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The Crystal and Molecular Structure of Tris(Ortho- Aminobenzoato)Aquoyttrium(Iii)
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Fall 1979 THE CRYSTAL AND MOLECULAR STRUCTURE OF TRIS(ORTHO- AMINOBENZOATO)AQUOYTTRIUM(III) SHARON MARTIN BOUDREAU Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation BOUDREAU, SHARON MARTIN, "THE CRYSTAL AND MOLECULAR STRUCTURE OF TRIS(ORTHO- AMINOBENZOATO)AQUOYTTRIUM(III)" (1979). Doctoral Dissertations. 1228. https://scholars.unh.edu/dissertation/1228 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. 8009658 Bo u d r e a u , S h a r o n M a r t in THE CRYSTAL AND MOLECULAR STRUCTURE OF TRIS(ORTHO- AMrNOBENZOATO)AQUOYTTRIUM(III) University o f New Hampshire PH.D. 1979 University Microfilms International 300 N. Zeeb Road, Ann Arbor, MI 48106 18 Bedford Row, London WC1R 4EJ, England PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. Problems encountered with this document have been identified here with a check mark . 1. Glossy photographs _ / 2. Colored illustrations _______ 3. Photographs with dark background \/ '4. Illustrations are poor copy 5. Print shows through as there is text on both sides of page ________ 6. Indistinct, broken or small print on several pages \/ throughout 7. Tightly bound copy with print lost in spine 8. Computer printout pages with indistinct print 9. -
F I L T E R K
FILTERKIT 322 Woodwork Lane Palatine IL 60067 P: 847-359-3550 F: 847-359-3567 v2.1 [email protected] June16, 2009 www.midopt.com ABOUT MIDWEST OPTICAL SYSTEMS FK100 FILTER KIT CONTENTS ARTICLES Founded in 1988 as a manufacturer of custom precision Our continued commitment to optical components and systems, we have since been innovation has lead to the rotating Machine Vision Filters An overview involved exclusively in the design, manufacture, import Right Angle Attachment (left) that gives you more options for placing and export of vision-specific elements used by a diverse cameras in your system, and the Types of Filters The 8 major types of filters produced by MidOpt for machine vision applications variety of industries and end users. Over time, the company multi-purpose Slip Mount that lets has evolved and is now recognized worldwide as the premier you add filters to lenses when Machine v/s Photographic Filters Why photographic filters are not suitable for machine vision operations resource for filters, lenses and accessories used in industrial (1) there are no filter threads Testing with Filters Testing the effects of filtering and monochromatic lighting imaging applications. and (2) when a filter is desired for use on a wide- Increase Resolution Filters with High-Resolution and Telecentric Lenses; Chromatic Aberration By combining this extensive optics background with our angle lens. expertise in machine vision imaging, MidOpt continues Filter Applications UV Fluorescence, Polarizing, IR Blocking and Light Balancing Filters to develop economical and solutions for industrial image processing that are simply not found elsewhere. We provide FILTER NO. -
The Crystal and Molecular Structures of Some Organophosphorus Insecticides and Computer Methods for Structure Determination Ricky Lee Lapp Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1979 The crystal and molecular structures of some organophosphorus insecticides and computer methods for structure determination Ricky Lee Lapp Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Physical Chemistry Commons Recommended Citation Lapp, Ricky Lee, "The crystal and molecular structures of some organophosphorus insecticides and computer methods for structure determination " (1979). Retrospective Theses and Dissertations. 7224. https://lib.dr.iastate.edu/rtd/7224 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. -
The Ground Glass, Inc. Is a Group of Photographers That Meet in Westchester County, NY
The Ground Glass, Inc. is a group of photographers that meet in Westchester County, NY. http://thegroundglass.org/ Ground Glass info & member names in red. -bacon, olive oil, paper towels, vanilla ice Sept., 2014 cream (better than Breyers), Kirkland Signa- ture trash bags. Here’s a link that might be of interest to a photographer traveling to India: http://travel.siliconindia.com/news/Top-Most- If interested in participating in New York Beautiful-Places-of-Landscape-Photography-i Photo Festival, go to n-India-aid-3925.html. http://nyph.at/PhotoWorld2014. BTW; The geologic history of the Deccan “Nature, Historical Architecture and Land- Traps is well worth a read: scape Photography on Lake Erie Islands”, http://en.wikipedia.org/wiki/Deccan_Traps. program #21772JRH by Road Scholar. “Exhibition of Panoramic Landscapes by Wil- liam Lulow” at Club Fit Briarcliff, 584 North State Road, Briarcliff Manor, NY, Sept. 2 - 30. Meet the artist Sunday, Sept. 7, from 1 to 4 pm. ConsumerReports on Costco. CR rates the following Kirkland products very highly: ! 1 Pat thinks that some reader might find a Guide to Facebook Business Page Timelines might be of interest to someone: http://offers.hubspot.com/guide-to-facebook- business-page-timelines?utm_campaign=Kick back+Email&utm_source=email& Wonder what a negative critique of a photo book results in, in Iran? http://petapixel.com/2014/08/18/photographer s-iran-sentenced-75-lashes-giving-officials-ph oto-book-bad-reviews/ The history of photography in less than 5 minutes: www.youtube.com/watch?v=XaGUL8B-BrE Selfies in the 19th century? Skillful and amusing: http://ibnlive.in.com/photogallery/16592-1.ht http://alexandracameronphotography.blogspot ml .com/2011/12/feature-interview-365-days-joel -robison.html. -
TESSERACT -- Antique Scientific Instruments
TESSERACT Early Scientific Instruments Special Issue: OPTICAL PLEASURES Catalogue One Hundred Seven Summer, 2018 $10 CATALOGUE ONE HUNDRED SEVEN Copyright 2018 David Coffeen CONDITIONS OF SALE All items in this catalogue are available at the time of printing. We do not charge for shipping and insurance to anywhere in the contiguous 48 states. New York residents must pay applicable sales taxes. For buyers outside the 48 states, we will provide packing and delivery to the post office or shipper but you must pay the actual shipping charges. Items may be reserved by telephone, and will be held for a reasonable time pending receipt of payment. All items are offered with a 10-day money-back guarantee for any reason, but you pay return postage and insurance. We will do everything possible to expedite your shipment, and can work within the framework of institutional requirements. The prices in this catalogue are net and are in effect through December, 2018. Payments by check, bank transfer, or credit card (Visa, Mastercard, American Express) are all welcome. — David Coffeen, Ph.D. — Yola Coffeen, Ph.D. Members: Scientific Instrument Society American Association for the History of Medicine Historical Medical Equipment Society Antiquarian Horological Society International Society of Antique Scale Collectors Surveyors Historical Society Early American Industries Association The Oughtred Society American Astronomical Society International Coronelli Society American Association of Museums Co-Published : RITTENHOUSE: The Journal of the American Scientific Instrument Enterprise (http://www.etesseract.com/RHjournal/) We are always interested in buying single items or collections. In addition to buying and selling early instruments, we can perform formal appraisals of your single instruments or whole collections, whether to determine fair market value for donation, for insurance, for loss, etc. -
Starting Darktable
Digital photo development with Darktable Manage and develop your digital images with Darktable v0.8. Stefano Fornari, Mario Latronico, Nicholas Manea 2 Copyright and License Copyright © 2011 Stefano Fornari, Mario Latronico, Nicholas Manea This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License. The book Darktable is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. 3 Table of Contents Digital photo development with Darktable..........................................................................................2 Copyright and License.....................................................................................................................3 Preface.............................................................................................................................................7 Credits.........................................................................................................................................7 Who should read this book..........................................................................................................7 Conventions................................................................................................................................7 A simple tutorial...................................................................................................................................8 Starting darktable.............................................................................................................................8 -
Panorama Time
http://www.diva-portal.org This is the published version of a paper published in . Citation for the original published paper (version of record): Simbelis, V. (2017) Time and Space in Panoramic Photography Acoustic Space, 16(4): 233-245 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-224616 -RENEWABLE FUTURES- Time and Space in Panoramic Photography Vygandas “Vegas” Šimbelis KTH Royal Institute of Technology, Stockholm, Sweden Abstract This article intends to show a usage-hacking case of everyday technology for creating visual narratives. The photographic art project “Panorama Time” is discussed through a techno-cultural perspective and examines the spatial-temporal dimension in panoramic photography, which, in this case, is a digital camera in a mobile phone. The post-media condition and its characteristic of embracing the fusion of different media in one device without specifying any single one is examined in our project through the combination of photographic and cinematographic processes combined in the mobile device. The rolling shutter feature, which is the technological core of digital cameras, enables the strip-photography technique, in our case used in a panoramic technique to deliver a set of concepts: glitch, repetition, frozen frames, and similar. Through deliberate navigation and control, the user breaks the panoramic view, and thus the project’s technique presents the distinction between fault and glitch aesthetics. We show examples and demonstrate the process of creating our digital photography art project “Panorama Time”. -
Masonry Course Text
MASONRY COURSE TEXT MASONRY 1ST EDITION COURSE TEXT 1ST EDITION 5A Century Drive, Trincity Industrial Estate, Macoya, Trinidad, West Indies Tel: (868) 663-4MIC (4642) Fax: (868) 663-6055 Email: [email protected] Website: www.mic.co.tt NOTICE TO THE READER The reader is expressly warned to consider and adopt ALL safety precautions that might be indicated by the activites in this text, and to use common sense to avoid ALL potential hazards. By following the instructions contained in the text, the reader willingly assumes all risks in connection with such instructions. BRAND DISCLAIMER MIC does not necessarily recommend or endorse any particular company or brand name product that may be discussed or pictured in this text. Brand name products are used because they are readily available, likely to be known to the reader, or their use may aid in the understanding of the text. MIC recognizes that other brand names or generic products may be substituted and work as well or even better than those featured in the text. Copyright © 2011 by Metal Industries Company Limited (MIC) Funded by the European Development Fund (EDF) All rights reserved. No part of this text may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, edf Non-University Tertiary Education Sector photocopying, recording, or otherwise, without the prior “ Aiding the GROWTH of Global Minds” written permission of MIC Ltd. Funded by the European Union The Government of Trinidad and Tobago MASONRY COURSE TEXT 1ST EDITION iv -
Photography and the Art of Chance
Photography and the Art of Chance Photography and the Art of Chance Robin Kelsey The Belknap Press of Harvard University Press Cambridge, Massachusetts, and London, En gland 2015 Copyright © 2015 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America First printing Library of Congress Cataloging- in- Publication Data Kelsey, Robin, 1961– Photography and the art of chance / Robin Kelsey. pages cm Includes bibliographical references and index. ISBN 978-0-674-74400-4 (alk. paper) 1. Photography, Artistic— Philosophy. 2. Chance in art. I. Title. TR642.K445 2015 770— dc23 2014040717 For Cynthia Cone Contents Introduction 1 1 William Henry Fox Talbot and His Picture Machine 12 2 Defi ning Art against the Mechanical, c. 1860 40 3 Julia Margaret Cameron Transfi gures the Glitch 66 4 Th e Fog of Beauty, c. 1890 102 5 Alfred Stieglitz Moves with the City 149 6 Stalking Chance and Making News, c. 1930 180 7 Frederick Sommer Decomposes Our Nature 214 8 Pressing Photography into a Modernist Mold, c. 1970 249 9 John Baldessari Plays the Fool 284 Conclusion 311 Notes 325 Ac know ledg ments 385 Index 389 Photography and the Art of Chance Introduction Can photographs be art? Institutionally, the answer is obviously yes. Our art museums and galleries abound in photography, and our scholarly jour- nals lavish photographs with attention once reserved for work in other media. Although many contemporary artists mix photography with other tech- nical methods, our institutions do not require this. Th e broad affi rmation that photographs can be art, which comes after more than a century of disagreement and doubt, fulfi lls an old dream of uniting creativity and industry, art and automatism, soul and machine. -
Metrology Studies and Baseplate-Pixel Sensor Gluing of the Pixel Strip Modules for the CMS II Phase Upgrade
Metrology Studies and Baseplate-Pixel Sensor Gluing of the Pixel Strip Modules for the CMS II Phase Upgrade Supervisors: Author: James Keaveney Jem Aizen M. Guhit Marino Missiroli Abstract The upcoming High-Luminosity (HL) upgrade to the Large Hadron Collider (LHC) has set in motion the Central Muon Solenoid (CMS) Phase II Upgrade on its silicon tracker. To withstand the problems the current tracker cannot solve, such as the increase in data rates, pile up, and radiation damage, a new module with two silicon sensors closely spaced in a sandwhich configuration is capable of discriminating between high and low transverse momentum. This configuration allows the tracker to provide information in the first level trigger decision. In order to prolong the lifetime of the modules during operation, an efficient cooling system has to be embedded within the components. This report outlines the advances and improvement made on the gluing techniques between the baseplate and pixel sensor of the pixel strip (PS) modules. The techniques were tested and produced promising results. Also, another important studies made was on the alignment of the silicon sensors. Methods on Metrology were developed using the capabilities of the newly commissioned microscope in the Detector Assembly Facility (DAF) at DESY. A relative angular tilt was found between the XY Stage and the microscope, which was then analytically calculated and was used as a correction to the measured values. These measurements were compared to the previous SmartScope Data. Table of Contents 1 Introduction 3 1.1 The Large Hadron Collider . 3 1.2 HL - LHC . 3 1.3 CMS Experiment . -
Panoramic Cameras I Built Over the Years
PANORAMIC CAMERAS I'VE MADE Andrew Davidhazy, Imaging and Photographic Technology Rochester Institute of Technology My experiences with panoramic camera construction started in the late 1960's while still an undergraduate student at R.I.T. and while involved with exploring the photographic possibilities of moving film type cameras generically known as "strip" cameras. I first learned of the pictorial applications of these cameras from the work of Life Magazine's George Silk and his coverage of the 1960 Olympics with a camera modified for him by Marty Forsher. The first panoramic camera I built consisted of a mechanism for rewinding the film in a standard 35mm camera while the camera was manually panned at a rate controlled by the focal length used on the camera. The longer the lens the slower the pan for a given rewind speed. I took an approach to determining the length of film required for a full 360° shot which was, and remains, rather unorthodox. Instead of using the traditional formula of 2 x f x pi, I divide the vertical angle of view of the lens in use into 360 and multiply this figure by 24mm. While normal focal length lenses require similar lengths by each method it was not until I came in contact with Cirkut photographers that the advantages of the previous method became evident. At the same time that my interest in panoramic photography increased I started to experiment with enlargements. In 1970 I made a 360° 32 foot long print from a panoramic photography made with a 35mm focal length lens on the above camera turned by a battery driven rotating tripod head made for it. -
Photography-Guide.Pdf
The Art of Photography A guide to digital Photography AN E-BOOK BY SHUTTER | TUTORIALS www.shuttertutorials.wordpress.com | www.facebook.com/ShutterTutorials Author Tanay Shandilya CONTENT WORKING OF A DSLR CAMERA THE SENSOR AND CUP UNDERSTANDING LIGHT DYNAMIC RANGE UNDERSTANDING ISO EXPOSURE CAMERA SHUTTER SPEED UNDERSTANDING CAMERA LENSES UNDERSTANDING PHOTOGRAPHY ‘CIRCLE OF CONFUSION’ OPTICAL ZOOMING PERSPECTIVE CHANGE THE HISTOGRAM FULL FRAME v/s CROPPED SENSOR GET TO KNOW FLASH PHOTOGRAPHY Working Of A DSLR Camera A camera based on the single-lens reflex (SLR) principle uses a mirror to show in a viewfinder the image that will be captured. The cross-section (side-view) of the optical components of an SLR shows how the light passes through the lens assembly (1), is reflected into the pentaprism by the reflex mirror (which must be at an exact 45 degree angle) (2) and is projected on the matte focusing screen (3) opens, and the image is projected and captured on the sensor (4), after which actions, the shutter closes, the mirror returns to the 45 degree angle, the diaphragm reopens, and the built in drive mechanism re-tensions the shutter for the next exposure. (5). Via a condensing lens (6) and internal reflections in the roof penta-prism. (7) the image is projected through the eyepiece (8) to the photographer‘s eye. Focusing is either automatic, activated by pressing half-way on the shutter release or a dedicated AF button, as is mainly the case with an autofocusing film SLR; or manual, where the photographer manually focuses the lens by turning a lens ring on the lens barrel.