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William Robinson's 16 Year Creation Series to Be Presented Together For

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William Robinson's 16 Year Creation Series to Be Presented Together For MEDIA RELEASE WILLIAM ROBINSON’S 16 YEAR CREATION SERIES TO BE PRESENTED TOGETHER FOR THE FIRST TIME IN MAJOR EXHIBITION AT HOTA GALLERY William Robinson, The Rainforest 1990 (detail), oil on canvas, 188.0 x 492.5 cm, Collection, HOTA Gallery. Acquired through funds from Gold Coast’s business and art loving community 1991 © Image courtesy the artist and Philip Bacon Galleries, Brisbane. Former Governor-General Dame Quentin Bryce AD CVO guest curates Lyrical Landscapes: The Art of William Robinson celebrating one of Australia’s greatest living artists Coinciding with the artist’s 85th year, HOTA, Home of the Arts presents Lyrical Landscapes: The Art of William Robinson, the second major exhibition at HOTA Gallery from 31 July to 3 October 2021. Celebrating one of Australia’s foremost living artists and greatest landscape painters, this exhibition will see Robinson’s entire Creation Series, produced over 16 years, presented together for the first time. Robinson’s Creation Series is widely considered his master works, the series highlights the artist’s spiritual connection to the natural world and through their symphonic composition, his love of classical music. Curated by former Governor-General and close friend of the artist Dame Quentin Bryce AD CVO, Lyrical Landscapes: The Art of William Robinson will feature these monumental multi-panelled other epic landscapes, including HOTA’s own The Rainforest. Brisbane born and raised William Robinson AO, has been awarded both the Archibald and Wynne Prizes and is celebrated for his monumental multi-perspectival canvases that transformed the way we view Australian landscape painting. In 1984 Robinson took up residence on a 208-acre farm on the western slopes of Beechmont in the Gold Coast hinterland. There, he would walk around and observe the surrounding sub-tropical rainforest, creating a time of reflection that revealed both the subtle pleasures and grand beauty of the natural world around him. Name: Articulate M 0414 437 588 E [email protected] These experiences inspired Robinson, a painter and pianist, to create works of art that twisted Australian landscape painting in a thoroughly new direction, creating unforgettable art that speaks to his deep fascination with Queensland and New South Wales landscapes. One of the first works that inspired the series is the hero of the Gold Coast’s Collection, Robinson’s five-metre painting The Rainforest. Depicting Botan Creek in the Beechmont rainforest as it flows into a waterfall, and descends into the Coomera River, Robinson’s painting is a meditation on a landscape where time seems suspended. This is also realised in Robinson’s majestic Creation series, a suite of seven works that are a symbolic nod to the seven days of creation in the Bible. The elusive sense of spirituality embedded in Robinson’s painterly landscapes is balanced by the practicalities of composition that he explores, challenges and inverts. Through re-imagining perspective, Robinson places the viewer within, yet simultaneously above, the landscape, transposing the physical effect of being in a landscape into one of all-encompassing reverence. Criena Gehrke, CEO said: We are thrilled to present this opportunity to see the Creation series in its entirety within HOTA Gallery, the design of which itself was inspired by Robinson’s The Rainforest. As the second major exhibition at HOTA Gallery Lyrical Landscapes: The Art of William Robinson is a love letter to the Gold Coast, as much as it is a celebration of one of the greatest living landscape artists in Australia. Tracy Cooper-Lavery, Director Gallery and Visual Arts said: William Robinson’s painting The Rainforest rainforest was awarded the 1990 Wynne Prize for Landscape and was acquired by Gold Coast City Gallery (now HOTA Gallery) in 1991 through community support and fundraising. His paintings are exquisite lyrical interpretations of the landscape, and an exploration of the Gold Coast hinterland – a site of immense, ancient beauty, and a place of reverence. The Honourable Dame Quentin Bryce AD CVO comments: There is no doubt that William Robinson is one of our Nation’s greatest landscape artists. Early in my term as Governor- General, I borrowed one of his most loved and admired rainforest paintings, ‘Springbrook with lifting Fog’ from the National Gallery of Australia for the wall of my study at Yarralumla. Every day it brought to my life sublime beauty, intellectual and spiritual questioning and understanding of the joyousness of nature. Across the years since I have rejoiced in having some of Bill’s beautiful work in my life, at home and in my QUT Office. It has taught me so much about landscape in art and in life. About how much a work of great beauty demands and how much pleasure, happiness, contentment, and wonder it gives. What a delight then and a huge privilege to be involved in HOTA Gallery’s exhibition ‘Lyrical Landscapes’ presenting to the public William Robinsons most significant body of work in its entirety for the first time. The perfect way to celebrate the 85th birthday of our great Australian landscape artist. The new $60.5 million HOTA Gallery opened to the public on Australia’s Gold Coast on Saturday 8 May 2021. Spanning six levels and including over 2000m2 of AAA rated, international standard exhibition space, a dedicated Children’s Gallery, and the $32 million City collection, HOTA Gallery is the largest public gallery outside a capital city in Australia. This exhibition is supported by Arts Queensland through the Queensland Government Exhibition Indemnification Scheme. Name: Articulate M 0414 437 588 E [email protected] With support from Phillip Bacon AO. Ends MEDIA CONTACTS: To request interviews, further information or imagery please contact Claire Martin, [email protected], 0414 437 588, Sasha Haughan, [email protected], 0405 006 035, or Kym Elphinstone, [email protected], 0421 106 139. IMAGES: Images available for download HERE ABOUT WILLIAM ROBINSON AO William Robinson (b.1936, Brisbane) is widely regarded as one of Australia’s most distinguished contemporary artists, best known for his landscape and portrait painting. Robinson is critically acclaimed for his arresting landscape compositions of South East Queensland rainforests and seascapes of northern New South Wales. Robinson’s landscapes, with their multiple, ever-shifting perspectives generate a hallucinatory yet real experience of the Australian bush complete with trepidation and awe. His portraits and farmyard paintings are widely adored with their quintessential hint of Robinson humour and sense of play highlighting his spirit and sensitivity for both his subjects, and the act of painting itself. After graduating in 1962 from Brisbane's Central Technical College, an early forerunner of Queensland University of Technology’s Gardens Point Campus, he began a long and distinguished career teaching art. Awarded the Archibald Prize by the Art Gallery of New South Wales in 1987, Robinson’s winning portrait was the point of much commotion in the art world due to the artist’s low profile – a result of teaching in Brisbane and living off-grid in Beechmont in the Gold Coast Hinterland’s Scenic Rim. Having garnered critical acclaim and recognition of his painting practice, Robinson left teaching in 1989 to work full time as an artist and since then his work has achieved further national prominence. He has twice been the recipient of the Archibald Prize (1987 and 1995) and Wynne Prize (1990 and 1996) from the Art Gallery of New South Wales. In 2001 Darkness and Light – The Art of William Robinson was published to accompany the large-scale retrospective of some 90 works exhibited at the Queensland Art Gallery in 2001 and which toured to the National Gallery of Australia, Canberra in 2002. William Robinson was honoured by the Queensland Government in 2004 as one of Queensland’s Greats. He has been awarded Honorary Doctorates by three Universities – the University of Southern Queensland, Toowoomba; Griffith University, Brisbane; and Queensland University of Technology, Brisbane. In 2007 the artist was appointed an Officer of the Order of Australia (AO) for his outstanding achievement and service to the arts. In 2009 the William Robinson Gallery was founded at Old Government House in QUT’s Garden’s Point Campus. The William Robinson Gallery honours the life and work of this distinguished contemporary Australian artist, presenting annual exhibitions, producing publications and films, conducting research on the artist’s practice and holding the largest public collection of Robinson's work in the world. Robinson is the only living Australian artist to have a public gallery in his name. Robinson's work is represented in all major Australian public art museums as well as in the Metropolitan Museum of Art, New York; Vatican Museums, Vatican City; and the British Museum, London. ABOUT THE CREATION SERIES Name: Articulate M 0414 437 588 E [email protected] Creation Landscape: Darkness and Light 1988 was the first in the series of Creation paintings. In Darkness and Light, Robinson employs compositional devices that assist in making this landscape so topsy turvy. In the second panel from the left, the sun beams from the lower right corner of the composition, sending arcs of light filtering through the trees. This unorthodox placement of the sun—so typically radiating from above in Australian landscape painting—is made stranger still by the inversion of trees. Trunks simultaneously reach up and down, creating a sense of mystery and grandeur. This painting seems to remind the viewer of how awe-inspiring and unfamiliar this landscape is to the untrained eye. Robinson also uses water as a crucial compositional device, and reflection is used here to echo the sky—the clouds, moon and stars—to all-encompassing effect. Like the figures floating in the water, we too gaze upon the vista with wonder and contemplation at these ever-changing natural phenomena.
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