 – which identified the layers of the Earth and transformed the way in which the world was understood. It will be the most ambitious and large-scale media art exhibition York has ever hosted. The exhibition showcases works by internationally renowned artists Isaac Julien, Agnes Meyer-Brandis, Semiconductor, Phil Coy, Liz Orton, David Jacques, and Ryoichi Kurokawa. Co-commissioned between York Art Gallery and York Mediale, and curated by Mike Stubbs, Director of FACT Liverpool.