Miss Indie’S Faith: What Hath It Profited?
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Tusculum: the History of a House
Tusculum: The History of a House Tusculum at its original site. Photo courtesy of the Tusculum Institute. Whitley Gallery Sweet Briar Museum Sweet Briar College March 7, 2012-March 1, 2013 Curator’s Acknowledgements I would like to personally thank everyone who has helped me to put this exhibition together. Without their knowledge and guidance this project would not have been a success. Thank you, Dr. Rainville for sharing your knowledge of Tusculum and its families. Thank you, Maddie Hodges ’13 for tours of the dismantled Tusculum House. Thank you, Keith Adams, Vera Schooler ’12, and Perry Tourtellotte for your help in the archaeology lab. I would not have been able to get any artifacts without your guidance and knowledge. Thank you, Karol Lawson for your support, guidance and your help in providing me with good resources. Thank you, Nancy McDearmon, Ashley Rust ’13, and Sweet Briar’s physical plant office carpenters, for helping to put this exhibition together. This could not have been done without you. Ann Roach ’13 Guest curator Guest curator Ann Roach ’13 (center, rear) measures a Tusculum door in storage at Sweet Briar for possible inclusion in the exhibition, December 2011. She is assisted by Nancy McDearmon (left) and Maddie Hodges ’13 (right). There is a stack of window frames in the center and to the far left several mantelpieces. Director’s Acknowledgements An exhibition such as Tusculum: The History of a House does really “take a village” to get organized and installed. Guest curator Ann Roach ’13 discovered this first-hand as she began plotting an exhibition prospectus as her fall 2011 Arts Management practicum project. -
Figure 1: View of the Sweet Briar Plantation House (Located at Sweet Briar College)
Teaching With Historic Places An Antebellum Plantation in Virginia Figure 1: View of the Sweet Briar Plantation House (located at Sweet Briar College) Figure 1 Teaching With Historic Places An Antebellum Plantation in Virginia Figure 2: Sweet Briar House: "Then" (2003) and "Now" (2005) 2003 2005 Question 1: How does the landscape differ in the two photographs? Question 2: Why do you think the College changed the landscape? Question 3: What function do the boxwood hedges serve? Figure 2 Teaching With Historic Places An Antebellum Plantation in Virginia Figure 3: A painting of Locust Ridge, circa 1790s Figure 3 Teaching With Historic Places An Antebellum Plantation in Virginia Figure 4: A painting of Locust Ridge, circa 1790s Figure 4a: Sweet Briar Rose Figure 4b: An iconic version of the Sweet Briar Rose Figure 4 Teaching With Historic Places An Antebellum Plantation in Virginia Martha Penn Taylor (born ca. 1830, died ca. 1890s). Sweet Briar Museum Collection Figure 5 Teaching With Historic Places An Antebellum Plantation in Virginia Map 1. Amherst, Virginia and the Sweet Briar Plantation (Figure 6) Why is Amherst located near the railroad tracks? What feature is represented by the blue blobs? The blue lines leading into them? What is another name for "Route 29" on the map? Figure 6 Teaching With Historic Places An Antebellum Plantation in Virginia Map 2. Sweet Briar Plantation Landscape (Figure 7) 1. Sweet Briar House. 2. Slave Cabin (there is no dot, but it lies north of #3). 3. Garden Cottage, c. mid-19 th century. Sidney Fletcher used it as a farm office. -
Nomination Form
(Rev. J0-90) :\'PS Form 10-900 0MB No. !024-0018 United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM This fonn is for use in nominating ·or requesting determi~-ations fof--indiVidu·3.i'propertie~·and ·di~-triCts. See instructions in HOW to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking ~x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "NIA" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. l. Name of Property historic name The Brick House other names/site number "King David's Palace", DHR # 005-0002 2. Location street & number 854 Fletcher's Level Road not for publication N/A city or town --'C""'li"ffi"o,.,rd,_ __~--------~--------~---~-vicinity __ state Virginia code VA county Amherst code -009 Zip 24533 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this .Jl. nomination __ request for detennination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property _x_ meets __ does not meet the National Register Criteria. -
Sweet Briar, 1800-1900: Palladian Plantation House, Italianate Villa, Aesthetic Retreat
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2010 Sweet Briar, 1800-1900: Palladian Plantation House, Italianate Villa, Aesthetic Retreat Harriet Christian Carr Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Arts and Humanities Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/91 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Introduction Thesis Statement Sweet Briar House is one of the best-documented sites in Virginia, with evidence ranging from architectural drawings and extensive archival sources to original furnishings. It is worthy of national recognition, but the significance of this major nineteenth-century house has only now been fully considered. The intent of this dissertation is to examine the evolution of the house during the nineteenth century and to address the three distinct phases of its appearance: the Palladian plantation house (1800-1850), the Italianate villa (c. 1850), and the Aesthetic retreat (1876-1900). As a result of this examination, three theses will be advanced. The first thesis proposes that the double portico motif introduced by Palladio at the Villa Cornaro in the sixteenth century became the fundamental motif of Palladianism in Virginia architecture, generating a line of offspring that proliferated in the eighteenth century and beyond. The second thesis advances the contention that by renovating their Palladian house into an Italianate villa, the asymmetrical style of which broke away from Classical regularity, the Fletcher family implemented an ideal solution between balanced façade that characterized Sweet Briar House I and the fashionable Picturesque advocated by A.