NCV Issue 1 2018.Indd

Total Page:16

File Type:pdf, Size:1020Kb

NCV Issue 1 2018.Indd Locally Owned and Operated Est. 2000 FREE! Vol. 18 - Issue 1 • Janurary 10, 2018 - February 7, 2018 HAPPINESSHAPPINESS GOODGOOD CELEBRATIONCELEBRATION GOODGOOD SUCCESSCELEBRATION SUCCESSCELEBRATION HAPPINESSHAPPINESSPEACEPEACE PEACEPEACEGOODGOOD HEALTHHEALTHFORTUNEFORTUNE PROSPERITYPROSPERITY NEWNEW 2018 HAPPY2018 HAPPY20182018 HAPPINESSHAPPINESS2018 GOODGOOD HEALTHHEALTH YEARYEAR 2018 ERAERA CELEBRATIONCELEBRATION GOODGOOD LUCKLUCK 365365 DAYSDAYS NEWNEW HAPPYHAPPY FRIENDSHIPFRIENDSHIP NEW GOOD NEWSUCCESSSUCCESS GOOD PEACE SUCCESSSUCCESS GOOD PEACEFRIENDSHIPFRIENDSHIP GOODGOOD HEALTHHEALTH PROSPERITYPROSPERITYGOODGOOD HEALTHHEALTH YEAR 20182018 PROSPERITYPROSPERITY HAPPINESSHAPPINESS LOVE LOVE YEARGOODGOOD BEAUTY HAPPYHAPPY BEAUTY SUCCESSSUCCESSFRIENDSHIPFRIENDSHIP FORTUNEFORTUNEGOODGOOD HEALTHHEALTH PEACEPEACE PROSPERITYPROSPERITY NEWNEW BEAUTYBEAUTYPEACEPEACE YEAR YEAR 20182018 Entertainment, Dining & Leisure Connection Read online at www.northcoastvoice.com North Coast Voice OLD FIREHOUSE 5499 Lake RoadWINERY East • Geneva-on-the Lake, Ohio Restaurant & Tasting Room Open 7 Days Year Round Hours: Sun- urs Noon to 5pm, Fri & Sat Noon to 11pm Tasting Rooms Entertainment 1-800-Uncork-1 FOR ENTERTAINMENT AND all weekend. (see ad on pg. 7) EVENTS, SEE OUR AD ON PG. 7 Kitchen Now Open! Hours: Mon. 12-4 Wine Tasting and carry- Winter Hours: Mon. - Tue. Closed out, Wed 12-7, Thurs 12-8, Fri 12-9, Wed. - ur. Noon – 7 Sat 12-9 & Sun 12-5 Fri. & Sat. Noon - 11, Sun. Noon - 7 Closed Dec. 31st - Feb. 6th, 2018. Reopening on Feb. 7th, 2018 834 South County Line Road 4573 Rt. 307 East, Harpersfi eld, Oh Harpersfi eld, Ohio 44041 440.415.0661 216.973.2711 www.laurellovineyards.com www.bennyvinourbanwinery.com [email protected] [email protected] If you’re in the mood for a palate pleasing wine tasting accompanied by a delectable entree from our restaurant, Ferrante Winery and Ristorante is the place for you! January Hours One of the newest Tasting Room: Mon. - Thurs. 10-5 pm Ashtabula County Wineries Fri. & Sat. 10-10 pm • Sun. 1-6 pm 4316 Park Ave., Ashtabula, Oh Restaurant: Mon. - Thurs. Closed, Fri. & Sat. 12-10 pm • Check website for hours Sun. 1-6 pm PARKAVENUEWINERY.COM 5585 N. River W, Geneva, Ohio 44041 (440) 466-8466 www.ferrantewinery.com 216-401-4941 Winter Hours 636 State Route 534, Harpersfi eld Mon./Tues. closed • Wed./Thurs. 12-6 440.361.4573 Fri. 12-8 • Sat. 12-9 • Sun. 12-7 kosicekvineyards.com MUSIC SCHEDULE SATURDAYS 5-8 PM With the cooler temperatures upon us, warm up with a glass of your favorite KV wine. Sat. 1/13 Steve Madewell Sat. 2/3 Face Value Duo Sat. 1/20 Maria Petti Sat. 2/10 Melissa Harvey Sat. 1/27 Larry, Daryl, Darly, Sheryl Please follow us on Facebook! Estate Vineyards & Award-Winning Wines OHIO WINE COUNTRY WINERY GUIDE 2 North Coast Voice Magazine | northcoastvoice.com • (440) 415-0999 | January 10, 2018 - February 7, 2018 North Coast Voice Geneva Winterfest 2018 is the cure for cabin fever Saturday, February 3rd Snowflakes and ice sculptures, chili The Giant Eagle Cookie Decorating Con- samples and snow queens, the 2018 Geneva test at the Geneva Community Center will Winterfest celebration has a full schedule of he held from 12:30 p.m. until the cookies wintertime fun. run out. “Winterfest was originally created to Start your Winterfest adventure with an break up the long winter months and get all-you-can-eat pancake breakfast at the people out of their houses,” Geneva Busi- United Methodist Church on South Broad- ness Association president Beth Cheney way from 9 a.m. until noon. Cost is $5 for said. “But over the years, it has become so adults and $3 for children for the breakfast. much more.” To-go orders will be available. Now a much-anticipated yearly event held The Winterfest parade will begin at noon in historic Downtown Geneva, Winterfest on North and South Broadway and will features the popular chili cook off, the Ge- include floats, fire trucks, marching bands, neva Miss Winterfest Pageant, and plenty of and the Winterfest mascot Lake Effect indoor and outdoor activities, including the Louie, and the outgoing and new Miss Win- NEW Big LEGO Build Off. terfest courts. Winterfest will also feature a Winterfest 2018 will be held Feb. 3 in the rummage sale at the Geneva Fraternal Or- downtown Geneva area. All events are free. der of Eagles headquarters on Depot Street. “One of our most exciting events is the Shoppers can enjoy free hot chocolate and Big LEGO Build Off,” Cheney said. “Kids coffee as they browse. can come in and build with LEGO’s to their Winterfest will also feature a craft and hearts’ content! We even supply all the vendor show at the Geneva Recreation LEGO’s, thanks to Be The City Church and Center. The show will be held from 10 a.m. Robot Zero Vintage Toys and Comics. to 4 p.m., and admission is free. The lot is The annual Chili Cook Off will be held also the pick-up and drop-off point for free in the Depot Street parking lot from noon horse-drawn wagon rides through the city. until the chili runs out. The cook off has The Geneva Community Improvement become a signature event for Winterfest, Corporation will host hot dogs and a raffle organizer Mike Goddard said. Registra- at the Geneva Community Center from tion for this contest to find the best chili noon to 4 p.m. The Geneva Fire Station chef in northeast Ohio is available at www. will be open to the public for tours, a fire genevawinterfest.com. extinguisher simulator demonstration, free “This year Geneva-on-the-Lake businesses Dunkin Donut Munchkins and hot cocoa are participating with hot chocolate at the and coffee, and warming stations. Chili Cook Off. Painesville Speedway will The Geneva Veterans of Foreign Wars bring a race car to show off and people can post on Depot Street will host a spaghetti bring canned goods to ‘stuff the race car’ for dinner from 4 p.m. to 8 p.m. Tickets will be the Geneva Food Pantry. Each canned good sold at the door. A craft show will be held gets you a raffle ticket for a great prize!” at the Geneva Community Center on West The Kids Talent Show, presented by Main Street from 10 a.m. to 3 p.m. Coldwell Banker, begins at the Geneva Com- The Old Mill Winery on South Broadway munity Center with Jungle Terry at 1 p.m. will host a wine tasting and entertainment and a talent show at 2 p.m. Kids can show from 1 p.m. to 4 p.m. Wine is 50 cents per off their talent for the chance to win prizes taste and the kitchen will be open and tak- and trophies. The talent show also features ing orders. a Kids Vendor Fair, sponsored by Xtreme The festival also has a new website for Cheer All-Stars, full of things to do and 2018. For a schedule of events, list of spon- places to go for kids. sors, and registration for contests, visit “It’s all about encouraging people to www.genevawinterfest.com or call 466- get out of the house and have some fun,” 4675 if you don’t see what you’re looking for Cheney said. on the website. North Coast Voice Magazine | northcoastvoice.com • (440) 415-0999 | January 10, 2018 - February 7, 2018 3 North Coast Voice Jan. 10, 2018 - Feb. 7, 2018 • VOLUME 18 • ISSUE 1 •••••••••••••••••••••••• • • • • • CONTENTS • • TA K E II • We would like to thank all of our sponsors and • Playing 50-60-70's • encourage our readers to patronize the fine • Favorites and Much More • businesses appearing in the North Coast VOICE. GENEVA WINTERFEST 2018 3 WINTER READS 17 • • •••••••••••••••••••••••••• Publisher WINE 101 5 DVD REVIEW 19 Saturday, Jan. 13 • 7-10 PM LCS Communications COOKING WITH WINE 6 Tragically Hip V Benny Vino Winery Editor ••••••••••••••••••••••••••••••••••••• Sage Satori BLUESVILLE 8 KICKIN IT 20 [email protected] Saturday, Jan. 20 • 8-11 PM WHAT ABOUT JAZZ 11 MIND, BODY, SPIRIT 21 Sky Lounge Advertising & Marketing Rt 82 • Garrettsville Hunter Eric Darius at Tangier, MOVIES 23 ••••••••••••••••••••••••••••••••••••• Sales/Social Media/Events & Promotions 440-813-3336 Ikembe Jazz quartet at Lady Bird, Darkest Hour, The Sunday, Jan. 21 • 2-5 PM [email protected] Benny Vino Shape of Water, Molly’s Game, Hartford Hill Winery Trenda Jones ••••••••••••••••••••••••••••••••••••• Mentor, Willoughby, Chardon area ROCK HALL INDUCTEES 12 Wonder Wheel, The Disaster Saturday, Jan. 27 • 7-10 Staff Writers Artist, All the money in the Greene Eagle Winery Sage Satori • Cat Lilly ON THE BEAT 13 Cortland, OH Snarp Farkle • Don Perry world Patrick Podpadec • Helen Marketti Fun things to see & do ••••••••••••••••••••••••••••••••••••• STAY IN TUNE 25 Saturday, Feb. 3 • 8-10 PM Film Editor BREW NEWS 15 Goddess WineHouse Westside Steve NOW WE’RE TALKING 16 TALKIN SHOP 26 For booking call Ellie Contributing Writers 330-770-5613 Chad Felton • Mike Edgerly Lanigan In The Morning Patti Ann Dooms • Pete Roche www.takeii.com Tom Todd • Donniella Winchell Trenda Jones • Alan Cliffe Circulation Manager James Alexander Circulation Bob Covert • Dan Gestwicki Trenda Jones • Jim Ales Graphic Design Linde Graphics Co. • (440) 951-2468 Vandy Linhart • [email protected] Please Note: Views and opinions expressed in articles submitted for print are not necessarily the opinions of the North Coast VOICE staff or its sponsors. Advertisers assume responsibility for the content of their ads.The entire contents of the North Coast VOICE are copyright 2018 by the North Coast VOICE. Under no circumstance will any portion of this publication be reproduced, including using electronic systems without permission of the publishers of the North Coast VOICE. The North Coast VOICE is not affliated with any other publication. MAILING ADDRESS North Coast VOICE Magazine P.O. Box 118 • Geneva, Ohio 44041 Phone: (440) 415-0999 E-Mail: [email protected] 4 North Coast Voice Magazine | northcoastvoice.com • (440) 415-0999 | January 10, 2018 - February 7, 2018 North Coast Voice WINE 101 ■■■ By Ruth Kujala Becoming a Wine Expert Entertainment all Weekend! V Friday & Saturday: 7-10p • Sunday: 2-5p As Luck May Have It, You Live in Ohio Kitchen Open! For those who might want to explore informal dinner gathering where you Wed.
Recommended publications
  • Aint Gonna Study War No More / Down by the Riverside
    The Danish Peace Academy 1 Holger Terp: Aint gonna study war no more Ain't gonna study war no more By Holger Terp American gospel, workers- and peace song. Author: Text: Unknown, after 1917. Music: John J. Nolan 1902. Alternative titles: “Ain' go'n' to study war no mo'”, “Ain't gonna grieve my Lord no more”, “Ain't Gwine to Study War No More”, “Down by de Ribberside”, “Down by the River”, “Down by the Riverside”, “Going to Pull My War-Clothes” and “Study war no more” A very old spiritual that was originally known as Study War No More. It started out as a song associated with the slaves’ struggle for freedom, but after the American Civil War (1861-65) it became a very high-spirited peace song for people who were fed up with fighting.1 And the folk singer Pete Seeger notes on the record “Waist Deep in the Big Muddy and Other Love Songs”, that: "'Down by the Riverside' is, of course, one of the oldest of the Negro spirituals, coming out of the South in the years following the Civil War."2 But is the song as we know it today really as old as it is claimed without any sources? The earliest printed version of “Ain't gonna study war no more” is from 1918; while the notes to the song were published in 1902 as music to a love song by John J. Nolan.3 1 http://myweb.tiscali.co.uk/grovemusic/spirituals,_hymns,_gospel_songs.htm 2 Thanks to Ulf Sandberg, Sweden, for the Pete Seeger quote.
    [Show full text]
  • View the Program Book for How I Got Over
    A conversation with Judith Casselberry, Charrise Barron, Mellonee Burnim, Joyce Marie Jackson, Randal Jacobs, and Matthew D. Morrison Performances by Marcelle Davies-Lashley, Jhetti, and Samuel Guillaume Sunday, December 10, 2017 3:00 p.m. Apollo Theater Front Cover: Mahalia Jackson; March on Washington for Jobs and Freedom 1957 LIVE WIRE: HOW I GOT OVER - THE SPIRIT OF GOSPEL MUSIC In 1963, when Mahalia Jackson sang “How I Got Over” before 250,000 protesters at the March on Washington for Jobs and Freedom, she epitomized the sound and sentiment of Black Americans one hundred years after Emancipation. To sing of looking back to see “how I got over,” while protesting racial violence and social, civic, economic, and political oppression, both celebrated victories won and allowed all to envision current struggles in the past tense. Gospel is the good news. Look how far God has brought us. Look at where God will take us. On its face, the gospel song composed by Clara Ward in 1951, spoke to personal trials and tribulations overcome by the power of Jesus Christ. Black gospel music, however, has always occupied a space between the push to individualistic Christian salvation and community liberation in the context of an unjust society— a declaration of faith by the communal “I”. From its incubation at the turn of the 20th century to its emergence as a genre in the 1930s, gospel was the sound of Black people on the move. People with purpose, vision, and a spirit of experimentation— clear on what they left behind, unsure of what lay ahead.
    [Show full text]
  • Number 108 • Summer 2005 2005 Conference Breaks All Records! Events Our Recent Annual Conference in Austin Was a Great Success, and Just a Whole Lot of Fun
    Newsletter Association For Recorded Sound Collections Number 108 • Summer 2005 2005 Conference Breaks All Records! Events Our recent annual conference in Austin was a great success, and just a whole lot of fun. The weather was magnificent, the banquet outstanding, the March 17-20, 2006. 40th Annual ARSC Conference, Seattle, Washington. http:// fellowship stimulating, and the presentations were interesting and varied. www.arsc-audio.org/ Official attendance for the Austin conference was 175, which bested our previous record by around 50 persons, and we had 75 first-timers, many August 13-14, 2005. CAPS Show and Sale, of whom indicated that they would be attending future conferences. Buena Park, CA. http://www.ca-phono.org/ show_and_sale.html Thanks to our Lo- cal Arrangements August 15-21, 2005. Society of American Committee, tours Archivists (SAA), Annual Meeting, New to the Lyndon B. Orleans, LA. http://www.archivists.org/ Johnson Presiden- conference/index.asp tial Library and the Austin City September 11-15, 2005. International Asso- Limits studio went ciation of Sound and Audiovisual Ar- chives (IASA), Annual Conference, Barcelona, without a hitch, Spain. Archives speak: who listens? http:// and other than a www.gencat.net/bc/iasa2005/index.htm brief Texas frog- strangler, the October 7-10, 2005. Audio Engineering Soci- weather was ety (AES), Annual Convention, New York City. beautiful and http://www.aes.org/events/119/ David Hough, audio engineer for the PBS program Austin City Lim- cooperative. its, on the set of the show at the KLRU studios on the UT campus. October 23, 2005. Mechanical Music We had nearly 100 Extravaganza.
    [Show full text]
  • Gospel Music and the Sonic Fictions of Black Womanhood in Twentieth-Century African American Literature
    “UP ABOVE MY HEAD”: GOSPEL MUSIC AND THE SONIC FICTIONS OF BLACK WOMANHOOD IN TWENTIETH-CENTURY AFRICAN AMERICAN LITERATURE Kimberly Gibbs Burnett A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the degree requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature in the Graduate School. Chapel Hill 2020 Approved by: Danielle Christmas Florence Dore GerShun Avilez Glenn Hinson Candace Epps-Robertson ©2020 Kimberly Gibbs Burnett ALL RIGHTS RESERVED ii ABSTRACT Kimberly Burnett: “Up Above My Head”: Gospel Music and the Sonic Fictions of Black Womanhood in TWentieth-Century African American Literature (Under the direction of Dr. Danielle Christmas) DraWing from DuBois’s Souls of Black Folk (1903), which highlighted the Negro spirituals as a means of documenting the existence of a soul for an African American community culturally reduced to their bodily functions, gospel music figures as a reminder of the narrative of black women’s struggle for humanity and of the literary markers of a black feminist ontology. As the attention to gospel music in texts about black women demonstrates, the material conditions of poverty and oppression did not exclude the existence of their spiritual value—of their claim to humanity that was not based on conduct or social decorum. At root, this project seeks to further the scholarship in sound and black feminist studies— applying concepts, such as saturation, break, and technology to the interpretation of black womanhood in the vernacular and cultural recordings of gospel in literature. Further, this dissertation seeks to offer neW historiography of black female development in tWentieth century literature—one which is shaped by a sounding culture that took place in choir stands, on radios in cramped kitchens, and on stages all across the nation.
    [Show full text]
  • Down by the Riverside”-- Sister Rosetta Tharpe with Lucky Millinder and His Orchestra (1944) Added to the National Registry: 2004 Essay By: Gayle Wald (Guest Post)*
    “Down by the Riverside”-- Sister Rosetta Tharpe with Lucky Millinder and His Orchestra (1944) Added to the National Registry: 2004 Essay by: Gayle Wald (guest post)* Sister Rosetta Tharpe “Down by the Riverside,” a slave spiritual that dates to the 19th century, was recorded dozens of the times in the 20th century by religious as well as secular artists. But no treatment of the song is as revealing of cultural trends in the commercialization and popularization of “sacred” music as the jaunty version recorded in 1944 by the Lucky Millinder Orchestra featuring “Sister” Rosetta Tharpe. Perhaps no “Down by the Riverside” has ever been so toe-tappingly entertaining. Tharpe, born in the hamlet of Cotton Plant, Arkansas in 1917, was one of the foremost gospel musicians of the 20th century, known equally for her vibrant singing and her virtuosity on guitar. She developed her musical skills under the tutelage of her mother, an evangelist for the Church of God in Christ, a Pentecostal denomination that encouraged robust and lively musical expressions of faith. For the first two decades of her life, Tharpe performed entirely within religious contexts. She played frequently at traveling meetings and tent revivals, particularly in the South. Yet by the late 1930s, her desire for freedom from a rocky marriage and thirst for bigger and different audiences led her to New York City, where she was signed as a solo artist for Decca Records. Eventually, she came to work with Millinder, also a Decca artist and one of the era’s most celebrated bandleaders. In the early 1940s, the Millinder Orchestra was known for churning out danceable pop hits, of the sort that offered listeners relief from the somber drumbeat of world war.
    [Show full text]
  • Joan Baez Imitates Bob Dylan
    Twentieth-Century Music 18/2, 249–279 © The Author(s), 2021. Published by Cambridge University Press. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi: 10.1017/S1478572221000013 Matrices of ‘Love and Theft’: Joan Baez Imitates Bob Dylan MIMI HADDON Abstract This article uses Joan Baez’s impersonations of Bob Dylan from the mid-1960s to the beginning of the twenty-first century as performances where multiple fields of complementary discourse con- verge. The article is organized in three parts. The first part addresses the musical details of Baez’s acts of mimicry and their uncanny ability to summon Dylan’s predecessors. The second con- siders mimicry in the context of identity, specifically race and asymmetrical power relations in the history of American popular music. The third and final section analyses her imitations in the context of gender and reproductive labour, focusing on the way various media have shaped her persona and her relationship to Dylan. The article engages critical theoretical work informed by psychoanalysis, post-colonial theory, and Marxist feminism. Introduction: ‘Two grand, Johnny’ Women are forced to work for capital through the individuals they ‘love’. Women’s love is in the end the confirmation of both men’s and their own negation as individ- uals. Nowadays, the only possible way of reproducing oneself or others, as individuals and not as commodities, is to dam this stream of capitalist ‘love’–a ‘love’ which masks the macabre face of exploitation – and transform relationships between men and women, destroying men’s mediatory role as the representatives of state and capital in relation to women.1 I want to start this article with two different scenes from two separate Bob Dylan films.
    [Show full text]
  • 405, Dept. of African American Stds, 81 Wall Street
    Prof. D. A. Brooks [email protected] Office: 405, Dept. of African American Stds, 81 Wall Street Spring 2015 Meets Tu/Th 2:30-3:45pm Location: WLH 208 Office Hours: Tu: 4-5pm, W: 3:30pm-5pm & by appointment AFAM 403/THST 431/AM STDS 386 “…Who Run the World”: Black Women and Popular Music Culture [Billie] Holiday demonstrates… the value of important lives and voices Otherwise dismissed. --Lindon Barrett, Blackness and Value My persuasion can build a nation. --Beyonce From Bessie Smith and Billie Holiday to Tina Turner and Beyonce, from Nina Simone and Grace Jones to Lauryn Hill and Nicki Minaj, black women have used various forms of musical expression as sites of social and ideological resistance and revision. Through an exploration of voice, lyricism, kinesthetic performance, instrumentality and visual aesthetics, this course examines the “world wide underground” of black women’s sonic cultures, and it re-interrogates pop music subculture theories through the intersecting prisms of race, gender, class and sexuality. It considers the ways that black women musicians operate as socio- political and cultural intellectuals, and it reads their work as historically-situated cultural texts that resonate in multiple contexts. Throughout the semester, we will explore the ways in which black women culture workers have stylized and innovated disruptive and iconic performance practices within the context of American popular music culture, from the postbellum era through the present day. Part of the aim of this course is to trace the tensions between the enormous influence and ubiquity of the black female singing voice in globalized popular cultures and the ways in which a range of entertainers have nonetheless negotiated eccentric and “obscure” musical gestures that signaled and affirmed the existence of resistant musical aesthetics in the face of panopticism.
    [Show full text]
  • The Complete Eddie Cochran
    Stand: 25.09.2021 The Complete Eddie Cochran 2 © Uli Kisker 2021 Red passages: I'm not 1000% sure if Eddie is on this! Blue passages: Concerts, radio-, tv-performances Green passages: test pressing First Release Digitally Re-Release 1953 - 1955 Summer 1953 to 1954 Chuck Foreman - Eddie Cochran Chuck Foreman's house - Bellflower, Los Angeles, California ROCKSTAR RSRCD 011 Rockin' It Instrumental 1:46 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Gambler's Guitar Eddie Cochran 2:37 STAMPEDE SPRCD 5002 ROCKSTAR RSRCD 011 Jammin' With Jimmy Instrumental 1:42 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Tenderly Instrumental 2:48 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Steelin' The Blues Eddie Cochran 2:06 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Two Of A Kind Instrumental 1:51 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Two Of A Kind (backing track) Instrumental 1:37 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Stardust Instrumental 2:24 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Stardust (backing track) Instrumental 1:12 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Candy Kisses Eddie Cochran 1:43 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Chuck & Eddie's Boogie Instrumental 2:40 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 In The Mood Instrumental 1:16 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 I'll See You In My Dreams Instrumental 1:09 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Hearts Of Stone Eddie Cochran 1:51 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Water Baby Blues (short riff) Instrumental 0:41 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Humourous conversation Eddie Cochran & Chuck Foreman 1:03 ROCKSTAR RSRCD 011 Musicians - Eddie Cochran: vocal and guitar - Chuck Foreman: vocal and steel guitar.
    [Show full text]
  • Black Women's Music Database
    By Stephanie Y. Evans & Stephanie Shonekan Black Women’s Music Database chronicles over 600 Africana singers, songwriters, composers, and musicians from around the world. The database was created by Dr. Stephanie Evans, a professor of Black women’s studies (intellectual history) and developed in collaboration with Dr. Stephanie Shonekon, a professor of Black studies and music (ethnomusicology). Together, with support from top music scholars, the Stephanies established this project to encourage interdisciplinary research, expand creative production, facilitate community building and, most importantly, to recognize and support Black women’s creative genius. This database will be useful for music scholars and ethnomusicologists, music historians, and contemporary performers, as well as general audiences and music therapists. Music heals. The purpose of the Black Women’s Music Database research collective is to amplify voices of singers, musicians, and scholars by encouraging public appreciation, study, practice, performance, and publication, that centers Black women’s experiences, knowledge, and perspectives. This project maps leading Black women artists in multiple genres of music, including gospel, blues, classical, jazz, R & B, soul, opera, theater, rock-n-roll, disco, hip hop, salsa, Afro- beat, bossa nova, soka, and more. Study of African American music is now well established. Beginning with publications like The Music of Black Americans by Eileen Southern (1971) and African American Music by Mellonee Burnim and Portia Maultsby (2006),
    [Show full text]
  • Thetimesnewtecumseth
    Alliston • Beeton • Tottenham Friday: Saturday: Sunday: Monday: Mainly Mix of Sun Mix of Sun A Few Sunny and Clouds and Clouds Showers Visit us online at: www.newtectimes.com NewTecumseth Local 5-day Forecast Buying Simcoe-York Printing Local 5-day Forecast Local 5-day ForecastLocal 5-day Forecasttoday Thursday Friday Saturday Sunday Fax: 905-729-2541 or Proofed and Selling approved by . today Thursdaytoday Thursday Friday Saturday Friday Sunday Saturday Sunday today Thursday Friday Saturday Sunday Date: December 12/13 in 20162014 Date of insertion: December 12/13 Weekly Circulation: 2,000 l 905-857-6626 l 1-888-557-6626 l www.newtectimes.com CALL TT KTS IS $1.50 per copyTheTimes($1.43 + 7¢ G.S.T.) Thursday, August 25, 2016 Volume 42, Issue 34 q q q MARC RONAN TODAY! Sales Representative/Owner PUBLICATIONS MAIL AGREEMENT NO.0040036642 RETURN UNDELIVERABLE CANADIAN ADDRESSES TO 30 MARTHA ST., #205, BOLTON ON L7E 5V1 We acknowledge the financial support of the Government of Canada through the Canada Periodical Fund of the Department of Canadian Heritage. CC q OC q SFP q GVS q www.marcronan.com Sales Rep.: AD 905-936-4216 Set by: JS Ronan Realty, Brokerage Each Office Is Independently Owned And Operated Not intended to solicit clients under contract or contravene the privacy act. TROUBLE HEARING • Can you hear but not understand?? • Do you have ringing in your ears? • Is TV turned up loud? • Do you work in noise? If you answered yes to any of these questions, a HEARING TEST is recommended. Complimentary Hearing Tests (55+) Orangeville Bolton Alliston 54 First St.
    [Show full text]
  • I]F] Y\] 9Pm to 1Amûýûegû:Gn]J› 9M[C]Lkû 5 Domestics for G^Û9]]J $12 =Ja\Yqûea `Lk Byjygc] Hjgzgodo]Kl[Ge
    --------------- Calendar • On The Road --------------- Aaron Lewis Dec. 7 Egyptian Room Indianapolis Afghan Whigs Dec. 31 Bogart’s Cincinnati LEAGUE for the BLIND AND DISABLED presents: AJ Swearingen & J Beedle ($22.50) Jan. 19 The Ark Ann Arbor Alabama Shakes Dec. 1 Riviera Theatre Chicago All That Remains w/Nonpoint ($9.89 adv., $13 d.o.s.) Dec. 13 Piere’s Fort Wayne All Time Low w/Yellowcard Jan. 18 Orbit Room Detroit THE BLIND BOYS Andre Williams ($25) Jan. 5 Magic Bag Ferndale, MI Andrew Bird Dec. 19-20 Forth Presbyterian Church Chicago Another Round (formerly IU’s Straight No Chaser) ($20 adv., $25 d.o.s.) Mar. 8 C2G Music Hall Fort Wayne OF ALABAMA Ari Hest ($17.50) Dec. 2 The Ark Ann Arbor Band of Horses Dec. 3 Michigan Theatre Ann Arbor Bela Fleck w/The Cleveland Orchestra Dec. 6-8 Severance Hall Cleveland Embassy Theatre Bergamot w/Five Minute Fan Club and Kevin Daniels & Friends ($8) Dec. 15 Martyrs’ Chicago Betty ($19) Dec. 17 The Ark Ann Arbor Saturday, March 23, 2013 8:00 p.m. Big Gigantic Dec. 31 Aragon Ballroom Chicago Bill Kirchen ($20) Dec. 4 The Ark Ann Arbor Ticket prices: $13, $33, and $43 Black Jake and the Carnies ($15) Dec. 21 The Ark Ann Arbor Blackberry Smoke Jan. 8 Bogart’s Cincinnati Blackberry Smoke Jan. 13 House of Blues Chicago Ticket info: The Blind Boys of Alabama ($13-$43) Mar. 23 Embassy Theatre Fort Wayne Embassy box oce 260.424.5665 Blue River Band ($5) Dec. 15 Rusty Spur Saloon Fort Wayne Bowfire ($18-$37) Mar.
    [Show full text]
  • January 3-9, 2013 ------Cover Story • Zac Brown Band------Musical Multiculturalists Saturday, Jan
    JANUARY 3-9, 2013 -------------------------- Cover Story • Zac Brown Band ------------------------- Musical Multiculturalists Saturday, Jan. 19 • 8:00pm By Evan Gillespie a typical ode to all things Southern, from discount anyone’s talents or musical prefer- patriotism to fried foods, and it was tailor- ences. If you’re interested in a little mental made for country radio. The band first re- “We’re always trying to push the barrier JANIS JOPLIN TRIBUTE exercise, try answering this question: How corded the song way back in 2003, but it of our musicianship, and I’m proud to say $12 Adv., $15 D.O.S. would you categorize Zac Brown’s music? was a re-recorded version on the 2008 al- that there is a little bit of something for ev- That one should keep you busy for bum The Foundation that reached the top eryone,” says Brown of Uncaged, the band’s awhile, since just about any cat- latest album. “It’s your basic coun- egory you try to put the try-Southern rock-bluegrass- Zac Brown Band into reggae-jam record.” is going to end up be- There’s no question ing not quite the right that the fans like the mix; one. The most obvi- the band’s two Platinum ous answer is that albums and nine hit they’re a country singles are evidence Saturday, Feb. 23 • 8:00pm band. But what of that. But there’s about South- also been a heap ern rock? Sure, of industry recog- THE BERGAMOT they’re that too. nition. The band And just plain raked in a truckload Tickets Prices TBA rock? Well, yes.
    [Show full text]