Features Lifestyle
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Jim Jones Spike Lee
Jim jones spike lee FRED THE GODSON KICKS OFF PROMO FOR HIS UPCOMING RELEASE "GORDO FREDERICO" IN THIS. Fred the Godson ft Jim Jones - Spike Lee on location video shoot - Duration: Jace Media 6, views. DOWNLOAD LINK: Fred The Godson Ft Jim Jones. Spike Lee Instrumental. Stream Spike Lee (Feat. Jim Jones) by FREDTHEGODSON from desktop or your mobile device. New York City!!!!! in the house love seeing uptown niggas working together, doing there thing and showing the. Fred The Godson Ft Jim Jones And Plf Dblock Spike Lee D Block Remix mp3. Fred The FRED DA GODSON FEAT JIM JONES " SPIKE LEE " 3. Download Mixtape | Free Mixtapes Powered by Fred The Godson releases a video for, "Spike Lee,' and his new mixtape, "Gordo. Behind The Scenes: Fred The Godson “Spike Lee” (feat. music video shoot for Fred The Godson's record “Spike Lee” featuring Jim Jones. Fred The Godson – Spike Lee (feat. Jim Jones). By GHØST August 15, Jim Jones Song: “Spike Lee” Producer: AlistFame. Mixtape. 25), Jim Jones and his partner of 11 years Chrissy Lampkin in a recent NYC Will Screen Spike Lee's 'Crooklyn' To Unite The People And. Explore Spike Lee, Hip Hop Videos, and more! All I Want for Christmas is My Two Front Teeth - Spike Jones · Front TeethChristmas MusicMerry. Video: Fred The Godson (@fredthegodson) Ft Jim Jones (@jimjonescapo) “Spike Lee”. jim jones gigabyte ft avon carter jimjonescapo download free mp3. Fred The Godson x Jim Jones - Spike Lee - AlistFame. AlistFame. 1K Plays. 2K Downloads. Download View Profile. $ Your Name. Email Address. Fresh off releasing is Gordo Frederico mixtape earlier today, Fred The Godson drops off visuals for his Spike Lee tribute featuring Jim Jones. -
Race on the Road: from the Periphery to the Centre in Jonathan Kaplan's Love Field
RACE ON THE ROAD: FROM THE PERIPHERY TO THE CENTRE IN JONATHAN KAPLAN’S LOVE FIELD Carmen Indurain Eraso Universidad Pública de Navarra Following a general cinematic trend, the road movie genre in its beginnings relegated the representation of non-whites to the periphery. After analysing the general state of affairs of racial representation in the genre, we witness in the 1990s a timid but remarkable trend to produce “racial” road movies which vindicate the rights of central representation of racial minorities. This paper analyses a representative racial road film, Jonathan Kaplan’s Love Field (1992), in an attempt to show that the road movie’s generic conventions and traditional liberal pedigree may provide a context where the depiction of racial minorities and race relations may finally reach a central status. In the road movie we have an ideogram of human desire and the last ditch search for self, and who is more plagued for hunger and lostness than the socially disenfranchised? (Atkinson 1994:14). 1. RACE ON THE ROAD: A PERIPHERAL PRESENCE While it reminds us of the inner search, a basic trait of the road movie genre, this quotation by Michael Atkinson also makes the significant point that the socially marginalised are liable to experience an even greater need for this personal quest. As members of this underprivileged group together with women, non-whites can feel more intensely the “call to adventure”, to flee from an emotionally retarded society which has failed to integrate them satisfactorily. Thus, given their unfavourable condition in society which has traditionally allotted them a peripheral position as mere accessories to the white male, African Americans, Hispanics or Native ES 27 (2006-7): 75-94 76 CARMEN INDURAIN ERASO American Indians have started to find a central space of cinematic representation in the road genre. -
Take the Stage
A WATCHUNG COMMUNICATIONS, INC. PUBLICATION The Westfield Leader and THE TIMES of Scotch Plains – Fanwood Thursday, January 18, 2001 Page 19 Artist of MyMy TwoTwo CentsCents the Week It’s 8 p.m. at the American Music Awards and We Ask: & ‘Britney Spears, Do You Know Where Your Clothes Went?’ By MICHELLE H. LePOIDEVIN And how could I be so remiss in paw her while she sings half- Specially Written for The Westfield Leader and The Times thinking that Britney’s perfor- clad herself is an overreaction! “While I was doing the dishes mance of “Stronger” wasn’t bor- How could I be so sensitive? I this morning, I actually asked derline pornographic? What’s must be a prude. Why don’t I get myself if I’ll be able to watch wrong with me? Half-naked girls with the times? television tonight.” My mother in body stockings and glitter gy- Why don’t they get a con- settled down with her crocheting Take the Stage rating around Britney, trying to science and take a class in re- WITH KERRIANNE SPELLMAN CORT and reading materials, almost sponsible television pro- Spike Lee Joint fearful of what insane images gramming? Spike Lee Joint would flash before her as the At Moravian College, I gave channels changed. a speech against banning A Shot in the Dark (1957- ) After last Monday evening’s books. I loathed censorship in telecast of the American Music all of it’s forms. But, I knew By MICHELLE H. LePOIDEVIN Awards, mom has been suffer- Misses WCPs Mark Specially Written for The Westfield Leader and The Times there was a definite line that, ing from PBS. -
Academy Invites 842 to Membership
MEDIA CONTACT [email protected] July 1, 2019 FOR IMMEDIATE RELEASE ACADEMY INVITES 842 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 842 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. The 2019 class is 50% women, 29% people of color, and represents 59 countries. Those who accept the invitations will be the only additions to the Academy’s membership in 2019. Six individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2019 invitees are: Actors Adewale Akinnuoye-Agbaje – “Suicide Squad,” “Trumbo” Yareli Arizmendi – “A Day without a Mexican,” “Like Water for Chocolate” Claes Bang – “The Girl in the Spider’s Web,” “The Square” Jamie Bell – “Rocketman,” “Billy Elliot” Bob Bergen – “The Secret Life of Pets,” “WALL-E” Bruno Bichir – “Crónica de un Desayuno,” “Principio y Fin” Claire Bloom – “The King’s Speech,” “Limelight” Héctor Bonilla – “7:19 La Hora del Temblor,” “Rojo Amanecer” Juan Diego Botto – “Ismael,” “Vete de Mí” Sterling K. Brown – “Black Panther,” “Marshall” Gemma Chan – “Crazy Rich Asians,” “Mary Queen of Scots” Rosalind Chao – “I Am Sam,” “The Joy Luck Club” Camille Cottin – “Larguées,” “Allied” Kenneth Cranham – “Maleficent,” “Layer Cake” Marina de Tavira – “Roma,” “La Zona (The -
Get on the Bus (1997) by Spike Lee
Get On the Bus (1997) by Spike Lee NO SENSE PRETENDING IT'S OVER HARD TIMES JUST DON'T GO AWAY YOU GOTTA TAKE THAT CHIP OFF YOUR SHOULDER IT'S TIME YOU OPEN UP HAVE SOME FAITH NOTHIN' GOOD EVER COMES EASY AND ALL GOOD THINGS COME IN DUE TIME YES, THEY DO YOU GOTTA HAVE SOMETHIN' TO BELIEVE IN I'M TELLIN' YOU TO OPEN YOUR MIND HEE-EE-EE GOTTA PUT YOUR HEART ON THE LINE IF YOU WANNA MAKE IT RIGHT YOU'VE GOT TO REACH OUT AND TRY GOTTA PUT YOUR HEART ON THE LINE IF YOU WANNA GET IT R RHT GOTTA PUT IT ALL ON THE LINE MM-MMM YOU SEE YOURSELF IN THE MIRROR AND YOU DON'T LIKE WHAT YOU SEE OOH, AND THINGS AREN'T GETTING MUCH CLEARER DON'T YOU THINK IT'S TIME YOU GO FOR A CHANGE OHHH DON'T WASTE YOUR TIME ON THE PAST NO, NO IT'S TIME YOU LOOK TO THE FUTURE OHHH IT'S ALL RIGHT THERE IF YOU ASK THIS TIME IF YOU TRY MUCH HARDER YOU'LL BE THE BEST THAT YOU CAN BE OHHH GOTTA PUT YOUR HEART ON THE LINE IF YOU WANNA MAKE IT RIGHT YOU'VE GOT TO REACH OUT AND TRY GOTTA PUT YOUR HEART ON THE LINE IF YOU WANNA GET IT RIGHT GOTTA PUT IT ALL ON THE LINE IF YOU WANNA MAKE IT RIGHT AND YOU WANNA DO IT NOW NOTHING IN LIFE COMES FREE AND THAT'S JUST THE WAY IT IS NOW YOU GOTTA KNOW WHAT YOU GOT TO LIVE FOR GOTTA PUT YOUR HEART ON THE LINE YOU AND ME IF YOU'RE GONNA MAKE IT RIGHT YOU'VE GOT TO REACH OUT AND TRY YOU AND ME WHAT ?- YO, DOG, I AIN'T GOIN'. -
A Spike Lee Joints Retrospective, Jun 29—Jul 10
BAMcinématek and the Academy present By Any Means Necessary: A Spike Lee Joints Retrospective, Jun 29—Jul 10 Kicks off with a 25th anniversary screening of Spike Lee’s Do the Right Thing for Closing Night of BAMcinemaFest with Lee and cast in attendance 15 films in 35mm plus a rare 16mm print of Lee’s debut, Joe’s Bed-Stuy Barbershop: We Cut Heads The Wall Street Journal is the title sponsor for BAMcinemaFest, BAMcinématek, and BAM Rose Cinemas. Brooklyn, NY/May 22, 2014—From Sunday, June 29 through Thursday, July 10, BAMcinématek and the Academy of Motion Picture Arts and Sciences present By Any Means Necessary: A Spike Lee Joints Retrospective, a 12-day series spanning three decades and commemorating the 15th anniversary of BAMcinématek, which launched in 1999 with a survey of Lee’s career. The writer-director-actor’s consistently surprising work displays a boundless visual imagination, some of the most fearlessly intelligent discourse on race relations in American cinema, and an ability to infuse independent projects and big-budget blockbusters alike with his edgy, energetic style. From June 27—July 27, the Academy will also present a west coast retrospective of Lee’s work at the Academy’s Linwood Dunn Theater and the Bing Theater on the Los Angeles County Museum of Art campus. Kicking off the New York retrospective and closing BAMcinemaFest on June 29 is a 25th anniversary celebration of Lee’s Oscar®-nominated Do the Right Thing. The streets of Bed-Stuy boil in Lee’s tale of tensions run high on Brooklyn’s hottest day of the year. -
CAAS-340 Syllabus
CAAS 340, American Culture 340, English 411 By Any Means Necessary: Studying Spike Lee’s Films Professor Michael Awkward Tuesdays 3-6, Angell Hall G115 Office Hours, Location, and Phone Number: T 9-10, Th 10-11, Tisch 3062, 4-0444 This course will survey a selection of the feature films and documentaries of Spike Lee, and some of the scholarship these films – and the often-controversial Lee himself – have generated. We will begin with the 1986 release, She’s Gotta Have It (1986), which began what has been called a black (American) film renaissance, and end with his compelling 2006 releases, the blockbuster Inside Man and the acclaimed HBO documentary about the aftermath of Hurricane Katrina, When the Levees Broke. Our task will be to examine, among other topics, whether there are recurrent themes, points-of-view, attitudes, and stylistic flourishes that characterize what he calls a “Spike Lee Joint.” We will be particularly concerned with how dominant categories of identity -- race, class, sexuality, and gender – are treated within his corpus of films. In addition, we’ll explore the variety of critical responses to U.S. films generally, and to Lee’s releases in particular (especially newspaper, internet, and magazine reviews and scholarly essays). Required Texts: Paula J. Massood, editor, The Spike Lee Reader (Temple University Press) Films (to be streamed onto ctools site): She’s Gotta Have It (1986) Do the Right Thing (1989) Jungle Fever (1991) Malcolm X (1992) Clockers (1995) Get On the Bus (1996) 4 Little Girls (1997) He Got Game -
Ma Rainey's Black Bottom
PRESS RELEASE For Immediate Release Tuesday, August 19, 2008 CONTACT: Patrick Finlon, PR Director 315-443-2636 or [email protected] Timothy Bond’s Directing Debut Ma Rainey’s Black Bottom Dates: September 9-October 4, 2008 Previews: September 9-11 Opening weekend: September 12-13 *Press opening: 8:30 p.m. on Saturday, September 13 Tickets available at the Syracuse Stage Box Office at 820 East Genesee Street, by telephone at 315-443-3275 or SyracuseStage.org. (Syracuse, NY)—Producing Artistic Director Timothy Bond will make his Syracuse directing debut with Ma Rainey’s Black Bottom, the Tony Award-winning play that launched August Wilson’s ten-play chronicle of African American life in the 20th century. Cast members include Ebony Jo-Ann as Ma Rainey (Kennedy Center and understudy for both Broadway productions) and Thomas Jefferson Byrd as Toledo (Tony nominee for Best Actor in the Broadway revival.) Syracuse Stage recommends Ma Rainey’s Black Bottom for mature middle-school students and up. Running September 9— October 4, the exclusive sponsor for Ma Rainey’s Black Bottom is M&T Bank. Media sponsors are Urban CNY, WAER 88.3 and WCNY Connected. Syracuse Stage season sponsors are The Post-Standard and Time Warner Cable. Inspired by the real-life Mother of the Blues, Gertrude “Ma” Rainey, Ma Rainey’s Black Bottom takes place over a single day of making music, making jokes and making deals. A young, ambitious horn player named Levee arrives with new band arrangements including one for a popular dance called The Black Bottom. But Ma -more- 1 insists on singing it the “familiar” way. -
Let's Hear It for Lynnfield
MONDAY, OCTOBER 19, 2020 Let’s hear it for Lynn eld St. By Gayla Cawley The plan consists of the recon- stalled at Great Woods Road, and ITEM STAFF struction of Route 129, or Lyn- new pavement markings and signs nfield Street, between Colonial will be provided throughout the LYNN — One of the most heavi- Avenue and Cowdrey Avenue. In project limits. Bicycle accommoda- ly-traveled roads in the city is ex- tions will be provided by exclusive pected to undergo a massive over- addition to the reconstruction of roadway pavement, the proposal bike lanes, according to MassDOT. haul next year. “It’s much needed for obvious rea- The Massachusetts Department also includes new concrete side- walks with granite curbing, new sons,” said Ward 1 Councilor Wayne of Transportation (MassDOT) will Lozzi, who represents the area. wheelchair ramps and drainage post a pre-recorded virtual public “It’s the most heavily-traveled road improvements, according to Mass- hearing Thursday, Oct. 29 that will short of the Lynnway in Lynn.” present the proposed Lynnfield DO T. Street Improvement Project. A new flashing beacon will be in- MASSDOT, A3 ITEM PHOTO | SPENSER HASAK From left, Ted, Pete, and Mary Dickenson, all of Nahant, scrape algae and other debris off the hull of the Stormy Petrel as they prepare it for winter at Tudor Wharf in Nahant on Friday. Nahant boaters mark the end ITEM PHOTO | SPENSER HASAK Lynn eld residents took to the eld at Lynn eld High School for Special Town of the season Meeting on Saturday afternoon. By Elyse Carmosino ITEM STAFF NAHANT — The weekend was a bittersweet one for Lynn eld postpones several boaters, who gathered alongside tow crews at Nahant Wharf Friday and Saturday to haul and store nearly 30 vessels in preparation for winter. -
DO the RIGHT THING (1989) 120 Min
November 28, 2006 XIII: 13 DO THE RIGHT THING (1989) 120 min Produced, Written and Directed by Spike Lee Cinematography by Ernest R. Dickerson Film Editing by Barry Alexander Brown Bill Lee...conductor: The Natural Spiritual Orchestra Branford Marsalis... tenor and soprano saxophone, The Natural Spiritual Orchestra Rosie Perez...choreographer Ossie Davis...Da Mayor Danny Aiello...Sal Giancarlo Esposito...Buggin Out Richard Edson...Vito Spike Lee...Mookie Ruby Dee...Mother Sister Bill Nunn...Radio Raheem John Turturro...Pino Paul Benjamin...ML Rosie Perez...Tina Robin Harris...Sweet Dick Willie Frankie Faison...Coconut Sid SPIKE LEE (20 March 1957, Atlanta, Georgia) has directed Steve White...Ahmad 42 theatrical and tv films, the most recent of which is the Leonard L. Thomas...Punchy HBO documentary on the New Orleans Katrina disaster, Samuel L. Jackson...Mister Señor Love Daddy "When the Levees Broke: A Requiem in Four Acts" Joie Lee...Jade (2006). Some of the others are “Sucker Free City” (2004), Miguel Sandoval...Officer Ponte She Hate Me (2004), 25th Hour (2002), Come Rain or Rick Aiello...Officer Long Come Shine (2001), Bamboozled (2000), The Original Martin Lawrence...Cee Kings of Comedy (2000), Summer of Sam (1999), He Got Roger Guenveur Smith...Smiley Game (1998), 4 Little Girls (1997), Get on the Bus (1996), John Savage...Clifton Clockers (1995), Crooklyn (1994), Malcolm X (1992), Christa Rivers...Ella Jungle Fever (1991), Mo' Better Blues (1990), Do the Frank Vincent...Charlie Right Thing (1989), School Daze (1988), She's Gotta Have Luis Ramos...Stevie It (1986) Richard Habersham...Eddie Joe's Bed-Stuy Barbershop: We Cut Heads (1983), Sarah Gwen McGee...Louise (1981), The Answer (1980) and Last Hustle in Brooklyn (1977). -
Maten a Trets L'actor Thomas Jefferson Byrd, Un Habitual Del Cinema D
Cultura i Mitjans | NacióDigital | Actualitzat el 05/10/2020 a les 15:40 Maten a trets l'actor Thomas Jefferson Byrd, un habitual del cinema d'Spike Lee L'intèrpret de 70 anys havia participat en la majoria de films del director V?deo: https://www.youtube.com/watch?v=x7KsIm6W9Eo Thomas Jefferson Byrd, actor habitual de cinema de Spike Lee, ha estat assassinat als 70 anys a Atlanta. Segons informa la revista Variety, l'intèrpret va morir després de rebre diversos impactes de bala a l'esquena. Segons apunta la publicació nord-americana, oficials de policia d'Atlanta van respondre a una trucada sobre una persona ferida quan marcaven la 1:45 del matí. En arribar, els oficials van localitzar a Byrd inconscient a terra. Els serveis mèdics d'emergència van arribar a l'escenari del crim, però no van poder fer res per salvar Byrd, a què van declarar mort per múltiples ferides de bala a l'esquena. Els detectius d'homicidis del Departament de Policia d'Atlanta encara treballen per determinar les circumstàncies que van envoltar el presumpte assassinat i la recerca està actualment en curs. Thomas Jefferson Byrd va aparèixer en diverses pel·lícules de Spike Lee, com Clockers (1995), Una mala jugada (1998), Bamboozled (2009), Red Hook Summer (2012), The Sweet Blood of Jesus (2014) i Chi-Raq (2015). També va participar en el drama Fins al final (1996), Els amos de Brooklyn (2009) d'Antoine Fuqua o el biopic musical Ray (2004). El mateix Spike Lee ha confirmat a través de les seves xarxes socials la mort de l'actor i ha enviat un missatge de condol a la família. -
Spike Lee's Joints
Drabinski :: Spring 2020 S/20 – Spike Lee’s Joints Professor John Drabinski Office hours TT 1030-1130 or appt Cooper House 104 [email protected] or x5461 Books: Paula Massoud, The Spike Lee Reader; Janice Hamlet and Robin Means Coleman, Fight the Power! The Spike Lee Reader; Cynthia Fuchs, Spike Lee: Interviews. Books are available at Amherst Books in downtown Amherst. Please purchase your copies there and help support local independent business. Readings outside these books are available as links or PDFs via email or Moodle. Aim of the course | This course explores the cinema of Spike Lee, beginning with his early film School Daze and concluding with his recent Black KkKlansman. We will not watch Lee’s entire oeuvre – that would take much more than a semester – but instead examine key films in order to understand and come to terms with his thinking about race, class, gender, and sexuality, as well as his aesthetic choices that loop and thread together those overtly political concerns. All of these are structured around the central theme in Lee’s filmmaking: what it means to put Black bodies, Black people, and Black life on the cinematic screen. Across film history in the U.S., this screen is terrifying. Lee works to counter that by taking on the burden of Black representation. The burden of filmmaking is therefore a central theme of our critical engagement with his films. We begin with two pieces that place the crisis of Black people on the cinematic screen and the burden of filmmaking in raw, almost traumatic terms: Robert Townsend’s Hollywood Shuffle (1987) and Lee’s Bamboozled (2000).