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NORRIS FREEWAY CORRIDOR MANAGEMENT PLAN Prepared by the City of Norris, Tennessee June 2020 SECTION 1: ESSENTIAL INFORMATION
NORRIS FREEWAY CORRIDOR MANAGEMENT PLAN Prepared by the City of Norris, Tennessee June 2020 SECTION 1: ESSENTIAL INFORMATION Location. Norris Freeway is located in the heart of the eastern portion of the Tennessee Valley. The Freeway passes over Norris Dam, whose location was selected to control the flooding caused by heavy rains in the Clinch and Powell River watershed. Beside flood control, there were a range of conditions that were to be addressed: the near absence of electrical service in rural areas, erosion and 1 landscape restoration, and a new modern road leading to Knoxville (as opposed to the dusty dirt and gravel roads that characterized this part of East Tennessee). The Freeway starts at US 25W in Rocky Top (once known as Coal Creek) and heads southeast to the unincorporated community of Halls. Along the way, it crosses Norris Dam, runs by several miles of Norris Dam State Park, skirts the City of Norris and that town’s watershed and greenbelt. Parts of Anderson County, Campbell County and Knox County are traversed along the route. Date of Local Designation In 1984, Norris Freeway was designated as a Tennessee Scenic Highway by the Tennessee Department of Transportation. Some folks just call such routes “Mockingbird Highways,” as the Tennessee State Bird is the image on the signs designating these Scenic Byways. Intrinsic Qualities Virtually all the intrinsic qualities come into play along Norris Freeway, particularly Historic and Recreational. In fact, those two characteristics are intertwined in this case. For instance, Norris Dam and the east side of Norris Dam State Park are on the National Register of Historic Places. -
The Brass Band Bridge with a in This Issue Tremendous Number of Reviews of New Brass Band Recordings
A S E B R S B A T H N D BRIDGE H issue 110 The Official Publication of the North American Brass Band Association august, 2008 Once again, Ronald W. Holz has provided UNDER THE BRIDGE readers of The Brass Band Bridge with a IN THIS ISSUE tremendous number of reviews of new brass band recordings. I’d like to add a hearty, “hear, Douglas Yeo hear” to his enthusiastic recommendation of ATOP THE BRIDGE the new recording of Elgar’s Severn Suite, with From the President, pg. 2 Editor Black Dyke Band, conducted by Sir Colin Davis. This performance is revelatory, and having worked with Sir Colin myself when he RECORDING OF THE his issue of The Brass Band Bridge fea- has guest conducted the Boston Symphony YEAR CONTEST tures reports from several recent brass (including memorable performances of Elgar’s pg. 3 band festivals which were sponsored, in Enigma Variations and The Dream of Gerontius), Tpart, by NABBA. The Great American Brass I can very well imagine how the Black Dyke Band Festival is the premier brass band festival players felt when sitting under the leading NEWS FROM NABBA in the USA and it always features performances interprer of Elgar in our time. The recording BANDS by at least one of NABBA’s most distinguished is truly stupendous. Ron’s reviews are also a bands. The Fifth Toronto Festival of Brass fea- reminder to all NABBA member bands to get pg. 5 tured world premiere performances, and several in their entries for NABBA’s “Recording of the youth bands. -
AT Mcmillan Mcmillan Memorial Library 490 East Grand Avenue Wisconsin Rapids, WI 54494
AT McMILLAN McMillan Memorial Library 490 East Grand Avenue Wisconsin Rapids, WI 54494 Volume 24, Number 2 March / April 2001 Library Concert Series Dean Magraw to Perform Continues with Bob Westfall in April The Library Concert Series, sponsored by a grant from Charles and JoAnn Lester, will continue with a Dean Magraw, who lives in St. Paul, Minnesota, will concert by Bob Westfall from Madison. Westfall will be the Library Concert Series performer on Thursday, perform on Thursday, March 8th at 7:00 P.M. in the April 5th at 7:00 P.M. in the Fine Arts Center. Dean is Fine Arts Center. He is a guitarist, songwriter and an acoustic guitar player whose music often blends multi-instrumentalist who has performed extensively folk and jazz into a style of his own. An exciting and throughout the United States. innovative guitarist, Dean's performances are full of Bob began playing the guitar at the early age of surprises that range from quiet intensity to explosive eight. During his career, Bob has shared the stage and power. He has appeared in solo concert tours in the opened shows for such artists as Leo Kottke, Lyle United States, Canada and Europe. Dean has also Lovett, Willy Porter, Riders in the Sky, Steve Gillette, performed with such artists as Peter Ostroushko, Nigel and John Hartford. He has also produced several CDs, Kennedy, the renowned St. Paul Chamber Orchestra, .. including "In a Heartbeat" where he produced and Garrison Keillor, Paul Brady, Greg Brown, and Byron _,/ arranged; sang; and played the violin, piano, electric Berline. -
Learning to Live Together
Learning to Live Together An Intercultural and Interfaith Programme for Ethics Education Learning to Live Together Learning Live to Learning to Live Together is an intercultural and interfaith programme for ethics education, designed to contribute to the realisation of the right of the child to full and healthy physical, mental, spiritual, moral and social development, and to education as set out in the United Nations Convention on the Rights of the Child (CRC), in article 26.1 of the Universal Declaration of Human Rights (UDHR), in the World Declaration on Education for All and in the Millennium Development Goals (MDG). Learning to Live Together provides youth leaders and educators world- wide with the tools for an intercultural and interfaith programme, by which children and young people are able to develop a stronger sense of ethics. It is designed to help the young understand and respect people from other cultures and religions and to nurture their sense of a global community. e resource has been developed in close cooperation with UNESCO and UNICEF. Learning to Live Together Learning to Live Together An Intercultural and Interfaith Programme for Ethics Education Interfaith Council on Ethics Education for Children Global Network of Religions for Children Arigatou Foundation In cooperation with and endorsed by UNESCO and UNICEF Learning to Live Together The Interfaith Council Secretariat welcomes requests for permission to reproduce and translate this book in part or in full. Applications and enquiries should be addressed to Arigatou International, 1, rue de Varembé, 1202 Geneva, Switzerland, which will be glad to provide the latest information on any changes made to the text. -
02257 Passage Title: Music: the Ancient Basis of Education
Passage Information Passage Code: 02257 Passage Title: Music: The Ancient Basis of Education Music: The Ancient Basis of Education 1 Music has been part of education for thousands of years. The history of education overlaps with music and science. Why should this be? We will better understand this relationship when we consider the beliefs of great thinkers from the past. 2 Philosophers believed that students should learn music. They saw patterns in music that appeared in other parts of the natural world. Music reflected the beauty found in nature. The ancient Greeks used a word similar to “harmony” to describe the most perfect beauty. This kind of beauty had form and balance. There was harmony in ethics, mathematics, and art. The notes of a harmonious chord follow a pattern. A painting shows harmony when the colors and lines do not conflict. The ancient Greeks’ idea of harmony could apply to almost any field of study. The ancient Greek philosopher Pythagoras was famous for his views on music. He believed that the entire universe follows the same elegant structure as a piece of music. In his opinion, studying music and studying astronomy were equally important. To him, the movement of the planets was as graceful as a symphony. 3 Plato, another Greek philosopher, said that music should be the first form of learning. He compared the educated mind to a tuned instrument. Children who studied music tuned their minds to think beautiful thoughts. In ancient India, thinkers also connected music to learning. These thinkers used a term similar to “song” for music. -
Steerage Song Program
Theater Latté Da in partnership with Minnesota Public Radio presents by Peter Rothstein and Dan Chouinard Mike Wangen Elizabeth R. MacNally Lighting Designer Stage Manager Rick Polenek Michael Hanisch Prop Designer Video Designer Dan Chouinard Music Director Peter Rothstein* Director Opening Night: Thursday, June 2, 2011 * Member of Stage Directors and Choreographers Society Theater Latté Da gratefully acknowledges the generous support of This activity is made possible in part by a grant from the Minnesota State Arts Board, through an appropriation by the Minnesota State Legislature and a grant from the This presentation of Steerage Song is supported in part by National Endowment for the Arts. the National Fund of New Musicals, a program of the National Alliance for Musical Theatre – www.namt.org the Ensemble Sasha Andreev Dennis Curley Jake Ingbar Braxton Baker Dylan Fresco Natalie Nowytski John Bitterman Jennifer Grimm Amy Stockhaus Erin Capello Jay Hornbacher the Musicians Dan Chouinard .......................................................................Accordion, Piano and Tuba Dirk Freymuth ................................................................................... Guitar and Bouzouki Laura MacKenzie ................................................................ Flutes, Pipes and Concertina Dale Mendenhall ................................................................................................ Clarinet Peter Ostroushko .............................................................................Violin and Mandolin -
August Troubadour
FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news March 2007 www.sandiegotroubadour.com Vol. 6, No. 6 what’s inside Welcome Mat ………3 Contributors San Diego Folk Song Society Full Circle.. …………4 Kenny Newberry Recordially, Lou Curtiss Front Porch... ………6 Harp Guitars Steph Johnson Parlor Showcase …8 Sven-Erik Seaholm Ramblin’... …………10 Bluegrass Corner Zen of Recording Hosing Down Radio Daze Highway’s Song. …12 Leo Kottke & David Lindley Of Note. ……………13 Gaskins ‘n’ Gunner Chad Farran Alex Esther Manisha Shahane Kevin Jones ‘Round About ....... …14 March Music Calendar The Local Seen ……15 Photo Page MARCH 2007 SAN DIEGO TROUBADOUR welcome mat Sam Hinton’s Folk Song Society Turns 50 RSAN ODUIEGBO ADOUR Alternative country, Americana, roots, folk, by Allen Singer country blues, and Tblues, gospel, jazz, and bluegrass music news original material. am Hinton Members play many S has worn different instru - many hats ments at all skill MISSION CONTRIBUTORS in his life. He’s an levels and we original — a folk encourage everyone To promote, encourage, and provide an n FOUNDERS a g alternative voice for the great local music that singer, a songwriter, a scientist, an artist, i from amateur to professional to be a part Ellen and Lyle Duplessie F is generally overlooked by the mass media; a father, and a great diatonic harmonica r of the group each time we meet. We e Liz Abbott t namely the genres of alternative country, e player. On March 31, when Hinton cele - P leave nobody behind in the musical dust. -
Publication Management, Content Strategy & Execution Specialty Writing Production & Consulting
Content Strategy & Execution Content Strategy 843.513.7535 ~ [email protected] riverbendcustomcontent.com Professional Profile Respected leader of creative teams with proven ability to conceptualize and orchestrate communications campaigns that effectively build and reinforce brand. Collaborative team player adept at transforming complex ideas and subject matter into digestible information that connects, enlightens and engages target markets and segments. Select Professional Achievements Established and executed a content/thought leadership communications program to enhance the Elliott Davis brand and strengthen the firm’s position as a diversified business solutions provider offering a full spectrum of professional financial services and consulting. Content Strategy Created and directed the National Golf Course Owners Association’s first Comprehensive In conjunction with CMO and Content Strategy, a three-phase, multi-year plan that established the four pillars under marketing director, developed a which all NGCOA educational content was categorized and developed. comprehensive plan and editorial calendar to create, schedule and Spearheaded two complete repositionings of Golf Business magazine, re-establishing the deliver content and collateral for title as the golf industry’s preeminent business publication. all Elliott Davis business units. Garnered multiple awards for writing and publication excellence from the Society of National Association Publications, Turf & Ornamental Communications Association, International Network of Golf and Carolinas Golf Reporters Association. Areas of Specialty & Expertise Editorial, Creative & Publication Management, Content Strategy & Execution Specialty Writing Production & Consulting Experienced professional Award-winning writer whose Veteran, award-winning skilled in the development articles and columns have magazine editor with more and creation of content, appeared in numerous national, than two decades of experience educational curricula and regional and local publications. -
Bush Artist Fellows
Bush Artist Fellows Bush Artist Fellows Bush Artist Fellows LITERATURE POETRY, FICTION, CREATIVE NONFICTION Jonathan Brannen Sarah Fox Maureen Gibbon Adrian C. Louis Kevin McColley Dan O'Brien Sheila O'Connor Rémy Rougeau SCRIPTWORKS PLAYWRITING AND SCREENWRITING W. David Hancock FILM • VIDEO Shelli Ainsworth Steven Matheson Garret Williams MUSIC COMPOSITION Brent Michael Davids Anthony Gatto Peter Ostroushko 2 Bush Artist Fellowships stablished in 1976, the purpose of the Bush Artist Fellowships is to provide artists with significant E financial support that enables them to further their work and their contributions to their communi- ties. An artist may use the fellowship in many ways: to engage in solitary work or reflection, for collabo- rative or community projects, or for travel or research. No two fellowships are exactly alike. Eligible artists reside in Minnesota, North and South Dakota, and western Wisconsin. Artists may apply in any of these categories: VISUAL ARTS: TWO DIMENSIONAL VISUAL ARTS: THREE DIMENSIONAL LITERATURE Poetry, Fiction, Creative Nonfiction CHOREOGRAPHY • MULTIMEDIA PERFORMANCE ART/STORYTELLING SCRIPTWORKS Playwriting and Screenwriting MUSIC COMPOSITION FILM • VIDEO Applications for all disciplines will be considered in alternating years. 3 Panels PRELIMINARY PANEL PRELIMINARY PANEL FINAL PANEL FILM • VIDEO MUSIC COMPOSITION Joy Harjo Louis Massiah Mel Marvin Poet, musician, and writer Filmmaker, Founder, and Composer, director Honolulu, Hawaii Executive Director Resident Composer of Scribe Video Center The -
Register for Symposium on Small Towns by June 2
University of Minnesota Morris Digital Well University of Minnesota Morris Digital Well Campus News Archive Campus News, Newsletters, and Events 5-25-2004 Register for Symposium on Small Towns by June 2 University Relations Follow this and additional works at: https://digitalcommons.morris.umn.edu/urel_news Recommended Citation University Relations, "Register for Symposium on Small Towns by June 2" (2004). Campus News Archive. 1993. https://digitalcommons.morris.umn.edu/urel_news/1993 This News Article is brought to you for free and open access by the Campus News, Newsletters, and Events at University of Minnesota Morris Digital Well. It has been accepted for inclusion in Campus News Archive by an authorized administrator of University of Minnesota Morris Digital Well. For more information, please contact [email protected]. Contact Melissa Weber, Director of Communications Phone: 320-589-6414, [email protected] Jenna Ray, Editor/Writer Phone: 320-589-6068, [email protected] Register for Symposium on Small Towns by June 2 Summary: (May 25, 2004)-What does outstate Minnesota have that you can’t find in the big city? Small towns? A sense of community? A willingness to share and learn? If you answer with any of these, you are correct! The Second Annual Symposium on Small Towns, to be held June 8-9 on the campus of the University of Minnesota, Morris, will showcase projects of the area’s small towns as well as what one might expect to find only in a big city: performing arts and a nationally recognized cultural exhibit! All of this is open to everyone. -
“Boys 'Round Here”: Masculine Life-Course Narratives in Contemporary Country Music
social sciences $€ £ ¥ Article “Boys ‘Round Here”: Masculine Life-Course Narratives in Contemporary Country Music Cenate Pruitt Department of Sociology & Human Services, University of North Georgia, Gainesville, GA 30566, USA; [email protected] Received: 6 May 2019; Accepted: 4 June 2019; Published: 7 June 2019 Abstract: Country music remains one of the most popular genres in U.S. American society but is historically under-researched compared to rock, rap and other styles. This article extends the social science literature on the genre by examining themes of masculine identity in popular country hits of the current century. A content analysis of 35 top country hits from the last 15 years of the Billboard charts reveals three key masculine archetypes: the lover, the family man and particularly the country boy, which is the dominant masculine image within the last few years of the genre. Together, the three create a life-course narrative where the rambunctious country boy will eventually settle into monogamous heterosexual romance, with marriage and fatherhood presented as the ultimate achievement of successful manhood. A fourth, lesser, archetype, the roughneck, presents an “arrested development” version of the country boy, fully-grown but rejecting the social and familial responsibilities of the other archetypes. These narratives simultaneously challenge some aspects of hegemonic masculinity (urbanity, white-collar labor) while reinforcing others (whiteness, heterosexuality). Keywords: country music; gender; masculinity; life course; fatherhood; identity 1. Introduction Country music, the fourth-most popular radio format in the U.S., comprises 10% of all music consumed in the U.S., whether digital streaming or physical purchases (The Nielsen Company 2017). -
\\ in Memoriam Gary Michael Decramer
In Memoriam \\ \ , Gary Michael DeCramer September 13, 1944 - March 7, 2012 Gary Michael DeCramer Reading Soneto de la Noche (Sonnet of the Night) - Pablo Neruda Memorial Service • March 20,2012 • 4:00 p.m. Ted Mann Concert Hall, University of Minnesota Interlude Lullabye (Goodbye, My Angel) *Please stand in body or in spirit. words and music by Billy Joeljarr. Kirby Shaw Unity Singers Drum Circle Nawayee Center School Drum Group Silence Welcome Greg Lindsay Reading Psalm 23 Prelude Vocalise - Sergei Rachmaninoff Minister's Prayer Taichi Chen, violin; Ruth Palmer, piano Interlude Peter Ostroushko Call to Worship Rev. Rob Eller-Isaacs Remembrance Lars Anderson Chalice Lighting Katie DeCramer and Louise DeCramer Interlude *Opening Hymn Blue Boat Home - words and music by Peter Mayer Peter Mayer, guitar Remembrance John Kaul Though below me, I feel no motion Standing on these mountains and plains *Hymn of Affirmation This Is My Song Far away from the rolling ocean This is my song, 0 God ofall the nations, Still my dry land heart can say a song ofpeace for lands a-far and mine. I've been sailing all my life now This is my home, the country where my heart is; Never harbor or port have I known here are my hopes, my dreams, my holy shrine; The wide universe is the ocean I travel but other hearts in other lands are beating And the earth is my blue boat home with hopes and dreams as true and high as mine. Sun, my sail and moon, my rudder My country's skies are bluer than the ocean, As I ply the starry sea and sunlight beams on clover leafand pine; Leaning over the edge in wonder but other lands have sunlight too, and clover, Casting question into the deep and skies are everywhere as blue as mine.