DOCSLIB.ORG

Allegro Con Brio

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

§& **Jfl , BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF ^ Music Director j^ffH ( BERKSHIRE FESTIVAL 1963 %Jan Q)liburn There are many Red Seal recordings which reveal the distinctiveness of Van Cliburn's style and his dazzling technique. But perhaps none reveal his virtuosity as brilliantly as these two albums: his recent recording of the Rachmaninoff "Concerto No. 2," and his commanding performance of U Brahms' B Flat Concerto. " Both albums are in Living Stereo, Monaural Hi-Fi and on Tape. fctAYlCTQft J4^uj BRAHMS CONCERTO Ho. 2 VAN CL1BURN/FR1TZ REINER VICTOR RCATMKIS1 (g) THE MOST TRUSTED NAME IN SOUND fy Boston Symphony Orchestra ERICH LEINSDORF, Music Director RICHARD Burgin, Associate Conductor Festival, ig6~* Berkshire Season > TWENTY-SIXTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS EIGHTH WEEK Concert Bulletin, ivith historical and descriptive notes by John N. Burk Copyright, 1963 by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks Richard C. Paine Abram Berkowitz E. Morton Jennings, Jr. Sidney R. Rabb Theodore P. Ferris Henry A. Laughlin Charles FI. Stockton Francis W. FIatch John T. Noonan John L. Thorndike Harold D. Hodgkinson Mrs. James H. Perkins Raymond S. Wilkins CD. Jackson ( Trustees Emeritus Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Tanglewood Advisory Committee Alan J. Blau Henry W. Dwight George E. Mole Lenges Bull George W. Edman Whitney S. Stoddard Robert T. Capeless Lawrence K. Miller Jesse L. Thomason Robert K. VVheelee H. George Wilde Chairmen of the Boards of Selectmen (Ex Officio): Stockbridge, Robert Williams Lenox, William T. McCormack Lee, William O'Brien Thomas D. Perry, Jr., Manager Norman S. Shirk, Assistant Manager James J. Brosnahan, Business Administrator Rosario Mazzeo, Personnel Manager — 3 — II n HOW MUCH DOES A CADILLAC COST? Take a guess — and then check it with your authorized Cadillac dealer. Odds are you 11 have guessed too high —for a Cadillac can be remarkably modest in cost. And this is one year you ought to be sure — for the 1963 "car of cars" is simply too beautiful and too fine to miss because of a misunderstanding about price. Better pay your authorized Cadillac dealer a visit soon — and learn firsthand why more motorists than ever have moved up to the Cadillac car this year. What are you doing tomorrow? VISIT YOUR LOCAL AUTHORIZED CADILLAC DEALER BOSTON SYMPHONY ORCHESTRA Friday Evening, August 23, at 8:00 ERICH LEINSDORF, Conductor WAGNER •(•Introduction to Act III, "Lohengrin" WAGNER Excerpts from "Parsifal" Prelude to Act I {•Transformation Scene, Act I fPrelude to Act II fPrelude, Good Friday Music, and Finale, Act III Intermission # BEETHOVEN Symphony No. 5, in C minor, Op. 61 I. Allegro con brio II. Andante con moto III. Allegro; Trio IV. Allegro t First performance at the Festival concerts BALDWIN PIANO *RCA VICTOR RECORDS 5 — L Program Notes Friday Evening, August 23 INTRODUCTION TO ACT III, "LOHENGRIN" By Richard Wagner Born in Leipzig, May 22, 1813; died in Venice, February 13, 1883 In March of 1848, Wagner put the last touches upon his Lohengrin, and in May of that year his political activities resulted in his exile from Germany. He therefore had no direct supervision of the early productions of the work, nor did he hear it until May 15, 1861, in Vienna, following his pardon and return. Lohengrin had its first performance through the ministering zeal of his friend Liszt on August 28, 1850, with such forces, scarcely adequate, as the court at Weimar permitted. It found favor, and after a few years of managerial hesitation, went the rounds of the principal opera houses of Germany and Austria. The introduction to the Third Act is a joyful celebration of the marriage of Lohengrin and Elsa. The brilliant music is to lead into the wedding chorus as the curtain rises. CARNEGIE HALL EASTMAN THEAJJES ER .. THE SUN»M » nter Vtf .. concerts. itl the de MOS< •«« ^concerts W^XSconcerts an' fall NORTI at classical^con^ and £ ranks EVEH^VV nis tne Piano """""J - V EMY RAVINIA PA] LEWISOHN mKkINLEY (KU/Jl KIEL Al PALAIS vv H O LY|v QUD f 6 O | M. STEINERT & SONS 162 boylston st. boston • Worcester, Springfield — 6 — EXCERPTS FROM "PARSIFAL" By Richard Wagner Born in Leipzig, May 22, 1813; died in Venice, February 13, 1883 The libretto for "Parsifal" was completed in 1877, the first draft of the score in the spring of 1879, and the full orchestration in January 1882. The first performance was at Bayreuth, July 26, 1882, but the Prelude was performed in December 1878. Prelude The prelude is the preparation to enter the sacred boundaries of Montsal- vat, upon a mountain of medieval Spain, where a group of Knights are sworn to the keeping of the Holy Grail. Wagner, drafting an explanation of the prelude for a performance before King Ludwig II of Bavaria at Munich in 1880, gave it a triple heading: "Love—Faith: Hope?" The theme of "Love" is the mystic music of the Eucharist, repeated over extended arpeggios. It is linked with the liturgic "Dresden Amen," a cadence of ascending sixths. The theme of Faith appears as a stately and sonorous asseveration from the brass choirs. The development of the motive of the Eucharist gives poignant TIRED OF THE CITY GRIND? LOCATE IN THE BERKSHIRES WHERE YOU CAN MIX BUSINESS WITH PLEASURE-PROFITABLY Wouldn't it be nice to be at your office y 1 minutes after leaving your home? No subway hordes to buck. And year-round outdoor fun only minutes away. Anyway you look at it, you'll live better, feel better by locating your busi- ness here in the Berkshires permanently. We have skilled labor, industrial plant sites and shell buildings, educational facilities, accessibility to major markets and financiers eager to help solve your problem. Why not get full details now at the address below? Your inquiry will be handled confidentially and promptly. Berkshire. 44ilLs Conference, INCORPORATED 100 NORTH STREET. PITTSFIELD. MASS. PHONE HI 3-9186. AREA CODE 413 intimation of the agony of Amfortas. The mood is unresolved; it was with special intent that the composer wrote a question mark after the title "Hope." Transformation Scene (Act I) Gurnemanz, a Knight of the Grail, leads the wanderer Parsifal to the Temple where the Knights are about to hold one of their mystical Love Feasts. He secretly hopes that Parsifal may be the destined "guileless fool" t( f Der reine Tor"), who alone can redeem the suffering Amfortas from his wound by touching him with the lance that inflicted it. While they seem to walk toward the holy Temple, the scene changes: "The forest disappears; a door opens in rocky cliffs and conceals the two. They are then seen again in sloping passages which they appear to ascend. Long-sustained trombone notes softly swell; approaching peals of bells are heard.* At last they arrive at a mighty hall, which loses itself overhead in a high vaulted dome, whence the only light streams down. From the heights above the dome comes the increasing sound of chimes." * The four deep bell notes in. the grail scenes of Parsifal (C, G, A, E) are too low to have been produced by actual bells. The sounds were simulated at Bayreuth by a string instrument con- trived for the purpose ("Parsifal Klavier Instrument"') and reinforced by gongs and a bass tuba. Elsewhere (notably at the Metropolitan Opera House in New York) metal plates are used. A bell large enough to encompass the lowest note has never been cast. If it were it would weigh 600 tons, and when sounded would overpower the orchestra. This information has been fur- nished by the firm of Schulmerich Carillons, Inc. of Sellersville, Pennsylvania, which has met the problem by making for this Orchestra a set of electronic instruments which are struck by electro-magnets. Faint tones are amplified at will to the desired sonority. 'PLACE DES ARTS IN MONTREAL A DISTINGUISHED FESTIVAL TO CELEBRATE THE OPENING OF La Grande Salle SEPT. 21st/0CT. 5tti Music Director/ ZU BIN MEHTA SEPTEMBER 28th SEPTEMBER 21st Les Ephemeres / Musical / Le Theatre de Gala opening concert with Montreal Ouat'Sous. Symphony Orchestra SEPTEMBER 29th Conductor: Zubin MEHTA Royal Philharmonic Orchestra/ Commissioned work by Jean Papineau- Georges PRETRE Couture / Conductor: Wilfrid PELLETIER / SEPTEMBER 30th Beethoven's IXth .Symphony / Conductor: Verdi: OTELLO Zubin MEHTA OCTOBER 1st Marshall /. Forrester / Simoneau / Bell Boston Symphony Orchestra / SEPTEMBER 23rd Erich LEINSDORF Verdi: OTELLO / Conductor: Zubin OCTOBER 2nd MEHTA Donizetti: LUCIA Dl LAMMERMOOR Kabaivanska / Chookasiah / Vickers / Conductor: Richard BONYNGE Gobbi I Rouleau / Lanigan / Pellerin / Sutherland / Golden / Turp / Rouleau Corbeil Savoie / Pellerin SEPTEMBER 24th OCTOBER 3rd Operetta Les Grands Ballets Canadiens Hightower Villella SEPTEMBER 25th / OCTOBER 4th Montreal Symphony Orchestra / Donizetti: LUCIA Dl LAMMERMOOR Charles MUNCH / Rudolf SERKIN 5th SEPTEMBER 26th OCTOBER Verdi: Verdi: OTELLO REQUIEM Montreal Symphony Orchestra / SEPTEMBER 27th Conductor: Zubin MEHTA Operetta Stratas / Chookasian / Verreau / Rouleau for further details write to La Place des Arts, Montreal 18, Canada. — 8 — Prelude to Act 11 The Prelude is based upon the motives of Klingsor, the wicked magician who has turned against the Knights, and of Kundry, who is in his power. Prelude, Good Friday Spell and Finale, Act 111 The excerpts from the Third Act include the brief Prelude, the Good Friday Spell which leads into the final scene. This is the second transforma- tion scene. It is the celebration of the Eucharist, where Parsifal redeems Amfortas by healing his wound. The choral portion is omitted in this closing scene. SYMPHONY NO. 5, IN C MINOR, Op. 61 By Ludwig van Beethoven Born in Bonn, December 16(?), 1770; died in Vienna, March 26, 1827 The Fifth Symphony was completed near the end of the year 1807, and first per- formed at the Theater an der Wien, Vienna, December 22, 1808, Beethoven directing.
Recommended publications
  • Prokofiev: Reflections on an Anniversary, and a Plea for a New

    Prokofiev: Reflections on an Anniversary, and a Plea for a New

    ИМТИ №16, 2017 Ключевые слова Прокофьев, критическое издание собрания сочинений, «Ромео и Джульетта», «Золушка», «Каменный цветок», «Вещи в себе», Восьмая соната для фортепиано, Янкелевич, Магритт, Кржижановский. Саймон Моррисон Прокофьев: размышления в связи с годовщиной и обоснование необходимости нового критического издания собрания сочинений Key Words Prokofiev, critical edition, Romeo and Juliet, Cinderella, The Stone Flower, Things in Themselves, Eighth Piano Sonata, Jankélévitch, Magritte, Krzhizhanovsky. Simon Morrison Prokofiev: Reflections on an Anniversary, And A Plea for a New Аннотация В настоящей статье рассматривается влияние цензуры на позднее Critical Edition советское творчество Прокофьева. В первой половине статьи речь идет об изменениях, которые Прокофьеву пришлось внести в свои балеты советского периода. Во второй половине я рассматриваю его малоизвестные, созданные еще до переезда в СССР «Вещи Abstract в себе» и показываю, какие общие выводы позволяют сделать This article looks at how censorship affected Prokofiev’s later Soviet эти две фортепианные пьесы относительно творческих уста- works and in certain instances concealed his creative intentions. In новок композитора. В этом контексте я обращаюсь также к его the first half I discuss the changes imposed on his three Soviet ballets; Восьмой фортепианной сонате. По моему убеждению, Прокофьев in the second half I consider his little-known, pre-Soviet Things in мыслил свою музыку как абстрактное, «чистое» искусство даже Themselves and what these two piano pieces reveal about his creative в тех случаях, когда связывал ее со словом и хореографией. Новое outlook in general. I also address his Eighth Piano Sonata in this критическое издание сочинений Прокофьева должно очистить context. Prokofiev, I argue, thought of his music as abstract, pure, even его творчество от наслоений, обусловленных цензурой, и выя- when he attached it to words and choreographies.
  • Boston Symphony Orchestra Concert Programs, Season 96, 1976

    Boston Symphony Orchestra Concert Programs, Season 96, 1976

    ORCHESTRA © 1976 New England Mutual Life Insurance Company. Boston. Subsidiary: NEL Equity Services Corporation, mutual funds; Affiliate: Loomis, Sayles & Company. Inc., investment counselors "MyNewEngland Life Agency? Downing&Desautels,ofcourseAVhy?" Because Downing & Desautels know the ropes so well, especially in the areas of pensions, estate planning and mutual funds. To be on the safe side, call them at 542-0553 in Boston. BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA A '•: Music Director -^%) Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety-Sixth Season 1976-77 The Trustees of the Boston Symphony Orchestra Inc Talcott M. Banks President Philip K. Allen Sidney Stoneman John L. Thorndike Vice-President Vice-President Treasurer Vernon R. Alden Mrs. Harris Fahnestock John T. Noonan Allen G. Barry Harold D. Hodgkinson Mrs. James H. Perkins Mrs. John M. Bradley David O. Ives Irving W. Rabb Richard P. Chapman E. Morton Jennings, Jr. Paul C. Reardon Abram T. Collier Edward M. Kennedy David Rockefeller Jr. Nelson J. Darling, Jr. Edward G. Murray Mrs. George Lee Sargent Archie C. Epps III Albert L. Nickerson John Hoyt Stookey Trustee Emeritus Henry A. Laughlin Administration of the Boston Symphony Orchestra Thomas D. Perry, Jr. Thomas W. Morris Executive Director Manager Gideon Toeplitz Daniel R. Gustin Assistant Manager Assistant Manager Joseph M. Hobbs Dinah Daniels Director of Development Director of Promotion Richard C. White Anita R. Kurland Niklaus Wyss Assistant to the Manager Administrator of Youth Activities Advisor for the Music Director Donald W. Mackenzie James F. Kiley Operations Manager, Symphony Hall Operations Manager, Tanglewood Michael Steinberg Director of Publications Programs copyright © 1976 Boston Symphony Orchestra Inc.
  • Pathetique Symphony New York Philharmonic/Bernstein Columbia

    Pathetique Symphony New York Philharmonic/Bernstein Columbia

    Title Artist Label Tchaikovsky: Pathetique Symphony New York Philharmonic/Bernstein Columbia MS 6689 Prokofiev: Two Sonatas for Violin and Piano Wilkomirska and Schein Connoiseur CS 2016 Acadie and Flood by Oliver and Allbritton Monroe Symphony/Worthington United Sound 6290 Everything You Always Wanted to Hear on the Moog Kazdin and Shepard Columbia M 30383 Avant Garde Piano various Candide CE 31015 Dance Music of the Renaissance and Baroque various MHS OR 352 Dance Music of the Renaissance and Baroque various MHS OR 353 Claude Debussy Melodies Gerard Souzay/Dalton Baldwin EMI C 065 12049 Honegger: Le Roi David (2 records) various Vanguard VSD 2117/18 Beginnings: A Praise Concert by Buryl Red & Ragan Courtney various Triangle TR 107 Ravel: Quartet in F Major/ Debussy: Quartet in G minor Budapest String Quartet Columbia MS 6015 Jazz Guitar Bach Andre Benichou Nonsuch H 71069 Mozart: Four Sonatas for Piano and Violin George Szell/Rafael Druian Columbia MS 7064 MOZART: Symphony #34 / SCHUBERT: Symphony #3 Berlin Philharmonic/Markevitch Dacca DL 9810 Mozart's Greatest Hits various Columbia MS 7507 Mozart: The 2 Cassations Collegium Musicum, Zurich Turnabout TV-S 34373 Mozart: The Four Horn Concertos Philadelphia Orchestra/Ormandy Mason Jones Columbia MS 6785 Footlifters - A Century of American Marches Gunther Schuller Columbia M 33513 William Schuman Symphony No. 3 / Symphony for Strings New York Philharmonic/Bernstein Columbia MS 7442 Beethoven: Symphony No. 9 in D minor Westminster Choir/various artists Columbia ML 5200 Tchaikovsky: Symphony No. 6 (Pathetique) Philadelphia Orchestra/Ormandy Columbia ML 4544 Tchaikovsky: Symphony No. 5 Cleveland Orchestra/Rodzinski Columbia ML 4052 Haydn: Symphony No 104 / Mendelssohn: Symphony No 4 New York Philharmonic/Bernstein Columbia ML 5349 Porgy and Bess Symphonic Picture / Spirituals Minneapolis Symphony/Dorati Mercury MG 50016 Beethoven: Symphony No 4 and Symphony No.
  • Commonwealth of Massachusetts Department of Telecommunications and Cable

    Commonwealth of Massachusetts Department of Telecommunications and Cable

    COMMONWEALTH OF MASSACHUSETTS DEPARTMENT OF TELECOMMUNICATIONS AND CABLE ) In re Verizon Service Quality in Westem Massachusetts ) D.T.C. 09-1 ) SETTLEMENT AGREEMENT THIS SETTLEMENT AGREEMENT ("Agreement") is entered into this C- day of November, 2010, by and among the Office of the Attorney General of Massachusetts ("Attomey General"), Verizon New England Inc., d/b/a Verizon Massachusetts ("Verizon MA"), Local 2324, International Brotherhood of Electrical Workers, AFL-CIO ("Local 2324") and the Towns of Hancock, Egremont and Leverett (the "Parties"). WHEREAS, Verizon MA is an incumbent local exchange carrier in the area served by the 413 area code, also known as LATA 126 ("Westem Massachusetts"); WHEREAS, on June 1, 2009 the Massachusetts Department of Telecommunications and Cable ("Departmenf) opened the above-captioned proceeding ("Proceeding") as an investigation regarding the reasonableness of Verizon Massachusetts' telephone service quality in Western Massachusetts, pursuant to G.L. c. 159, § 16; WHEREAS, the Department and the Parties conducted extensive, foiTnal discovery in the Proceeding, and the Department held evidentiary hearings in Northampton and Boston in which the Parties submitted extensive testimony and supporting exhibits. WHEREAS, the Parties have raised competing and disputed claims with regard to Verizon MA's service quality in Westem Massachusetts but wish to resolve those matters on mutually agreeable terms, and without establishing any new precedent or principle applicable to any other proceedings; WHEREAS, the Parties have agreed that a negotiated resolution is in the public interest since it will provide consumer benefits; and, WHEREAS, the Parties have conducted lengthy negotiations and have reached an agreement intended to ensure that Verizon's service quality in Westem Massachusetts is just, reasonable, safe, adequate and proper under G.L.
  • UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C

    UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C

    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K [X] ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2007 [ ] TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from _________ to __________ Commission File Number: 0-58514 BERKSHIRE HILLS BANCORP, INC. (Exact name of registrant as specified in its charter) Delaware 04-3510455 (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) 24 North Street, Pittsfield, Massachusetts 01201 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (413) 443-5601 Securities registered pursuant to Section 12(b) of the Act: Title of each class Name of Exchange on which registered Common stock, par value $0.01 per share NASDAQ Stock Market LLC Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes [ ] No [X] Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes [ ] No [X] Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
  • 07 – Spinning the Record

    07 – Spinning the Record

    VI. THE STEREO ERA In 1954, a timid and uncertain record industry took the plunge to begin investing heav- ily in stereophonic sound. They were not timid and uncertain because they didn’t know if their system would work – as we have seen, they had already been experimenting with and working the kinks out of stereo sound since 1932 – but because they still weren’t sure how to make a home entertainment system that could play a stereo record. Nevertheless, they all had their various equipment in place, and so that year they began tentatively to make recordings using the new medium. RCA started, gingerly, with “alternate” stereo tapes of monophonic recording sessions. Unfortunately, since they were still uncertain how the results would sound on home audio, they often didn’t mark and/or didn’t file the alternate stereo takes properly. As a result, the stereo versions of Charles Munch’s first stereo recordings – Berlioz’ “Roméo et Juliette” and “Symphonie Fanastique” – disappeared while others, such as Fritz Reiner’s first stereo re- cordings (Strauss’ “Also Sprach Zarathustra” and the Brahms Piano Concerto No. 1 with Ar- thur Rubinstein) disappeared for 20 years. Oddly enough, their prize possession, Toscanini, was not recorded in stereo until his very last NBC Symphony performance, at which he suf- fered a mental lapse while conducting. None of the performances captured on that date were even worth preserving, let alone issuing, and so posterity lost an opportunity to hear his last half-season with NBC in the excellent sound his artistry deserved. Columbia was even less willing to pursue stereo.
  • 1 Program Notes MONTANA CHAMBER MUSIC SOCIETY

    1 Program Notes MONTANA CHAMBER MUSIC SOCIETY

    Program Notes MONTANA CHAMBER MUSIC SOCIETY October 30, 2015, 7:30pm Reynolds Recital Hall, MSU Bozeman, 7:30pm MUIR STRING QUARTET Peter Zazofsky, violin Lucia Lin, violin Steven Ansell, viola Michael Reynolds, cello with guest Michele Levin, piano Quartet for Strings in C Minor, Quartettsatz, D. 703 (1820) FRANZ SCHUBERT [1797-1828] [Duration: ca. 10 minutes] "Picture to yourself," he wrote to a friend at this time, "a man whose health can never be reestablished, who from sheer despair makes matters worse instead of better; picture to yourself, I say, a man whose most brilliant hopes have come to nothing, to whom proffered love and friendship are but anguish, whose enthusiasm for the beautiful — an inspired feeling, at least— threatens to vanquish entirely; and then ask yourself if such a condition does not represent a miserable and unhappy man.... Each night, when I go to sleep, I hope never again to waken, and every morning reopens the wounds of yesterday." [Schubert, 1819] Schubert was extremely self-critical, leaving an unusually large number of incomplete works behind. The most celebrated is the Unfinished Symphony, however, many fragments survive of abandoned string quartets. Among these is the Quartettsatz ("Quartet Movement"), written just before Schubert turned 24, the only one to have entered the standard repertoire. When Brahms was working on the first scholarly edition of Schubert's music, he found, in the manuscript score of the Quartettsatz, the sketch (about 40 measures) for a second movement Andante in A-flat; apparently Schubert intended to write a four-movement work, though this movement is independently convincing and complete.
  • Mahler's Song of the Earth

    Mahler's Song of the Earth

    SEASON 2020-2021 Mahler’s Song of the Earth May 27, 2021 Jessica GriffinJessica SEASON 2020-2021 The Philadelphia Orchestra Thursday, May 27, at 8:00 On the Digital Stage Yannick Nézet-Séguin Conductor Michelle DeYoung Mezzo-soprano Russell Thomas Tenor Mahler/arr. Schoenberg and Riehn Das Lied von der Erde I. Das Trinklied von Jammer der Erde II. Der Einsame im Herbst III. Von der Jugend IV. Von der Schönheit V. Der Trunkene im Frühling VI. Der Abschied First Philadelphia Orchestra performance of this version This program runs approximately 1 hour and will be performed without an intermission. This concert is part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. Our World Lead support for the Digital Stage is provided by: Claudia and Richard Balderston Elaine W. Camarda and A. Morris Williams, Jr. The CHG Charitable Trust Innisfree Foundation Gretchen and M. Roy Jackson Neal W. Krouse John H. McFadden and Lisa D. Kabnick The Andrew W. Mellon Foundation Leslie A. Miller and Richard B. Worley Ralph W. Muller and Beth B. Johnston Neubauer Family Foundation William Penn Foundation Peter and Mari Shaw Dr. and Mrs. Joseph B. Townsend Waterman Trust Constance and Sankey Williams Wyncote Foundation SEASON 2020-2021 The Philadelphia Orchestra Yannick Nézet-Séguin Music Director Walter and Leonore Annenberg Chair Nathalie Stutzmann Principal Guest Conductor Designate Gabriela Lena Frank Composer-in-Residence Erina Yashima Assistant Conductor Lina Gonzalez-Granados Conducting Fellow Frederick R.
  • Teacher Notes on Russian Music and Composers Prokofiev Gave up His Popularity and Wrote Music to Please Stalin. He Wrote Music

    Teacher Notes on Russian Music and Composers Prokofiev Gave up His Popularity and Wrote Music to Please Stalin. He Wrote Music

    Teacher Notes on Russian Music and Composers x Prokofiev gave up his popularity and wrote music to please Stalin. He wrote music to please the government. x Stravinsky is known as the great inventor of Russian music. x The 19th century was a time of great musical achievement in Russia. This was the time period in which “The Five” became known. They were: Rimsky-Korsakov (most influential, 1844-1908) Borodin Mussorgsky Cui Balakirev x Tchaikovsky (1840-’93) was not know as one of “The Five”. x Near the end of the Stalinist Period Prokofiev and Shostakovich produced music so peasants could listen to it as they worked. x During the 17th century, Russian music consisted of sacred vocal music or folk type songs. x Peter the Great liked military music (such as the drums). He liked trumpet music, church bells and simple Polish music. He did not like French or Italian music. Nor did Peter the Great like opera. Notes Compiled by Carol Mohrlock 90 Igor Fyodorovich Stravinsky (1882-1971) I gor Stravinsky was born on June 17, 1882, in Oranienbaum, near St. Petersburg, Russia, he died on April 6, 1971, in New York City H e was Russian-born composer particularly renowned for such ballet scores as The Firebird (performed 1910), Petrushka (1911), The Rite of Spring (1913), and Orpheus (1947). The Russian period S travinsky's father, Fyodor Ignatyevich Stravinsky, was a bass singer of great distinction, who had made a successful operatic career for himself, first at Kiev and later in St. Petersburg. Igor was the third of a family of four boys.
  • May Festival

    May Festival

    1960 Eighty-seco nd Season 1961 UNIVERSITY MUSICAL SOCIETY THE UNIVERSITY OF MICHIGAN Charles A. Sink, President Gail W. Rector, Executive Director Lester McCoy, Conductor Third Concert Complete Series 332 1 Sixty-eighth Annual MAY FESTIVAL THE PHILADELPHIA ORCHESTRA WILLIAM SMITH, Assistant Conductor AARON COPLAND, Guest Conductor SOLOISTS ANSHEL BRUSILOW, Violinist LORNE MUNROE, Violoncellist SATURDAY AFTERNOON, MAY 6, 1961, AT 2 :30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Overture to Colas Bl'eugnon KABALEVSKY Orchestral Variations COPLAND Conducted by the composer Concerto in A minor, for Violin and Violoncello, Op. 102 BRAHMS Allegro Andante Vivace non tl'OPPO ANSHEL BRUSILOW and LORNE MUNROE IN TERMISSION Suite from The Tendel' Land COPLAND Introduction and Love Music Party Scene Finale: The Promise of Living Conducted by the composer *Suite No.2 from the Ballet, Daphnis and Chloe RAVEL Daybreak Pantomime General Dance *C 011l1nbia Records The Stein way is the official piano 0/ the University Mllsical Society. The Baldwin. Piano is the officia l piano of the Philadelphia Orchestra. A R S LON G A V I T A BREVIS 1961 - UNIVERSITY MUSICAL SOCIETY CONCERTS - 1962 Choral Union Series GEORGE LONDON, Bass Wednesday, October 4 THE ROGER WAGNER CHORALE Thursday, October 19 BOSTON SYMPHONY ORCHESTRA 2:30, Sunday, October 22 CHARLES MUNCH, Conductor BERLIN PHILHARMONIC ORCHESTRA Friday, November 3 HERBERT VON KARAJAN, Conductor *BAYANIHAN (Philippine Songs and Dances) Monday, November 6 YEHUDI MENUHIN, Violinist 2:30, Sunday, November 12 GALIN A VISHNEVSICAYA, Soprano . Tuesday, November 21 EMIL GILELS, Pianist . Tuesday, February 13 MINNEAPOLIS SYMPHONY ORCHESTRA 2:30, Sunday, March 4 STANISLAW SKROWACZEWSKI, Conductor *AMERICAN BALLET THEATRE Saturday, March 24 Season Tickets: $20.00-$17.00-$15.00-$12.00-$10.00 Extra Series *MAZOWSZE (Polish Songs and Dances) Tuesday, October 24 THE CLEVELAND ORCHESTRA Thursday, November 16 GEORGE SZELL, Conductor RUDOLF SERICIN, Pianist .
  • National Register of Historic Places Inventory -- Nomination Form

    National Register of Historic Places Inventory -- Nomination Form

    Form No. 10-300 (Rev. 10-74) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOWTO COMPLETE NATIONAL REGISTER FORMS ____________TYPE ALL ENTRIES - COMPLETE APPLICABLE SECTIONS______ INAME HISTORIC Hancock Shaker Village__________________________________ AND/ORCOMMON Hancock Shaker Village STREET & NUMBER Lebanon Mountain Road ("U.S. Route 201 —NOT FOR PUBLICATION CITY, TOWN CONGRESSIONAL DISTRICT Hancock/Pittsfield _. VICINITY OF 1st STATE CODE COUNTY CODE Massachusetts 025 Berkshire 003 QCLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE X.DISTRICT _PUBLIC -^OCCUPIED X_AGRICULTURE -XMUSEUM __BUILDING(S) X.RRIVATE —UNOCCUPIED —COMMERCIAL —PARK _ STRUCTURE __BOTH XXWORK IN PROGRESS ^EDUCATIONAL —PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT _JN PROCESS XXXYES . RESTRICTED —GOVERNMENT —SCIENTIFIC _BEING CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION _ NO —MILITARY —OTHER: OWNER OF PROPERTY NAME Shaker Community, Incorporated fprincipal owner) STREET& NUMBER P.O. Box 898 CITY. TOWN STATE Pittsfield VICINITY OF Mas s achus e 1.1. LOCATION OF LEGAL DESCRIPTION COURTHOUSE, REGISTRY OF DEEoaETc. Berkshire County Registry of Deeds, Middle District STREETS NUMBER CITY, TOWN STATE Pittsfield Massachusetts REPRESENTATION IN EXISTING SURVEYS TITLE Historic American Buildings Survey DATE 1931, 1959, 1945, 1960, 1962 ^FEDERAL _STATE _COUNTY ._LOCAL DEPOSITORY FOR SURVEY RECORDS Library of Congress, Division of Prints and Photographs CITY, TOWN STATE Washington DC DESCRIPTION CONDITION CHECK ONE CHECK ONE X_EXCELLENT _DETERIORATED _UNALTERED .^ORIGINAL SITE _GOOD _RUINS XXALTERED - restored —MOVED DATE_______ _FAIR _UNEXPOSED DESCRIBETHE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE Hancock Shaker Village is located on a 1,000-acre tract of land extending north and south of Lebanon Mountain Road (U.S.
  • Eugene Ormandy Commercial Sound Recordings Ms

    Eugene Ormandy Commercial Sound Recordings Ms

    Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985