DOCSLIB.ORG

THE REVIEW Chris Locke, Lang’S Vice President, Said Students Started the Tradition of Camping out for Off-Campus Housing About Three Or Four Years Ago

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
THE REVIEW Chris Locke, Lang’S Vice President, Said Students Started the Tradition of Camping out for Off-Campus Housing About Three Or Four Years Ago oo © © u d r e v ie w The University of Delaware’s independent student newspaper since 1882 | udreview.com T he Review TUESDAY, O C TO B ER 20, 2015 VO LU M E 142, IS SU E 7 ------------------------------------------------------- A tradition unlike any other: Lang frenzy hits new heights MATT BUTLER chairs and sleeping supplies, and “It’s just the competitiveness Editor in Chief stayed at the site in a rotation so of the marketplace and the demand they could buy more supplies if for apartments on Main Street,” The scene is reminiscent of needed. Locke said. “I don’t think it has Black Friday. Students wait in Rubin estimated the line to be anything to do with one landlord shifts, using sleeping bags, lawn over 30 groups long, which would over another.” chairs and tents to make their stay mean over 150 people waiting to Lang Development signs seem more comfortable. Friends drop off sign leases, he said. omnipresent in the campus area, care packages with food and drink. “Lang owns a majority of the with 275 units already in place There is an atmosphere of joviality apartments on Main Street, and the and two more projects underway, coupled with competitive tension. apartments are often high priority’. Locke said. This is the 2015 Lang Campout. Since it is first come first serve, we But just because Lang has The annual rush to sign leases wanted to make sure we got what secured what appears to be the for Lang Development Group’s off- we wanted,” Rubin said. “I think fastest-growing influence in the campus housing next year reached a part of it was that it was late in off-campus apartment market unprecedented heights this year, the lease season, but also it was around Newark does not mean as dozens of students camped out the apartment we wanted from the they have not had glaring faults for two full nights before leases beginning.” at times. Despite their popularity, became available Wednesday Chris Locke, Lang’s vice junior Ryan Dailey said he has morning. president, said students started had an uneven experience living in But unlike Black Friday, these camping out about three or four Lang’s Madeline Crossing complex. campers will not be leaving with years ago, though then students “My experience with Lang, big screen TVs or bargain bin only gathered about 12 hours overall, has been fine,” Dailey clothing. They are walking away before lease reservations were said. “But there are grievances with peace of mind and a place to available, with that time growing that have added up since my lease live next school year. to as high as Rubin’s group’s 47 started that have ranged from Brian Rubin, a sophomore, and this year. Locke would not say how minor annoyances to unacceptable a group of friends camped out for many leases were signed, or how treatment of my property as a 47 hours, starting at 10 a.m. on many total students Lang provides tenant.” Monday. He stated in an email that housing for around the Newark they packed snacks, water, some area. See LANG page 6 h a ALL PHOTOS: KIRK SMITH/ THE REVIEW Chris Locke, Lang’s vice president, said students started the tradition of camping out for off-campus housing about three or four years ago. away from the group of witnesses. for his actions. Ogden said he had She said two responding officers not heard anything regarding a tackled him to the ground, but lawsuit from the victim. Video shows cops apprehending were unable to effectively hold “When 1 look at the totality of him down because of his size and the situation, knowing that they combativeness. Meagher pleaded are trying to secure the person with cops to ease up, audible at to prevent them from injuring seizure victim on campus the 38-second mark of the video, themselves or others,” Ogden as it was clear the man was still said. “I think the officers acted confused and angered further by appropriately.” the police sirens. shouts. “You broke my arm.” the car around and got out to help MARGARET McNAMARA & MATT “I don’t think he could really Toward the end of the video the stranger. BUTLER even process what was happening,” the man is brought to his feet and Hardy used to work for a fire Associate News Editor & Editor in she said. “The cops w'ere being handcuffed. He was taken to a department and said he recognized Chief very aggressive. I don’t know— hospital afterward and sustained the signs of a seizure. He said the they handled it in a way that I don’t no injuries, University of Delaware man was on his back, foaming at Motorists were treated to a think was okay, but I’m sure they Police Department (UDPD) Chief the mouth and was very stiff. He bizarre scene that turned violent have their protocol. They did what Patrick Ogden said. Ogden said the called the police. When the officers Wednesday night after police were they thought was necessary.” call to UDPD came from a campus arrived, the man was conscious but called to the scene of a man lying Hardy told the officers that he bus driver who reported a man was very disoriented. He started in the street on South College believed the man had a seizure. having a seizure, and that police walking down the sidewalk toward Avenue. Meagher and Hardy both said a knew they were responding to a Morris Library. Video taken by Kerry McCabe group of eight officers tried to medical call. “He was really confused,” of The Review shows several police detain him on the ground at one Ogden said he has reviewed Hardy said about the victim. “He officers using force to apprehend point, with at least one threatening security camera footage of the was trying to push me away. He the man on the ground despite to tase him. The man was resisting incident and determined that no really didn’t know what was going his screams of pain. The victim, but Hardy said it was because he excessive force was used by his on.” who appears from the video to be didn’t know what was going on— officers. Junior Alexandra Meagher who a white male in his early 30s, was not because he committed a crime “Although it’s a medical witnessed the entire event, said she lying on South College because of a and was trying to evade the police. situation, sometimes for the almost hit the man while driving, seizure, but then became agitated From Hardy’s point of view person’s own safety, you restrain having to slam on her brakes and after passersby approached him to he said at one point an officer them to prevent them from running swerve to avoid his prostrate body help. looked like he was choking the out into the street, assaulting in the road. After helping the The 99-second video shows victim who then said he couldn’t someone or falling down,” he said. disoriented man sit up, she said the victim, who police would not breathe. Hardy said the officer did “Obviously that’s what happened he acted generally confused and identify, and who could not be eventually let up. in this case.” unresponsive for a few minutes reached for comment, writhing in “It was definitely excessive Newark resident Miles Hardy, before suddenly sprinting up the pain on the ground with several force,” Hardy said. 23, was driving back from dinner street in the direction of Morris officers working to restrain him. Ogden said he understands COURTESY OF MILES HARDY with his girlfriend and a friend. He Library. At one point during the recording how someone could argue that a The 99-second video shows the victim, said he heard a strange noise and Meagher said the police he claims the police broke his arm medical call should not normally who police would not identify, and who in his rearview mirror saw a man showed up just then, meaning all during the tussle. result in a tackle and handcuffing, could not be reached for comment, writh­ was lying on the ground. He turned they saw was the man running “Owl My f***ing arm,” he but that officer will not be punished ing in pain on the ground with several officers working to restrain him. (0 LU RAW POLICE VIDEO OKTOBEARFEST K IL D A R E ’S O 5 Getting in the autumn mood with Grotto’s is out, so who will fill the vacant Go to UDReview.com to see footage of pumpkins and beer. What else? bar’s void? C/3 university police wrestling a disoriented man to the ground MOSAIC Page 9 NEWS Page 5 OCTOBER 20, 2015 udreview.com FRIDAY, OCT. 23 ^ P E N C I - “The War on Thugs: Propaganda, Politics and Mass Incarceration" lecture featuring Jason Stanley, 3:45 p.m., Mitchell Hall - Field hockey vs. Towson, 7 p.m., Fred TL;DR P. Rullo Stadium IT ” I M - SCPAB presents “Inside Out,” 8 p.m., University alum discusses Big changes coming to the Trabant Theatre - Parents and Family Weekend Com­ race and honesty financial aid application edy Show featuring BJ Novak, 8 p.m., Bob Carpenter Center Journalist Peter Bailey spoke The Office of Federal at the National Agenda lecture Student Aid will be undergoing to talk about race in America. Kildare's space up for grabs substantial nolicy changes that Until coming to college, his will take effect during the 2017 views of race were flipped from There is activity brewing to 2018 academic year.
Load more

Recommended publications
  • Richard Thompson Industry Mp3, Flac, Wma
    Richard Thompson Industry mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Industry Country: US Style: Folk Rock, Jazz-Rock MP3 version RAR size: 1768 mb FLAC version RAR size: 1765 mb WMA version RAR size: 1229 mb Rating: 4.5 Votes: 735 Other Formats: DXD MP4 TTA AA AIFF VQF MIDI Tracklist Hide Credits Chorale Arco Bass – Danny ThompsonCor Anglais – Dylan FowlerElectric Guitar – Richard 1 0:54 ThompsonPercussion – Paul ClarvisSoprano Saxophone – Paul DunmallTenor Saxophone, Bagpipes [Border Pipes] – Tony RobertsViolin – Peter Knight Sweetheart On The Barricade Double Bass, Trombone [Bass] – Danny ThompsonDrums, Percussion – David Mattacks*Guitar, Vocals – Richard ThompsonRhythm Guitar – Dylan FowlerSopranino 2 4:22 Saxophone – Paul DunmallTenor Saxophone, Bass Clarinet, Flute, Harmonium – Tony RobertsTrombone [1st Tenor] – Albert Thompson Trombone [2nd Tenor] – Harold Thompson Violin – Peter KnightVocals – Christine Collister Children Of The Dark 3 Acoustic Guitar – Dylan FowlerDouble Bass – Danny ThompsonElectric Guitar – Richard 4:19 ThompsonFlute – Tony RobertsSoprano Saxophone – Paul DunmallViolin – Peter Knight Big Chimney 4 Double Bass – Danny ThompsonGuitar, Vocals – Richard ThompsonTenor Saxophone – Paul 4:37 DunmallTenor Saxophone, Baritone Saxophone – Tony RobertsVocals – Christine Collister Kitty "Tommy, Quick! Get Up. I Can Hear Clogs Goin' Up The Street." Tommy "Well Stick Mine Out And See If They'll Go With 'Em!" 5 Acoustic Guitar – Richard ThompsonDouble Bass – Danny ThompsonElectric Guitar – Dylan 4:08 FowlerSoprano
    [Show full text]
  • ピーター・バラカン 2010年12月4日放送 01. I Put A
    ウィークエンド・サンシャイン PLAYLIST ARCHIVE DJ：ピーター・バラカン 2010年12月4日放送 01. I Put A Spell On You / Screamin' Jay Hawkins ALBUM: Nowhere Boy 02. Twenty Flight Rock / Eddie Cochran ALBUM: Nowhere Boy 03. It's About That Time / Miles Davis ALBUM: Bitches Brew Legacy Edition 04. Jimmie Standing In The Rain / Elvis Costello ALBUM: National Ransom 05. You Hung The Moon / Elvis Costello ALBUM: National Ransom 06. One Bell Ringing / Elvis Costello ALBUM: National Ransom 07. I Done Made Up My Mind / Aaron Neville ALBUM: I Know I've Been Changed 08. Tell Me What Kind Of Man Jesus Is / Aaron Neville ALBUM: I Know I've Been Changed 09. Tell Me What Kind Of Man Jesus Is / Big Bill Broonzy ALBUM: Big Bill Broonzy Sings Folk Songs 10. Key To The Highway / Big Bill Broonzy ALBUM: Trouble In Mind 11. Key To The Highway / Little Walter ALBUM: The Complete Chess Masters 12. My Babe / Little Walter ALBUM: The Complete Chess Masters 13. All Your Love (I Miss Loving) / The Steve Miller Band ALBUM: Bingo! 14. Come On (Let The Good Times Roll) / The Steve Miller Band ALBUM: Bingo! 15. The Train Kept A-Rollin' / Tiny Bradshaw ALBUM: Blowing The Fuse 1952 16. The Train Kept A Rollin' / Johnny Burnette ALBUM: Rock'n'Roll Trio - Tear It Up 17. Ball And Chain / Big Mama Thornton ALBUM: Janis Joplin Classics 18. Maybe I'm Amazed / Marc Cohn ALBUM: Listening Booth: 1970 19. Low Spark Of High Heeled Boys / Traffic ALBUM: Revolutions: The Very Best of Steve Winwood 2010年12月11日放送 01. Testify / The Isley Brothers ALBUM: West Coast Seattle Boy - The Jimi Hendrix Anthology 02.
    [Show full text]
  • 9Lujlqld 5Relqvrq *Dughqv
    9LUJLQLD5RELQVRQ*DUGHQV 6SULQJ6XPPHU1HZVOHWWHU President – Leslie Kavanaugh Editor – Nancy Miller 1008 Elden Way, Beverly Hills, California 90210 310.276.5367 www.robinsongardens.org SPECIAL BENEFIT ISSUE 0HVVDJHIURPWKH3UHVLGHQW LESLIE KAVANAUGH — PRESIDENT 2008-2009 As President, I have had the great pleasure of working on many successful and rewarding projects: Administrative Reorganization, Restoration, Education, Children’s Community Outreach, Membership Development, and the Annual Benefit. Without question, the 2009 “…into the garden” Benefit Tour was the highlight of the year. On behalf of all the Friends, I want to again thank the Women of the An Family for their generosity and friendship, the homeowners who so graciously opened their gardens for our guests and Benefit Tour Grand Marshal, Jim Jahant. Gala Chairman, Kerstin Royce and Benefit Tour Chairmen, Jeanne Anderson and Sunday Taylor are also to be commended for their talented management and gracious spirit throughout the entire Benefit Season. In an event as complex as ours, the list of thank you’s could fill the page, but I do want to extend my sincerest gratitude to all of the Friends for their hard work, to Tim Lindsay and his staff, to the County and to Bianca Costin, Events Coordinator for the Friends; without you we could not do it. As we start the new season and leave the old, we are ever mindful of our beginnings. In 1982, The Friends of Robinson Gardens was founded. Its mission was to support and underwrite the house and gardens, to provide ongoing community education and to initiate new and innovative plans to maintain the estate for future generations.
    [Show full text]
  • South Pacific
    THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods.
    [Show full text]
  • Issues of Style, Genre, and Idiolect in Rock1
    1 ISSUES OF STYLE, GENRE, AND IDIOLECT IN ROCK1 The experience of apparent exclusion from a body of knowledge can be both painful and instructive. The operative distinctions between the terms 'style' and 'genre', seemed largely transparent during both my undergraduate and postgraduate studies, a transparency which appeared to be of no concern to my peers. Recently, however, it has become clear that the foundations of these apparent certainties were insecure. So, as a result of my enduring positivism (another legacy from those studies), it appeared to me that the terms had either to be so loosely employed as to be useless, or that they would be susceptible to a certain amount of 'shoring up'. This article thus focuses on the issue of style, in order ultimately to question the hierarchical relationship between levels of style which most commentators expound. In doing so, I shall necessarily raise two related issues, that of genre and that of what I have come to understand as idiolect. The issue has come into clearest focus in comparing working definitions of ‘style’ and ‘genre’ from conventional musicology with those of popular music scholars, whose usages tend to derive more from film, cultural, and literary studies. Both terms are concerned with ways of identifying similarity between different pieces (, songs, objects, performances, 'texts'), but the unresolved question is whether the similarities thereby identified exist on the same hierarchical level. For example, different writers have identified 'heavy metal' as both a style and a genre. Does this mean that it has both style and genre characteristics (in which case the descriptor itself is inadequate to the task of identifying which), or that it is both style and genre (in which case either the terms are identical, or one concept is necessarily subsidiary to the other)? In media and cultural studies, genre appears to have priority (as in Hayward 1996, Neale 1983 and O’Sullivan et al 1983), while in musicology, priority is assumed for style, as in Crocker (1986) or even the outspoken Shepherd (1987).
    [Show full text]
  • Richard Thompson Across a Crowded Room Mp3, Flac, Wma
    Richard Thompson Across A Crowded Room mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Across A Crowded Room Country: US Released: 1985 Style: Folk Rock MP3 version RAR size: 1427 mb FLAC version RAR size: 1284 mb WMA version RAR size: 1192 mb Rating: 4.6 Votes: 239 Other Formats: MIDI FLAC AUD MPC AAC VOX ADX Tracklist Hide Credits Fire In The Engine Room A1 Written-By – Richard Thompson She Twists The Knife A2 Written-By – Richard Thompson Shoot Out The Lights A3 Written-By – Richard Thompson You Don't Say A4 Written-By – Richard Thompson Wall Of Death A5 Written-By – Richard Thompson Little Blue Number A6 Written-By – Richard Thompson When The Spell Is Broken A7 Written-By – Richard Thompson Did She Jump Or Was She Pushed A8 Written-By – Linda Thompson, Richard Thompson Wrong Heartbeat A9 Written-By – Richard Thompson Summer Rain A10 Written-By – Clive Gregson For Shame Of Doing Wrong B1 Written-By – Richard Thompson I Want To See The Bright Lights Tonight B2 Written-By – Richard Thompson Nearly In Love B3 Written-By – Richard Thompson Love In A Faithless Country B4 Written-By – Richard Thompson I Ain't Gonna Drag My Feet No More B5 Written-By – Richard Thompson Tear Stained Letter B6 Written-By – Richard Thompson Living With A Skull And Cross Bone B7 Written By – E. Holt Withered And Died B8 Written-By – Richard Thompson Companies, etc. Manufactured By – Pioneer Video Manufacturing, Inc. Copyright (c) – PolyGram Records, Inc. Filmed At – Barrymore's Music Hall Credits Band – Richard Thompson Band Bass – Raurie McFarlane* Drums – Gerry Conway Executive-Producer – Len Epand Film Director – Larry Jordan Guitar, Vocals – Christine Collister, Clive Gregson, Richard Thompson Producer [Audio Producer] – Al Kooper, Simon Tassano Notes Filmed at Barrymore's, Ottawa Canada.
    [Show full text]
  • The Phoenix Spring 2020
    2 Artwork submitted by Laura Hardner The Phoenix Spring 2020 Co-Editors Sam Faber Molly Shepler Editors of Layout and Content Katie Miller Molly Shepler Copy Editors Natalija Kutlesa Sydnee Pilarski Editors of Art and Publicity Jonathan Burkley Sam Faber Amy Meighan Editorial Board Sophia Kostoff Samantha Walker Dr. Mary Theresa Hall Cover Artwork Walter Holtgrefe Inner cover artwork: Laura Hardner Faculty Adviser Dr. Mary Theresa Hall *All works in this publication are the sole property of their authors and are not to be reproduced in any manner. These works do not reflect the opinions or the Mission Statement of Thiel College. 3 Table of Contents “Introduction”……………………….…pp. 6-7 Poetry “Cycle of the Fire Bird”…………..……pp. 8-9 “Picnic Season”………………………..…….p. 28 “In My Thirteen Years of Life”………..p. 10 “Mad, Mad World”……………………..…...p. 29 “Learning to Say Goodbye”…………....p. 11 “Tonight, Tonight”…………………..………p. 29 “An Elegy of April the Fourth”………..p. 12 “Finals Week”……………………..………...p. 32 “Ode to Flowers”…………………..…..p. 13 “The People”……………………………..….p. 32 “The Palace”………………………..….p. 13 “Depressive State of Mind”……………….....p. 32 “Midnight”…………………..………...p. 14 “Jenka’s Lament”………………………..…..p. 33 “Battle with Insomnia”…………..……pp. 15-16 “Intro to Literature”……………………...…..p. 33 “Books”……………………..………...p. 16 “Lines on...Yelena Grigorieva”……………...p. 34 “Where are We Today?”……………...p. 17 “Another Poem About You”…………….…..p. 38 “An Ode to My Bed”………………....p. 18 “Unruly Angel”………………….…………..p. 38 “The Smell”…………….………….…p. 18 “The rabbit hole”……………………..……...p. 38 “Let There Be Light”……….………...p. 18 “Star’s Last Dawn”………………………….p. 39 “The One I Could Not Save”………....p. 19 “The sun breaks through the morning grey”...p.
    [Show full text]
  • February 13-16 2014 People’S Choice Which Films Rock Your World? Take 10 Seconds to Vote
    FEBRUARY 13-16 2014 PEOPLE’s ChoiCE Which films rock your world? Take 10 seconds to vote. Grab a ballot, or, new this year, save a welcome tree and vote with your smart phone! Bribes not accepted. Winners Announced Closing Night. This year we're celebrating 10 years of amazing and fantastic love between the hip, legend- ary film audiences of Boulder and the very best of international film. You’ll be seeing many of these films on new-state-of-the art DCP technology, courtesy of long-time sponsor, RealD, who has also donated a big screen they engineered using their own groundbreaking technol- ogy. It’s new, it’s hot, and we cannot wait to see the first 3D film ever to be screened at the Boulder Theater! (Mr. Hublot - in Shorts Program) On opening night, we're thrilled to host a pre-release screening of one of the funniest, most- talked-about films of 2014, Fading Gigolo, starring John Turturro as a middle-aged man who becomes an "escort." Woody Allen plays his pimp. Turturro wrote this film, and he gives Allen one of his best acting roles in decades. On Friday night, Valentine's Day, we have created a spectacular new event called a "Foovie" (food and movie) with French appetizers, sparkling wine and chocolate, accompanied by a screening of the hit French movie, Le Chef, a luscious, flavorful restaurant film winning hearts in France. The Foovie is at eTown Hall, so there are only 200 tickets; we’ll host a drawing to win a $10,000 pair of one-of-a-kind earrings by Todd Reed.
    [Show full text]
  • Richard Thompson Band Live More Guitar Mp3, Flac, Wma
    Richard Thompson Band Live More Guitar mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: More Guitar Country: US Released: 2003 Style: Folk Rock, Classic Rock MP3 version RAR size: 1704 mb FLAC version RAR size: 1154 mb WMA version RAR size: 1143 mb Rating: 4.9 Votes: 384 Other Formats: MP3 ASF AUD WMA MP4 APE MOD Tracklist 1 Don't Tempt Me 5:31 2 Can't Win 9:04 3 Jennie 6:07 4 Gypsy Love Songs 6:52 5 The Angels Took My Racehorse Away 5:08 6 When The Spell Is Broken 8:00 7 Shoot Out The Lights 5:37 8 I Still Dream 5:18 9 Here Without You 3:46 10 A Bone Through Her Nose 6:24 11 We Got To Get Out Of This Place 7:42 12 Jerusalem On The Jukebox 8:12 Companies, etc. Phonographic Copyright (p) – Beeswing Music Copyright (c) – Beeswing Music Published By – Beeswing Music Published By – Gene Clark Music Published By – Screen Gems-EMI Music Ltd. Credits Accordion [Button], Backing Vocals – John Kirkpatrick Backing Vocals – Christine Collister Bass – Pat Donaldson Design – David Greenberger Drums – Kenny Aronoff Guitar, Vocals – Richard Thompson Mastered By – Paul Stubblebine Photography By – Henry Kaiser, Jesse Thompson Producer [For CD Release] – Henry Kaiser Rhythm Guitar, Organ, Backing Vocals – Clive Gregson Written-By – Harold Eugene Clark* (tracks: 9), Barry Mann & Cynthia Weil* (tracks: 11), Richard Thompson (tracks: 1 to 8, 10, 12) Notes Recorded direct to digital 2-track in 1988, with no intent of producing a commercial release. This album may, therefore, contain some very minor anomalies, althoug everything in our power has been done to make it just exactly perfect.
    [Show full text]
  • Polygram 1983-1992
    AUSTRALIAN RECORD LABELS PolyGram 7”, 12” singles & LP’s 1983 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, MAY 2019 POLYGRAM 7”, 12” SINGLES & LP’S, 1983–1992 POLYGRAM PRODUCT GUIDE –1 = 12” SINGLES, LP’S –2 = CD SINGLES, CD’S (NOT LISTED) –3 = VHS VIDEO (NOT LISTED) –4 = CASSETTE SINGLES, CASSETTES (NOT LISTED) –7 = 7” SINGLES 370, 377—WINDHAM HILL 370 111-1 TEARS OF JOY TUCK & PATTI 1.90 377 008-1 LOVE WARRIORS TUCK & PATTI 1.90 390–397—A & M 390 419-7 LOVE SCARED / LOVE SCARED PART II (LET’S TALK IT OVER) LANCE ELLINGTON 3.91 390 460-7 STONE COLD SOBER / THE RETURN OF MAGGIE BROWN DEL AMITRI 7.90 390 462-7 THE MESSAGE IS LOVE (2 VERSIONS) ARTHUR BAKER 3.90 390 462-1 THE MESSAGE IS LOVE (2 VERSIONS) / THE MESSAGE IS CLUB ARTHUR BAKER 3.90 390 466-7 DIAMOND IN THE DARK / LAST NIGHT CHRIS DE BURGH 6.90 390 471-7 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 471-1 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 472-7 PERFECT VIEW / WE NEVER MET THE GRACES 3.90 390 474-7 NOTHING EVER HAPPENS / NO HOLDING ON DEL AMITRI 4.90 390 474-1 NOTHING EVER HAPPENS / NO HOLDING ON / SLOWLY, IT’S COMING BACK DEL AMITRI 5.90 390 475-7 I’M A BELIEVER / NO WAY OUT GIANT 6.90 390 476-7 INSIDE OUT / BACK TO WHERE WE STARTED GUN 4.90 390 477-7 WITH A LITTLE LOVE / WINDOW PEOPLE SAM BROWN 4.90 390 477-1 WITH A LITTLE LOVE / WINDOW PEOPLE / DOLLY MIXTURE SAM BROWN 4.90 390 480-7 A CHANGE IS GONNA COME / MY BLOOD THE NEVILLE BROTHERS 3.90 390 484-1 SUPER LOVER (2 VERSIONS) / WHEN WILL I SEE YOU AGAIN BARRY WHITE 6.90 390 486-7 TWO TO MAKE IT RIGHT
    [Show full text]
  • Steve Ashley
    1 60's and 70's: Folk, Folk Rock ALBION (COUNTRY) BAND (ENG) UK US Battle of the Field 15 1976 Island HELP 25 Antilles 310 7 1985 Carthage CGLP 4420 (RI) The Prospect Before Us 15 1976 Harvest SHSP 4059 Rise up like the Sun 10 1978 Harvest SHSP 4092 7 1985 Carthage CGLP 4431 (RI) Lark Rise to Candleford 10 1979 Charisma CDS 4020 Light Shining 10 1982 Albino ALB 001 -- Shuffle Off 10 1983 Spindrift SPIN 103 -- Under the Rose 10 1984 Spindrift SPIN 110 -- A Christmas Present 15 1985 Fun FUN 003 -- Stella Maris 10 1987 Spindrift SPIN 130 -- The Wild Side of Town 10 1988 Celtic Music CM 042 -- I got new Shoes 10 1988 Spindrift SPIN 132 -- Give me a Saddle, I'll trade You a Car 7 1989 Topic 12 TS 454 -- 1990 7 1990 Topic 12 TS 457 -- Songs from the Shows, Vol. 1 1990 Albino ALB 003 -- Songs from the Shows, Vol. 2 1990 Albino ALB 005 -- BBC Live in Concert 1993 Windsong WINCD 041 -- Acousticity 1993 HTD HTDCD13 -- Captured 1994 HTD HTDCD19 -- The Etchingham Steam Band 1995 Fledg'ling FLED 3002 -- Albion Heart 1995 HTD HTDCD30 -- Demi paradise 1996 HTD HTDCD54 -- The Acoustic Years 1993-97 (Compilation) 1997 HTD HTDCD74 -- Happy Accident 1998 HTD HTDCD82 -- Along the Pilgrim's Way 1998 Mooncrest 028 -- Live At The Cambridge Folk Festival 1998 Strange Fruit CAFECD002 -- The BBC Sessions 1998 Strange Fruit SFRSCD050 -- Before Us Stands Yesterday 1999 HTD HTDCD90 -- Road Movies 2000 Topic TSCD523 -- An Evening With The Albion Band 2002 Talking Elephant TECD016 -- Acousticity on Tour 2004 Talking Elephant TECD061 -- Albion Heart On Tour (Live
    [Show full text]
  • DARK MATTER a Journal of Speculative Writing
    DARK MATTER A JOURNAL OF SPECULatIVE WRITING ISSUE #4 WINTER 2013/2014 DARK MATTER : A JOUR N AL OF SPECULAT I VE WR I T in G ISSUE NUMBER 4 Win TER 2013/2014 Editors Victor Ancheta Andy De La Flor Mojan Modaresi Barbara Garcia-Powell Advisory and Contributing Editors Dr. Robin Davidson Dr. Bradley Earle Hoge Dr. Lisa Morano Managing Editor Dr. Bradley Earle Hoge Dark Matter is a journal of speculative writing produced by the Natural Science Creative Writing Club at the University of Houston - Downtown. Dark Matters is published twice yearly in both PDF and EPUB for- mats, and is available through the Dark Matter Website. Past issues will be maintained in the website archives. Editors include students from UHD Natural Science and English Departments and Faculty of the Natural Science and English Departments. Correspondence should be directed to Dr. Brad Hoge, NS Department, University of Houston - Downtown, One Main St., Houston, TX 77002-1001. Dark Matter reads poetry, fiction, essays, and musings throughout the year. Selected pieces may be published on the Dark Matter Website at any time with author permission. Material selected for the print version is at the discretion of the editors. Electronic and printable versions will appear in Summer and Winter of each year. Dark Matter is copyrighted and secures First Electronic Serial Rights for all work contained in the printable version and on the website. All rights revert back to the authors upon publication. Dark Matter Issue 4, Winter 2013/2014 Fiction Jihan Bok Memoir to Basho 7 Christa
    [Show full text]