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Making Musical Magic Live
Making Musical Magic Live Inventing modern production technology for human-centric music performance Benjamin Arthur Philips Bloomberg Bachelor of Science in Computer Science and Engineering Massachusetts Institute of Technology, 2012 Master of Sciences in Media Arts and Sciences Massachusetts Institute of Technology, 2014 Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Media Arts and Sciences at the Massachusetts Institute of Technology February 2020 © 2020 Massachusetts Institute of Technology. All Rights Reserved. Signature of Author: Benjamin Arthur Philips Bloomberg Program in Media Arts and Sciences 17 January 2020 Certified by: Tod Machover Muriel R. Cooper Professor of Music and Media Thesis Supervisor, Program in Media Arts and Sciences Accepted by: Tod Machover Muriel R. Cooper Professor of Music and Media Academic Head, Program in Media Arts and Sciences Making Musical Magic Live Inventing modern production technology for human-centric music performance Benjamin Arthur Philips Bloomberg Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, on January 17 2020, in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Media Arts and Sciences at the Massachusetts Institute of Technology Abstract Fifty-two years ago, Sergeant Pepper’s Lonely Hearts Club Band redefined what it meant to make a record album. The Beatles revolution- ized the recording process using technology to achieve completely unprecedented sounds and arrangements. Until then, popular music recordings were simply faithful reproductions of a live performance. Over the past fifty years, recording and production techniques have advanced so far that another challenge has arisen: it is now very difficult for performing artists to give a live performance that has the same impact, complexity and nuance as a produced studio recording. -
Alice Munro and the Anatomy of the Short Story
Alice Munro and the Anatomy of the Short Story Alice Munro and the Anatomy of the Short Story Edited by Oriana Palusci Alice Munro and the Anatomy of the Short Story Edited by Oriana Palusci This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Oriana Palusci and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0353-4 ISBN (13): 978-1-5275-0353-3 CONTENTS Introduction ................................................................................................. 1 Alice Munro’s Short Stories in the Anatomy Theatre Oriana Palusci Section I: The Resonance of Language Chapter One ............................................................................................... 13 Dance of Happy Polysemy: The Reverberations of Alice Munro’s Language Héliane Ventura Chapter Two .............................................................................................. 27 Too Much Curiosity? The Late Fiction of Alice Munro Janice Kulyk Keefer Section II: Story Bricks Chapter Three ............................................................................................ 45 Alice Munro as the Master -
UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Thin, white, and saved : fat stigma and the fear of the big black body Permalink https://escholarship.org/uc/item/55p6h2xt Author Strings, Sabrina A. Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Thin, White, and Saved: Fat Stigma and the Fear of the Big Black Body A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Sabrina A. Strings Committee in charge: Professor Maria Charles, Co-Chair Professor Christena Turner, Co-Chair Professor Camille Forbes Professor Jeffrey Haydu Professor Lisa Park 2012 Copyright Sabrina A. Strings, 2012 All rights reserved The dissertation of Sabrina A. Strings is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Co-Chair University of California, San Diego 2012 i i i DEDICATION This dissertation is dedicated to my grandmother, Alma Green, so that she might have an answer to her question. i v TABLE OF CONTENTS SIGNATURE PAGE …………………………………..…………………………….…. iii DEDICATION …...…....................................................................................................... iv TABLE OF CONTENTS ……………………………………………………....................v ACKNOWLEDGEMENTS …………………...…………………………………….…...vi VITA…………………………..…………………….……………………………….…..vii ABSTRACT OF THE DISSERTATION………………….……....................................viii -
Bulletin of the Center for Children's Books
ILLINO S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. THE BULLETIN OF THE CENTER FOR CHILDREN'S BOOKS JULY/AUGUST 1992 VOLUME 45 NUMBER 11 THE UNIVERSITY OF CHICAGO PRESS EXPLANATION OF CODE SYMBOLS USED WITH ANNOTATIONS * Asterisks denote books of special distinction. R Recommended. Ad Additional book of acceptable quality for collections needing more material in the area. M Marginal book that is so slight in content or has so many weaknesses in style or format that it should be given careful consideration before purchase. NR Not recommended. SpC Subject matter or treatment will tend to limit the book to specialized collections. SpR A book that will have appeal for the unusual reader only. Recommended for the special few who will read it. C.U. Curricular Use. D.V. Developmental Values. THE BULtum OF THE CENTER PO CmLDREN'S BOOKs (ISSN 0008-9036) is published monthly except August by The University of Chicago Press, 5720 S. Woodlawn, Chicago, Illinois, 60637 for The Centeor Children's Books. Betsy Hearnm Editor; Roger Sutton Executive Editor; Zena Sutherland, Associate Editor, Deborah Stevenson, Editorial Assistant. An advisory committee meets weekly to discuss books and reviews. The members are Alba Endicott, Robert Strang, Elizabeth Taylor, Kathryn Jennings, and Deborah Stevenson. Reviewers' initials are appended to reviews. SUBSCRI RATES:•oN 1 year, institutions, $32.00; individuals, $27.00; $24.00 per year for two or more subscriptions to the same address; Canada, $39.24. In countries other than the United States and Canada, add $5.00 per subscription for postage. -
FULL LIST of WINNERS the 8Th International Children's Art Contest
FULL LIST of WINNERS The 8th International Children's Art Contest "Anton Chekhov and Heroes of his Works" GRAND PRIZE Margarita Vitinchuk, aged 15 Novocherkassk, Rostov Oblast, Russia for “The Lucky One” Age Group: 14-17 years olds 1st place awards: Anna Lavrinenko, aged 14 Novocherkassk, Rostov Oblast, Russia for “Ward No. 6” Xenia Grishina, aged 16 Gatchina, Leningrad Oblast, Russia for “Chameleon” Hei Yiu Lo, aged 17 Hongkong for “The Wedding” Anastasia Valchuk, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Ward Number 6” Yekaterina Kharagezova, aged 15 Novocherkassk, Rostov Oblast, Russia for “Portrait of Anton Chekhov” Yulia Kovalevskaya, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Oversalted” Valeria Medvedeva, aged 15 Serov, Sverdlovsk Oblast, Russia for “Melancholy” Maria Pelikhova, aged 15 Penza, Russia for “Ward Number 6” 1 2nd place awards: Anna Pratsyuk, aged 15 Omsk, Russia for “Fat and Thin” Maria Markevich, aged 14 Gomel, Byelorussia for “An Important Conversation” Yekaterina Kovaleva, aged 15 Omsk, Russia for “The Man in the Case” Anastasia Dolgova, aged 15 Prokhladniy, Kabardino-Balkar Republic, Russia for “Happiness” Tatiana Stepanova, aged 16 Novocherkassk, Rostov Oblast, Russia for “Kids” Katya Goncharova, aged 14 Gatchina, Leningrad Oblast, Russia for “Chekhov Reading Out His Stories” Yiu Yan Poon, aged 16 Hongkong for “Woman’s World” 3rd place awards: Alexander Ovsienko, aged 14 Taganrog, Russia for “A Hunting Accident” Yelena Kapina, aged 14 Penza, Russia for “About Love” Yelizaveta Serbina, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Chameleon” Yekaterina Dolgopolova, aged 16 Sovetsk, Kaliningrad Oblast, Russia for “The Black Monk” Yelena Tyutneva, aged 15 Sayansk, Irkutsk Oblast, Russia for “Fedyushka and Kashtanka” Daria Novikova, aged 14 Smolensk, Russia for “The Man in a Case” 2 Masha Chizhova, aged 15 Gatchina, Russia for “Ward No. -
Personality Development of Grigory Stepanovitch Smirnov in the Bear Drama by Anthon Chekhov (1888): an Individual Psychological Approach
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UMS Digital Library - Selamat datang di UMS Digital Library PERSONALITY DEVELOPMENT OF GRIGORY STEPANOVITCH SMIRNOV IN THE BEAR DRAMA BY ANTHON CHEKHOV (1888): AN INDIVIDUAL PSYCHOLOGICAL APPROACH PUBLICATION ARTICLE Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in English Department by: DARMAWAN ROSADI A 320 080 124 SCHOOL OF TEACHING TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2015 1 PERSONALITY DEVELOPMENT OF GRIGORY STEPANOVITCH SMIRNOV IN THE BEAR DRAMA BY ANTHON CHEKHOV (1888): AN INDIVIDUAL PSYCHOLOGICAL APPROACH Darmawan Rosadi Dewi Candraningrum Titis Setyabudi School of Teacher Training and Education Muhammadiyah University of Surakarta ABSTRACT The object of the research is the drama entitled The Bear by Anthon Chekhov. The major problem of this study is how personality development influences the major character, Grigory Stepanovitch Smirnov, in Anthon Chekhov’s The Bear. It is aimed to analyze the drama based on individual psychological approach by Alfred Adler. The type of the study is qualitative research. There are two data sources that the researcher uses, the primary data sources and secondary data sources. The primary data source is the drama itself and the secondary data sources are any information related to study and other books which deal with the study. The techniques of data collection are documentations and library research. Anthon Chekhov wants to tell that everyone has his own personality developments and ways of overcoming them. In the drama, Smirnov has problem with his personality development. It influences his personality in facing the others people. -
AT Mcmillan Mcmillan Memorial Library 490 East Grand Avenue Wisconsin Rapids, WI 54494
AT McMILLAN McMillan Memorial Library 490 East Grand Avenue Wisconsin Rapids, WI 54494 Volume 24, Number 2 March / April 2001 Library Concert Series Dean Magraw to Perform Continues with Bob Westfall in April The Library Concert Series, sponsored by a grant from Charles and JoAnn Lester, will continue with a Dean Magraw, who lives in St. Paul, Minnesota, will concert by Bob Westfall from Madison. Westfall will be the Library Concert Series performer on Thursday, perform on Thursday, March 8th at 7:00 P.M. in the April 5th at 7:00 P.M. in the Fine Arts Center. Dean is Fine Arts Center. He is a guitarist, songwriter and an acoustic guitar player whose music often blends multi-instrumentalist who has performed extensively folk and jazz into a style of his own. An exciting and throughout the United States. innovative guitarist, Dean's performances are full of Bob began playing the guitar at the early age of surprises that range from quiet intensity to explosive eight. During his career, Bob has shared the stage and power. He has appeared in solo concert tours in the opened shows for such artists as Leo Kottke, Lyle United States, Canada and Europe. Dean has also Lovett, Willy Porter, Riders in the Sky, Steve Gillette, performed with such artists as Peter Ostroushko, Nigel and John Hartford. He has also produced several CDs, Kennedy, the renowned St. Paul Chamber Orchestra, .. including "In a Heartbeat" where he produced and Garrison Keillor, Paul Brady, Greg Brown, and Byron _,/ arranged; sang; and played the violin, piano, electric Berline. -
[Download Free Pdf] in the Ravine and Other Short Stories Online
PQsbM [Download free pdf] In the Ravine and Other Short Stories Online [PQsbM.ebook] In the Ravine and Other Short Stories Pdf Free Anton Chekhov audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #3925061 in Books 2016-06-07 2016-06-07Formats: Audiobook, MP3 Audio, UnabridgedOriginal language:EnglishPDF # 1 6.75 x .50 x 5.25l, Running time: 4 HoursBinding: Audio CD | File size: 78.Mb Anton Chekhov : In the Ravine and Other Short Stories before purchasing it in order to gage whether or not it would be worth my time, and all praised In the Ravine and Other Short Stories: 4 of 4 people found the following review helpful. In the Ravine: And Other Short StoriesBy Stephen BalbachEleven short stories and one novella (In the Ravine) by Anton Chekhov, as read by British actor Kenneth Branagh in 2002. The stories are:The Trousseau (1883)Fat and Thin (1883)Oh! the Public! (1885)Misery (1886)An Actor's End (1886)Children (1886)The Chorus Girl (1886)The Orator (1886)Hush! (1886)The Beggar (1887)A Story Without a Title (1888)Overall very good although it helps to read along with the text since some of the Russian vocabulary and names are difficult to track by audio alone. It is the Constance Garnett translation, freely available online. In the Ravine is the best, a wide and colorful portrait of peasant village life - a tragic story though. "Misery" is very good. "Children" does a good job at evoking childhood. "The Chorus Girl" is also well done. The CD says "Abridged" even though all the stories are Unabridged.6 of 6 people found the following review helpful. -
Full Speed Ahead for DVD Sales by JILL KIPNIS Increase Another 49% in 2003
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) II.L.II..I.JJL.1I.1I.II.LJII I ILIi #BXNCCVR ******* ************** 3 -DIGIT 908 #908070EE374EM002# * BLBD 880 A06 B0105 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT APRIL 5, 2003 Patriotism Lifts Pro -War Songs; Chicks Suffer A Billboard and Airplay Moni- Last week, the Chicks' "Travelin' tor staff report Soldier," a record that many thought With the war in Iraq now more would become an anthem for the than a week old and displays of sup- troops in the event of war, instead port for the war increasing, went 1 -3 on the Billboard Linkin Park Enjoys Meteoric Opening radio responded on several Some Acts Nix Hot Country Singles & fronts. The biggest victims International Tracks chart in the wake BY LARRY FLICK Show by Eminem, which sold 1.3 million copies in of the patriotic surge have Tours In Light of singer Natalie Maims' NEW YORK -Based on first -day sales activity for its its first full week of sales for the week ending June been Dixie Chicks, whose Of War: anti -war/anti -President new album, Meteora, Linkin Park could enjoy the 2, 2002, according to Nielsen SoundScan. Seven - tracks suffered major air- See Page 7 Bush comments (Bill- first 1 million -selling week of 2003. Early estimates day sales of more than 900,000 units would score play losses at their host for- board, March 29). -
G \ Music Week UNI Lakes on Publishers In
FOR EVERYONE IN THE BUSINESS OF MUSIC K/W • -g \ music week UNI lakes on publishers in Europe BMG and Sony are understood to be to the outcome." ■ïiM'iiimiïM If Universal werecalled successful for a eut.in iow- "If you look at the factUniversal that collection says, tlesupporting with publishers Unh/ersal over Music songwriting in its bat- tibonA spokesman department for confirmed the EC's that compe- the toering the thelevel continental of the UK rate European -which ratehas eachsocieties record get and 9.2% see from what the the sale record of acrossroyalties continental paid on Europe.sales of records complaint had been received. "We tribunalstood at battle 8.5% ofsince 1991 the - BPI/MCPSthe major thatcompanies get that get, amount." there are not many firmedUniversal last week Music that International it bas made con- a careful examination and that is what thanrecord eSOm companies a year. could save more communityBut sources dismiss within talk the of apublishing "cartel". Commission,formai complaint accusi to ng thethe publishersEuropean royalty as percentage of dealer prlce. arguing. It is understoodthat Biem opérâtesthat Universal a cartel is Oneare queryingpublishing the sourceBiem cartel,says, when,"They -Biem through - of acting mechanical as a cartel. rights body an BO-page document delivered earii- writers'the UK, royaltieswhich opérâtes for record under sales a dif- in nessbecause without the payingmajor thecannot royalties do busi- and ofIFPI course, cartel. they These have two been cartels part ofhave the Tuesday,In a astatement UMI spokesman issued said,last déclinéser this summer; to comment. a Sony Althoughspokesman a férentBiem rate.mechanical But it does royalty affect rate the to roy-the thatnant Biemposition, is thusin contravention abusing its ofdomi- the done business for many years and International"We can confirm has that filed Universal a complaint Music ingBMG whether source to says make it isa stillformai consider- state- that,Treaty by Of insisting Rome. -
Fat and Thin Anton Chekhov
Fat And Thin Anton Chekhov Two friends -- one a fat man and the other a thin man -- met at the Nikolaevsky station. The fat man had just dined in the station and his greasy lips shone like ripe cherries. He smelt of sherry and fleur d'orange. The thin man had just slipped out of the train and was laden with portmanteaus, bundles, and bandboxes. He smelt of ham and coffee grounds. A thin woman with a long chin, his wife, and a tall schoolboy with one eye screwed up came into view behind his back. "Porfiry," cried the fat man on seeing the thin man. "Is it you? My dear fellow! How many summers, how many winters!" "Holy saints!" cried the thin man in amazement. "Misha! The friend of my childhood! Where have you dropped from?" The friends kissed each other three times, and gazed at each other with eyes full of tears. Both were agreeably astounded. "My dear boy!" began the thin man after the kissing. "This is unexpected! This is a surprise! Come have a good look at me! Just as handsome as I used to be! Just as great a darling and a dandy! Good gracious me! Well, and how are you? Made your fortune? Married? I am married as you see. This is my wife Luise, her maiden name was Vantsenbach . of the Lutheran persuasion. And this is my son Nafanail, a schoolboy in the third class. This is the friend of my childhood, Nafanya. We were boys at school together!" Nafanail thought a little and took off his cap. -
Steerage Song Program
Theater Latté Da in partnership with Minnesota Public Radio presents by Peter Rothstein and Dan Chouinard Mike Wangen Elizabeth R. MacNally Lighting Designer Stage Manager Rick Polenek Michael Hanisch Prop Designer Video Designer Dan Chouinard Music Director Peter Rothstein* Director Opening Night: Thursday, June 2, 2011 * Member of Stage Directors and Choreographers Society Theater Latté Da gratefully acknowledges the generous support of This activity is made possible in part by a grant from the Minnesota State Arts Board, through an appropriation by the Minnesota State Legislature and a grant from the This presentation of Steerage Song is supported in part by National Endowment for the Arts. the National Fund of New Musicals, a program of the National Alliance for Musical Theatre – www.namt.org the Ensemble Sasha Andreev Dennis Curley Jake Ingbar Braxton Baker Dylan Fresco Natalie Nowytski John Bitterman Jennifer Grimm Amy Stockhaus Erin Capello Jay Hornbacher the Musicians Dan Chouinard .......................................................................Accordion, Piano and Tuba Dirk Freymuth ................................................................................... Guitar and Bouzouki Laura MacKenzie ................................................................ Flutes, Pipes and Concertina Dale Mendenhall ................................................................................................ Clarinet Peter Ostroushko .............................................................................Violin and Mandolin