Marmalade Song List
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr. -
Aussie Classics Hits - 180 Songs
Available from Karaoke Home Entertainment Australia and New Zealand Aussie Classics Hits - 180 Songs 1 20 Good Reasons Thirsty Merc 2 Absolutely Everybody Vanessa Amorosi 3 Age Of Reason John Farnham 4 All I Do Daryl Braithwaite 5 All My Friends Are Getting Married Skyhooks 6 Am I Ever Gonna See Your Face Again The Angels 7 Amazing Alex Lloyd 8 Amazing Vanessa Amorosi 9 Animal Song Savage Garden 10 April Sun In Cuba Dragon 11 Are You Gonna Be My Girl Jet 12 Art Of Love Guy Sebastian, Jordin Sparks 13 Aussie Rules I Thank You For The Best Kevin Johnson Years Of Our Lives 14 Australian Boy Lee Kernaghan 15 Barbados The Models 16 Battle Scars Guy Sebastian, Lupe Fiasco 17 Bedroom Eyes Kate Ceberano 18 Before The Devil Knows You're Dead Jimmy Barnes 19 Before Too Long Paul Kelly, The Coloured Girls 20 Better Be Home Soon Crowded House 21 Better Than John Butler Trio 22 Big Mistake Natalie Imbruglia 23 Black Betty Spiderbait 24 Bluebird Kasey Chambers 25 Bopping The Blues Blackfeather 26 Born A Woman Judy Stone 27 Born To Try Delta Goodrem 28 Bow River Cold Chisel 29 Boys Will Be Boys Choir Boys 30 Breakfast At Sweethearts Cold Chisel 31 Burn For You John Farnham 32 Buses And Trains Bachelor Girl 33 Chained To The Wheel Black Sorrows 34 Cheap Wine Cold Chisel 35 Come On Aussie Come On Shannon Noll 36 Come Said The Boy Mondo Rock 37 Compulsory Hero 1927 38 Cool World Mondo Rock 39 Crazy Icehouse 40 Cry In Shame Johnny Diesel, The Injectors 41 Dancing With A Broken Heart Delta Goodrem 42 Devil Inside Inxs 43 Do It With Madonna The Androids 44 -
Front of House Master Song List
NICK LYNCH SONGLIST COUNTRY Have I told You Lately That I Love You? – Rod Stewart 8 Second Ride – Jake Owen Hotel California – The Eagles All About Tonight – Blake Shelton I Saw Her Standing There – The Beatles Am I The Only One – Dierks Bentley Lovely Day – Bill Withers Amie – Pure Prairie League Margaritaville – Jimmy Buffet Callin’ Baton Rouge – Garth Brooks Only The Good Die Young – Billy Joel Chicken Fried – Zac Brown Band Piano Man – Billy Joel Country Girl (Shake It For Me) – Luke Bryan Pretty Woman – Roy Orbison Country Must Be Country Wide – Brantley Gilbert Runaround Sue – Dion Barefoot Blue Jean Night – Jake Owen Somebody's Baby – Jackson Browne Devil Went Down To Georgia – The Charlie Daniels Take It Easy – The Eagles Band Tiny Dancer – Elton John Dirt Road Anthem – Jason Aldean Two Tickets To Paradise – Eddie Money Don't You Wanna Stay – Kelly Clarkson and Jason Wonderful Tonight – Eric Clapton Aldean You Can Call Me Al – Paul Simon Drink In My Hand – Eric Church Fishin’ In The Dark – Emerson Drive CLASSIC ROCK Friends In Low Places – Garth Brooks Get After It – Nick Lynch All Right Now – Free Good One Comin’ On – Blackberry Smoke American Girl – Tom Petty Hillbilly Deluxe – Brooks & Dunn Bad Company – Bad Company Honey Bee – Blake Shelton Born to Run – Bruce Springsteen Johnny Cash – Jason Aldean Dancing In The Dark – Bruce Springsteen Kiss A Girl – Keith Urban Free Fallin’ – Tom Petty Life Is A Highway – Rascal Flatts Handle With Care – The Traveling Wilburys Live A Little – Kenny Chesney Honky Tonk Woman – Rolling Stones -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Sexion Q 3-14
www.ExpressGayNews.com • June 17, 2002 Q1 CYMK CoverCover StoryStory Even though her astonishing voice makes it seem predestined, stardom has been a long time coming for Anastacia. The Chicago-born diva went through many start-and-stop career moments before her chops were recognized. She traipsed along the edge of the music world as a backup dancer and upscale hair salon receptionist for years with her biggest talent going unrecognized, mostly because nobody could quite figure out what to do with her. She was ready to give up until an appearance on the now-defunct MTV talent show The Cut gave her the chance to shine. Although she didn’t win top prize on the show, the budding vocalist did scoop up a record deal and recognition from the likes of pop superstar Michael Jackson and megaproducer David Foster. Now, she has finally earned her stripes after years of honing her sound and gaining a massive European follow- ing. Her debut album, Not That Kind, (See ANASTACIA on page Q9) Q2 www.ExpressGayNews.com • June 17, 2002 CYMK InIn ReviewReview The first clue that Nixon’s Nixon is not fact that the Kennedys were assassinated or The funniest scenes are when Nixon that they are watching the real thing. His supposed to be historically accurate is that else they would be stuck with the whole goads Kissinger into playacting conversations performance is so dead on that it makes you there are 68 stars on the American flag that Vietnam mess and toy with the idea of starting with Brezhnev and Mao Tse Tung. -
Sh-Boom« Die Gesangsgruppen
15. »Sh-Boom« Die Gesangsgruppen Martin Pfleiderer In den USA gab es bereits im 19. Jahrhundert professionelle Gesangsgrup- pen. So reisten etwa im Rahmen von Minstrelsy und Vaudeville zahlreiche singende Familiengruppen, insbesondere von Immigranten aus Deutsch- land und Österreich, durchs Land (vgl. Friedman/Gribin 2013: 3–9). Im 20. Jahrhundert veränderten sich die Traditionen des Gruppengesangs aufgrund der fortschreitenden Professionalisierung und der neuen Me- dientechnologien, aber auch aufgrund gesamtkultureller Veränderungen. Im Folgenden sollen einige der stilistischen Entwicklungen des populären Gruppengesangs in den USA zwischen 1900 und 1960 dargestellt werden. Die zentrale Fragestellung richtet sich auf die Art und Weise, wie die ver- schiedenen Gesangsstimmen einer Vokalgruppe zusammenwirken. Diese Gestaltungsweisen, ihr Auftreten in verschiedenen Musikgenres und ihre historischen Veränderungen sollen exemplarisch anhand von einflussrei- chen Aufnahmen und Vokalgruppen dargestellt werden. Gegenstand sind Vokalgruppen mit einer Besetzung von drei bis sechs Sängerinnen oder Sängern mit oder ohne zusätzliche Instrumental begleitung, die unter ei- nem gemeinsamen Gruppennamen aufgetreten sind. Vokalensembles, die als Background-Bands für einen Gesangsstar fungieren, werden dagegen nur am Rande thematisiert, ebenso wie größere Vokalensembles und Chö- re. Historischer Ausgangspunkt sind Praktiken und Gestaltungsweisen des Gruppengesangs, wie sie in frühen Aufnahmen des Hillbilly bezie- hungsweise Folk und Country und der afroamerikanischen -
Top 40 Singles Top 40 Albums
09 August 1998 CHART #1120 Top 40 Singles Top 40 Albums Lost In Love Ocean Of Light City Of Angels Soundtrack Big Calm 1 Deep Obsession 21 In Mood (feat Juliette) 1 Various 21 Morcheeba Last week 11 / 2 weeks UNIVERSAL Last week 39 / 4 weeks UNIVERSAL Last week 2 / 11 weeks Platinum / WARNER Last week 23 / 16 weeks WARNER Kung Fu Fighting Turn It Up / Fire It Up Hello Nasty Drive* 2 Bus Stop 22 Busta Rhymes 2 Beastie Boys 22 Bic Runga Last week 1 / 5 weeks Platinum / FESTIVAL Last week 20 / 11 weeks Platinum / WARNER Last week 1 / 4 weeks Platinum / CAPITOL/EMI Last week 24 / 44 weeks COLUMBIA/SONY The Boy Is Mine Lovely Daze Grease Soundtrack Desireless 3 Brandy & Monica 23 Jazzy Jeff 3 Various 23 Eagle Eye Cherry Last week 2 / 6 weeks Platinum / WARNER Last week 31 / 2 weeks MUSHROOM Last week 6 / 10 weeks Gold / UNIVERSAL Last week 22 / 9 weeks UNIVERSAL Cest La Vie It's All About Me Songs From Ally Mcbeal Bulworth OST 4 B*Witched 24 Mya 4 Vonda Shepherd 24 Various Last week 4 / 7 weeks Platinum / SONY Last week 24 / 8 weeks INTERSCOPE/UNIVERSAL Last week 3 / 6 weeks Gold / SONY Last week 19 / 10 weeks UNIVERSAL Come With Me Fight For Your Right Mezzanine Never Say Never 5 Puff Daddy & Jimmy Page 25 NYCC 5 Massive Attack 25 Brandy Last week 3 / 4 weeks SONY Last week 35 / 8 weeks BMG Last week 4 / 14 weeks VIRGIN/EMI Last week 28 / 4 weeks WARNER This Is How We Party Gotta Be . -
Cube-Shaped Planet
Filozofski vestnik | Volume XXXVII | Number 2 | 2016 | 115–130 Knox Peden* Cube-Shaped Planet This essay looks at a set of recent and not-so-recent works of ¨ction and criti- cism in order to develop some claims about the status of intention, and more speci¨cally how one goes about representing and interpreting a phenomenon like intention, in the age of the so-called Anthropocene. “So-called” here is not meant to signal cynicism, and certainly not climate-change skepticism. My con- cern is to explore the kinds of desires involved in rethinking the world as no longer divided between spheres of causes and reasons, which is to say divided between events that are natural in the sense that they are ultimately explicable as instances of natural laws, and events that are actions, i.e. that can only be explained by appeals to some kind of agential motivation that is not beholden to predictive schemata. One of the most striking aspects of the Anthropocene’s function in humanities scholarship today is the equivocation over its impli- cations for thinking through this division. In other words, there is no clarity, much less agreement, on whether our behaviour is ¨nally becoming thoroughly naturalized, amenable to the same kind of scienti¨c investigation as physical phenomena, or instead whether nature is being reenchanted with a kind of pur- posiveness that is continuous with, rather than contrastable to, the kind of pur- posiveness that is an explanatory element in human action. The treatment of this division as a problem has been central to philosophy from Kant to Davidson, which makes the present confusion all the more glaring. -
V Mkha^Lkamen, Who Wrote the Tune for Bryan Adams' Record- Breaking Single, Is One of Music's Unsung Heroes. by Phil Mcneill
V Mkha^lKamen, who wrote the tune for Bryan Adams' record- breaking single, is one of music's unsung heroes. By Phil McNeill j Georgesays he's Harrison "a Atlanticshoulders" Records. with Otis Redding at ofSong music, is so it's transparent: a promotional it isn't device." a piece |I Claptoncharmer", "loves Eric him to observed:Lillian Roxon's "It lakes Rock guts Encyclopedia to open a KamenThe irony had ahere, hand of in course, the most is that | death"," rin reckons producer he's Bob withGreenwich an oboe Village duet... discotheque Michael Kamen set successful(Everything cross-promotion I Do) I Do It For of You all time. ;ened-toteofthe composersmost singslike a likedecadent Wilson Roman Pickett emperor." and looks spentnumber a record-busting one and has sold 16 6m weeks copies at Kamenof our age". and Hisif your name's response Michael is "who?", When the group wound up after five worldwide. then join the club. Yet when the phone Sanbornalbums, Kamenand guitarist made aEarl solo Slick, LP with then entirelyThe Robin orchestral Hood soundtrack,apart from Adams' Hillrings mansion, in Kamen's chances five-storey are it's Hotting David Misscored En the Vie. first David of nine Bowie ballets, came Rodin to the ahit further and one 2m. other Kamen pop song,is about has to sold sign enlistGilmour his or services. Annie Lennox calling to premiere and Kamen was promptly a new publishing contract, his Kamen is the man Kate Bush enlistedDiamond as Dogs musical tour, director taking Slickfor the and lapsed,previous and deal accepts with MCA that thehaving Adams orchestraturned to whento beef she up wantedRunning an Up That SanbornWith such with a him.varied background, morerecord songs gives (it's him virtually "a platform" the first to write conductHill, the Theman Wall Roger in WatersBerlin to asked to Kamen is ideally suited to film single he has written), but you get the celebrate German unity, the man whizz-bangwriting, where thriller he may like be Die scoring Hard onea aggravationmessage that involved. -
Anastacia Not That Kind Mp3, Flac, Wma
Anastacia Not That Kind mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul / Pop Album: Not That Kind Country: Asia Released: 2000 Style: Rhythm & Blues, Downtempo MP3 version RAR size: 1246 mb FLAC version RAR size: 1454 mb WMA version RAR size: 1884 mb Rating: 4.6 Votes: 518 Other Formats: AAC DTS XM RA MP1 VQF ASF Tracklist Hide Credits Not That Kind Arranged By – Ric Wake, Richie JonesArranged By [Backing Vocals] – Anastacia, BeBe 1 WinansBacking Vocals – BeBe WinansDrums – Richie JonesEngineer [Mix Assistant 3:20 Engineer] – Joe ErnstGuitar – Eric KupperGuitar [Guitar Solo] – Chris GoerckeRecorded By [Vocals] – Thomas R. YezziWritten-By – Marvin Young, Will Wheaton I'm Outta Love 2 4:03 Drums – Louis Biancaniello, Sam WattersGuitar – Vernon Black 3 Cowboys & Kisses 4:41 4 Who's Gonna Stop The Rain 5:00 Love Is Alive Backing Vocals – Audrey L. Wheeler*, Keith Fluitt, Nicky Richards*, Rob MathesEngineer [Assistant] – Chris Brooke, Jim Annunziatto*, Ron Last, Ryan HewittEngineer [Pro-tools] – Jim Annunziatto*Guitar, Keyboards – Russ DeSalvoOrgan [Hammond B-3] – Loris 5 HollandPiano – Leon PendarvisProducer [Additional Production] – Richie JonesProducer 4:06 [Production Coordinator] – David Barratt Programmed By [Additional Programming] – Pat Carroll*, Russ DeSalvoProgrammed By [Percussion], Drum Programming – Richie JonesRecorded By [Lead Vocals Assistant Recorder] – Dave PolerRecorded By [Track] – Bob Cadway, Dan HetzelWritten-By – Gary Wright I Ask Of You 6 4:27 Guitar – Chris Camozzi Wishing Well Arranged By -
SOUL ASYLUM Biography by Arthur Levy
SOUL ASYLUM biography by Arthur Levy “It’s a crazy mixed up world out there, Someone’s always got a gun and it’s all about money You live with loneliness, or you live with somebody who’s crazy It’s just a crazy mixed up world …” (“Crazy Mixed Up World”) Chapter 1. Every Cloud Has One Renewed and revitalized, Soul Asylum founders Dave Pirner and Dan Murphy return to rock’s front line with THE SILVER LINING, their first new studio release since 1998’s Candy From a Stranger. That album inadvertently kicked off a seven-year sabbatical for the group, which telescoped into the death of bassist Karl Mueller in June 2005, the other founding member of the triumvirate that has steered Soul Asylum through rock’s white water for the past two decades plus. The re-emergence of the group on THE SILVER LINING is as much a reaffirmation of Soul Asylum’s commitment to the music as it is a dedication to Karl, who worked and played on the album right up until the end. They were joined in the studio by not-so-new heavyweight Minneapolis drummer Michael Bland (who has played with everyone from Paul Westerberg to Prince). The band is now complemented by Tommy Stinson on bass, a member of fellow Twin Cities band the Replacements since age 13, and a pal of Dan’s since he was in high school and Tommy in junior high. Tommy was the only friend that Karl could endorse to replace himself in the band. This hard-driving lineup was introduced for the first time in October 2005, when they played sold-out showcase dates at First Avenue in Minneapolis and the Bowery Ballroom in New York – within three days. -
Reggatta De Blanc (White Reggae)
“Reggatta de Blanc (White Reggae) & the Commercial Rock Industry: Intersections of Race, Culture, and Appropriation in Bob Marley and The Police (1977-1983)” Colin Carey Music University of Wisconsin-Eau Claire Introduction Ethical Concerns Origins of Reggae This project was designed to approach a discussion about cultural and The appropriation of culturally sensitive music and expression is a musical appropriation in popular music. The connection between reggae and common, but often overlooked issue in popular music. It is important to mainstream rock was perhaps no more evident or lucrative than within the understand that Western cultures inherently possess a privilege that can musical career trajectory of the wildly popular new wave group, the Police be used to take advantage of other societies—especially those (1977–1983), comprised of lead singer/songwriter Sting (Gordon Sumner), comprising the so-called “third world.” The Police owe their substantial guitarist Andy Summers, drummer Stewart Copeland, and a promotional success to this imbalance, directly adapting the distinctive music cadre of behind-the-scenes agents and businessmen. Their particular practices of a foreign culture for their own musical purposes and industrial rock model enjoyed startlingly quick, widespread renown and recordings to create a sound that was unlike most popular rock groups success—within only a couple of years of their formation, the Police had of their time. This appropriation is further troubling in that it stripped the become the leading rock group of their time and would go on to influence the Jamaican source material of its definitive social and political direction of the music marketplace itself, including countless other acts such significance, gaining success instead through an appeal entirely as the then up-and-coming Irish group, U2.