The Goon Show: the Dreaded Batter Pudding-Hurler
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Wales-Ireland Travelogue 2009
WALES AND IRELAND TRIP MAY 12 TO JUNE 4, 2009 What a coincidence! Meaningless, to be sure - but a coincidence, nonetheless. Our trip to the British Isles in 2009 began and ended one day earlier than our trip to Scotland, May 14 to June 5, 2001. (One can only hope that September of this year doesn't hold the same sort of unpleasant surprise that was visited upon us eight years ago.) OK, so I made a "small" error - we are departing two days earlier, not one. And, OK, so it wasn't much of a coincidence, was it? I mean, a real coincidence - one of excruciating consequence - occurred at the Polo Grounds in NYC on October 3, 1951 when Ralph Branca of the Blessed Brooklyn Dodgers was called in to pitch in the 9th inning and, by coincidence, Bobby Thomson of the Bestial New York Giants happened to come to bat, and, by coincidence, Mr. Branca happened to throw a pitch that the aforementioned Mr. Thomson happened to swing at, and, by coincidence, made contact with said pitch and drove it a miserable 309 feet into the first row of the left- field seats of the absurdly apportioned Polo Grounds, thus ending the Dodgers' season and causing a certain 12-year-old, watching on TV, in Brooklyn to burst into tears. Now that was a coincidence! But I digress. Tuesday, May 12 to Wednesday, May 13 Rather than leaving our car at the Seattle Airport Parking Garage (cost for three-plus weeks $468) or at an airport hotel (about $335) we decide to try the new Gig Harbor Taxi (at $95 each way, including tip). -
The Goon Show: Forog
THE GOON SHOW: FOROG First broadcast on December 21, 1954. Script by Eric Sykes and Spike Milligan. Produced by Peter Eton. Announced by Wallace Greenslade. Orchestra conducted by Wally Stott. Transcribed by Mark Wallace, corrections by Peter Olausson. Greenslade: This is the BBC. Secombe: The wretched man was about to refer to the highly ignored Goon Show. FX: [Huge cheers and whistles] Secombe: Stop! [stops] Greenslade? Greenslade: Sir? Secombe: Leave your toys for a moment, and lets have some words. Greenslade: Yes big brother. Ladies and gentlepong this week the Goons present a science-fiction fantasy play in a cunning attempt to take the place of the horror comics. This masterpiece of mediocrity is entitled... Orchestra: [Horror and suspense chord] Secombe: Forog! [Inane laughter] Orchestra: [Clarinet playing a very low sinister piece] Peter: [Low, sinister voice] It was one of those days that follow the night. London was blanketed by a thick swirling pea-soup fog. All was still as Ned Seagoon put on his hat and coat. Seagoon: Yes, I decided to go out for a breath of fresh air. Milligan: Let him go! Seagoon: I hadn't realised it was so foggy, but indeed it was so thick that I had to walk in front of myself with a blazing torch. Eccles: You're not the only one! Seagoon: As I walked long a stream of buses and cars followed in my wake. Strange how men recognise a leader. I hurried them along when suddenly... 1 Minnie Bannister: Ooooooh no, please! ...Oooooh no, oooh! Seagoon: ...I bumped into someone. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
S6 E26 - Scradge
S6 E26 - Scradge Transcribed by Peter Harris, corrections by Peter Olausson. Additional corrections by thegoonshow.net. Final corrections by Helen. GREENSLADE: This is the BBC Home Service. We present the golden tones of yours and my favourite singer. (SINGS) Oh, my beloved daddy. I love him, yes (FALSETTO) I do-oo-oo. SEAGOON: Shut that great, steaming, porridge-muncher! And give the listeners the new low in Goon Show plots. GREENSLADE: We present the awesome, fearful and, on the admission of the authors, incomprehensible story of... MILLIGAN: Scradje! ORCHESTRA: TATTY CHORD SEAGOON: Ta. Next bit. GRAMS: WEIRD ARABIAN MUSIC SEAGOON: Hear that next bit, dear listeners? It's the lovely date-encrusted voice of that great Arab singer, Lee Lawrence of Arabia. GRAMS: TWO SMALL EXPLOSIONS SEAGOON: Yes, listeners, those mysterious explosions were the first of many. It is that story we tell tonight. (GIBBERISH)? SELLERS: Kinninidge. S6 E26 - Scradje SEAGOON: Twidge gul. SELLERS: Arg thug 'uun. SEAGOON: Well, hurry up, then. SELLERS: Plinge. It was in the autumn of nineteen quinty-quodge, the year Major Bloodnok was discharged from the army. SECOMBE: Yes, it was the usual. Cowardice in the face of ENSA. Found dressed as a woman in the ATS barracks. BLOODNOK: Lies! All lies, do you hear! It was carnival night, I tell you! CAPTAIN HUGH JYMPTON: [MILLIGAN] Shh! Please, Major Bloodnok. My name is Jympton, Captain Hugh Jympton. I remember the time both Bloodnok and Lord Seagoon became members of the Athenaeum Club, Glasshouse Street. GRAMS: JAZZ PIECE ENDING SEAGOON: Thank you. Hm. Gad, you waltz divinely, my darling. -
Foiled by President Fred (In Honour Bound)
THE GOON SHOW: FOILED BY PRESIDENT FRED (IN HONOUR BOUND) First broadcast on November 1, 1955. Script by Spike Milligan. Produced by Peter Eton. Announced by Wallace Greenslade. Orchestra conducted by Wally Stott. Transcribed by Kurt Adkins, corrections by Peter Olausson. Greenslade: This is the BBC Home Service. And candidly, I'm fed up with it. Secombe: Have a care there, Wallace, otherwise I'll be forced to speak to John Snagge. Greenslade: My dear fellow, everybody has to be forced to speak to John Snagge. Secombe: Come, curb those biting cynicisms and permit me to present the highly esteemed Goon Show. Grams: [Aeolian clarinet (or old dance music record)] Milligan: Stop! Ohohooo -- Stop that sinful american music! Seacombe? Take off those carbon-paper plus fours and listen to the story entitled - 'In Honour Bound'. Orchestra: [Traditional english hero theme] Seagoon: My name is Neddie Seagoon. I was a gas meter inspector. It all began the day of the annual general board meeting of the South Balham Gas Board. FX: [Murmurs - gavel] Henry Crun: Gentlemen - I have here the books for the - mnk - financial year just ended - mnk, mnk - and by the look of them, gas is here to stay. I am glad, glad, to say... To say that the South Balham Gas Colossus has made a gross profit of no less than three pounds twelve shillings and ninepence. Now then... Old Seagoon: Have you seen my teeth? Henry Crun: You left them on your saxophone. Old Seagoon: Oh yes. Henry Crun: Now then, I'll read the vital balance sheets. -
The Goon Show: the Whistling Spy Enigma
THE GOON SHOW: THE WHISTLING SPY ENIGMA First broadcast on September 28, 1954. Script by Spike Milligan. Produced by Peter Eton. Announced by Wallace Greenslade. Orchestra conducted by Wally Stott. Transcribed by anon, additions by Kurt Adkins, corrections by Peter Olausson. Greenslade: This is the BBC Home Service. Grams: [Boos, whistles] Seagoon: Stop! [stops immediately] My Lords, Ladies and Gentlemen, back from the dead, we present half an hour of continuous radio fighting, in both corners - The Goons! Orchestra: [Circus ring music] Grams: [Boos, whistles] Seagoon: Stop! [stops immediately] Mr. Greenslade? FX: [Chains being dragged along the floor] Greenslade: [Weak voice] Yes, Master? Seagoon: Tell the masses, Mr. Greenslade, what we have in store. Greenslade: Yes, master. Ladies and Gentlemen, the Goons and myself after successful season of unemployment, return to the air for a long series of one. Eccles: Ooooh! Greenslade: They commence with a mystery play, packed from end to end with mediocrity, under the title of... Throat: The Whistling Spy Enigma. Orchestra: [Dramatic chord] Hern (american accent): The crimes you are about to hear have all been specially committed for this programme. Here to tell you a story with the aid of smoke-glass ear-trumpet and reconditioned head is Captain Hairy Seagoon. Grams: [Frantic audience applause and cheers] 1 Seagoon: Stop! [stops immediately] I remember when it all started. At the time I was asleep in my electrified elephant hammock, when through the pigeon hole flew a carrier pigeon. There was something strapped to it's leg - it was a postman. Postman: A letter for youuuuuuu. -
The Goon Show: the Sahara Desert Statue
THE GOON SHOW: THE SAHARA DESERT STATUE First broadcast on November 3, 1958. Script by Spike Milligan. Produced by John Browell. Announced by Wallace Greenslade. Orchestra conducted by Wally Stott. Transcribed by Debby Stark, corrections by Peter Olausson. Greenslade: This is the BBC Secombe: Stop! Spriggs: Ohm, I will stop. Secombe: What's this approaching? It's a lorry driven by a Rolls Royce, isn't it? Yes, it is! It's that great thespian star of brouhaha-ha-ha, Berebohm Sellers! FX: [Considerable cheers] Spriggs: Oh, he's not as popular as he used to be! I'll sing that bit, folks. [Sings] He's not as popular as he used to beeee! Sellers [Heavy actor accent]: Aye [inaudible] pruns. Noxt week I shall be appearing in "The Impotence of Being Ernest," by Oscar Wilde, the blaggard of Redding Jail. Yours, Neddy. Secombe: Ta. Omnes: [Several, each in turn saying Ta, Tee, Ti, Toe, Tuu!] Sellers: All together! Omnes: Tooooo! Sellers: Oh, what it is to have friends! Spriggs: I know, I once... I express sympathy. Secombe: "Dear sir: My wife has just made a pancake thirty foot round. Is this a record?" Voice: I don't know, try playing it on the gramaphone. Sellers: Together, the band. Orchestra: [Shout] Ta-da 1 Sellers: Ah! Caught with their instruments down! Secombe: And now folks! Take us off slack while we unwrap this brown paper parcel. Look! Ah, look! Voice: What a [inaudible] Secombe: It's a life-sized Goon Show in imitation plastic! Spriggs: Oh! And what are these little round things? Secombe: Gad, it's a set of spare glass jokes! Sellers: Let us hear one, Tom. -
HANCOCK's HALF HOUR COLLECTIBLES Notes To
HANCOCK’S HALF HOUR COLLECTIBLES Notes to Accompany Volume 3 All photographs copyright (C) BBC (unless otherwise stated) The Tony Hancock Appreciation Society is delighted to have given its support to the production of this new and unique series concerning the lost works of Tony Hancock. Tony Hancock: BBC Publicity Shot for Hancock’s Half Hour, November 1956 The Tony Hancock Appreciation Society (THAS) Since its creation in 1976, the THAS has dedicated itself to preserving and promoting the works of Tony Hancock and, more crucially, to finding his broadcasts that were missing from the archives. Over the decades, these efforts have yielded a wealth of material, most notably lost episodes of his most beloved work on Hancock’s Half Hour for both television and radio. Many of these have now been located and returned to the BBC; some feature in this special series of Collectibles, now into 1 its third volume. However, many still remain lost at this time. In addition, our efforts have found other material – shows recorded before Hancock became a household name – from series such as Calling All Forces, Variety Bandbox and Star Bill. Again, examples of these can be found in this series. In the previous volumes, there was an extensive analysis of missing recordings from Hancock’s radio career, and, as ever, we remain hopeful that some of these recordings will emerge from private collections or, perhaps, the archives of the BBC or other institutions. In these notes, we will focus on a number of missing recordings and shows outside the ‘core’ work Hancock did on his eponymous series and those that preceded it. -
5.1 May 2018 Newsletter.Cdr
5.1 3D BBC CiNA/RNIB May 2018 Newsletter Summary April 1. April Competition 4. March Winner’s email 2. Clues & Explanations 5.May Extra mid-month 2018 3. Presentations 2017 6. Spike Milligan Crossword Enigmatist Pickles 1. April Competition I TOLD YOU I WAS ILL The April competition with Spike Milligan themed grid by Pickles and clued by Enigmatist, was won by Jos Tait of Preston Australia. Excellent solving! SPIKE MILLIGAN Feedback included: Enigmatist is one of my favourite setters and many of the reasons for that can be found in this puzzle: clever and challenging exploitation of an interesting theme; complex, cryptic and misleading clues – for example, it took me a long time to unravel the clue to IRONIC, but it is, as indeed are all his clues, ultimately both intricate and fair. A most enjoyable solve this month. Kmc One solver is speaking to another :- “Would you like to do this puzzle set by Enigmatist or climb the North face of the Eiger?” “Wait right there – I'll get the crampons!” GS Much fun to be had here, as Andre always has a go first. He was amazed when he came to complain that nothing could really contain Y__G T__G and I immediately burst into song... Quite an education in British culture for him! AR Thanks again for the great, and consistently entertaining, puzzles. JN Lovely to have the brilliant madcap humour of Spike Milligan celebrated and brought back to life again in such a clever puzzle. Again I am in awe of how much Engimatist was able to pack into the grid, and how many references Grid by there are, since I imagine the constraints of 3D must be greater than those Pickles of 2D. -
The Goon Show: the Spanish Suitcase
THE GOON SHOW: THE SPANISH SUITCASE First broadcast on December 7, 1954. Script by Spike Milligan and Eric Sykes. Produced by Peter Eton. Announced by Wallace Greenslade. The orchestra was conducted by Wally Stott. Transcribed by Kurt Adkins, corrections by Peter Olausson. Greenslade: This is the BBC Home Service. Grytpype: Oh dear! Greenslade: Never-the-less, this is the BBC Home Service, my almamata! Bluebottle: Olé! Seagoon: That olé of olés can only herald the coming of the highly esteemed Goon Show! Grams: [Panic stricken audience running out, door slams] Seagoon: Who unlocked the doors? Mr. Greenslade, emergency music! Grams: [’The Archers’ theme tune and animal noises] Seagoon: Stop! [Music stop] I knew that would get them back in. Heads above the trough! [country accent] Now then, Dan Greenslade, me dear, tell 'em as 'ow we're going to be doing that there Goon Show. I'll be off to mend my tractor. Greenslade (country accent): Aaaaah, aaalright me old dear Ned Archer, I reckon as all we'll be having a ripe harvest of compost from 'im tonight! Greenslade: Aaaaaarh! Seagoon: Aaaaaarh! Regal Woman: Hello you two, still arguing about the old cow? Greenslade: Aaaaaaaarh! Regal Woman: Where's Daddy? Greenslade: Well, he were asking if them beams up in the barn were strong. 1 Seagoon: Ay, he asked I that, he did, he asked I that then he went up there with a coil of rope and a noose around his neck. Regal Woman: No no, he... Oh look! Grams: [’The Archers’ end theme tune] Sellers: Easy money! Seagoon (himself): Right, now Greenslade, off with your dung smock and into a serious vein. -
British Series About a Group of With
104 G000 LISTENING First Broadcast:1929 (under title "Rise of Milligan); Moriarity (Harry Secombe); Ma- the Goldbergs"). jor Bloodknock, Indian Army, retired (Harry Secombe);Bluebottle,the Good Listening character who always reads the stage directions in his script (Harry Secombe), Type:Quiz Min and Henry (Harry Secombe, Spike Milligan). Format:Calledforcontestantstoans- wer questions based on a medley of vocalAnnouncer:Wallace Greenslade. clues that were constantly interrupted by Vocalist:Max Geldry. plants in the studio audience. A playerOrchestra:Wally Stark. won money ($3, $6, or $9) based on how Also:The Ray Ellington Quartet. many questions he could answer thatLength:30 minutes. were related to the interrupted songs. Network:NBC. Host:Lionel Kaye. First Broadcast: 1955. Vocalists:The Three Chances. Orchestra:Van Alexander. Length:30 minutes. The Gordon MacRae Show Network:CBS. First Broadcast: 1943. Type:Musical Variety Host:Gordon MacRae. Vocalists:Sheila Stevens, Marian Bell. Good News Announcer:Dan Seymour. Orchestra:Archie Bleyer, Johnny Guar- Type:Musical Variety neri. Host:Dick Powell. Length:15 minutes. Vocalist:Mary Martin. Network:CBS. Orchestra:Meredith Wilson. First Broadcast:1945. Length:30 minutes. Network:NBC. First Broadcast:1939. The Gracie Fields Show The Goon Show Type:Variety Hostess:Gracie Fields (a British comed- Type:Comedy ienne). Format:British series about a group ofRegulars:Bob Burns, The Spartan Quar- goons, people "of inarticulate language tet, Don Hancock. with one -cell brains who think in theAnnouncer:Bill Goodwin. fourth dimension," who are anti -every-Orchestra:Harry Sosnik, Lou Bring, Carl thing and whose sole purpose is first to Hoffman. destroy the British Empire, then the restLength: 5minutes(1942),15minutes of the world. -
The Goon Show: Napoleon's Piano
THE GOON SHOW: NAPOLEON’S PIANO First broadcast on October 11, 1955. Script by Spike Milligan. Produced by Peter Eton. Announced by Wallace Greenslade. Orchestra conducted by Wally Stott. Transcribed by Paul Martin, corrections by Peter Olausson. Greenslade: This is the BBC Home Service. Grams: [Wailing] Greenslade: Oh, come, come, come, come, dear listeners. You know, it's not that bad. Secombe: Of course not! Come, Mr. Greenslade – tell them the good news! Greenslade: Ladies and Gentlemen, we have the extraordinary talking-type wireless Goon Show. Grams: [Crowd screaming and stampeding] Secombe: Mmm. Is the popularity waning? Hmmph. Milligan: Oh ho ho ho ho! Fear not, Neddy-lad! We'll jolly them up with a merry laughing type joke show. Stand prepared for the story of Napoleon's Piano. Ho ho ho ho! Orchestra: [Piano mood-setting music] Seagoon: Napoleon's piano. The story starts in the bad old days, back in April 1955. It was early one morning, and breakfast had just been served at Beaulieu Manor, and I was standing at the window, looking in. With the aid of a telescope I was reading the paper on the breakfast table, when... when suddenly an advertisement caught my eye. It said: Grytpype-Thynne: [bassy, echoey] Will pay anybody five pounds to remove piano from one room to another. Apply: The Bladders, Harpiapipe, The Quants. Seagoon: In needle nardle noo time I was at the address, and with the aid of a piece of iron and a lump of wood, I made this sound: FX: [Knocks five times on door] Moriarty: Sapristi knockos! When I heard that sound I ran downstairs, and with the aid of a doorknob and two hinges I made this sound: FX: [Door handle turns, door creaks open] 1 Seagoon: Ah! Good morning! Moriarty: Good morning? Just a moment..