English & Continental Furniture & Decorative Arts & Silver Old Master

Total Page:16

File Type:pdf, Size:1020Kb

English & Continental Furniture & Decorative Arts & Silver Old Master ENGLISH & CONTINENTAL FURNITURE, DECORATIVE ARTS & SILVER OLD MASTER PAINTINGS & DRAWINGS Wednesday, February 5, 2020 NEW YORK ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS & SILVER OLD MASTER PAINTINGS & DRAWINGS AUCTION Wednesday, February 5, 2020 at 10am EXHIBITION Saturday, February 1, 10am – 5pm Sunday, February 2, Noon – 5pm Monday, February 3, 11am – 6pm LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalog: $25 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Paintings 1-83 Otis and Fredericka Carney Silver & Silver Plate 84-155 The Nelson Doubleday, Jr. Collection Furniture & Decorative Arts 156-392 An Upper East Side Collector Carpets, Rugs & Tapestries 393-413 The Marian Sulzberger Heiskell and Andrew Heiskell Collection Virginia Strub Kelly Glossary I JoAnn E. Macbeth Conditions of Sale II A Park Avenue Lady Terms of Guarantee IV A Pennsylvania Collection Information on Sales & Use Tax V Percy Rivington and Evelyn Sloane Pyne Buying at Doyle VI Leonard and Elaine Silverstein, Bethesda, MD Selling at Doyle VIII Rosa Strygler Auction Schedule IX Jack Weisenhunt of Dallas and Laguna Beach Company Directory X Absentee Bid Form XII INCLUDING PROPERTY FROM A Beekman Place Apartment A Georgia Private Collector A New York Private Collector A Palm Beach Private Collection A Park Avenue Apartment A Private Collector, Greenwich, Connecticut A Private Collector, New York Susan Weber OLD MASTER PAINTINGS & DRAWINGS Lot 14 6 Flemish School 17th Century The Wisdom of Solomon Oil on canvas, arched top 76 1/2 x 45 inches (194.3 x 114.3 cm) C $2,000-4,000 7 Attributed to Daniel Mytens A Lady Wearing a Pearl Necklace Oil on panel 29 1/4 x 23 1/2 inches (74.3 x 59.7 cm) Provenance: Private collection, New York, since the 1950s By inheritance to the present owner 1 C $4,000-6,000 Venetian School 17th Century See Illustration The Baptism of Christ Oil on canvas 8 47 1/2 x 35 inches (120.5 x 89 cm) Attributed to Alexander Adriaenssen A Fishermaid with her Catch Provenance: Oil on canvas Private collection, United Kingdom 35 3/4 x 49 inches (90.9 x 124.5 cm) C C $7,000-12,000 $800-1,200 See Illustration See Illustration 9 Attributed to Alexander Adriaenssen Fisherman with his Catch Oil on canvas 35 5/8 x 49 inches (90.5 x 124.5 cm) C $800-1,200 10 7 Manner of the Master of the Magdalen Legend Mary Magdalene Holding an Oil Jar 1 Oil on panel 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm) C $800-1,200 2 4 Attributed to Luca Cambiaso Follower of Francesco Albani 11 The Flagellation of Christ Bathsheba at her Bath After Theodoor Rombouts Bears unidentified collector’s stamp CC with coronet (Lugt 513) Oil on canvas El Charlatán Saca Muelas (The Tooth Brown ink and wash on paper 28 3/4 x 22 inches (73 x 55.9 cm) Extractor) 7 ½ x 5 3/16 inches (19 x 13.3 cm) C Oil on canvas $2,000-4,000 29 3/4 x 57 1/8 inches (75.5 x 145 cm) Provenance: The original version of this work is in the the The Collection of Mr. and Mrs. Lester Francis Avnet, New York Museo del Prado, Madrid. 5 Exhibited: After Carlo Maratta Provenance: New York, American Federation of Arts, and traveling, Portrait of the Artist’s Daughter, the Painter and Poet Faustina Maratta The New York Academy of Medicine Old Master Drawings, May 1969-Dec. 1970, cat. no. 9 Oil on canvas (presented to the Academy by C 24 3/8 x 19 3/4 inches (62 x 50.2 cm) Dr. Hayes Martin, 1961) $800-1,200 The original version of this portrait is now in the Corsini Gallery in Rome. C Faustina Maratta (circa 1679-1745) was born in Rome, the natural $800-1,200 3 daughter of the artist Carlo Maratta, who saw to it that she received After Antonio Allegri, called Correggio a good education in painting, music and poetry. Well-known both for 12 Sleeping Venus, with Cupid and a Satyr (Jupiter and Antiope) her learning and her beauty as a young woman, she was attemptedly Oil on canvas Flemish School kidnapped by a local nobleman, but managed to escape, and her 17th/18th Century 38 x 24 1/4 inches (96.5 x 61.5 cm) would-be abductor was forced to flee to Naples and later to Spain. Floral Still Life in an Urn Ornamented The original of this work by Correggio is in the Musée du Louvre, Paris. Later, in 1705, she married the poet Giambattista Felice Zappi, and the with Dolphins C couple’s house in Rome became the meeting place of a distinguished Oil on panel $800-1,200 literary circle. 35 1/2 x 30 3/4 inches (90.2 x 78.2 cm) C C $800-1,200 $1,500-2,500 8 6 DOYLE • FEBRUARY 5, 2020 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 7 13 16 20 Circle of Jusepe Ribera Continental School Jan Looten 17th Century 18th/19th Century Dutch, 1617/18-1681 Saint Jerome in his Study The Finding of Moses and A Mountainous Landscape Oil on canvas Moses Striking the Rock: Two with Hunters 43 3/4 x 32 1/2 inches Each oil on canvas Signed J Looten and dated 1649 (111.2 x 82.6 cm) Each appromiately (on a rock, lc) C 40 x 50 1/4 inches Oil on canvas $8,000-12,000 (101.7 x 127.6 cm) 44 1/4 x 57 5/8 inches See Illustration C (112.5 by 146.5 cm) $1,000-3,000 Provenance: 14 Pierard de Valenciennes Spanish School 17 [Sale] Edgard Fievez, Brussels, 17th/Early 18th Century Manner of Sir Anthony van Dyck May 29, 1899, lot 68 (bt. Legrand) An Allegory of Autumn Three Boys with their Pets [Sale] Rasmussen, Copenhagen, Oil on canvas Signed with initials AL/pinxt Feb. 11, 1969, lot 237 35 1/2 x 57 3/8 inches and dated 1672 (ll) [Sale] Christie’s, London, (90.2 x 145.7 cm) Oil on canvas March 29, 1974, lot 16 C 34 1/4 x 44 inches Acquired at the above sale $5,000-8,000 (87 x 111.9 cm) Galerie Sanct Lucas, Vienna, 1974-75 See Illustration C Private collection, Madrid $2,000-3,000 Richard L. Feigen & Co., New York 15 We are grateful to Marijke C. de Kinkelder 18 Italian School of the RKD in The Hague for having 17th/18th Century English School confirmed Looten’s authorship of The Adoration of the Magi 17th Century this painting. and The Adoration of the Portrait of Oliver Cromwell C Shepherds: A Pair Oil on canvas $6,000-8,000 Each oil on canvas mounted 19 3/4 x 16 inches See Illustration on panel, ovoid (50.3 x 40.7 cm) Each 12 1/4 x 11 1/4 inches C (31 x 28.5 cm) $1,000-2,000 C 20 $1,500-3,000 19 Attributed to José Maria Vasquez Portrait of a Young Girl 21 23 Holding a Rose Attributed to Giuseppe Recco French School Inscribed José Maria Vasquez/ Still Life of Roses, Tulips and 17th/18th Century pintor on the reverse Other Flowers on a Ledge Still Life of Flowers and Fruit Oil on canvas Oil on canvas Remnants of a signature (ll) 35 x 25 1/2 inches 25 x 19 3/4 inches Oil on canvas (89 x 64.8 cm) 13 (64.2 x 50.2 cm) 34 1/4 x 47 1/2 inches Unframed (87 x 120.7 cm) C This work may have been Unframed $1,500-2,500 intended as a floral Allegory of C Summer, with flowers associated $1,500-3,500 with that time of year. C $3,000-5,000 24 See Illustration Italian School 17th/18th century Vases of Flowers on Rock 22 Ledges: A Pair Attributed to Giusseppe Recco Each oil on canvas Still Life of Passion Flowers, Each 15 x 17 3/4 inches Dogwood and Other Blooms on (38.1 x 145.1 cm) a Ledge C Oil on canvas $2,000-3,000 25 1/4 x 19 3/4 inches (64.2 x 50.2 cm) 25 This work was possibly intended French School as a floral Allegory of Spring, 19th Century with flowers associated with the Flowers in a Vase on a Ledge Easter season. Oil on canvas C 18 x 15 inches (45.7 x 38.1 cm) $3,000-5,000 C $600-800 14 21 8 DOYLE • FEBRUARY 5, 2020 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 9 26 32 Nicola Grassi Pietro Fabris Italian, 1682-1748 Anglo-Italian, active 1756-1804 Jacob Lifting the Stone from the Well The Amorous Huntsman Oil on canvas Oil on canvas 38 x 51 1/8 inches (96.5 x 129.9 cm) 16 x 13 inches (40.6 x 33.5 cm) The authenticity of this work has been The authenticity of this work has been confirmed by Professor Lino Moretti on the confirmed by Professor Nicola Spinosa from basis of photographs. firsthand examination. The unusual incident shown here is from Provenance: Genesis 29:9, in which Jacob, fleeing the Private collection wrath of his brother Esau, has arrived in [Sale] Sotheby’s London, July 10, 2008, lot 260 Paddan-Aram, the country of his uncle Laban.
Recommended publications
  • Discover the Styles and Techniques of French Master Carvers and Gilders
    LOUIS STYLE rench rames F 1610–1792F SEPTEMBER 15, 2015–JANUARY 3, 2016 What makes a frame French? Discover the styles and techniques of French master carvers and gilders. This magnificent frame, a work of art in its own right, weighing 297 pounds, exemplifies French style under Louis XV (reigned 1723–1774). Fashioned by an unknown designer, perhaps after designs by Juste-Aurèle Meissonnier (French, 1695–1750), and several specialist craftsmen in Paris about 1740, it was commissioned by Gabriel Bernard de Rieux, a powerful French legal official, to accentuate his exceptionally large pastel portrait and its heavy sheet of protective glass. On this grand scale, the sweeping contours and luxuriously carved ornaments in the corners and at the center of each side achieve the thrilling effect of sculpture. At the top, a spectacular cartouche between festoons of flowers surmounted by a plume of foliage contains attributes symbolizing the fair judgment of the sitter: justice (represented by a scale and a book of laws) and prudence (a snake and a mirror). PA.205 The J. Paul Getty Museum © 2015 J. Paul Getty Trust LOUIS STYLE rench rames F 1610–1792F Frames are essential to the presentation of paintings. They protect the image and permit its attachment to the wall. Through the powerful combination of form and finish, frames profoundly enhance (or detract) from a painting’s visual impact. The early 1600s through the 1700s was a golden age for frame making in Paris during which functional surrounds for paintings became expressions of artistry, innovation, taste, and wealth. The primary stylistic trendsetter was the sovereign, whose desire for increas- ingly opulent forms of display spurred the creative Fig.
    [Show full text]
  • State Historic Preservation Officer Certification the Evaluated Significance of This Property Within the State Is
    Form No. 10-300 REV. (9/77) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS ___________TYPE ALL ENTRIES - COMPLETE APPLICABLE SECTIONS______ NAME HISTORIC Louisville Free Public Library AND/OR COMMON Louisville Free public Library LOCATION STREET&NUMBER 301 West York Street _NOT FOR PUBLICATION CITY, TOWN " . , " , CONGRESSIONAL DISTRICT Louisville . .VICINITY OF 3&4 STATE CODE COUNTY CODE Kentucky 021 llMll.'Jeff«r5»rvn 111 HCLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE _DISTRICT -XPUBLIC X.OCCUPIED _ AGRICULTURE —MUSEUM ^BUILDING(S) —PRIVATE —UNOCCUPIED —COMMERCIAL —PARK —STRUCTURE —BOTH —WORK IN PROGRESS .^EDUCATIONAL —PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT _JN PROCESS J-YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED .X-YES: UNRESTRICTED —INDUSTRIAL -^TRANSPORTATION —NO —MILITARY —OTHER: OWNER OF PROPERTY NAME Louisville Free Public Library Board STREET & NUMBER 301 West York Street STATE CITY, TOWN Louisville VICINITY OF Kentucky 40203 LOCATION OF LEGAL DESCRIPTION COURTHOUSE, » REGISTRY OF DEEDS; ETC. Jefferson County Courthouse STREET & NUMBER 517 West Jefferson Street CITY, TOWN STATE Louisville Kentucky 40203 TITLE Kentucky Survey of Historic Sites DATE 1978 —FEDERAL <LsTATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS Kentucky Heritage Commission CITY, TOWN Frankfort, Kentucky STATE DESCRIPTION CONDITION CHECK ONE CHECK ONE
    [Show full text]
  • CASSIOBURY PARK Watford, Hertfordshire
    HERITAGE CASSIOBURY PARK Watford, Hertfordshire CLIENT: WATFORD BOROUGH COUNCIL VALUE: £5,400,000 CONTRACT PERIOD: 69 WEEKS This 18 month-long scheme saw works take place across what is, at 190 acres, Watford’s largest public open space. Attracting around 2 million The newly refurbished Cha Cafe visitors a year, Cassiobury Park’s historic importance was recognised in 1999 when it entered at Grade II in the English Heritage’s Register of Parks and Gardens of Historical Interest. The project, on behalf of Watford Borough Council, was made possible by funding from the Heritage Lottery Fund and Big Lottery and incorporated: • The careful restoration and relocation of a Grade II listed Hill and Smith Bandstand from the Town Hall back to its original home in the park • Refurbishment works to the existing Cha Cafe including the creation of a new external playground and surrounding paving/ landscaping works • The creation of a new entrance to the park which features a “footprint” of the old gatehouse laid out in the cobblestones • Restoration of the former Mill to Cassiobury House, the house itself was demolished in 1927 The final phase was the construction of a eco-friendly Hub Building and the modernisation of existing paddling pools in the heart of the park. Set into the landscape the Hub is finished with striking CorTen weathered steel cladding and features a cafe, exhibition rooms, educational facilities, changing facilities for the nearby sports pitches, toilets and office space for park staff. Living Sedum roof on the Hub Building An environmentally friendly approach was adopted from the outset to ensure the construction process was optimised and the finished build was as sustainable as possible.
    [Show full text]
  • Planters - Traditional WHY HADDONSTONE?
    Planters - Traditional WHY HADDONSTONE? Haddonstone is a unique form of cast limestone with a surface texture similar to Portland stone. The material matures and weathers like natural stone yet, piece for piece, normally costs significantly less than quarried stone. The ability to mould the Haddonstone material into almost any shape ~ faithfully reproducing new designs or producing replicas that are virtually indistinguishable from an antique original ~ has won the company numerous contracts ranging from leading international hotels and retail developments to listed National Trust properties and prestige residential projects. The material used in every design, from the smallest planter to the largest Corinthian column, exceeds the compressive cube VISIT US strength requirements of the United Kingdom Cast Stone Association and complies with all relevant UK and European At East Haddon, in the rolling countryside of Northamptonshire standards, whilst TecStone also meets the requirements of in England, Haddonstone has beautiful show gardens and an all US standards. interior showroom where visitors can see many of the designs illustrated in this catalogue in their proper settings, see opposite. Each design is hand made by Haddonstone in the UK or USA The garden and showroom are open every week from Monday using moulds created within the company’s extensive mould to Friday ~ public holidays and Christmas period excepted shops and studios. Using these same facilities Haddonstone can ~ between the hours of 9.00 am and 5.00 pm. The gardens even manufacture non-standard architectural stone pieces to are also open on occasional weekends as part of the National practically any shape, size or colour.
    [Show full text]
  • Rare Hq Office Repositioning Opportunity
    FOR SALE RARE HQ OFFICE REPOSITIONING OPPORTUNITY 24,038 SQ FT ON 0.57 ACRES SUPERB 47 CLARENDON ROAD • WATFORD • WD17 1HP OPPORTUNITY #2 ESTABLISHED The existing building provides 1970s built office accommodation over ground and 2 upper floors with basement parking. The property has been measured in accordance with the RICS Code of Measuring Practice and provides the following approximate areas: FLOOR NET INTERNAL AREA GROSS INTERNAL AREA SQ M SQ FT SQ M SQ FT Basement - - 2,104.62 22,654 Ground 942.61 10,146 1,037.28 11,165 First 646.48 6,959 746.82 8,039 Second 644.12 6,933 746.82 8,039 Third - - 262.88 2,830 TOTAL 2,233.21 24,038 4,635.54 49,897 PARKING SITE AREA 85 car spaces at grade and basement level. 0.57 acres (0.23 ha). PROPERTY 47 CLARENDON ROAD • WATFORD • WD17 1HP #3 First EXISTING FLOOR PLANS Basement Second Ground Third 47 CLARENDON ROAD • WATFORD • WD17 1HP #4 Hemel Hempstead A1(M) Cheshunt M25 Enfield M1 Watford A10 M11 Edgware FLAGSHIP Harrow M40 A1 • Situated on the edge of North London and the Romford commuter belt of Hertfordshire and South Wembley Bucks, Watford is ideally placed for continued A40 A406 A41 growth and to become even more dominant as Hayes an office location going forward Slough London A13 • Watford town centre has three mainline train M4 stations, Watford Junction, Watford High Street and North Watford, providing regular and direct access to Central London, with a fastest journey time of 16 minutes to London Euston, and numerous Greater London destinations Watford is the principal commercial Watford Junction centre in the north Station and Car Park M25 benefiting from LOCATION exceptional rail and road connections.
    [Show full text]
  • Guide to St Mary's Tombs
    The Legend of Fig Tree Tomb Guide to The Fig Tree Tomb was a popular tourist attraction in Victorian times. Using money raised through the National Lottery, the Heritage Legend claims that the person buried there was an atheist, who had Lottery Fund (HLF) aims to make a lasting difference for heritage, St Mary’s asked that something be buried in the tomb that could germinate if people and communities across the UK and help build a resilient there was life after death. heritage economy. Tombs The existence of God was proved by a fig tree that grew up from the From museums, parks and historic places to archaeology, natural tomb, dislodging the lid. This strange sight drew visitors to the environment and cultural traditions, we invest in every part of our graveyard, to hear the story and take a twig as a souvenir. The fig diverse heritage. Across the East of England we have awarded over tree has long since gone, but the tomb and the legend remains. £370 million to more than 3,300 projects since 1994. Website: www.hlf.org.uk St Mary’s Church is a vibrant Anglican community in the heart of Watford. The Church organises a wide range of services, concerts and other events. Website: www.stmaryswatford.org Additional funding and support for this project was provided by Watford Borough Council and Watford Museum. For further information on the history of the memorial structures and the restoration project, please visit the Museum’s website. If you are interested in getting involved in future events relating to the green space in St Mary’s, please contact the Museum.
    [Show full text]
  • Antique English Empire Console Writing Side Table 19Th C
    anticSwiss 02/10/2021 08:28:16 http://www.anticswiss.com Antique English Empire Console Writing Side Table 19th C FOR SALE ANTIQUE DEALER Period: 19° secolo - 1800 Regent Antiques London Style: Altri stili +44 2088099605 447836294074 Height:73cm Width:60cm Depth:40cm Price:2250€ DETAILED DESCRIPTION: This is a beautiful small antique English Empire Gonçalo Alves console with integral writing slide and pen drawer, circa 1820 in date. This dual purpose table has a drawer above a pair of elegant tapering columns with gilded mounts to the top and bottom, behind them is a pair of rectangular columns framing a framed fabric slide that lifts up when required. This screen serves as a modesty / privacy screen. This piece has a single drawer with a writing slide with its original olive green leather writing surface over a pen drawer that can be pulled out from the side of the drawer whilst the writing surface is in use. This gorgeous console table will instantly enhance the style of one special room in your home and is sure to receive the maximum amount of attention wherever it is placed. Condition: In excellent condition having been beautifully restored in our workshops, please see photos for confirmation. Dimensions in cm: Height 73 x Width 60 x Depth 40 Dimensions in inches: Height 28.7 x Width 23.6 x Depth 15.7 Empire style, is an early-19th-century design movement in architecture, furniture, other decorative arts, and the visual arts followed in Europe and America until around 1830. 1 / 3 anticSwiss 02/10/2021 08:28:16 http://www.anticswiss.com The style originated in and takes its name from the rule of Napoleon I in the First French Empire, where it was intended to idealize Napoleon's leadership and the French state.
    [Show full text]
  • Lot Description LOW Estimate HIGH Estimate 2000 German Rococo Style Silvered Wall Mirror, of Oval Form with a Wide Repoussé F
    LOW HIGH Lot Description Estimate Estimate German Rococo style silvered wall mirror, of oval form with a wide repoussé frame having 2000 'C' scroll cartouches, with floral accents and putti, 27"h x 20.5"w $ 300 - 500 Polychrome Murano style art glass vase, of tear drop form with a stick neck, bulbous body, and resting on a circular foot, executed in cobalt, red, orange, white, and yellow 2001 wtih pulled lines on the neck and large mille fleur designs on the body, the whole cased in clear glass, 16"h x 6.75"w $ 200 - 400 Bird's nest bubble bowl by Cristy Aloysi and Scott Graham, executed in aubergine glass 2002 with slate blue veining, of circular form, blown with a double wall and resting on a circular foot, signed Aloysi & Graham, 6"h x 12"dia $ 300 - 500 Monumental Murano centerpiece vase by Seguso Viro, executed in gold flecked clear 2003 glass, having an inverted bell form with a flared rim and twisting ribbed body, resting on a ribbed knop rising on a circular foot, signed Seguso Viro, 20"h x 11"w $ 600 - 900 2004 No Lot (lot of 2) Art glass group, consisting of a low bowl, having an orange rim surmounting the 2005 blue to green swirl decorated body 3"h x 11"w, together with a French art glass bowl, having a pulled design, 2.5"h x 6"w $ 300 - 500 Archimede Seguso (Italian, 1909-1999) art glass sculpture, depicting the head of a lady, 2006 gazing at a stylized geometric arch in blue, and rising on an oval glass base, edition 7 of 7, signed and numbered to underside, 7"h x 19"w $ 1,500 - 2,500 Rene Lalique "Tortues" amber glass vase, introduced 1926, having a globular form with a 2007 flared mouth, the surface covered with tortoises, underside with molded "R.
    [Show full text]
  • Catalogue 901 To
    Lots 901 - 910 Lot #901: SET OF FOUR LOUIS XVI-STYLE CARVED, PAINTED AND PARCEL-GILT MUSICAL TROPHIES Each bow-tied pendant rope back supporting a horn and a violin with bow, centering a floral cartouche with wing, painted blue-grey. Estimate: $ 2000.00 - $ 3000.00 Lot #902: PAIR OF DECORATIVE ROCK CRYSTAL OBELISKS Each on block-form pedestal and stepped base; 32 x 6 3/8 in. Estimate: $ 2000.00 - $ 3000.00 Lot #903: TWO BRASS-INLAID BOULLEWORK BOXES The larger with chamfered corners, a hinged fall-front and mother-of-pearl and red-ground tortoiseshell medallions, the other with red-ground lattice lid; 3 x 10 1/4 in. and 1 3/4 x 3 in. Estimate: $ 250.00 - $ 450.00 Lot #904: PAIR OF CHARLES X-STYLE GILT-METAL URNS Each bowl with everted egg-and-dart rim and reeded handles rising from mask heads, the block stand relief-cast with alternating music and painting trophies; 13 in., 6 1/2 in. diam. Estimate: $ 800.00 - $ 1200.00 Lot #905: SET OF FOUR RÉGENCE-STYLE PORCELAIN-MOUNTED GILT-METAL TWO-LIGHT WALL APPLIQUÉS Each with trellis arbor enclosing a figure of a youth or girl and supporting the spiral twist arms fitted with flowerheads; 14 x 10 1/2 x 6 3/4 in. Estimate: $ 800.00 - $ 1200.00 Lot #906: LOUIS VUITTON BRASS-MOUNTED LEATHER SUITCASE Lock No. 084186, Case No. 811787, with brass nailheaded metal edge, lacking tray; 17 1/2 x 28 x 8 1/2 in. Estimate: $ 600.00 - $ 800.00 Lot #907: PAIR OF ITALIAN SILVER, GILT-METAL AND STEEL-MOUNTED SINGLE-BARREL PISTOLS Signed Frachetti Minelli; each with flower and foliate-engraved mounts and a blind cartouche at handle, in later fitted silver-edged burrwood case with dome lid, dated 1978.
    [Show full text]
  • Character of Area Study
    Watford Character of Area Study Adopted December 2011 0B1.0 Introduction The Borough of Watford is a well established urban centre in West Hertfordshire that contains a diverse patchwork of areas reflecting different types of built form. These character areas provide the spatial framework for local neighbourhoods and reflect the multifunctional nature of the town as a location for employment, leisure, study and residential provision. Although these areas provide a network of urban form, rich in “place identity”, they remain at risk of degradation from the pressures of new development. There is therefore a need to identify the Borough’s existing character areas and to provide a reference for guiding contextually responsive development that reinforces local character. 2.0 Urban Conservation Strategy 2.1 The need for a comprehensive study identifying character areas within the Borough was set out in the Council’s Urban Conservation Strategy, as detailed in the Watford District Plan 2000 (adopted 2003). The Urban Conservation Strategy sets out to deliver a package of different documents covering the various heritage assets within the town, including: conservation areas, Statutory Listed Buildings, Locally Listed Buildings and archaeology. The Character of the Area Study provides an overarching resource on urban form for the whole Borough and not just areas or buildings that are designated as heritage assets and referred to in the District Plan and the Urban Conservation Strategy. 2.2 The Watford District Plan 2000 and the related Supplementary Planning Guidance Note 28 (adopted 2003) includes information on Historic Environment Character Zones in Watford. This map based resource provides general information on the historical character zones that exist within the Borough and their archaeological potential.
    [Show full text]
  • Ze Studiów Nad Recepcją Problemów Architektury Między Neoklasycyzmem I Historyzmem W Sztuce Krajów Nordyckich XIX Wieku
    NAUKA SCIENCE Zdzisława i Tomasz Tołłoczko* Ze studiów nad recepcją problemów architektury między neoklasycyzmem i historyzmem w sztuce krajów nordyckich XIX wieku The studies on reception of architectural problems between neoclassicism and historicism in the art of Nordic countries in the 19th century Słowa kluczowe: Dania, Norwegia, Szwecja, Finlandia, Key words: Denmark, Norway, Sweden, Finland, historia architektury i urbanistyki, klasycyzm, empire, history of architecture and urban design, classicism, narodowy romantyzm, neogotyk, neorenesans, neobarok, empire, national romanticism, neo-Gothic, styl ok. 1900 neo-Renaissance, neo-Baroque, style around 1900 Rozwój architektury w Skandynawii w dziewiętnastym The development of architecture in Scandinavia in the stuleciu przebiegał w ogólnym zarysie podobnie jak w innych nineteenth century in general outline followed the same course państwach europejskich, atoli w krajach nordyckich neoklasy- as in other European countries, however in the Nordic coun- cyzm był na tym obszarze szczególnie stylem preferowanym. tries neoclassicism was the particularly preferred style. Political Polityczne przemiany, które wstrząsnęły fundamentami ancien changes which shook the foundations of ancien régime in the régime’u w czasie efemerycznego cesarstwa zbudowanego przez times of the ephemeral empire built by Emperor Napoleon I, cesarza Napoleona I, miały marginalne znaczenie dla rozwoju were of marginal signifi cance to the development of art in the sztuki na obszarze Danii, Szwecji i Norwegii. Pozostawała territories of Denmark, Sweden and Norway. Scandinavia re- przeto Skandynawia poza głównym obszarem teatru wojen na- mained outside the main theatre of Napoleonic wars, although poleońskich, aczkolwiek owe brzemienne w skutkach polityczne those political events fraught with consequences did not com- wydarzenia nie ominęły również monarchii nordyckich.
    [Show full text]
  • The Norwich School John Old Crome John Sell Cotman George Vincent
    T H E NO RW I CH SCH OOL JOH N “ OLD ” CROME JOH N SELL c o TMAN ( ) , G E OR G E ‘D I N C E N T JA ME A , S S T RK 1 B N Y C OM JOHN I T . E E E R R , TH R LE D BROOKE D A ’DI D H OD N R. LA , GSO ? J J 0 M. E . 0TM 89 . g/{N E TC . WITH ARTI LES BY M UND ALL C H . C P S A , . CONT ENTS U A P S A R I LES BY H M C ND LL . A T C . , Introduction John Crome John Sell Cotman O ther Members of the Norwich School I LLUSTRATIONS I N COLOURS l Cotman , John Sel Greta rid Yorkshire t - B ge, (wa er colour) Michel Mo nt St. Ruined Castle near a Stream B oats o n Cromer Beach (oil painting) Crome , John The Return ofthe Flock— Evening (oil painting) The Gate A athin Scene View on the Wensum at Thor e Norivtch B g p , (oil painting) Road with Pollards ILLUSTRAT IONS IN MONOTONE Cotman , John Joseph towards Norwich (water—colour) lx x vu Cotman , John Sell rid e Valle and Mountain B g , y, Llang ollen rid e at Sa/tram D evo nshire B g , D urham Castle and Cathedral Windmill in Lincolnshire D ieppe Po wis Cast/e ‘ he alai d an e t Lo T P s e Justic d the Ru S . e , Ro uen Statue o Charles I Chart/2 Cross f , g Cader I dris Eto n Colleg e Study B oys Fishing H o use m th e Place de la Pucelle at Rouen Chdteau at Fo ntame—le— en i near aen H r , C Mil/hank o n the Thames ILLUSTRATIONS IN MONOTONE— Continued PLATE M Cotman , iles Edmund Boats on the Medway (oil painting) lxxv Tro wse Mills lxxvi Crome , John Landscape View on th e Wensum ath near o w ch Mousehold He , N r i Moonlight on the Yare Lands cape : Grov' e Scene The Grove Scene Marlin o rd , gf The Villag e Glade Bach o the Ne w Mills Norwich f , Cottage near L ahenham Mill near Lahenham On th e Shirts of the Forest ive orwich Bach R r, N ru es Ri'ver Ostend in the D istance B g , ; Moo nlight Yarmouth H arho ur ddes I tal e s Parts 1 oulevar i n 1 8 .
    [Show full text]