Style and Citation Guide

Steinbach College requires all students to follow the Turabian (Chicago) footnotes- bibliography (ninth edition) style when formatting papers.

Footnotes-Bibliography Style When using bibliography style, place a superscript number at the end of the sentence with a quotation.

He argues that “plenary verbal inspiration view seems to deal best with all biblical evidence.” 1

These numbers correspond with footnotes at the bottom of each pages.

F: 1. Bill T. Arnold and Bryan Beyer. Encountering the : A Christian Survey. 2nd ed. (Grand Rapids, MI: Baker Academic, 2008), 25.

When citing the same source again, use a shortened version for the footnotes.

F: 3. Arnold and Beyer, Encountering the Old Testament, 25.

Or

F: 3. Arnold and Beyer, 25.

If the same source is cited back-to-back, used ibid in the repeating footnote:

F: 3. Ibid., 25.

All sources are also listed at the end of the paper in a bibliography. In this list, include every source that was cited, as well as any sources that you consulted and did not cite.

B: Arnold, Bill T., and Bryan Beyer. Encountering the Old Testament: A Christian Survey. 2nd ed. Grand Rapids, MI: Baker Academic, 2008.

The Bible is cited in-text (parenthetical) only, NOT in the footnotes. The Bible is NOT included in the bibliography.

“The earth is filled with your love, Lord” declared the psalmist (Psalm 119:64, NIV).

Bibliography Page At the end of the paper is the bibliography--a list of all the works cited and consulted. These are the guidelines to follow when arranging this page  List all entries with a hanging indent  List the lead author by surname first; list all other author names as they appear in the source  Arrange entries in one alphabetical sequence by the first name or word given in the entry. When beginning with the title ignore initial articles (e.g. A, An, The) for alphabetization.  If there are two or more entries by the same author, give the author’s name in the first entry only. In subsequent entries use three hyphens in place of the name, followed by a period and the title. Arrange these works alphabetically.

Examples of Different Source Types The following is a list of source types commonly encountered and examples of how to cite them. If a source is not listed below, refer to the Chicago/Turabian guidebook in the library or the Purdue Owl site: owl.purdue.edu

F=Footnote B=Bibliography

Bible: The Bible is not included in the Footnotes or Bibliography. Instead, the book of the Bible, chapter, and verse are listed in brackets within the essay text. The version is included in the first citation. Books of the Bible can be abbreviated (e.g.: 1 Cor. or Thess.).

“The earth is filled with your love, Lord” declared the psalmist (Psalm 119:64, NIV).

Book with single author: if there is no author, and the book is issued by an organization, list the organization as the author, even if it is also the publisher.

F: 1. Donald B. Kraybill, The Upside-Down Kingdom (Waterloo, ON: Herald Press, 2003), 167. B: Kraybill, Donald B. The Upside-Down Kingdom. Waterloo, ON: Herald Press, 2003.

Book with multiple authors:

F: 1. Bill T. Arnold and Bryan Beyer. Encountering the Old Testament: A Christian Survey. 2nd ed. (Grand Rapids, MI: Baker Academic, 2008), 25. B: Arnold, Bill T., and Bryan Beyer. Encountering the Old Testament: A Christian Survey. 2nd ed. Grand Rapids, MI: Baker Academic, 2008. Note: If there are four or more authors, list only the first author with et al. in the footnote. (List all the authors in the Bibliography) F: 1. Jacqueline Dowd Hall et al., Like a Family: The Making of a Southern Cotton Mill World (Chapel Hill: University of North Carolina Press, 1987), 124.

Book with editor (no author): simply replace the author’s name with the editor’s and add ed. directly after. For multiple editors, follow the same format as multiple authors and add eds.

F: 1. Gary Geddes, ed., The Art of Short Fiction (Toronto: Addison-Wesley, 1999), 156. B: Geddes, Gary, ed. The Art of Short Fiction. Toronto: Addison-Wesley, 1999.

Book with author and editor

F: 1. C. S. Lewis, Letters ed. Walter Hooper (New York: HarperCollins Publishers, 1988), 375. B: Lewis, C. S. Letters. Edited by Walter Hooper. New York: HarperCollins Publishers, 1988.

Electronic Book: Include the format (e.g. Kindle, adobe PDF eBook) consulted. If read online, list the URL or database accessed. If no page numbers are given, use chapters or location numbers.

F: 1. Ruth Hetzendorfer, The Pastoral Counseling Handbook: A Guide to Helping the Hurting (Nashville: Nazarene Publishing House, 2013), 56-57, EBSCOhost. B: Hetzendorfer, Ruth. The Pastoral Counseling Handbook: A Guide to Helping the Hurting. Nashville: Nazarene Publishing House, 2013. EBSCOhost.

Journal Article

F: 1. Gideon Peterson, “Mission: Restoring the Link with God,” Ministry 87, no. 9 (September 2015): 17. B: Petersen, Gideon. “Mission: Restoring the Link with God.” Ministry 87, no. 9 (September 2015): 16-18.

Magazine Article

F: 1. Annette Safstrom, “Building Balanced Faith,” Children’s Ministry, March/April 2016, 56-59. B: Safstrom, Annette. “Building Balanced Faith.” Children’s Ministry, March/April 2016.

Newspaper Articles: Skip the newspaper citations in your Bibliography, unless they are frequently cited or critical to your paper.

F: 1. Ian Froese, “NDP recommit to Lorette multiplex,” The Carillon (Steinbach), March 24, 2016.

Movie / Film: You may include information about producers, actors, writers, and so forth if it is relevant to your discussion. If the DVD or VHS was released on a later date, include that year as well. If accessed online, include all relevant information and the access date.

F: 1. End of the Spear, directed by Jim Hanon, (20th Century Fox Home Entertainment, 2006), DVD. B: End of the Spear. Directed by Jim Hanon. 20th Century Fox Home Entertainment, 2006. DVD.

Website: Always include a URL, along with all publication information given. Skip the website citations in your Bibliography, unless they are frequently cited or critical to your paper.

F: 1. Ed Stetzer, “The Future of Music in the Church,” Today, March 30, 2016, accessed March 31, 2016, http://www.christianitytoday.com/edstetzer/2016/march/future-of-music-in- church.html. B: Stetzer, Ed. “The Future of Music in the Church.” Christianity Today. March 30, 2016. accessed March 31, 2016. http://www.christianitytoday.com/edstetzer/2016/march/future-of-music-in- church.html.

Lexicon Dictionary (Theological Wordbook of the Old Testament, etc.) F: 1. Victor P. Hamilton, “Word” TWOT 2: 904. B: Hamilton, Victor P. “Word” Pages 903-04 in vol. 2 of Theological Wordbook of the Old Testament. 2 vols. Edited by R. Laird Harris. Chicago: Moody, 1980.

Online Lexicon (Blue Letter Bible, etc.)

F: 1. "G2316 - theos (KJV):: Strong's Greek Lexicon." Blue Letter Bible. 2016. Accessed 5 Apr, 2016. http://www.blueletterbible.org/lang/lexicon/lexicon.cfm?Strongs=G2316&t=KJV. B: Blue Letter Bible. 2016. "G2316 - theos (KJV):: Strong's Greek Lexicon." Accessed 5 Apr, 2016. http://www.blueletterbible.org/lang/lexicon/lexicon.cfm?Strongs=G2316&t=KJV.

One Source quoted in another: Avoid repeating a quote from a secondary source. Instead try to find the quote in the original source to increase accuracy and credibility.

F: 1. Deyan Sudjic, The Language of Things: Understanding the World of Desirable Objects (New York: Norton, 2008), 110, quoted in Leonard Sweet, Viral (Colorado Springs, Colo: Waterbrook Press, 2012), 83. B: Sudjic, Deyan. The Language of Things: Understanding the World of Desirable Objects. New York: Norton, 2008, 110. Quoted in Leonard Sweet, Viral. Colorado Springs, Colo: Waterbrook Press, 2012.

The title page is not numbered.

Double space

Center Bold

The Wise and Foolish Bridesmaids:

Matthew 25: 1-13

John Doe

Box 25

BI121: Introduction to the

Professor Carl Loewen

May 1, 2018 Double spaced

1 inch Times New Roman, 12 pt 1 Only print one sided

Matthew is the only gospel writer to include in his composition the parable of the Wise and

Foolish Bridesmaids. The parable’s initial message is clear: be ready for Christ’s return, as He

could come at any time. Uncovering first century religious and political culture is crucial in

understanding more fully the meanings and interpretations of this passage.

The disciples ask a poignant question: “When will your return happen, and what will be

1 the sign of your coming and of the end of the age?” (Matt. 24:3, NIV) Jesus answers his Inch

disciples by speaking of false messiahs, natural disasters, persecution and revival. These two Non- justified chapters comprise a collection of Jesus’s teaching that concentrate on His return and the

corresponding preparation of His followers.1 As if to drive home the points He makes in chapter 1 Inch 24, Jesus continues the conversation with parables that are applicable to this subject. The Left justified parable of the Wise and Foolish Bridesmaids stresses “for the last time in the discourse, that

Jesus’s coming is unknowable.”2

Headings: Left Justified The Wedding Feast

Indent (tab) The key elements in first-century Middle Eastern wedding celebrations were the procession each paragraph and the feast. In this parable, “we are introduced to the scene at the point where the bridegroom

is soon expected to arrive and take the bride in festive procession back to his home.”3 The ten

bridesmaids would be waiting at the gate to the groom’s house, waiting for the procession to

arrive. These bridesmaids would have been the unmarried friends of the bride or groom.4

Use block quotations for citations longer The five girls who are called foolish and who occupy the center of attention in the parable than 5 lines. The do not seem to be guilty of anything evil. They come with the best intentions and wish entire quotation is the bride and the groom years of matrimonial happiness. But they fail to do the wishes of indented & single spaced. Do not use quotation marks. 1 Dean O. Wenthe, “Parable of the Ten Bridesmaids: Matthew 25: 1-13,” Springfielder 40, no. 11 (1976): 11.

2 Robert D. Young and Eliana Smith, “Matthew 25: 1-13,” Interpretation 54, no. 4 (2000): 594.

3 Wenthe, 12.

4 Wolfgang Stegemann, Bruce J. Malina and Gerd Thiessen, eds, The Social Setting of Jesus and the Gospels (Minneapolis: Fortress Press, 2002), 100, EBSCOhost. Footnotes are Times New Roman 10pt. Single space within a footnote citation, 1 inch double space between different footnotes. 2

the bride and bridegroom, for they neglect to take the necessary oil along. (They) forget to make adequate preparations for their appointed task. They come unprepared and for that reason are excluded from the wedding hall.5

Jesus is calling His followers to be prepared for His return and to fulfill the task laid out before them. Jesus concludes the parable with a poignant reminder to “keep watch because you do not know the day or the hour” in which He will return (Matt. 25:13). Jesus instructs His disciples to “always be prepared for his return so that they can be part of the eternal celebration.”6

5 Simon J. Kistemaker, The Parables of Jesus (Grand Rapids: Baker Books, 1980), 133.

6 Ibid., 135. 3

Bibliography

Double spaced Kistemaker, Simon J. The Parables of Jesus. Grand Rapids: Baker Books, 1980. between entries Stegemann, Wolfgang, Bruce J. Malina and Gerd Thiessen, eds. The Social Setting of Jesus and alphabetical the Gospels. Minneapolis: Fortress Press, 2002. EBSCOhost. Wenthe, Dean O. “Parable of the Ten Bridesmaids: Matthew 25: 1-13.” Springfielder 40, no. 11 (1976): 9-16. Accessed May 1, 2016. ATLA Religion Database, EBSCOhost. Young, Robert D. and Eliana Smith. “Matthew 25: 1-13.” Interpretation 54, no. 4 (2000): 419- 422. Accessed May 1, 2016. ATLA Religion Database, EBSCOhost. Single spaced 2nd line 2nd line indented