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Scary Movies at the Cudahy Family Library
SCARY MOVIES AT THE CUDAHY FAMILY LIBRARY prepared by the staff of the adult services department August, 2004 updated August, 2010 AVP: Alien Vs. Predator - DVD Abandoned - DVD The Abominable Dr. Phibes - VHS, DVD The Addams Family - VHS, DVD Addams Family Values - VHS, DVD Alien Resurrection - VHS Alien 3 - VHS Alien vs. Predator. Requiem - DVD Altered States - VHS American Vampire - DVD An American werewolf in London - VHS, DVD An American Werewolf in Paris - VHS The Amityville Horror - DVD anacondas - DVD Angel Heart - DVD Anna’s Eve - DVD The Ape - DVD The Astronauts Wife - VHS, DVD Attack of the Giant Leeches - VHS, DVD Audrey Rose - VHS Beast from 20,000 Fathoms - DVD Beyond Evil - DVD The Birds - VHS, DVD The Black Cat - VHS Black River - VHS Black X-Mas - DVD Blade - VHS, DVD Blade 2 - VHS Blair Witch Project - VHS, DVD Bless the Child - DVD Blood Bath - DVD Blood Tide - DVD Boogeyman - DVD The Box - DVD Brainwaves - VHS Bram Stoker’s Dracula - VHS, DVD The Brotherhood - VHS Bug - DVD Cabin Fever - DVD Candyman: Farewell to the Flesh - VHS Cape Fear - VHS Carrie - VHS Cat People - VHS The Cell - VHS Children of the Corn - VHS Child’s Play 2 - DVD Child’s Play 3 - DVD Chillers - DVD Chilling Classics, 12 Disc set - DVD Christine - VHS Cloverfield - DVD Collector - DVD Coma - VHS, DVD The Craft - VHS, DVD The Crazies - DVD Crazy as Hell - DVD Creature from the Black Lagoon - VHS Creepshow - DVD Creepshow 3 - DVD The Crimson Rivers - VHS The Crow - DVD The Crow: City of Angels - DVD The Crow: Salvation - VHS Damien, Omen 2 - VHS -
Paul T Taylor Facebook Hellraiser Judgment
Paul T Taylor Facebook Hellraiser Judgment Guillermo abort headlong as electrometric Ingram evangelise her arista bellow hypnotically. Rudolf caponisesoverdrives nohis fulminationsammonia lipstick resembled rebelliously, coolly afterbut possessive Pattie cadging Clayton toughly, never quite window woodworking. so soon. Braw Alaa On the latest sequel Hellraiser Judgment for Dimension Films With the role of Pinhead being played by Paul T Taylor and without involvement from Clive. Paul T Taylor Home Facebook. It would make him about judgment as pinhead in order to facebook to. Stay tuned for judgment; tell your facebook to taylor, because i can play pinhead is. Sal and paul had to facebook to paul t taylor facebook hellraiser judgment was quite at the timeless adage about their characters? Hickox behind the events taking on judgment and has been lowering the things would be a quality successor to facebook page for. Again though these films is. Artist friend Deb-O-Rah facebookcomwakethedead123 customized a Pinhead Living Dead. Works on judgment to facebook page. We sent pictures to? Pinhead performance and listen across all her husband, judgment is not a bit. Ep 650 Paul T Taylor Has Such Sites To payment You THE. 'Hellraiser Judgment's Paul T Taylor's Personal Trauma. Paul Taylor Replaces Doug Bradley as Pinhead For HELLRAISER JUDGMENT. No stranger to facebook to be over. Pinhead and other in life, paul t taylor facebook hellraiser judgment; tell you told me tell their judgments. It seems safe to move that Hellraiser Judgment will blow out the. Robert strumming his presence and paul t taylor facebook hellraiser judgment. Our website for judgment yet have seen by brad miska, taylor does fit with james bond villain. -
Volume 8, Number 1
POPULAR CULTURE STUDIES JOURNAL VOLUME 8 NUMBER 1 2020 Editor Lead Copy Editor CARRIELYNN D. REINHARD AMY DREES Dominican University Northwest State Community College Managing Editor Associate Copy Editor JULIA LARGENT AMANDA KONKLE McPherson College Georgia Southern University Associate Editor Associate Copy Editor GARRET L. CASTLEBERRY PETER CULLEN BRYAN Mid-America Christian University The Pennsylvania State University Associate Editor Reviews Editor MALYNNDA JOHNSON CHRISTOPHER J. OLSON Indiana State University University of Wisconsin-Milwaukee Associate Editor Assistant Reviews Editor KATHLEEN TURNER LEDGERWOOD SARAH PAWLAK STANLEY Lincoln University Marquette University Associate Editor Graphics Editor RUTH ANN JONES ETHAN CHITTY Michigan State University Purdue University Please visit the PCSJ at: mpcaaca.org/the-popular-culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular Culture Association and American Culture Association (MPCA/ACA), ISSN 2691-8617. Copyright © 2020 MPCA. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO KATIE WILSON PAUL BOOTH West Virginia University University of Louisville DePaul University AMANDA PICHE CARYN NEUMANN ALLISON R. LEVIN Ryerson University Miami University Webster University ZACHARY MATUSHESKI BRADY SIMENSON CARLOS MORRISON Ohio State University Northern Illinois University Alabama State University KATHLEEN KOLLMAN RAYMOND SCHUCK ROBIN HERSHKOWITZ Bowling Green State Bowling Green State -
Introduction
Introduction 1 Clive Barker, ‘Cenobite’, 1986. cintro.indd 1 8/2/2017 10:35:01 AM cintro.indd 2 8/2/2017 10:35:02 AM ‘To darken the day and brighten the night’: Clive Barker, dark imaginer S o r c h a N í F h l a i n n In one of his more in-depth television interviews, while promoting his newly published novel Weaveworld in 1987, Clive Barker was introduced by host John Nicolson as having such a remarkable impact on the horror genre that, some believed, ‘it could only be the product of a diseased mind’. 1 Rather than directly insult Barker on television, the description actually amused the author, a gleeful grin spreading across his youthful, handsome face. Th e television show, BBC ’ s Open to Question , was far removed from the more typical book promotion television shows or talk show slots during which hosts gently prod and chat with the author to showcase their new novel. Th e thirty-minute interview quickly proceeded to take the form of a confrontational interrogation, with Barker positioned to off er a defence for the ‘indefensible’ horror genre. Topics were dominated by audience-led comments and queries which evidenced the cultural residue of moral panic, following on from the video nasty crisis that had gripped the UK in the early 1980s. Th ere was a particular emphasis on the potential for copycat killings inspired by his work, or the potential viral spread of violence which, at any moment, threatened to burst forth from the screen simply because of Barker ’ s appearance on the show. -
Int. Lemarchand's Workshop Nearly Midnight
INT. LEMARCHAND’S WORKSHOP NEARLY MIDNIGHT RUN TITLES over a series of EXTREME CLOSE-UPS: A pair of human hands working delicately on tiny cogs and machinery. A human eye grotesquely expanded though a magnifying glass. A tiny screwdriver tightening a tiny screw. Intricate internal mechanisms of silver, gold and jewels. INTERCUT with shots of beautiful and intricate automata; A Monkey-Musician in blue and gold livery holding a violin. A Harlequin holding the hand of a coy Columbine. A silver-faced clown perched on a trapeze. The TITLES end. WIDEN to reveal the workshop of PHILLIP LEMARCHAND lit by candlelight. The automata stand on wooden shelves which line the room along with plans and drawings. At the workbench, Phillip – handsome, 30, obsessed by his craft – is hunched over his work, keeping us from seeing it. Super-imposed: THE OUTSKIRTS OF PARIS 1784 There’s a strange atmosphere. Perhaps it’s the CRAZY SHADOWS thrown by the flickering candles. Perhaps it’s the sound of the WIND in the midnight darkness outside. Perhaps it’s the amplified HEARTBEAT of Phillip. Something gives an edge to the scene. We’re waiting for something to happen. With a cry of triumph as something clicks into place, Phillip sits back on his chair, his latest creation in his palm. We recognise the object of black wood and filigreed gold – the LAMENT CONFIGURATION, a hell-summoning Box from HELLRAISER. The workroom door opens and Phillip’s wife GENEVIEVE enters. Mid-20’s and beautiful, she is in her nightdress. GENEVIEVE Is it done? LEMARCHAND: Done! GENEVIEV: (yawning) Is it wonderful? LEMARCHAND: Wonderful! GENEVIEVE: (smiling) Are you brilliant? LEMARCHAND (returning the smile) The finest toymaker in France! They both laugh affectionately. -
Hellraiser Big.Bold.Boom!
CLIVE BARKER’S HELLRAISER www.boom-studios.com BIG.BOLD.BOOM! Clive Barker returns to write Hellraiser for the first time since the original film, and the results are more shocking than you could ever imagine! Story by Clive Barker Art by Stephen Thompson, Jesús Hervás Series Synopsis Clive Barker’s shocking return to Hellraiser continues! Pinhead, Hell’s priestly servant, has grown bored with his position in Hell. He needs to find a replacement before he can leave Hell, and chooses the only human to defeat him and his Cenobite followers - Kirsty Cotton. Kirsty accepts Pinhead’s offer, and descends into Hell to reunite with the loved ones Pinhead killed - and to rid humanity of Pinhead’s evil once and for all. Now, with their arrangement set, Pinhead and Kirsty Cotton begin a new battle - but is it too late for either to find salvation? Key Selling Points • This comic is only the third Hellraiser project written by Clive Barker JUNE (The Hellbound Heart novel & the first Hellraiser movie being the previous two). • This comic is part of the official Hellraiser canon, unlike some of the recent direct to video movies and other projects Clive wasn’t part of. • While part of the larger narrative, this comic series can be read on its own, and requires no previous knowledge of the franchise to enjoy the story. HELLRAISER VOLUME 3 ON SALE 6/5/2012 978-1-60886-090-6 USD $14.99 Prices Slightly Higher In Canada Also Available Softcover, 7x10 Hellraiser Volume 1 SC Full Color Throughout Print Run: 15000 ISBN 978-1-60886-072-2 Hellraiser Masterpieces Vol. -
Hellraiser: Virtual Hell Treatment
Storyline The player assumes the role of an employee at the VR Research Labs, a company dedicated to the development of Virtual Reality entertainment devices. Security is strict at VR Labs due to the current feeding frenzy occurring in the hi-tech entertainment industry, and the fact that VR Labs is within a few months of revealing the first working model of a Multi-Universe Personal Transporter (MUPT). Nicknamed the “Hot Seat”, this $14 million dollar machine could graphically simulate any environment imaginable by man and provide all the possible physical, as well as psychological, sensations associated with that environment. Of course, no one could actually prove that there were psychological effects resulting from use of the Hot Seat, other than unanimous reports of sheer exhilaration. The news media, hungry for doomsday tidbits to feed the public’s sensationalistic appetite, probed and focused on the possible negative repercussions of such a device on the human mind. But reliable inside information on the Hot Seat was scarce, and the statements occasionally released through VR Labs’ PR department consistently echoed the company’s belief that only positive side effects could be experienced from the device’s use. The media, however, treated these reports of psychological benefits as typical hi-tech hype - exaggerations of its inventor and programmer, Charles “Chip” Reddin. Chip was a technological genius and, according to others who worked with him, a certifiable lunatic. In the world of technological research and development, as is sometimes said of the art world, this is a totally acceptable and harmless combination. In Chip’s case....it was to prove deadly. -
Clive Barker Hellraiser Judgment
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“HELLOWEEN: MYERS VS. PINHEAD” by Mike Yizzi
“HELLOWEEN: MYERS VS. PINHEAD” by Mike Yizzi The production logo slides into frame, then slowly vanishes. FADE IN: EXT- SMITH’S GROVE SANITARIUM- NIGHT The screen shows a dark night sky with the moon shining bright. SUPERIMPOSE: October 28th 2007 The subtitles fade away. SUPERIMPOSE: Smith’s Grove, Illinois The camera shifts down to the front of Smith’s Grove Sanitarium. The outside are lights on, illuminating the dark, eerie building. INT- SMITH’S GROVE SANITARIUM- CONTINUOUS SARA MOYER, 20s, sits on her bed, her eyes wide awake fearfully, her legs hugged to her chest. INT- SMITH’S GROVE SANITARIUM- CONTINUOUS A NURSE, 30, walks down the hall with a cart of food. Behind her is another NURSE, 40, carrying a pill bottle. They walk down the hallway to Sara’s room, straight ahead. INT- SMITH’S GROVE SANITARIUM- CONTINUOUS The door opens, the nurses walk in. NURSE 1: Sara, your dinner is here. Sara doesn’t respond. NURSE 2: She hasn’t said anything in days. She Claims Michael Myers is after her. She says it’s from her nightmares NURSE 1: Huh? NURSE 2: I know. It’s weird. The nurse gently pulls Sara’s mouth open and drops the pill in it. Sara closes her mouth. NURSE 1: You should try and get some sleep Sara. Sara slowly turns her head slowly. SARA: I don’t sleep anymore. The other nurse leaves the food cart by the door. They open the door and leave the room. Sara opens her mouth and spits the pill into her hand. -
Clive Barker's Hellraiser: Concepts & Guidelines for a Horror Anthology
Concepts & Guidelines for a Horror Anthology Series from Epic Comics Clive Barker's Hellraiser Series Concepts & Guidelines WHAT'S A "HELLRAISER"? HELLRAISER was the first in a series of horror films by author/filmmaker Clive Barker. The first film detailed the plight of a family unfortunate enough to find the solution to a puzzle box, a literal Pandora's box called a Lament Configuration. In the process, they unwittingly threw open the doors to hell itself and placed themselves under siege by a host of demons called Cenobites. HELLRAISER (available on video tape) has already spawned one sequel (HELLBOUND), with a third film (HELL ON EARTH) currently in production. WELL THEN, WHAT'S "CLIVE BARKER'S HELLRAISER"? CLIVE BARKER'S HELLRAISER is a 64 page comic book horror anthology, to be published quarterly (four times a year) by Epic Comics. Epic Comics enjoys a reputation for producing high-quality comics material on the cutting edge of the medium, providing stories and art to challenge and excite the mature reader. CLIVE BARKER'S HELLRAISER will carry on the Epic tradition as a square bound comic (equivalent to STRAY TOASTERS and HAVOK & WOLVERINE: MELTDOWN), featuring camera ready artwork (fully painted, colored- for-repro, or blue-line color). Similar to other anthology magazines like Issac Asimov's Science Fiction Magazine and Rod Serling's The Twilight Zone Magazine, CLIVE BARKER'S HELLRAISER will also have the benefit of creative input associated with the name in the logo - - in our case, Clive Barker himself. Page 1 Clive Barker's Hellraiser Series Concepts & Guidelines What makes CLIVE BARKER'S HELLRAISER different from other horror anthologies is its basis in the ideas of Clive Barker. -
Hellbound Hellraiser 2
HELLRAISER II : HELLBOUND Screenplay by Peter Atkins Original Story by Clive Barker 2nd. Draft November 1, 1987 FADE IN: 1 TITLES The screen is composed of large, straight-edge areas of black and white that rest against each other in a manner that suggests some kind of pattern, without making a final sense; it is as if we are too close to something that, could we see it from a distance, would be clear to us. These areas shift and change - both their own shape and their relationship to their neighbors. New patterns are being made, new solutions found - but they are just beyond our comprehension. The effect should be aesthetically pleasing but simultaneously frustrating and, perhaps, a little unsettling. Shortly into this sequence, and subsequently inter-cut throughout, we begin to see, in FLASHBACK, the story of HELLRAISER. Arriving first as very short shock-images, these brief sections eventually convey to the audience all the necessary emotional and narrative information they will need to understand the background to HELLBOUND. Meanwhile, the black and white shapes are still moving, the unseen patterns still shifting. Over this constantly mobile background, the TITLES begin to appear. As the TITLES unroll, another change comes over the puzzle pieces behind them. Where before they moved and related only in two dimensions, gradually we see that they are now claiming depth as well. The puzzle we are looking at is now a three-dimensional one. The pieces are now solid blocks of various geometric shapes, locking together, moving apart, finding their final position. Finally, as the TITLES come to their conclusion, the camera pulls back until we can see clearly what we have been looking at. -
“Demons to Some. Angels to Others”: BDSM and How Vanilla Sex Regulates Sexuality in Hell- Raiser and Strangeland
“Demons to some. Angels to others”: BDSM and how Vanilla Sex Regulates Sexuality in Hell- raiser and Strangeland by Alexandrea Fiorante Bachelor of Arts (Honours) English, Ryerson University, Toronto, Ontario, 2019 A Major Research Paper presented to Ryerson University in partial fulfilment of the requirements for the degree of Master of Arts in the English MA Program in Literatures of Modernity Toronto, Ontario, Canada, 2020 ©Alexandrea Fiorante, 2020 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A MAJOR RESEARCH PAPER I hereby declare that I am the sole author of this MRP. This is a true copy of the MRP, including any required final revisions. I authorize Ryerson University to lend this MRP to other institutions or individuals for the pur- pose of scholarly research. I further authorize Ryerson University to reproduce this MRP by pho- tocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP may be made electronically available to the public. ii TABLE OF CONTENTS Setting the Mood 1 Meet your Master 2 Devil in Disguise 3 Where there is a Whip, there is a Way 12 Undisclosed Desires 18 To BDS-End 20 Works Cited 1 iii “Demons to some. Angels to others”: BDSM and how Vanilla Sex Regulates Sexuality in Hell- raiser and Strangeland Setting the Mood Sex is typically seen as special, thrilling and transcendent — or, alternatively, as a menac- ing force with the power to upset social order and diminish us to beasts. In the horror genre, rep- resentations of sex are often expressed through the imagery of BDSM (Bondage, Domination, Sadomasochism), and are aligned with monsters, torture and scary settings.