Liberated Arts: A Journal for Undergraduate Research Volume 1, Issue 1 Article 5 2015 Overcoming Kenophobia in The Tragically Hip’s “At the Hundredth Meridian” Brent Holmes Huron University College, Alumnus Follow this and additional works at: https://ojs.lib.uwo.ca/index.php/lajur Recommended Citation Holmes, Brent (2015) "Overcoming Kenophobia in The Tragically Hip’s “At the Hundredth Meridian”," Liberated Arts: a journal for undergraduate research: Vol. 1: Iss. 1, Article 5. Liberated Arts is an open access journal, which means that its content is freely available without charge to readers and their institutions. All content published by Liberated Arts is licensed under the Creative Commons License, Attribution- NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0). Readers are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without seeking prior permission from Liberated Arts or the authors. For more information, please contact
[email protected]. Liberated Arts: A Journal for Undergraduate Research Holmes 1 Overcoming Kenophobia in The Tragically Hip’s “At the Hundredth Meridian” Brent Holmes, Huron University College alumnus and Deputy Editor for The Gazette (2014–2015) Abstract: This essay explores the lyrical work of Gord Downie as part of the iconic Canadian rock band, The Tragically Hip. It uses the work of music journalists, Canadian literary theorist and pop culture theorists to explore what Downie’s lyrics communicate about Canadian identity and how Downie engages with the theme of space, boundaries, and kenophobia in Canadian lit- erature. By applying Margaret Atwood’s and Northrop Frye’s ideas of space and nature in Cana- dian literature, The Tragically Hip’s song “At the Hundredth Meridian” can be understood as an important work of Canadian music.