Jean-Michel Bernard Began Playing the Piano at the Age of Two. When
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2010 AMTA Conference Promises to Bring You Many Opportunities to Network, Learn, Think, Play, and Re-Energize
Celebrating years Celebrating years ofof musicmusic therapytherapy the past... t of k ou oc R re utu e F th to in with ll nd o Music a R Therapy official conference program RENAISSANCE CLEVELAND HOTEL Program Sponsored by: CLEVELAND, OHIO welcome ...from the Conference Chair elcome and thank you for joining us in Cleveland to celebrate sixty years of music Wtherapy. And there is much to celebrate! Review the past with the historical posters, informative presentations and the inaugural Bitcon Lecture combining history, music and audience involvement. Enjoy the present by taking advantage of networking, making music with friends, new and old, and exploring some of the many exciting opportunities available just a short distance from the hotel. The conference offers an extensive array of opportunities for learning with institutes, continuing education, and concurrent sessions. Take advantage of the exceptional opportunities to prepare yourself for the future as you attend innovative sessions, and talk with colleagues at the clinical practice forum or the poster research session. After being energized and inspired the challenge is to leave Cleveland with both plans and dreams for what we can accomplish individually and together for music therapy as Amy Furman, MM, MT-BC; we roll into the next sixty years. AMTA Vice President and Conference Chair ...from the AMTA President n behalf of the AMTA Board of Directors, as well as local friends, family and colleagues, Oit is my distinct privilege and pleasure to welcome you to Cleveland to “rock out of the past and roll into the future with music therapy”! In my opinion, there is no better time or place to celebrate 60 years of the music therapy profession. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Bamcinématek Presents a Brand New 40Th Anniversary Restoration of Robert Clouse’S Enter the Dragon, Starring Bruce Lee, in a Week-Long Run, Aug 30—Sep 5
BAMcinématek presents a brand new 40th anniversary restoration of Robert Clouse’s Enter the Dragon, starring Bruce Lee, in a week-long run, Aug 30—Sep 5 Series sidebar features five wing chun classics including Sammo Hung’s The Prodigal Son, Chang Cheh’s Invincible Shaolin, and Bruce Lee’s The Way of the Dragon, beginning Aug 29 “Bruce Lee was the Fred Astaire of martial arts.”—Pauline Kael, The New Yorker The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Brooklyn, NY/Aug 7, 2013—From Friday, August 30 through Thursday, September 5, BAMcinématek presents a week-long run of Robert Clouse’s Enter the Dragon, screening in a new DCP restoration for its 40th anniversary. In conjunction with the release of Wong Kar-wai’s Ip Man biopic The Grandmaster, this series revels in the lightning-fast moves of the revered kung fu tradition known as wing chun, featuring a five-film sidebar of martial arts rarities. Passed on through generations of martial artists, wing chun was popularized by icons like Sammo Hung and Ip’s movie-star disciple Bruce Lee—and has become an action movie mainstay. The first Chinese martial arts movie to be produced by a major Hollywood studio, Clouse’s Enter the Dragon features Bruce Lee in his final role before his untimely death (just six days before the film’s theatrical release). Shaolin master Mr. Lee (Lee) is recruited to infiltrate the island of sinister crime lord Mr. Han by going undercover as a competitor in a kung fu tournament. -
ODYSSEY LP's- Price (Expires 8/31,76) S1 99 Pe Calif
These same qualities pervade the score mitted performance by Elmer Bernstein LIVE OPERA TAPES. TREMENDOUS SELECTION for Vincent Minnelli's The Bad and the SATISFACTION GUARANTEED. FREE CATALOGUE. C and orchestral forces that sounda great HANDELMAN, 34-10 75th ST., JACKSON HTS. N.Y.C. Beautiful (1952). The "Acting Lesson" se- deal larger than those heard on previous 11372. quence (cut from the film), for instance, has Film Music Collection recordings. Now if "SOUNDTRACKS, SHOW, NOSTALGIA & JAZZ- a transparent poignancy similar to that in they can just learn to spell Rozsa'sname FREE Catalog & Auction List-A-1 Record Finders, P.O. many parts of Forever Amber. In this score correctly on the album cover.... R.S.B. Box 75071-H, L.A. CAL. 90075." Raksin shows himself to have the same CLASSICS FOR CONNOISSEURS: WE OFFER AN AR- deep roots in Americana that can be found, RAY OF CLASSICAL IMPORTS FROM ALL OVER THE in different veins, in composers such as WORLD. WE HAVE CONTACTS WHICH GIVE US AN EX- Gershwin and Copland. This is made evi- HENRY MANCINI: A Concert of Film Music. CLUSIVE TO BRING TO OUR CUSTOMERS RARE AND dent immediately in the bluesy quality of London Symphony Orchestra, Henry Man- HARD -TO -FIND CLASSICAL RECORDINGS-OUR SPE- cini, CIALTY. WE GUARANTEE THE BEST SERVICE POS- the main theme; but it also appears in a less cond. [Joe Reisman, prod.] RCA ARL SIBLE ON ALL ORDERS. COPIES OF THREE BULLE- tangible, more "classically" oriented fash- 1-1379, $6.98. Tape:WV ARK 1-1379,$7.95; TINS-S1. -
Be Kind Rewind
FRIDAY 30 OCTOBER, 2015 TENACIOUS D IN THE PICK OF DESTINY (2006) ears before he reached his cinematic breakthrough, Black Ycaught the eye of discerning HBO subscribers through Tenacious D, a series based around the fake musical exploits of the real-life “mock rock” duo he’d co-founded with fellow actor-musician Kyle Gass. The pair filmed a trio of episodes with Mr. Show’s David Cross and Bob Odenkirk, and although the first episode didn’t set the world on fire when it aired in 1997 - HBO neglected to broadcast the other two until 2000 - Tenacious D’s act contributed to the steadily growing cult around the “band’s” brash frontman, and when they finally got around to releasing their debut LP in 2001, it cracked the Top 40 and paved the way for their big-screen debut, 2003’s Tenacious D in The Pick of Destiny, co-starring Ronnie James Dio as himself and Dave Grohl as Satan. BE KIND REWIND (2008) KING KONG (2005) or film fans of a certain age, the phrase “be kind rewind” Fwill forever conjure memories of the stickers affixed to lack’s obviously quite adept at getting laughs, but his gift VHS rentals begging customers not to return their tapes Bfor playing creeps also lends itself to drama - as director without rewinding them first - but by 2008, VHS had been all Peter Jackson obviously recognized while casting his big-bud- but consigned to the format graveyard, making Be Kind get remake of King Kong, tapping Black to play Carl Denham, Rewind the perfect title for a movie about a hapless video the financially tenuous (and morally bankrupt) filmmaker store clerk (Yasiin Bey) whose knuckleheaded friend (Black) whose quest for a hit sets in motion the chain of events that accidentally erases every single tape in stock right after the brings a certain giant gorilla to New York and unleashes a hail owner (Danny Glover) leaves town. -
Download Detailseite
W-1888_K 29.01.2006 20:50 Uhr Seite 36 Berlinale 2006 THE SCIENCE OF SLEEP Wettbewerb THE SCIENCE OF SLEEP Außer Konkurrenz THE SCIENCE OF SLEEP Regie: Michel Gondry Frankreich 2005 Darsteller Stéphane Miroux Gael García Bernal Länge 105 Min. Stéphanie Charlotte Gainsbourg Format 35 mm, 1:1.85 Guy Alain Chabat Farbe Christine Miroux Miou-Miou Monsieur Pouchet Pierre Vaneck Stabliste Zoé Emma de Caunes Buch Michel Gondry Martine Aurélia Petit Kamera Jean-Louis Bompoint Serge Sacha Bourdo Kameraassistenz Valério Villalba Sylvain Stéphane Metzger Schnitt Juliette Welfling Gérard Decourt Moyen Ton Guillaume Sciama Monsieur Persinnet Inigo Lezzi Jean Gargonne Ivana Yvette Petit Dominique Polizisten Jean-Michel Bernard Gaborieau Eric Mariotto Tonassistenz Jean-Pierre Milhau Ansager Bertrand Delpierre Olivier Burgaud Musik Jean-Michel Bernard Ausstattung Pierre Pell Stéphane Rosenbaum Charlotte Gainsbourg, Gael García Bernal Kostüm Florence Fontaine Maske Maya Benamer Regieassistenz Bertrand Delpierre THE SCIENCE OF SLEEP Casting Nathalie Guillaume Für den schüchternen und gehemmten Stéphane gewinnt das Leben end- Julie Navarro lich einen Sinn, als er sich von seiner Mutter überreden lässt, nach Frankreich, Produktionsltg. Inigo Lezzi das Land seiner Kindheit, zurückzukehren, wo angeblich ein ganz toller Job Aufnahmeleitung Attila Egry auf ihn wartet. Stéphane ist mit einer regen Fantasie begabt und stets droht Produzenten Georges Bermann Michel Gondry seine exaltierte Traumwelt aufs wirkliche Leben überzugreifen. Als der Job Frédéric Junqua seinen Erwartungen in gar keiner Weise entspricht, ist seine Enttäuschung entsprechend groß. Produktion Die Bekanntschaft mit Stéphanie, seiner attraktiven Nachbarin, tröstet ihn Partizan Films allerdings darüber hinweg. Binnen kurzem verliebt er sich in die junge Frau, c/o Gaumont 30, av. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Transcript Michel Gondry
TRANSCRIPT A PINEWOOD DIALOGUE WITH MICHEL GONDRY Michel Gondry is one of the most creative contemporary directors, known for his astonishingly inventive style that combines complex technological innovation with an almost childlike playfulness, and an ability to move fluidly between dream and reality. Gondry has directed feature films (Eternal Sunshine of the Spotless Mind, Be Kind Rewind, The Science of Sleep), documentaries (Dave Chappelle's Block Party), music videos for Bjork, Radiohead, The White Stripes, and Daft Punk, and numerous award-winning commercials. He is also an installation artist who has been featured at Deitch Projects. In this conversation with Chief Curator David Schwartz, Gondry discusses his remarkable career. A Pinewood Dialogue with Michel Gondry draw. And we started a band in maybe ’81, ’82, that moderated by Chief Curator David Schwartz lasted ten years; it was called Oui Oui. I had done (May 9, 2008): some experimentation with animation at an earlier age, and then one day I bought a film camera—I DAVID SCHWARTZ: Please welcome the birthday mean, I was flatmates with my friend Jean-Louis boy, Michel Gondry. (Applause) So what do you Bompoint, who is my DP now. He had some think of when you watch these videos; do you think equipment and he was a director, so he helped me of how hard they were to make? a little bit. That’s how it started. I was doing two minute animated pieces to fit our music, because MICHEL GONDRY: No, actually. I was thinking that the songs were quite minimalist and short, so they they look alright. -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive -
MICHEL GONDRY RETROSPEKTYWA FILMÓW 2 MICHEL GONDRY 3 MICHEL GONDRY Ur
MICHEL GONDRY RETROSPEKTYWA FILMÓW 2 MICHEL GONDRY 3 MICHEL GONDRY ur. 8 maja 1963 roku w Wersalu, we Francji. Reżyser, scenarzysta, latach współpracował z największymi gwiazdami muzycznymi, pisarz, producent, wynalazca, plastyki i muzyk. Wnuk wynalazcy takimi jak: The Rolling Stones, The White Stripes, The Chemical Constanta Martina. Autor filmów fabularnych, dokumentalnych, wideo, Brothers, Kylie Minogue, Daft Punk, Radiohead, Massive Attack, teledysków i reklamówek. Zdobywca Oscara® za filmZakochany Neneh Cherry, Sheryl Crow, Beckiem, Foo Fighters i Wyclefem Je- bez pamięci. Aktywny i bardzo kreatywny na wielu płaszczyznach anem. Gondry ma też na swoim koncie sporo filmów reklamowych, artystycznych. Zaskakuje nowymi pomysłami i ideami. Znany nie tylko zrealizowanych dla takich firm, jak: Smirnoff, Air France czy Nike. ze swoich filmów, lecz również ze współpracy z Björk, Daft Punk, The W kręconych przez siebie teledyskach i reklamówkach Gondry Rolling Stones i Kanye Westem. Niedawno ukończył pracę nad ada- rozwinął kilka nowych technik filmowych, w tym morfing i filmowa- MICHEL GONDRY ptacją książki L’Écume des Jours francuskiego pisarza Borisa Viana. nie postaci z kilku kamer w tym samym czasie. Samodzielnie w długim metrażu Gondry zadebiutował w 2001 W dzieciństwie pragnął zostać malarzem lub wynalazcą. Na roku filmemWojna plemników, zrealizowanym w oparciu o sce- początku lat 80. ubiegłego wieku dostał się jednak do szkoły arty- nariusz Charliego Kaufmana. Sukcesem artystycznym okazał się stycznej w Paryżu, gdzie przez kilka lat szkolił swoje umiejętności kolejny film nakręcony przez spółkę Gondry-Kaufman,Zakocha - graficzne i gdzie wraz z przyjaciółmi założył pop-rockowy zespół ny bez pamięci (2004), uhonorowany w 2005 roku Oscarem®. Oui Oui. Grupa rozpadła się w 1992 roku, ale zdążyła wydać dwa W 2006 roku na ekrany kin wszedł kolejny film reżysera, wyprodu- albumy, a Gondry pełnił w niej rolę perkusisty i reżysera teledysków. -
Smart Cinema, DVD Add-Ons and the Re-Educated Viewer
MIT Conference May 13-15th 2011. Unstable Platforms: The Promise and Peril of Transition ‘Teaching Smart Cinema: DVD Add-ons and New Audience Pleasures’ Pat Brereton © [Extracts from ‘Cinema in Transformation: Smart Cinema, DVD Add-ons and New Audience Pleasures’ Palgrave Press 2011/2] Many scholars categorize new digital films, using concepts ranging from database narratives (Manovich), forking path narratives (Bordwell), multiple draft narratives (Branigan and Bordwell), twist films (Wilson 2006), complex narratives (Staiger, 2006), modular narratives (Cameron, 2006), puzzle films (Buckland, 2009) including Elsaesser‟s mind-games taxonomy. All of these terms help to flesh out this study‟s exploration of smart cinema, alongside new forms of digital film making and contemporary audience consumption. The term „Smart cinema‟ acquired popular currency in academic circles in the late 1990s. The most coherent explanation has been put forward by Jeffrey Sconce‟s essay (Screen 2002), who argues that smart films reflect the presence of a growing „culture of irony‟ and parody. Its intended audience is apparently the disillusioned yet highly educated new generation who display a form of ironic contempt and emotional distancing from their surroundings and socio-cultural existence. Smart movies like Donnie Darko broadly encapsulate what have been described as reflexive and playful postmodern texts, which in turn are augmented by the specific attributes of new digital media. These new attributes draw upon technological innovations facilitated by the computer and the internet, alongside the proliferation of video games and music videos, together with other new generational e-pleasures and e-cultural tastes. This paper will use films like Be Kind Rewind to demonstrate the importance of smart cinema for new generations, while drawing on the special issue on DVD add-ons for Convergence (2007) which I edited, that focused on how add-ons can strengthen the overall appeal of this consumer fan-driven medium and at the same time incorporate significant educational applications.