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A More Attractive ‘Way of Getting Things Done’ Freedom, Collaboration and Compositional Paradox in British Improvised and Experimental Music 1965-75
A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75 Simon H. Fell A thesis submitted to the University of Huddersfield in fulfilment of the requirements for the degree of Doctor of Philosophy The University of Huddersfield September 2017 copyright statement i. The author of this thesis (including any appendices and/or schedules to this thesis) owns any copyright in it (the “Copyright”) and he has given The University of Huddersfield the right to use such Copyright for any administrative, promotional, educational and/or teaching purposes. ii. Copies of this thesis, either in full or in extracts, may be made only in accordance with the regulations of the University Library. Details of these regulations may be obtained from the Librarian. This page must form part of any such copies made. iii. The ownership of any patents, designs, trade marks and any and all other intellectual property rights except for the Copyright (the “Intellectual Property Rights”) and any reproductions of copyright works, for example graphs and tables (“Reproductions”), which may be described in this thesis, may not be owned by the author and may be owned by third parties. Such Intellectual Property Rights and Reproductions cannot and must not be made available for use without the prior written permission of the owner(s) of the relevant Intellectual Property Rights and/or Reproductions. 2 abstract This thesis examines the activity of the British musicians developing a practice of freely improvised music in the mid- to late-1960s, in conjunction with that of a group of British composers and performers contemporaneously exploring experimental possibilities within composed music; it investigates how these practices overlapped and interpenetrated for a period. -
Ron Geesin Music from the Body Mp3, Flac, Wma
Ron Geesin Music From The Body mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Music From The Body Country: UK Style: Musique Concrète, Avantgarde MP3 version RAR size: 1682 mb FLAC version RAR size: 1495 mb WMA version RAR size: 1953 mb Rating: 4.4 Votes: 599 Other Formats: AC3 WMA MMF RA MP1 MIDI MOD Tracklist A1 Our Song A2 Sea Shell And Stone A3 Red Stuff Writhe A4 A Gentle Breeze Blew Through Life A5 Lick Your Partners A6 Bridge Passage For Three Plastic Teeth A7 Chain Of Life A8 The Womb Bit A9 Embryo Thought A10 March Past Of The Embryos A11 More Than Seven Dwarfs In Penis-Land A12 Dance Of The Red Corpuscles B1 Body Transport B2 Hand Dance - Full Evening Dress B3 Breathe B4 Old Folks Ascension B5 Bed-Time-Dream-Clime B6 Piddle In Perspex B7 Embryonic Womb-Walk B8 Mrs. Throat Goes Walking B9 Sea Shell And Soft Stone B10 Give Birth To A Smile Notes Blue translucent cassette. Also released with a clear/foil style cassette. Other versions Category Artist Title (Format) Label Category Country Year Ron Geesin & Roger Ron Geesin SHSP 4008, 1E Waters - Music From Harvest, SHSP 4008, 1E & Roger UK 1970 062 o 04615 The Body (LP, EMI 062 o 04615 Waters Album) Ron Geesin & Roger Ron Geesin SHSP 4008, 1E Waters - Music From Harvest, SHSP 4008, 1E & Roger UK Unknown 062 o 04615 The Body (LP, EMI 062 o 04615 Waters Album, RE) Ron Geesin & Roger Ron Geesin Waters - Music From Import IMP 1002 & Roger IMP 1002 US 1976 The Body (LP, Records Waters Album, RE) Ron Geesin & Roger Ron Geesin SHVL-4008, Waters - Music From Harvest, -
Þáttur 4.Odt
Heart Beat, Pig Meat Good afternoon. My name is Björgvin Rúnar Leifsson and this is an episode about Pink Floyd. 1970 was an album-rich year for Pink Floyd, so to speak. They released the compilation album "The best of Pink Floyd" with songs from "The Piper at the Gates of Dawn" and singles from 1967 and 68 and I own this album in a rare, Dutch version. I got this album for free many years ago with the words that I deserved it much more than a famous radio show host in Iceland at that time, who had offered the owner big money for the album but was rejected. For some reason, all the songs on this album are in mono. This same album was re-released in stereo in 1974 under the name "Masters of Rock" and of course I own it too. Barrett released two solo albums in 1970 with the help of his former bandmates, "The Madcap Laughs" and "Barrett" and they became his last contribution to the rock world though an attempt was made to squeeze more drops of blood out of him much later with the release of "Opel" in 1988. Then there was the collaboration album between Waters and Ron Geesin, "Music of the Body", released at the end of the year, where those two experimented with all sorts of body sounds for a movie, which was called "The Body". In March 1970, the album "Zabriskie Point" was released with songs from the director Michelangelo Antonioni's film of the same name, which takes place at the end of the sixties, partly in a town of the same name, in Death Valley and deals with the underground culture of the United States in those years. -
Atom Heart Mother Est Une Oeuvre Singulière Qu'on a Qualifiée D'énigme : Existe-T-Il Un Rapport Entre Le Titre, La Pochette
Atom Heart Mother est une oeuvre singulière qu'on a qualifiée d'énigme : existe-t-il un rapport entre le titre, la pochette, et la musique ? Titre-pochette : lait (voir ci-dessous la magnifique version des élèves du CNSM de Paris), pochette-musique : vache des westerns ? … Finalement, il n'y a sans doute rien à expliquer. Le compositeur Ron Geesin dit d'ailleurs apprécier l'absurdité, et être influencé par le surréalisme (voir « les cadavres exquis ). Le rapport titre-pochette-musique m'évoque un cadavre exquis. Le rock progressif anglais se dit influencé par le surréalisme. de Patchwork : « Cet album était un patchwork confus » (David Gilmour). Effectivement, les pièces mises bout à bout n'ont pas forcément de rapport entre elles, si ce n'est un fil conducteur de mi mineur. d'oeuvre charnière, charnière entre la musique savante et la musique populaire, mais charnière aussi dans la carrière du groupe entre l'héritage pop des Beatles et le sommet en mars 1973, avec l'album The Dark Side of the Moon qui restera plus de 14 ans dans le top 200 (record absolu) et le 3e album le plus vendu au monde, album dans lequel le séquenceur fait son apparition. d'Odyssée (terme employé par Roger Waters) ou de poème symphonique avec 6 parties dont les titres forment une sorte de lien : Father's Shout , Breast Milky , Mother Fore, Funky Dung Mind your Throats Please , Remergence. Le mouvement Rock est issu du blues. Le premier succès mondial du rock'n'roll est Rock around the Clock de Bill Haley en 1954 aux USA. -
PINK FLOYD ‘The Early Years 1965-1972’ Released: 11 November 2016
** NEWS ** ISSUED: 28.07.16 STRICTLY EMBARGOED UNTIL: 14:00HRS BST, THURSDAY 28 JULY 2016 PINK FLOYD ‘The Early Years 1965-1972’ Released: 11 November 2016 • Unreleased demos, TV appearances and live footage from the Pink Floyd archives • 6 volumes plus a bonus EXCLUSIVE ‘Extras’ package across 27 discs • Over 20 unreleased songs including 1967’s Vegetable Man and In the Beechwoods • Remixed and updated versions of the music from ‘Zabriskie Point’ • 7 hours of previously unreleased live audio • 15 hours 35 mins of video including rare concert performances, interviews and 3 feature films * 2 CD selection set ‘The Early Years – CRE/ATION’ also available * On 11 November 2016, Pink Floyd will release ‘The Early Years 1965-1972’. Pink Floyd have delved into their vast music archive, back to the very start of their career, to produce a deluxe 27-disc boxset featuring 7 individual book-style packages, including never before released material. The box set will contain TV recordings, BBC Sessions, unreleased tracks, outtakes and demos over an incredible 12 hours, 33 mins of audio (made up of 130 tracks) and over 15 hours of video. Over 20 unreleased songs including 7 hours of previously unreleased live audio, plus more than 5 hours of rare concert footage are included, along with meticulously produced 7” singles in replica sleeves, collectable memorabilia, feature films and new sound mixes. Previously unreleased tracks include 1967’s Vegetable Man and In The Beechwoods which have been newly mixed for the release. ‘The Early Years 1965-1972’ will give collectors the opportunity to hear the evolution of the band and witness their part in cultural revolutions from their earliest recordings and studio sessions to the years prior to the release of ‘The Dark Side Of The Moon’, one of the biggest selling albums of all time. -
Tape Leaders Tape Leaders Ian Helliwell a Compendium of Early British Electronic Music Composers
Tape Leaders Tape Tape Leaders Ian Helliwell A Compendium of Early British Electronic Music Composers In the form of a richly illustrated compendium, Tape Leaders is an indispensable reference guide for anyone interested in electronic sound and its origins in Great Britain. For the first time a book sets out information on practically everyone active with experimental electronics and tape recording across the country, to reveal the untold stories and hidden history of early British electronic music. With an individual entry for each composer, starting with Daevid Allen and going through to Peter Zinovieff, it covers everyone from the Early British A Compendium of famous names of William Burroughs, Brian Eno and Joe Meek, to the ultra-obscure Roy Music Composers Electronic Cooper, Donald Henshilwood and Edgar Vetter. There are sections for EMS and the BBC Radiophonic Workshop, as well as amateurs, groups and ensembles that experimented with electronics, including the Beatles, Hawkwind and White Noise. Author Ian Helliwell draws on his experience and research into electronic music, and after six years and dozens of interviews, has amassed information never before brought to light in this fascinating subject. With a specially compiled 15 track CD of mainly unreleased early British tape and synthesizer works, this is an essential volume for anyone with an interest in the history of electronic music during the 1950s and 60s. Collages and cover design by Ian Helliwell Published by www.tapeleaders.co.uk Images from Project Alpha by Cyril Clouts 36 synthesizer seen in Australia, and remained for six years as a senior Hugh Davies (1943-2005) lecturer in electro-acoustic composition and music technology. -
BEFORE and AFTER the WALL Before and Especially After the Huge Concert “The Wall” of Roger Waters in Bucharest on August
BEFORE AND AFTER THE WALL Before and especially after the huge concert “The Wall” of Roger Waters in Bucharest on August 28, I deemed it necessary to point out the numerous lesser-known issues on the 11th Pink Floyd album, about the bassist, composer and lyricist Roger Waters and on the musical context of pre achieve "The Wall”. The need of reliving "The Wall” was imposed by the author himself who wanted to show us the album / show updated with the latest multimedia technology. The resuming / reconsideration proposed below I consider it relevant both for the old generation who may have forgotten and for the new generation who is just now discovering "The Wall”. In the approach of the "The Wall” it should not be forgotten the disc " Atom Heart Mother " made by Pink Floyd in 1970 in collaboration with composer, conductor and arranger Ron Geesin . In this album which appeared 10 years before "The Wall” the symphonic parts act as a bridge between pieces, at the recordings participated the Symphonic Orchestra of EMI and the John Aldiss Choir. With this album, Pink Floyd became a founding member of the symphonic rock. In the alternative, a legitimate question may be asked, who is the author of these lines and what legitimacy does he have to give lessons in music history? Before The Wall Before entering the core of "The Wall” it is correct to analyze the activity of the Pink Floyd in the 10 years before the apparition of the album at the end of the seventh decade. During 1970 - 1980 the music scene was dominated by the progressive rock explosion, intellectual and refined branch of traditional rock through both complex compositions and special texts. -
To Read Online
WESTSIDE BID IS BACK IN BUSINESS! 10 SUN-SOAKED JULY JAZZ DAYS IN BIRMINGHAM FRIDAY 16TH TO SUNDAY 25TH JULY – and it’s all free! LEN SKEAT 1937-2021 ISSUE 165 SUMMER 2021 UK £3.25 Photo by Merlin Daleman CONTENTS LEN SKEAT (1937-2021), master bassist and jazz legend, left us recently. DIGBY FAIRWEATHER sums up his career. (pages 12-13) 4 NEWS 6 I GET A KICK OUT OF… RON GEESIN, pianist/composer/writer, answers the questions 7 IN SEARCH OF LINDA LIPNACK KUEHL RON SIMPSON tracks down Billie Holiday’s tragic biographer 8 JAZZ FESTIVALS LIVE! 10 CHRIS BARBER: A PERSONAL TRIBUTE MIKE POINTON pays tribute to a great of British jazz 14 ON A BALCONY IN COPENHAGEN MIKKEL PLOUG tells RON SIMPSON about his unique CD. 16 JAZZ BRITS IN AMERICA SCOTT YANOW follows the fortunes of British jazzers Stateside 18 KING PLEASURE AND THE Photo by BISCUIT BOYS Merlin Daleman Three and a half decades in a band’s life. FIND US ON FACEBOOK 20 CD REVIEWS The Jazz Rag now has its own Facebook page. For news of upcoming festivals, gigs and releases, 32 HENRY’S BLUESLETTER features from the archives, competitions and who Saydisc’s blues history and Victoria Spivey profile knows what else, be sure to ‘like’ us. To find the page, simply enter ‘The Jazz Rag’ in the search bar 34 THE YEAR OF THE PANDEMIC RUSSELL CORBETT reviews a challenging year at the top when logged into Facebook. THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 As we were putting this magazine together the news came that Bude Jazz Festival Fax: 0121 454 9996 had been postponed for a second year. -
1965-1967 CAMBRIDGE ST/ATION Covering Syd Barrett's Time with The
Product overview: 1965-1967 CAMBRIDGE ST/ATION Covering Syd Barrett’s time with the band, from the pre-EMI demos, through the non-album hit singles and related tracks, the first volume also features previously unreleased tracks like Vegetable Man and In The Beechwoods (newly mixed), plus BBC session recordings. Pink Floyd have also acquired the tapes of an unreleased 1967 concert in Stockholm. The DVD/Blu-ray includes historic TV performances plus some of Pink Floyd’s own film material. 1968 GERMIN/ATION This volume explores the time immediately after Syd Barrett’s departure, when Pink Floyd were still writing singles and at the same time developing their own unique, more instrumentally-based style. There are non-album single releases, plus a recently discovered session at Capitol Records studios in Los Angeles, BBC sessions and other tracks. DVD/Blu-ray includes the recently restored promo clip of Point Me At The Sky, some international TV performances and a selection of song material from other television shows. 1969 DRAMATIS/ATION In 1969 Pink Floyd unveiled their 2-part conceptual live production of ‘The Man’ and ‘The Journey’, covering a 24-hour period of dreaming, waking and other activities. Never released in that form, however some of the songs were used on the ‘More’ soundtrack and the ‘Ummagumma’ album. This volume refers back to ‘The Man’ and ‘The Journey’ tour with live performances in Amsterdam and for the BBC in London, but also includes the bonus tracks from the ‘More’ soundtrack that were used in the film but not on record, plus non-album tracks like the early version of Embryo from the Harvest sampler ‘Picnic’. -
Stevenston Heritage Trail Route (A
Stevenston Heritage Trail Route Letters for each plaque can be found on the map above. Start at Kerelaw Castle (A) Kerelaw Castle, 15th century on; Cunningham stronghold Northwest of Campbell Avenue, KA20 4BS OS Grid Reference - NS 26896 42855 Note the old bridge next to the castle over the burn. This led to where Kerelaw Mansion1 was. The estate of Kerelaw was originally the seat of Stephen Lockhart who was known to possess the property as long ago as 1191. Indeed, it is Stephen that the town of Stevenston is named after. Kerelaw passed from the Lockharts to the Campbells of Loudon with Bruce granting them a charter of the land in 1318 and about this time the first castle was built. Again Kerelaw passed onto another powerful family; the Cunninghames of Kilmaurs and Glencairn. The old castle was razed by the Eglintons in 1488 during their feud with the now Earls of Glencairn. A new castle was raised and occupied by several owners until 1787. Kerelaw today is a fine looking ruin, as ruins go, with many architectural features; doors, windows, fireplaces and the like, still to be seen. On to the next stop Follow the footpath south to Campbell Avenue and continue to the path at the rear of McGregor Avenue. This path takes you along the Stevenston Burn to Glencairn Street. Cross Glencairn Street and follow the path beside the burn. (For an easier walking route not using the burn path – continue on Campbell Avenue to Reid’s Avenue and turn go to McGregor Avenue. Turn right again and continue to Glencairn Street, turn right and cross over to the burn path.) (B) Deep Shank Pit, sunk 1678; first deep pit in Stevenston On path next to 6 Townhead, KA20 3AG OS Grid Reference - NS 26640 42180 Soon after Robert Cunninghame inherited his uncle's estate in 1678, he enthusiastically began work on surveying the coal field. -
10 Replicating the Black
Pages 186-208 (26-04-10) 18/5/10 17:05 Page 188 10 REPLICATING THE BLACK FENDER DAVID GILMOUR SIGNATURE MODEL David had refused previous requests from Fender to copy his guitar, however, he was now assured that a definitive, high quality replica of his Black Stratocaster could be achieved at a cost that was affordable to both fans and guitar players. In October 2006 Mike Eldred (head of Fender Custom Shop) and Todd Krause (Fender master builder) arrived in England to dissect, measure and take specific details in order to make a prototype replica of the Black Strat. Several months later a specially adapted Stratocaster test guitar arrived with five pickguards, each fitted with sets of different pickups. These were changeable within seconds to enable pickup comparisons to be easily made. In April 2007 the first prototype of the Black Strat arrived in England. Overall, it was found to be a good replication, requiring but a few changes. David compared his original Black Strat to the prototype and the different pickups in the test guitar to find the closest match. Over the next few months, three further modified prototypes followed for approval. Before Fender would be allowed to begin production, the guitar had to meet David’s high standards and be the best replica possible. Facing page top: The Black Strat (bottom) and the first prototype (top) Facing page right: Comparing body wear, knobs, pickguard material, body contours with first prototype 186 2006 Pages 186-208 (26-04-10) 18/5/10 17:05 Page 189 Pages 186-208 (26-04-10) 18/5/10 17:05 Page 190 FINAL PROTOTYPES In March 2008 the Black Strat was taken to the Fender Custom Shop in Corona, California to spend three days with Master Builder Todd Krause. -
Pink Floyd and the Making of Atom Heart Mother. Joe Geesin
to mixing desk, for everyone’s safety. It worked, small boxed EMI logo above ‘Harvest’ on the in the main, with drummer Nick Mason label, and the removal of the label rim text admitting years later that the band had learnt a lot beginning ‘The Gramophone ...’. A about innovative recording techniques ‘on-the- subsequent Quadraphonic mix was issued cheap’ from Ron. That said, a misunderstanding in 1974, on the crest of the short-lived new between Ron and Nicky (as he was then) over the technology. Two editions see the quad logo either lead beat in the funky section, and a small chunk on the outside sleeve or inside the gatefold. of the 23-minute track, left the band and choir a The striking sleeve, with the Cow front and W beat out of sync. HOLY CO more cows on the back, was one of the first to This was only rectified for the recent Chelsea feature no mention of band or album title, Pink Floyd and the making of Atom Heart Mother. Joe Geesin celebrates the performances, with the erroneous segment played although some reissues and international editions band’s most controversial album. twice; correctly (by the record) out of step and added this in a variety of fonts. The opening incorrectly (or as intended) in step. Add to that gatefold artwork was, where present, always black two new cello parts and the work extended past and white. The Hipgnosis designed sleeve features ink Floyd’s 1970 album Atom Heart by Matt Johns, editor of Brain Damage (www. was ‘The Amazing Pudding’.