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Miss Indie’S Faith: What Hath It Profited?
Miss Indie’s Faith: What Hath it Profited? By Dr. Connie M. Guion Sweet Briar alumnae magazine, Fall 1959 IN 1930 I drove to Proctorsville, Vermont, to see a patient, Mrs. Allen Fletcher. She lived in a lovely stone house on Chuckle Hill with her two daughters and one granddaughter. Everywhere was evidenced culture, good taste and a full life. It was certain that these were no ordinary folk, but quite the contrary, proud and wealthy descendants of Vermont’s most honored settlers. Not far from the road stood a typical New England house and barn where the ancestors of this family had fought the elements, won, and built their home in 1783. The setting in the Green Mountains reminded me of Sweet Briar and the foothills of the Blue Ridge. At the time I had no inkling that I was in a house built by the grandson of Jesse Fletcher and that the old farmhouse nearby was the birthplace of Elijah Fletcher, the sixth child of Jesse and Lucy Keyes Fletcher, and Sweet Briar’s own ancestor. Elijah Fletcher from his early youth determined to obtain the best possible education even though his father was poor and life was narrowed to hard work and a constantly enlarging family. The farm yielded barely enough to meet the family needs. Nevertheless, Elijah’s ambition was greater than his poverty, and by dint of his persistence, intelligence and foresight he succeeded in graduating from the University of Vermont in 1810, just one hundred years before the first class graduated from this college. -
Tusculum: the History of a House
Tusculum: The History of a House Tusculum at its original site. Photo courtesy of the Tusculum Institute. Whitley Gallery Sweet Briar Museum Sweet Briar College March 7, 2012-March 1, 2013 Curator’s Acknowledgements I would like to personally thank everyone who has helped me to put this exhibition together. Without their knowledge and guidance this project would not have been a success. Thank you, Dr. Rainville for sharing your knowledge of Tusculum and its families. Thank you, Maddie Hodges ’13 for tours of the dismantled Tusculum House. Thank you, Keith Adams, Vera Schooler ’12, and Perry Tourtellotte for your help in the archaeology lab. I would not have been able to get any artifacts without your guidance and knowledge. Thank you, Karol Lawson for your support, guidance and your help in providing me with good resources. Thank you, Nancy McDearmon, Ashley Rust ’13, and Sweet Briar’s physical plant office carpenters, for helping to put this exhibition together. This could not have been done without you. Ann Roach ’13 Guest curator Guest curator Ann Roach ’13 (center, rear) measures a Tusculum door in storage at Sweet Briar for possible inclusion in the exhibition, December 2011. She is assisted by Nancy McDearmon (left) and Maddie Hodges ’13 (right). There is a stack of window frames in the center and to the far left several mantelpieces. Director’s Acknowledgements An exhibition such as Tusculum: The History of a House does really “take a village” to get organized and installed. Guest curator Ann Roach ’13 discovered this first-hand as she began plotting an exhibition prospectus as her fall 2011 Arts Management practicum project. -
Figure 1: View of the Sweet Briar Plantation House (Located at Sweet Briar College)
Teaching With Historic Places An Antebellum Plantation in Virginia Figure 1: View of the Sweet Briar Plantation House (located at Sweet Briar College) Figure 1 Teaching With Historic Places An Antebellum Plantation in Virginia Figure 2: Sweet Briar House: "Then" (2003) and "Now" (2005) 2003 2005 Question 1: How does the landscape differ in the two photographs? Question 2: Why do you think the College changed the landscape? Question 3: What function do the boxwood hedges serve? Figure 2 Teaching With Historic Places An Antebellum Plantation in Virginia Figure 3: A painting of Locust Ridge, circa 1790s Figure 3 Teaching With Historic Places An Antebellum Plantation in Virginia Figure 4: A painting of Locust Ridge, circa 1790s Figure 4a: Sweet Briar Rose Figure 4b: An iconic version of the Sweet Briar Rose Figure 4 Teaching With Historic Places An Antebellum Plantation in Virginia Martha Penn Taylor (born ca. 1830, died ca. 1890s). Sweet Briar Museum Collection Figure 5 Teaching With Historic Places An Antebellum Plantation in Virginia Map 1. Amherst, Virginia and the Sweet Briar Plantation (Figure 6) Why is Amherst located near the railroad tracks? What feature is represented by the blue blobs? The blue lines leading into them? What is another name for "Route 29" on the map? Figure 6 Teaching With Historic Places An Antebellum Plantation in Virginia Map 2. Sweet Briar Plantation Landscape (Figure 7) 1. Sweet Briar House. 2. Slave Cabin (there is no dot, but it lies north of #3). 3. Garden Cottage, c. mid-19 th century. Sidney Fletcher used it as a farm office. -
Sweet Briar, 1800-1900: Palladian Plantation House, Italianate Villa, Aesthetic Retreat
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2010 Sweet Briar, 1800-1900: Palladian Plantation House, Italianate Villa, Aesthetic Retreat Harriet Christian Carr Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Arts and Humanities Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/91 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Introduction Thesis Statement Sweet Briar House is one of the best-documented sites in Virginia, with evidence ranging from architectural drawings and extensive archival sources to original furnishings. It is worthy of national recognition, but the significance of this major nineteenth-century house has only now been fully considered. The intent of this dissertation is to examine the evolution of the house during the nineteenth century and to address the three distinct phases of its appearance: the Palladian plantation house (1800-1850), the Italianate villa (c. 1850), and the Aesthetic retreat (1876-1900). As a result of this examination, three theses will be advanced. The first thesis proposes that the double portico motif introduced by Palladio at the Villa Cornaro in the sixteenth century became the fundamental motif of Palladianism in Virginia architecture, generating a line of offspring that proliferated in the eighteenth century and beyond. The second thesis advances the contention that by renovating their Palladian house into an Italianate villa, the asymmetrical style of which broke away from Classical regularity, the Fletcher family implemented an ideal solution between balanced façade that characterized Sweet Briar House I and the fashionable Picturesque advocated by A.