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Avanessian – Xenoarchitecture (Draft) 1 Introduction Armen Avanessian
avanessian – xenoarchitecture (draft) Introduction Armen Avanessian “Man’s desire is the desire of the Other,” Lacan, Seminar XI, p. 235 Following Lacan’s infamous dictum, according to which desire is defined as the desire of the Other, we could ask ourselves what a correlate methodology would look like for the humanities (or should we say “the inhumanities”?). Obviously, the structure of the phrase is ambiguous, or even tautological if taken as a predicative proposition. Instead, I propose to read it as a speculative proposition: we do not simply desire what the other has or hasn’t got, but we desire the state of being an Other, an othering, becoming a stranger to oneself and others—literally alienating them as well as “ourselves.” A desire for the xeno? This transformation has at least three central aspects: alienation (the negative mirroring of a given reality), negation (the construction of an asymmetry that initiates an annihilation of the positively given), and a recursion of alienation and negation through speculation.1 It is a poietic qua productive and creative transformation in the sense that it increases the scope of navigation and liberation by means of manipulation. Together with others, I have thought, experimented, and written a lot about questions of othering and “matching” experimental settings2 for the production of knowledge, tactical spaces in the sense of Michel de Certeau, xeno-spaces that are defined by “a calculated action determined by the absence of a proper locus. No delimitation of an exteriority, then, provides it with the condition necessary for autonomy. The space of a tactic is the space of the Other. -
New Books Catalogue 2017-18
PHILOSOPHY, PAGE 2 THEOLOGY, BIBLICAL STUDIES& PAGE 29 RELIGIOUS STUDIES PAGE 41 NEW BOOKS CATALOGUE 2017-18 PAGE 50 9 781350 057005 PhilTheoBib_FINAL.indd 1-2 03/08/2017 11:19 TM Instant digital access to more than 6,000 eBooks across the social sciences and humanities, including titles from The Arden Shakespeare, Continuum, Bristol Classical Press, and Berg. Subjects covered include: Anthropology • Biblical Studies • Classical Studies & Archaeology • Education • Film & Media • History • Law • Linguistics • Literary Studies • Philosophy • Religious Studies • Theology CONTENT HIGHLIGHTS FEATURES • 125 Collections, expanded annually by subject discipline • Advanced and full text search across all content. • Archive Collections in key subject areas such as ancient • Filter results by subject, series, or collection history, Christology, continental philosophy, and more • Pagination matches print exactly • Special Collections such as International Critical • Personalization features: save searches, export citations Commentary, Ancient Commentators on Aristotle, and and favorite, download, or print documents Education Around the World series • Footnotes, endnotes, and bibliographic references are hyperlinked To register your interest for a free institutional trial, or for further information email: Americas: [email protected] UK, Europe, Middle East, Africa, Asia: [email protected] Australia and New Zealand: [email protected] www.bloomsburycollections.com Collections_advert_2.indd 1 19/07/2017 08:52 Contents -
The Regulation of the Subject by the Technology of Time Maxwell Kennel [1]
Rhizomes: Cultural Studies in Emerging Knowledge: Issue 34 (2018) The Regulation of the Subject by the Technology of Time Maxwell Kennel [1] Abstract: Beginning from the entangled categories of the human and the technological, this exploration surveys thinkers who concern themselves with problems of technology and time, seeking to examine how the confluence of technology and time regulate and condition the formation of subjectivity. Drawing on Bernard Stiegler's work in Technics and Time, Augustine's Confessions, and the myth of Prometheus, the following draws out the technological character of time and makes suggestions about how to reconceptualize these different temporalizing technologies after the critique of capitalism. Surely technology, in its ever-changing form and forms, is a pharmakon that has been with us from the start. Regardless of whether we speak of technology or technologies or the broader field of techne (a practice or craft), it remains that the term ‘technology’ refers to something that, like a double-edged sword, helps us and harms us, something that we use and that uses us, and something that is at once politically charged (often subtly oriented toward particular interests and ends with particular benefactors), yet ambivalent, taking different sides at different times (and therefore available for us to use as means for our own ends).[2] Although it is at our disposal and supposedly outside of ourselves, some have argued that technology is not in fact something extra that is added onto our human nature and experience, but instead something inextricably related to both humanity and history, and indeed something that challenges the legitimacy of these categories. -
Volume 33, Numbers 1-2, Fall 2019-Spring 2020 • Realism Published Twice Yearly, Mediations Is the Journal of the Marxist Literary Group
Volume 33, Numbers 1-2, Fall 2019-Spring 2020 • Realism Published twice yearly, Mediations is the journal of the Marxist Literary Group. We publish dossiers of translated material on special topics and peer-reviewed general issues, usually in alternation. General inquiries and submissions should be directed to [email protected]. We invite scholarly contributions across disciplines on any topic that engages seriously with the Marxist tradition. Manuscripts received will be taken to be original, unpublished work not under consideration elsewhere. Articles should be submitted electronically in a widely-used format. Manuscripts should not exceed reasonable article length, and should be accompanied by an abstract of up to 300 words, including six keywords. Articles will be published in MLA endnote format, and should be submitted with the author’s name and affiliation on a separate cover page to facilitate blind peer review. Photographs, tables, and figures should be sent as separate files in a widely- used format. Written permission to reproduce copyright-protected material must be obtained by the author before submission. Books for review should be sent to: Mediations Department of English (MC 162) 601 South Morgan Street University of Illinois at Chicago Chicago IL 60607-7120 USA Articles published in Mediations may be reproduced for scholarly purposes without express permission, provided the reproduction is accompanied by full citation information. For archives and further information, visit http://www.mediationsjournal.org Cover -
Karl Marx and Poetic Form in the Communist Manifesto
FILOZOFIA ___________________________________________________________________________Roč. 71, 2016, č. 4 EPIC OR TRAGEDY? KARL MARX AND POETIC FORM IN THE COMMUNIST MANIFESTO JASON BARKER, Department of British and American Language and Culture, Kyung Hee University, South Korea BARKER, J.: Epic or Tragedy? Karl Marx and Poetic Form in The Communist Mani- festo FILOZOFIA 71, 2016, No. 4, pp. 316-327 Although The Communist Manifesto of 1848 was clearly not intended as a work of poetry, this article considers the merits of reading it according to the aesthetic criteria of epic poetry and of tragedy respectively. Following a brief treatment of the role of poetry in Karl Marx’s evolution as a philosopher and critic, the article then specu- lates that the identification of certain poetic themes in the text can aid our under- standing of the Manifesto’s political meaning, particularly in light of the “dialectical Prometheanism” that played such a defining role in Marx’s intellectual and political universe. Keywords: Dialectics − Epic − Odyssey − Prometheus − Prometheanism − Marx Introduction: Prometheus Bound and Unbound. Karl Marx’s favorite poet was Aeschylus and many personal episodes suggest the former’s incarnation as a modern Prometheus. In March 1843 the Rheinische Zeitung – which at the time was one of the largest subscription newspapers in Germany – was suppressed by the Prussian authorities and Marx resigned as its editor. A political cartoon of the period, now famous, was pub- lished depicting Marx bound to a printing press with a Prussian eagle biting out his liver. The final issue of the Rheinische Zeitung carried the following short poem: Our mast blew down, but we were not affrighted, The angry gods could never make us bend. -
Transatlantica, 1 | 2008, « Amérique Militante » [En Ligne], Mis En Ligne Le 28 Juillet 2008, Consulté Le 29 Avril 2021
Transatlantica Revue d’études américaines. American Studies Journal 1 | 2008 Amérique militante Édition électronique URL : http://journals.openedition.org/transatlantica/3943 DOI : 10.4000/transatlantica.3943 ISSN : 1765-2766 Éditeur AFEA Référence électronique Transatlantica, 1 | 2008, « Amérique militante » [En ligne], mis en ligne le 28 juillet 2008, consulté le 29 avril 2021. URL : http://journals.openedition.org/transatlantica/3943 ; DOI : https://doi.org/10.4000/ transatlantica.3943 Ce document a été généré automatiquement le 29 avril 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 1 SOMMAIRE Dossiers L'Amérique militante Dossier : L’Amérique militante aujourd’hui Introduction Claire Sorin et Sophie Vallas Le militantisme politique aux Etats-Unis au lendemain du 11 septembre 2001 Marianne Debouzy Anti-conservateur, anti-radical, pro-militant : Richard Rorty, ou la séparation de la philosophie et de l’Etat David Barral Quand la liberté de lire est menacée : la lutte de la Campaign for Reader Privacy contre l’article 215 de la loi USA PATRIOT. Cécile Cottenet The Life and Work of Howard Zinn A Study in Radical American History Ambre Ivol Un militantisme aux allures de mission impossible : l’exemple du lobby républicain pro- choice, la Republican Majority for Choice Françoise Coste Militantisme et identités gaies et lesbiennes : quelle identité pour quels objectifs ? Guillaume Marche From Closet Talk to PC Terminology : Gay Speech and the Politics of Visibility Pascale Smorag Politique de la « nouvelle phrase » : quel engagement pour les Language Poets ? Hélène Aji Varia Le MAC de Lyon s’ouvre à l’univers de Keith Haring Angélique Vernier et Anne Crémieux New York, Weegee the Famous Le Pavillon Populaire, Esplanade Charles de Gaulle, Montpellier, jusqu’au 15 septembre 2008, entrée libre du mardi au dimanche, www.montpellier.fr Claude Chastagner Transatlantica, 1 | 2008 2 Comptes rendus Cornelis A. -
Sex in Question: French Materialist Feminism
Sex in Question Feminist Perspectives on The Past and Present Advisory Editorial Board Lisa Adkins, University of Kent, Canterbury, UK Harriet Bradley, University of Bristol, UK Avtar Brah, University of London, UK Barbara Caine, University of Sydney, Australia Mary Evans, University of Kent at Canterbury, UK Gabriele Griffin, Leeds Metropolitan University, UK Jalna Hanmer, University of Bradford, UK Maggie Humm, University of East London, UK Sue Lees, University of North London, UK Diana Leonard, University of London, UK Terry Lovell, University of Warwick, UK Maureen McNeil, University of Birmingham, UK Ann Phoenix, University of London, UK Caroline Ramazanoglu, University of London, UK Sue Scott, University of Stirling, UK Penny Summerfield, University of Lancaster, UK Martha Vicinus, University of Michigan, USA Christine Zmroczek, Roehampton Institute of Higher Education, UK Sex in Question: French materialist feminism Edited by Diana Leonard and Lisa Adkins UK Taylor & Francis Ltd, 1 Gunpowder Square, London, EC4A 3DE USA Taylor & Francis Inc., 1900 Frost Road, Suite 101, Bristol, PA 19007 First published 1996 This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © of collection, Diana Leonard and Lisa Adkins, 1996 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, -
Pratiques Fictionnelles Pour Une Politique Bâtarde. La Techno-Lesbienne 1 Fugitivas Del Desierto [Fugitives Du Désert]
1 Pratiques fictionnelles pour une politique bâtarde. La techno-lesbienne 1 Fugitivas del desierto [Fugitives du désert] Pour citer cet article : Fugitives du désert, « Pratiques fictionnelles pour une politique bâtarde. La techno-lesbienne », traduit de l’espagnol par Thérèse Courau, in Michèle Soriano (dir.), Féminismes latino-américains en traduction. Territoires dis-loqués, Paris, L’Harmattan, 2020. Texte présenté et traduit par Thérèse Courau Présentation Dans l’essai « Pratiques fictionnelles pour une politique bâtarde. La techno-lesbienne » (2009), le collectif argentin des Fugitives du désert propose une relecture queer de certaines fictions politiques – en particulier celles qui ont construit le corps biologique hétéronormé et le corps de la nation en Argentine. La « politique bâtarde », que le collectif appelle de ses vœux, fait prioritairement signe vers un renouveau des politiques de représentation dont l’enjeu premier est la rematérialisation et légitimation des corporalités, formes de vie, affects et savoirs non binaires et plus spécifiquement lesbiens, tant dans l’espace public que dans les champs de la connaissance. Une réappropriation des processus de subjectivation que le collectif, revendiquant le potentiel heuristique des ressources fictionnelles et notamment les enjeux empowering de la convocation de personnages conceptuels, incarne dans la figure de la « techno-lesbienne ». Les Fugitives du désert se présentent, selon les mots d’une des fondatrices – l’écrivaine, performeuse, théoricienne et activiste argentine val flores – comme un « groupe de lesbiennes féministes cuir de Neuquén 2 », ville du Sud de l’Argentine. Fondée en 2004, la coalition éphémère se dissout en 2008, trouvant un prolongement dans d’autres collectifs comme le groupe activiste « Trolas del desierto 3 » ou encore l’initiative « Potencia Tortillera 4 », archive en ligne de l’activisme lesbien en Argentine, créée en 2011 5. -
Aesthetics of Form Revisited Éric Alliez Art & Language
/3AB63B71A =4 4=@; @3D7A7B32 p@71 /::73H /@B :/<5C/53 /@;3< /D/<3AA7/< :C7A 1/;<7BH3@ A30/AB7/< 353<6=43@ 2=@=B63/ D=< 6/<B3:;/<< 0@7/< 6=:;3A >/;3:/ ; :33 AB3E/@B ;/@B7< 16@7AB=>6 ;3<93 >3B3@ =A0=@<3 8=6< @/816;/< 8C:7/<3 @303<B7A16 :C93 A9@30=EA97 ‘Aurai-je encore besoin des formes?’ This self-reflexive state- ment, made by Matisse in 1942, is only one example, albeit a telling one, of the struggle with the question of form in art and art theory that would intensify over the course of the twentieth century. While the entire time period of modernity can be seen as occupied with the problematics of form, there has nevertheless been a steady critical distanciation from such concerns over the last few decades. Looking at recent developments in thinking about form, we can determine a particular schema: on the one hand central topoi such as dissolution, opening and break demonstrate the residue of a revolutionary formal rhetoric; on the other hand a negatively inflected understanding of form has been projected as a synonym for paralysed social, political and artistic circum- stances. For numerous reasons, we should object to such overly hasty disavowals of form and instead attempt to examine the seemingly old-fashioned concept of ‘form’ once again in view of contemporary aesthetic reflections. A first requirement is to object to the conception of form as ‘paralysed’, a notion which we can clearly see belied in concepts such as Documenta XII’s ‘migration of form’ (wherein the particular formal meaning of individual artworks was deprioritized in favour of new formal configu- rations created at a curatorial level). -
Literary Modernism, Queer Theory, and the Trans Feminine Allegory
UC Irvine FlashPoints Title The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory Permalink https://escholarship.org/uc/item/11z5g0mz ISBN 978081013 5550 Author Heaney, Emma Publication Date 2017-08-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The New Woman The FlashPoints series is devoted to books that consider literature beyond strictly national and disciplinary frameworks, and that are distinguished both by their historical grounding and by their theoretical and conceptual strength. Our books engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how liter- ature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Series titles are available online at http://escholarship.org/uc/fl ashpoints. series editors: Ali Behdad (Comparative Literature and English, UCLA), Edi- tor Emeritus; Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Editor Emerita; Michelle Clayton (Hispanic Studies and Comparative Literature, Brown University); Edward Dimendberg (Film and Media Studies, Visual Studies, and European Languages and Studies, UC Irvine), Founding Editor; Catherine Gallagher (English, UC Berkeley), Editor Emerita; Nouri Gana (Comparative Lit- erature and Near Eastern Languages and Cultures, UCLA); Susan Gillman (Lit- erature, UC Santa Cruz), Coordinator; Jody Greene (Literature, UC Santa Cruz); Richard Terdiman (Literature, UC Santa Cruz), Founding Editor A complete list of titles begins on p. -
The Incomplete Materialism of French Materialist Feminism
The incomplete materialism of French materialist feminism Alison Stone According to one important and influential line of lacking in exotic difference’.3 The French materialist feminist interrogation of the category of sex, we only feminists were perceived to be ‘relatively similar’ believe that there are two biological sexes because in two particular ways. First, like many English- our thought and perception are constrained by the speaking socialist feminists of the 1970s, their account two-gender social system under which we currently of women’s subordination focused on the exploitation live.1 The French materialist feminists – Christine of women’s labour within the home. Delphy, Monique Wittig, Colette Guillaumin and Second, and more relevantly here, the French mate- Nicole-Claude Mathieu, among others – are among rialist feminists made use of the concept of gender, the earliest and best-known exponents of this line. a concept that was also central to anglophone femi- In this article I will take issue with their position on nism of the 1970s and 1980s. The French materialists sex, by way of an initial reconstruction of the history insisted that women’s subordination was caused by of the English-speaking feminist reception of French social arrangements and not biology, and, being social, materialist feminism. I will use this reconstruction could be removed. Thus it appeared that the French to bring out two key elements of French materialist materialists adhered to the same sex/gender distinc- feminism: (1) its proposal that gender can and should tion that English-speaking feminists did, with both be abolished; (2) its – related – denial that sex division groups (apparently) holding that there are biological is a biological reality. -
The Strange Case of French Feminism. Blurring the Line of Feminist Epistemology: a Materialist Questioning of the Sex/Gender System
The strange case of French feminism. Blurring the line of feminist epistemology: a materialist questioning of the sex/gender system. Grazia Dicanio Thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in Gender Studies Centre for Gender Studies University of Oslo Blindern, Norway May 2019 Abstract This study originates from the urgency to reflect on theory and epistemology in the light of a divide between academia and political movements. The study was thought out as an attempt to interrupt the chrono-logic cycle of old theory vs. new theory or theory vs. post-theory and possibly re-constructing a bridge to re-establish a contact with a stigmatized past in feminist genealogy and epistemology identified with the 1970s. My analysis revolves around French feminism as a theory by looking at how it was received, appropriated and, as some would say, invented. What makes a theoretical strand? Is there a French feminist genealogy we did not know of? What kind of epistemological stance does this genealogy advocate for? And what are the consequences of an appropriation? To try and answer these questions I take into account three of the most important French materialist theorists and delineate a theoretical path in French feminism that is almost totally unknown or misconstrued in our institutionalized feminist epistemology. A constant question I have in the back of my mind while writing is: who has and has had the primacy to establish a mainstream genealogy in feminist studies? And what has this done with our, personal and political, knowledge of the sex/gender system form different points of view? Acknowledgements Thanks to STK and Helene Aarseth for giving me the opportunity to do this research.