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Amol and Chitra Palekar
NATYA SHODH SANSTHAN Interview of Amol and ChitraPalekar FROM THE COLLECTIONS OF NATYASHODHSANSTHAN AUDIO LIBRARY Recorded on 1st. July, 1982 NatyaBhavan EE 8, Sector 2, Salt Lake, Kolkata 700091/ Call 033 23217667 visit us at http://www.natyashodh.org https://sites.google.com/view/nssheritagelibrary/home (Amol Palekar&ChitraPalekar came a little late and joined the discussionregarding the scope of theatre and the different forms a playwright tries to explore.) ChitraPalekar It is not that you cannot do a thing. You can do anything, you can do anything. It is not the point. The point is that the basic advantage that cinema has over theatre, the whole mass of audience, you know, all those eight hundred or nine hundred people he can put them to a close-up. This tableau we still see in theatre sitting as a design in a particular frame but here you can break that frame, you can go closer and he can focus your attention on just a little point here and a gesture here, and a gesture there and you know, on stage you will have to show with a torch yet it won’t be visible. Amol Palekar The point is …..Obviously two points come to my mind. First and foremost, suppose you are able to do it, and you are able to hold the audience then why not. The question is – yes, you do it for two hours, just keep one tableau and somebody the off sound is there. If that can hold then I think it will be a perfect valid theatre, why not? Bimal Lath Could it be that we can make 10 plays the same way? Amol Palekar Yes, why not? In fact I think on this issue I will say something which will immediately start a big fight so I will purposely started not for the sake of fight but because I believe in it also. -
New and Bestselling Titles Sociology 2016-2017
New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint. -
Oct-Dec-Vidura-12.Pdf
A JOURNAL OF THE PRESS INSTITUTE OF INDIA ISSN 0042-5303 October-DecemberJULY - SEPTEMBER 2012 2011 VOLUMEVolume 3 4 IssueISSUE 4 Rs 3 50 RS. 50 In a world buoyed by TRP ratings and trivia, QUALITY JOURNALISM IS THE CASUALT Y 'We don't need no thought control' n High time TAM/TRP era ended n The perils of nostalgia n You cannot shackle information now n Child rights/ child sexual abuse/ LGBT youth n Why I admire Justice Katju n In pursuance of a journalist protection law Responsible journalism in the age of the Internet UN Women: Promises to keep Your last line of defence n Alternative communication strategies help n The varied hues of community radio Indian TV news must develop a sense of The complex dynamics of rural Measuring n Golden Pen of Freedom awardee speaks n Soumitra Chatterjee’s oeuvre/ Marathi films scepticism communication readability n Many dimensions to health, nutrition n Tributes to B.K. Karanjia, G. Kasturi, Mrinal Gore Assam: Where justice has eluded journalists Bringing humour to features Book reviews October-December 2012 VIDURA 1 FROM THE EDITOR Be open, be truthful: that’s the resounding echo witch off the TV. Enough of it.” Haven’t we heard that line echo in almost every Indian home that owns a television set and has school-going children? “SIt’s usually the mother or father disciplining a child. But today, it’s a different story. I often hear children tell their parents to stop watching the news channels (we are not talking about the BBC and CNN here). -
Kishore Booklet Copy
08. Tum Aa Gaye Ho Noor Aa Gaya with Lata Mangeshkar Film: Aandhi 01. The Evergreen Kishore Kumar 09. Asha Bhosle reminisces 02. Yeh Sham Mastani Kishore Kumar Film: Kati Patang 10. Piya Piya Piya Mora Jiya 03. Roop Tera Mastana with Asha Bhosle Film: Aradhana Film: Baap Re Baap 04. Yeh Jo Mohabbat Hai 11. Main Hoon Jhoom Jhoom Film: Kati Patang Film: Jhumroo 05. Aanewala Pal Janewala Hai 12. Dekha Ek Khwab Film: Golmaal with Lata Mangeshkar Film: Silsila 06. Oh Hansini Film: Zehreela Insaan 13. Meri Bheegi Bheegi Si Film: Anamika 07. Hamen Tumse Pyar Kitna Film: Kudrat 14. Kehna Hai Kehna Hai Film: Padosan 2 3 15. Raat Kali Ek Khwab Mein 23. Mere Sapnon Ki Rani Film: Buddha Mil Gaya Film: Aradhana 16. Aate Jate Khoobsurat Awara 24. Dil Hai Mera Dil Film: Anurodh Film: Paraya Dhan 17. Khwab Ho Tum Ya Koi 25. Mere Dil Mein Aaj Kya Hai Film: Teen Devian Film: Daag 18. Aasman Ke Neeche 26. Ghum Hai Kisi Ke Pyar Mein with Lata Mangeshkar with Lata Mangeshkar Film: Jewel Thief Film: Raampur Ka Lakshman 19. Mere Mehboob Qayamat Hogi 27. Aap Ki Ankhon Mein Kuch Film: Mr. X In Bombay with Lata Mangeshkar Film: Ghar 20. Teri Duniya Se Hoke Film: Pavitra Papi 28. Sama Hai Suhana Suhana Film: Ghar Ghar Ki Kahani 21. Kuchh To Log Kahenge Film: Amar Prem 29. O Mere Dil Ke Chain Film: Mere Jeevan Saathi 22. Rajesh Khanna talks about Kishore Kumar 4 5 30. Musafir Hoon Yaron 38. Gaata Rahe Mera Dil Film: Parichay with Lata Mangeshkar Film: Guide 31. -
Movies of Feroz Khan
1 / 2 Movies Of Feroz Khan Feroze Khan (born July 11, 1990) is famous for being tv actor. ... Padmavati is undeniably the most awaited movie of the year and it won't be hard to call it a hit .... Feroz Khan Movies List. Thambi Arjuna (2010)Ramana, Aashima. Welcome (2007)Feroz Khan, Anil Kapoor. Ek Khiladi Ek Haseena (2005)Fardeen Khan, .... See more ideas about actors, pakistani actress, feroz khan. ... Khushbo is Pakistani film and stage Actress. c) On some minimal productions (e. Want to Become .... Tasveer Full Hindi Movie (1966) Film cast : Feroz Khan, Kalpana, Helen, Sajjan, Rajendra Nath, Nazir Hasain, Leela Mishra, Raj Mehra, Lalita Pawar, Sabeena. MUMBAI, India (Agence France-Presse) — Feroz Khan, a Bollywood ... he made “Dharmatma,” the first Hindi-language movie shot on location .... Actor Rishi Kapoor tweeted that the two actors, who worked together in three films, died of Cancer on the same date. Known for his flamboyant persona, Feroz Khan was an actor, director and producer who had a long innings in the Hindi film industry. The actor .... Feroz Khan was born at Bangalore in India to an Afghan Father, Sadiq Khan and an Iranian mother Fatima. After schooling from Bangalore he shifted to Bombay .... He would have turned 79 on September 25. However, actor, director and producer Feroz Khan – one of his kind in the Hindi film industry .... Feroz Khan All Movies List · Ek Khiladi Ek Haseena - 2005 · Ek Khiladi Ek Haseena (2005)Feroz Khan , Fardeen Khan , Koena Mitra , Gulshan Grover , Kay Kay , .... India's answer to Clint Eastwood, Feroz Khan is known as the most stylish bollywood actor. -
Girish Karnad 1 Girish Karnad
Girish Karnad 1 Girish Karnad Girish Karnad Born Girish Raghunath Karnad 19 May 1938 Matheran, British India (present-day Maharashtra, India) Occupation Playwright, film director, film actor, poet Nationality Indian Alma mater University of Oxford Genres Fiction Literary movement Navya Notable work(s) Tughalak 1964 Taledanda Girish Raghunath Karnad (born 19 May 1938) is a contemporary writer, playwright, screenwriter, actor and movie director in Kannada language. His rise as a playwright in 1960s, marked the coming of age of Modern Indian playwriting in Kannada, just as Badal Sarkar did in Bengali, Vijay Tendulkar in Marathi, and Mohan Rakesh in Hindi.[1] He is a recipient[2] of the 1998 Jnanpith Award, the highest literary honour conferred in India. For four decades Karnad has been composing plays, often using history and mythology to tackle contemporary issues. He has translated his plays into English and has received acclaim.[3] His plays have been translated into some Indian languages and directed by directors like Ebrahim Alkazi, B. V. Karanth, Alyque Padamsee, Prasanna, Arvind Gaur, Satyadev Dubey, Vijaya Mehta, Shyamanand Jalan and Amal Allana.[3] He is active in the world of Indian cinema working as an actor, director, and screenwriter, in Hindi and Kannada flicks, earning awards along the way. He was conferred Padma Shri and Padma Bhushan by the Government of India and won four Filmfare Awards where three are Filmfare Award for Best Director - Kannada and one Filmfare Best Screenplay Award. Early life and education Girish Karnad was born in Matheran, Maharashtra. His initial schooling was in Marathi. In Sirsi, Karnataka, he was exposed to travelling theatre groups, Natak Mandalis as his parents were deeply interested in their plays.[4] As a youngster, Karnad was an ardent admirer of Yakshagana and the theater in his village.[] He earned his Bachelors of Arts degree in Mathematics and Statistics, from Karnatak Arts College, Dharwad (Karnataka University), in 1958. -
HAYAVADANA-Kumud Mehta.Pdf
HAYAVADANA Kumud Mehta Hayavadana had its premiere on May 20, 1983 at the Tata Theatre. Shri Vasantrao Patil, Chief Minister of Maharashtra, was the Chief Guest. Sponsored by the National Centre for the Performing Arts and the Goa Hindu Association, the first five shows scheduled at the Tata Theatre received an enthusiastic response from theatre-lovers and connoisseurs. Hayavadana was written by Girish Karnad during his tenure as a Homi Bhabha Fellow, and designed by the same creative team (Vijaya Mehta and Bhaskar Chandavarkar) which had successfully produced Shakuntala during the inaugural week of the Tata Theatre. Why did Vijaya Mehta and Bhaskar Chandavarkar, who had just recently concentrated their energies on a burning contemporary theme, the psyche of the dalit (Vijaya Mehta while directing Purusha and Bhaskar Chandavarkar in his film Atyachara) turn now to this play based on the Vetalapanchavimshati, the cycle of twenty-five tales related by a demon, · from one of the oldest collection of stories in Sanskrit literature? It is not difficult to surmise the reasons for the choice. For Hayavadana, as conceived by Girish Karnad, focusses on a crucial aspect of any kind of modern self-enquiry. Wherein lies an individual's identity? In mental equipment, knowledge as embodied in Devadatta's personality? Or, in the sheer evidence of the world known to Kapil through the sensat1ons of his body? Or, perhaps, in Padmini's subconscious yearning for a perfect partner embracing both these attributes? Besides, even as a modern seeks to understand the meaning of ·selfhood, does he not, with equal anguish, long to be unfragmented, integrated, whole? It is this philosophical undercurrent that runs through The Transposed Heads, Thomas Mann's renowned version of this story. -
Stamps of India - Commemorative by Prem Pues Kumar [email protected] 9029057890
E-Book - 26. Checklist - Stamps of India - Commemorative By Prem Pues Kumar [email protected] 9029057890 For HOBBY PROMOTION E-BOOKS SERIES - 26. FREE DISTRIBUTION ONLY DO NOT ALTER ANY DATA ISBN - 1st Edition Year - 1st May 2020 [email protected] Prem Pues Kumar 9029057890 Page 1 of 76 Nos. YEAR PRICE NAME Mint FDC B. 1 2 3 1947 1 21-Nov-47 31/2a National Flag 2 15-Dec-47 11/2a Ashoka Lion Capital 3 15-Dec-47 12a Aircraft 1948 4 29-May-48 12a Air India International 5 15-Aug-48 11/2a Mahatma Gandhi 6 15-Aug-48 31/2a Mahatma Gandhi 7 15-Aug-48 12a Mahatma Gandhi 8 15-Aug-48 10r Mahatma Gandhi 1949 9 10-Oct-49 9 Pies 75th Anni. of Universal Postal Union 10 10-Oct-49 2a -do- 11 10-Oct-49 31/2a -do- 12 10-Oct-49 12a -do- 1950 13 26-Jan-50 2a Inauguration of Republic of India- Rejoicing crowds 14 26-Jan-50 31/2a Quill, Ink-well & Verse 15 26-Jan-50 4a Corn and plough 16 26-Jan-50 12a Charkha and cloth 1951 17 13-Jan-51 2a Geological Survey of India 18 04-Mar-51 2a First Asian Games 19 04-Mar-51 12a -do- 1952 20 01-Oct-52 9 Pies Saints and poets - Kabir 21 01-Oct-52 1a Saints and poets - Tulsidas 22 01-Oct-52 2a Saints and poets - MiraBai 23 01-Oct-52 4a Saints and poets - Surdas 24 01-Oct-52 41/2a Saints and poets - Mirza Galib 25 01-Oct-52 12a Saints and poets - Rabindranath Tagore 1953 26 16-Apr-53 2a Railway Centenary 27 02-Oct-53 2a Conquest of Everest 28 02-Oct-53 14a -do- 29 01-Nov-53 2a Telegraph Centenary 30 01-Nov-53 12a -do- 1954 31 01-Oct-54 1a Stamp Centenary - Runner, Camel and Bullock Cart 32 01-Oct-54 2a Stamp Centenary -
Read More About the Music Here in the Bollywood CD Booklet (Pdf)
to THE ROUGH GUIDE THE ROUGH MUSICROUGHGUIDES Bollywood Psychedelic Bollywood is a universe of extremes. schedule to broadcast Western pop. The sixties trickled back to Indian shores and Dharmatama’s (1971) tension-building Lusciously over-the-top films portray 1960s saw the release of Indian-inspired went on to manifest themselves, first in the scene, prefacing a shoot-out in a seedy, glittering princesses drowned in jewels album The Velvet Underground and Nico underground scene and then Bollywood. psychedelic club in Afghanistan (at a time living aside dishevelled slum-dwellers by the American band of the same name. when the country was associated with its fighting their way to the top. Across India The seminal psychedelic rock album Sgt. One of the very first examples of a place on the hippy trail), and experiment sprawling billboards advertise the hottest Pepper’s Lonely Hearts Club Band was psychedelic element on the big screen with synths and wah-wah guitars, as well as new release, well-loved posters ripped- released the same year by The Beatles and was seen in the classic Hare Rama Hare sinister laughs and screams. out from magazines decorate the inside of featured several Indian gurus on the iconic Krishna. In this film, a young woman runs auto-rickshaws and booming Bollywood front cover and instruments likes sitar, away and joins a hippy commune where she MERA NAAM HAI SHABNAM – Asha Bhosle soundtracks reverberate out from roadside tabla, tambura on the tracks. The late Ravi puffs with pleasure on an oversized chillum and R.D. Burman again combine in this stalls. -
Music/Singers
DESIZN CIRCLE , DELHI I NOIDA WWW.DESIZNCIRCLE.COM Music/Singers There are two major styles of classical music unique to India- 1. The Hindustani style popular in North India and 2. The Carnatic style popular in South India. BhaKti/devotion to God is the main purpose of classical music and hence the theme and content of the songs sung/played are heavily religious or spiritual. The songs/kritis/kirtans are set to melodious tunes called ‘ragas’ and time beats/rhythms called taal/taalas’. • Great poets and holy men liKe Tulsidas, Surdas, Meera Bhai, Namdev, Ek Nath, Kabir have contributed the lyrics of the songs in the Hindustani style. • Thyagaraja, Muthuswamy Dikshitar, and Shyma Sastrigal are considered the big three among composers (lyrics and music) in the carnatic style. • Some of the other composers are Purandara dasa, Annamacharya, Narayana Tirthar and Swati Thirunal. • In the Hindustani style, Pandit Bhimsen Joshi, Pt. Jasraj, Rajan Mishra and Sajan Mishra, Kishori Amolkar, Prabha Apte, Girija devi, Parveen Sultana, Shubha Mudgal are some of the vocalists famous for their vocal recitals both within our country and abroad. • In the Carnatic Style, Dr. Bal Murali Krishna Madurai Shesha Gopalan are two of the many veterans who inspire the youth to learn classical music and Keep the tradition alive. • Late M. S Subbulakshmi’s voice had the power to mesmerize any number of listeners during her recitals. • Vocalists who are now popular are Sudha Raghunathan, Aruna Sairam, Sowmya, Nithyasree Mahadevan, Unnikrishnan, T.N. Krishna. Hyderabad bothers, Sanjay Subramanian, Neyveli Santanam Hyderabad bothers, Jesudas. • Here is a list of exponents of some of the Indian musical instruments. -
Takes Pleasure in Inviting You To
Nalanda Celebrates 50th Golden Jubilee Year 2015 takes pleasure in inviting you to NALANDA - BHARATA MUNI SAMMAN - 2014 SAMAROHA and Premier of Latest Dance Production PRITHIVEE AANANDINEE at: Ravindra Natya Mandir, Prabhadevi, Mumbai on: Sunday, the 18th January, 2015 at: 6.30 p.m. NALANDA'S BHARATA MUNI SAMMAN Dedicated to the preservation and propagation of Indian dance in particular and Indian culture in general from its founding in 1966 Nalanda Dance Research Centre has unswervingly trodden on its chosen path with single minded determination. Nalanda has always upheld the pricelessness of all that is India and her great ancient culture which consists of the various performing arts, visual arts, the mother of all languages Sanskrit and Sanskritic studies , the religio- philosophical thought and other co-related facets. Being a highly recognized research centre, Nalanda recognizes and appreciates all those endeavours that probe deep into the all encompassing cultural phenomena of this great country. Very naturally these endeavours come from most dedicated individuals who not only delve into this vast ocean that is Indian culture but also have the intellectual calibre to unravel, re-interpret and re-invent this knowledge and wisdom to conform with their own times. From 2011 Nalanda has initiated a process of honouring such individuals who have acquired iconic status. By honouring them Nalanda is honouring India on behalf of all Indians. Hence the annual NALANDA - BHARATA MUNI SAMMAN Recipients for 2014 in alphabetical order Sangeet Martand Pandit Jasraj's (Music) Shri. Mahesh Elkuchwar (Theatre) Rajkumar Singhajit Singh (Dance) Sangeet Martand Pandit Jasraj San g eet M ar t an d Pan d it Jas raj 's achievements are beyond compare more so because vocal music is the most intimate and direct medium according to India's musical treatise and tradition. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’, Mumbai ------ISSN 0971-7942 Volume - Annual: TRN 2007 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’, Mumbai ------------------------------------------------------------------------ ISSN 0971-7942 Volume - Annual: TRN 2007 ------------------------------------------------------------------------------------------------------------ S.I.R.C. Branches: Mumbai, Pune, Solapur, Nanded, Tuljapur, Baroda, Amravati ============================================================= Feature Article in this Issue: Gramophone Celebrities-II Other articles : Teheran Records, O. P. Nayyar. 1 ‘The Record News’ – Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members --------------------------- V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US$ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full membership fee and get a copy