Fall 2006 Volume 16, Number 1
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Probablemente El Diablo: El Terror Elíptico De La Séptima Víctima
PROBABLEMENTE EL DIABLO: EL TERROR ELÍPTICO DE LA SÉPTIMA VÍCTIMA Francisco García Gómez Universidad de Málaga RESUMEN La séptima víctima, la primera película dirigida por Mark Robson, constituye un magnífico ejemplo de la concepción del terror que tenía el productor Val Lewton. Su cuarto filme para la RKO, el primero no dirigido por Jacques Tourneur, pone de manifiesto que Lewton era el auténtico responsable de su ciclo fantástico. PALABRAS CLAVE: RKO, Val Lewton, Mark Robson, serie B, terror, satanismo, paladismo. ABSTRACT «Probably the Devil: The Elliptical Terror in The Seventh Victim». The Seventh Victim, first film directed by Mark Robson, is a magnificent example of the producer Val Lewton’s terror concept. His fourth RKO film, the first without Jacques Tourneur, reveals that Lewton was the genuine responsible of his fantastic cycle. KEY WORDS : RKO, Val Lewton, Mark Robson, B Film, terror, satanism, paladism. 163 Una película a redescubrir y reivindicar, ése es el caso de La séptima víctima (The Seventh Victim, 1943), la cuarta del ciclo de nueve cintas de terror de serie B producidas por Val Lewton en la RKO entre 1942 y 19461. Dirigida por Mark Robson en su debut como realizador, fue además la primera cuya dirección no corrió a cargo de Jacques Tourneur, tras La mujer pantera (Cat People, 1942), Yo anduve con un zombi (I Walked with a Zombie, 1943) y El hombre leopardo (The Leopard Man, 1943). Precisamente a consecuencia de los grandes éxitos de público obtenidos con estas tres, el estudio decidió separar al tándem Lewton-Tourneur, convencido de que rendirían el doble por separado, poniendo en seguida al francés al frente de mayores presupuestos. -
Annual Report 2015 It Is My Pleasure to Welcome You to the American Liver Foundation’S 2015 Annual Report
VOICES OF LIVER DISEASE I have a VOICE We are stronger LET’S SPREAD TOGETHER THE WORD American Liver Foundation | Annual Report 2015 It is my pleasure to welcome you to the American Liver Foundation’s 2015 annual report. This small volume documents a year of progress in challenging liver disease’s position as one of the top 12 leading causes of death for Americans ages 25 to 64. This past year, we raised our voices every day. In 2015, the American Liver Foundation launched our federal Advocacy Day in Washington, DC, a new annual initiative that will give us a greater voice on Capitol Hill. On behalf of 30 million Americans living with liver disease, our staff joined by members of our National Patient Advisory Committee (NPAC) made the case for increased allocations for liver research and a more pro-active public health response for testing and treatment for liver disease. Our media-trained and well-informed NPAC members are at the heart of the Foundation’s awareness raising activities. By courageously and generously sharing their stories, these men and women put a human face on liver disease, and give voice to the needs and concerns of liver patients everywhere. Until very recently, the liver was rarely featured in the news outside of celebrity illnesses related to liver failure or hepatitis C. This is changing and for the better, and ALF’s persistence and presence has played an important role in this transition. In 2015, rarely did a week go by without a mention of liver wellness or liver disease in the mainstream media as our aggressive communications strategy leveraged media opportunities like Veterans Day, Liver Awareness Month and local events to drive coverage. -
The Curse of the Cat People: Presencia De “Lo Siniestro” (Breves Apuntes) 1 Por Francisco Javier GÓMEZ TARÍN
The curse of the Cat People: Presencia de “lo siniestro” Pág. 1 The Curse of the Cat People: Presencia de “lo siniestro” (Breves apuntes) 1 por Francisco Javier GÓMEZ TARÍN Estos films ganaron su notoriedad al cortocircuitar dos aspiraciones: la económica de un producto de género (en cuyo caso la renovación se transforma en garante de la identidad); y la crítica de una reflexión “desde el interior”, y no solamente pragmática, sobre los modos narrativos en el cine americano (Eisenschitz, 1980: 48) Esta cita de Eisenschitz nos hace reivindicar la doble función cumplida por los films producidos por Val Lewton para la RKO. De un lado significaron un impulso para la industria cinematográfica y una evolución en el seno de los géneros, renovando desde la perspectiva de su aparente clasicismo el cine fantástico, aportando la sutileza y el universo de la no-mostración; pero, de otra parte, desvelaron que los bajos costes no eran en modo alguno incompatibles con la calidad, lo que es más, la libertad creativa de que gozaron justifica en gran medida los temas que fueron abordados y las innovaciones introducidas a través de ellos en torno a cuestiones tan radicalmente cinematográficas como el uso del raccord de miradas o la inquietante presencia del fuera de campo. Resulta difícil acomodar estos films, pese a que se etiqueten a sí mismos como de género, dentro del cine clásico, si estimamos que la clausura es uno de sus elementos paradigmáticos en el seno del mecanismo definido por Noël Burch como Modo de Representación Institucional (MRI). La clausura posibilita el cierre de la historia sin dejar cabos sueltos, pero The Curse of the Cat People, y en general todos los de la serie Val Lewton, ofrecen un cierre en falso que puede entenderse como un relanzamiento de la historia en otra dirección interpretativa; a ello hay que añadir las múltiples líneas de indeterminación que se van sembrando en los personajes y situaciones a lo largo del film y que posteriormente tampoco son cerradas. -
Title Catalog Link Section Call # Summary Starring 28 Days Later
Randall Library Horror Films -- October 2009 Check catalog link for availability Title Catalog link Section Call # Summary Starring 28 days later http://uncclc.coast.uncwil. DVD PN1995.9. An infirmary patient wakes up from a coma to Cillian Murphy, Naomie Harris, edu/record=b1917831 Horror H6 A124 an empty room ... in a vacant hospital ... in a Christopher Eccleston, Megan Burns, 2003 deserted city. A powerful virus, which locks Brendan Gleeson victims into a permanent state of murderous rage, has transformed the world around him into a seemingly desolate wasteland. Now a handful of survivors must fight to stay alive, 30 days of night http://uncclc.coast.uncwil. DVD PN1995.9. An isolated Alaskan town is plunged into Josh Hartnett, Melissa George, Danny edu/record=b2058882 Horror H6 A126 darkness for a month each year when the sun Huston, Ben Foster, Mark Boone, Jr., 2008 sinks below the horizon. As the last rays of Mark Rendall, Amber Sainsbury, Manu light fade, the town is attacked by a Bennett bloodthirsty gang of vampires bent on an uninterrupted orgy of destruction. Only the town's husband-and-wife Sheriff team stand 976-EVIL http://uncclc.coast.uncwil. VHS PN1995.9. A contemporary gothic tale of high-tech horror. Stephen Geoffreys, Sandy Dennis, edu/record=b1868584 Horror H6 N552 High school underdog Hoax Wilmoth fills up Lezlie Deane 1989 the idle hours in his seedy hometown fending off the local leather-jacketed thugs, avoiding his overbearing, religious fanatic mother and dreaming of a date with trailer park tempress Suzie. But his quietly desperate life takes a Alfred Hitchcock's http://uncclc.coast.uncwil. -
UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 1 from the DIRECTOR
UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 1 FROM THE DIRECTOR The year 2015 marks the 50th anniversary of UCLA Film & Television Archive In the comedy department, we are proud to be able to present the latest and so we are doubly proud to put on our biennial Festival of Preservation results in our ongoing effort to preserve the legacy of Laurel & Hardy, includ- (FOP) to kick off a series of anniversary-related events that will run through- ing the shorts, The Midnight Patrol (1933), and The Music Box (1932). We are out the year. As director of UCLA Film & Television Archive, I’m happy to also screening a new preservation of the comedy hit of last year’s Cinefest in introduce the 17th iteration of our FOP, which again reflects the broad and Syracuse, Bachelor’s Affairs (1932), a pre-Code gem, starring Adolphe Menjou deep efforts of the Archive to preserve and restore our national moving image as a die-hard bachelor who is felled by a ditzy blonde bombshell. heritage. And while the rest of the world has seemingly made the transition to As is standard operating practice, given our close working relationship with a 100 percent digital environment, the Archive is still committed to preserving the Film Noir Foundation, we have again preserved a number of rare and films on film, while we still can, even if our theater will increasingly be project- interesting film noirs, including Too Late for Tears (1949), starring Lizabeth Scott ing digital material. -
Realism, Fantasy, and the ‘H’ Certificate: Rethinking Horror Cinema in Britain During the 1940S by Paul William Frith
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of East Anglia digital repository Realism, Fantasy, and the ‘H’ Certificate: Rethinking Horror Cinema in Britain during the 1940s by Paul William Frith Submitted for the Degree of Doctor of Philosophy University of East Anglia School of Film, Television and Media September 2014 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract Existing research on British cinema during the 1940s has often assumed an opposition between realism and fantasy or, as it is also known, 'realism and tinsel'. However, through an analysis of contemporary critical reception and censorship discourses, it becomes apparent how this division was nowhere near as clearly defined as is often argued. Discussions surrounding a supposed ‘ban’ on horror during 1942- 45, and the subsequent debates regarding realism in the post-war climate, demonstrate how realism was often associated with fantasy and vice versa. While the ‘quality’ realist film of the 1940s demonstrates a concern with verisimilitude and the reproduction of the surface appearances of reality, when confronting the obscene or the taboo hidden below this surface realism was deemed to be far more closely associated with ‘horrific’ fantasy. This thesis therefore looks beyond common perceptions of British cinema during this period through an analysis of contemporary discussions surrounding the relationship between ‘realism and tinsel’, with a particular emphasis upon the misapprehension that the horror ‘ban’ signified a falling interest in fantasy in favour of the ‘quality’ of realism. -
The Curse of the Cat People: Presencia De “Lo Siniestro” (Breves Apuntes)∗
The Curse of the Cat People: Presencia de “lo siniestro” (Breves apuntes)∗ Francisco Javier Gómez Tarín Estos films ganaron su notoriedad al cortocircui- tar dos aspiraciones: la económica de un producto de género (en cuyo caso la renovación se transforma en garante de la identidad); y la crítica de una refle- xión “desde el interior”, y no solamente pragmática, sobre los modos narrativos en el cine americano (Ei- senschitz, 1980: 48) Esta cita de Eisenschitz nos hace reivindicar la doble función cumplida por los films producidos por Val Lewton para la RKO. De un lado significaron un impulso para la industria cinematográ- fica y una evolución en el seno de los géneros, renovando desde la perspectiva de su aparente clasicismo el cine fantástico, aportando la sutileza y el universo de la no-mostración; pero, de otra parte, desvelaron que los bajos costes no eran en modo alguno incom- patibles con la calidad, lo que es más, la libertad creativa de que gozaron justifica en gran medida los temas que fueron abordados y las innovaciones introducidas a través de ellos en torno a cues- tiones tan radicalmente cinematográficas como el uso del raccord de miradas o la inquietante presencia del fuera de campo. ∗El presente trabajo es resumen de algunos aspectos tratados en profundi- dad en otro texto (no publicado) que incluye un dècoupage completo del film y un análisis secuencial y de montaje, junto a comparaciones con otras películas producidas por Val Lewton 2 Francisco Javier Gómez Tarín Resulta difícil acomodar estos films, pese a que se etiqueten a sí mismos como de género, dentro del cine clásico, si estima- mos que la clausura es uno de sus elementos paradigmáticos en el seno del mecanismo definido por Noël Burch como Modo de Re- presentación Institucional (MRI). -
University of Minnesota
UNIVERSITY OF MINNESOTA ;UafCH CommcNccment 1950 NORTHROP MEMORIAL AUDITORIUM THURSDAY EVENING, MARCH 16 AT EIGHT O'CLOCK Unillersitll 0/ jUinnesota THE BOARD OF REGENTS Dr. James Lewis Morrill, President Mr. William T. Middlebrook, Secretary Mr. Julius A. Schmahl, Treasurer The Honorable Fred B. Snyder, Minneapolis First Vice President and Chairman The Honorable Ray J. Quinlivan, St. Cloud Second Vice President The Honorable James F. Bell, Minneapolis The Honorable Daniel C. Gainey, Owatonna The Honorable Richard L. Griggs, Duluth The Honorable J. S. Jones, St. Paul The Honorable George W. Lawson, St. Paul The Honorable Albert J. Lobb, Rochester The Honorable E. E. Novak, New Prague The Honorable A. J. Olson, Renville The Honorable Herman F. Skyberg, Fisher The Honorable Sheldon V. Wood, Minneapolis As a courtesy to those attending functions, and out of respect for the character of the build· ing, be it resolved by the Board of Regents that there be printed in the programs of all functions held in the Cyrus Northrop Memorial Auditorium a request that smoking be confined to the outer lobby on the main floor, to the gallery lobbies, and to the lounge rooms. ~ltisls VOllf UniVefsilv The University of Minnesota: "FOUNDED IN THE FAITH THAT MEN ARE ENNOBLED BY UNDERSTANDING, DEDICATED TO THE ADVANCEMENT OF LEARNrNG AND THE SEARCH FOR TRUTH, DEVOTED TO THE INSTRUCTION OF YOUTH AND THE WELFARE OF THE STATE"-this is your University. CHARTERED in February, 1851, by the Legislative Assembly of the Territory of Min nesota, the Univ~rsi~ of Minnesota 'YiIl soon c~le~rate its on~ hu?dr~dth ~irthday. -
PP S19 Kit Noir Program.Indd
Into the Night: Cornell CORNELL WOOLRICH IN HIS HOTEL ROOM IN THE LATE 1950S, POSING WITH THE DUST JACKETS OF SEVERAL OF HIS NOVELS AND STORY COLLECTIONS. FREDERIC DANNAY PAPERS, RARE BOOK & MANUSCRIPT LIBRARY, COLUMBIA UNIVERSITY. Woolrich and Film Noir “I had that trapped feeling, like some sort of a poor insect MARCH 27–31, 2019 that you’ve put inside a downturned glass, and it tries to THE SECOND ANNUAL DR. SAUL AND DOROTHY KIT climb up the sides, and it can’t, and it can’t, and it can’t.” FILM NOIR FESTIVAL —Cornell Woolrich, Blues of a Lifetime DR. SAUL AND DOROTHY KIT FILM NOIR FESTIVAL FESTIVAL INTRODUCTION “As a master of dread, he has conceivably no pulp equal.” – Jonathan Rosenbaum Short story maestro, former Columbia student, muse of suspense filmmakers: Cornell Woolrich (1903–1968) lived all of these lives. A prolific man of letters (who also published under the pseudonyms William Irish and George Hopley), Woolrich has had his novels and stories adapted into nearly 40 films and dozens of episodes of radio and television. Yet despite his strong influence on the postwar crime film, he has remained overshadowed by his literary contemporaries: Chandler, Hammett, and Cain. But unlike those contemporaries, Woolrich was no hard-boiled detective author. His focus was less on the complex networks of criminality mapped in Chandler’s or Hammett’s fiction than on their nightmarish effects on characters who find themselves unwittingly caught up in them. Far from hard-boiled, his protagonists are haunted by paranoia and fear. To biographer Francis M. -
Microsoft Word Viewer
Falcon Movie List from Thrilling Detective FILMS • THE GAY FALCON (OTRR Library) (1941, RKO) 67 minutes, black and white Based on characters created by Michael Arlen Screenplay by Frank Fenton and Lynn Root Based on the story by Michael Arlen Directed by Irving Reis Starring George Sanders as GAY LAWRENCE, THE FALCON Also starring Wendy Barrie, James Gleason, Allen Jenkins, Anne Hunter, Gladys Cooper, Edward Brophy, Arthur Shields, Damian O'Flynn . • A DATE WITH THE FALCON (OTRR Library) (1941, RKO) Based on characters created by Michael Arlen Directed by Irving Reis Starring George Sanders as GAY LAWRENCE, THE FALCON Also starring Wendy Barrie, James Gleason, Allen Jenkins . .. • THE FALCON TAKES OVER (1942, RKO) Based on Farewell, My Lovely by Raymond Chandler, and characters created by Michael Arlen Adapted by Lynn Root and Frank Fenton Directed by Irving Reis Starring George Sanders as GAY LAWRENCE, THE FALCON Also starring Helen Gilbert, Lyn Bari, Ward Bond, Ann Revere, Turhan Bey, Hans Conried, James Gleason, Allen Jenkins . • THE FALCON'S BROTHER (OTRR Library) (1942, RKO) 63 minutes, black & white Based on characters created by Michael Arlen Screenplay by Craig Rice and Stuart Palmer Directed by Stanley Logan Produced by Maurice Geraghty Starring George Sanders as GAY LAWRENCE, THE FALCON and Tom Conway as TOM LAWRENCE Also starring Cliff Clark, Jane Randolph, Don Barclay, Edward Gargan, James Newill, Charlotte Wynters, Eddie Dunn, Keye Luke, Amanda Varela, George J. Lewis, Gwili Andre .. • THE FALCON STRIKES BACK (1943, RKO) Based on characters created by Michael Arlen Falcon Movie List from Thrilling Detective Directed by Edward Dmytryk Starring Tom Conway as TOM LAWRENCE, THE FALCON . -
The Curse of the Cat People: Presencia De "Lo Siniestro" (Breves Apuntes)
Gómez Tarín, Francisco Javier (2000): The Curse of the Cat People: Presencia de "lo siniestro" (Breves apuntes) . Revista Latina de Comunicación Social, 33. Revista Latina de Comunicación Social 33 – septiembre de 2000 Edita: Laboratorio de Tecnologías de la Información y Nuevos Análisis de Comunicación Social Depósito Legal: TF-135-98 / ISSN: 1138-5820 Año 3º – Director: Dr. José Manuel de Pablos Coello, catedrático de Periodismo Facultad de Ciencias de la Información: Pirámide del Campus de Guajara - Universidad de La Laguna 38200 La Laguna (Tenerife, Canarias; España) Teléfonos: (34) 922 31 72 31 / 41 - Fax: (34) 922 31 72 54 [Santiago 2000 - Jornadas de la Asociación Internacional de Jóvenes Investigadores en Comunicación] The Curse of the Cat People: Presencia de "lo siniestro" (Breves apuntes) (1) Lic. Francisco Javier Gómez Tarín © Departamento de Teoría de los Lenguajes - Universitat de València [email protected] Estos films ganaron su notoriedad al cortocircuitar dos aspiraciones: la económica de un producto de género (en cuyo caso la renovación se transforma en garante de la identidad); y la crítica de una reflexión "desde el interior", y no solamente pragmática, sobre los modos narrativos en el cine americano (Eisenschitz, 1980: 48) Esta cita de Eisenschitz nos hace reivindicar la doble función cumplida por los films producidos por Val Lewton para la RKO. De un lado significaron un impulso para la industria cinematográfica y una evolución en el seno de los géneros, renovando desde la perspectiva de su aparente clasicismo el cine fantástico, aportando la sutileza y el universo de la no-mostración; pero, de otra parte, desvelaron que los bajos costes no eran en modo alguno incompatibles con la calidad, lo que es más, la libertad creativa de que gozaron justifica en gran medida los temas que fueron abordados y las innovaciones introducidas a través de ellos en torno a cuestiones tan radicalmente cinematográficas como el uso del raccord de miradas o la inquietante presencia del fuera de campo. -
Seventh-Day Adventist Dissertations and Theses in Religion Jón Hjörleifur Stefánsson Andrews University, [email protected]
Andrews University Digital Commons @ Andrews University Faculty Publications Library Faculty 1-1-2015 Seventh-day Adventist Dissertations and Theses in Religion Jón Hjörleifur Stefánsson Andrews University, [email protected] Terry Dwain Robertson Andrews University, [email protected] Follow this and additional works at: http://digitalcommons.andrews.edu/library-pubs Part of the Christian Denominations and Sects Commons, and the Scholarly Publishing Commons Recommended Citation Stefánsson, Jón Hjörleifur and Robertson, Terry Dwain, "Seventh-day Adventist Dissertations and Theses in Religion" (2015). Faculty Publications. Paper 3. http://digitalcommons.andrews.edu/library-pubs/3 This Article is brought to you for free and open access by the Library Faculty at Digital Commons @ Andrews University. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. Seventh-day Adventist Dissertations and Theses in Religion A Bibliography Compiled by Jón Hjörleifur Stefánsson James White Library Andrews University Berrien Springs, MI 2012 Introduction The Seventh-day Adventist Church sponsors over 100 tertiary institutions around the world. Most of these engage in the training of Pastors at one level or another. Many offer graduate level degrees, and require a thesis or dissertation. This work is the first attempt to create a bibliography of theses and dissertations from all of these tertiary educational institutions. While a student at Andrews University, Jón Hjörleifur Stefánsson had the vision of developing this database, and I was pleased to provide the necessary support for this to happen. The data for the bibliography was gathered directly from the many institutions, and their cooperation has been greatly appreciated.