1 Track One Welcome to This Introduction to Three Sisters by Anton Chekhov in a Version by Cordelia Lynn. It Has Been Directed F
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Marketplace Telephone: 01269 592781
southwalesguardian.co.uk Wednesday, December 2, 2015 33 Your Local Classified Marketplace Telephone: 01269 592781 Follow us Bicycles & Clothing, Shoes Farming & Hobbies & Photographic Follow us Accessories & Accessories Agricultural Pastimes & Camcorders Follow us Agriculture BOYS cycle age 8-10. 16 JOANNA PAGE winter coat, HOYA PRO 1 digital uv filter, Follow us gears v.g.c. £20. 07583311098 camel colour fur trimmed collar MEADOW HAY SPARE 100G thread size 67mm, new unused which can be removed, only DOUBLE KNIT and still packaged £25. 01269 Follow usFollow us Camping & Caravan worn once size 24 - £40. forsale. Small 850414 Black raincoat Bon Marche WOOL, pink, Follow us Equipment good condition only worn few bales available Telephones Business times size 24 £20 ono. crimson, lilac or Regatta pink raincoat size 24 & Mobiles Follow us Follow us Retail VANGOAIR good cond., £20. 07914150896 for collection or cream Follow us SONY Experia E1 as new £30. Buy & Sell AWNING - delivery. 90p ball. Samsung galaxy Young 2 as Follow us Braemar 420, 4.2 Coal & Fuel new £30. 07800530422 ollow us 07720347977 01269 595538 Follow us Family Notices mtrs x 2.5mtrs, SKIS and ski boots Atomic Tools Follow us Follow us Articles For lightweightand 160cm long carver skis and Furniture & Nordica size 8-8.5 boots in Sale easytoinflate, good to very good condition Follow us Furnishings SGB BETTY BOOP doll 12.5'' tall in only used 7 £139 ono. 01269 826598 after pink dress holding a scissors 6.30pm YOUNGMANS Holiday and comb ideal for hairdresser times. New £600 MAGNIFICENT Follow us - £15. 01269 850277 loft ladder. -
Hereas Birth, Love and Even Bereavement Are Widely Discussed, Death Itself Has Become Increasingly Taboo
Introduction It may seem odd that, after half a lifetime of keeping company with the dying, anyone should wish to spend even more time immersed in telling their stories. It may even seem presumptuous to offer those stories in the hope that readers will choose to accompany dying strangers across the pages. And yet that is what this book sets out to do. Throughout my career in medicine, it has been clear to me that we bring our own ideas and expectations with us in any encounter with the Big Questions. Whether that is birth, death, love, loss or transformation, everyone frames their experience through the lens of what they already know. The trouble is, whereas birth, love and even bereavement are widely discussed, death itself has become increasingly taboo. Not knowing what to expect, people take their cues instead from vicarious experience: television, films, novels, social media and the news. These sensationalised yet simultaneously trivialised versions of dying and death have replaced what was once everyone’s common experience of observing the dying of people around them, of seeing death often enough to recognise its patterns, to become familiar with life lived well within the limits of decreasing vigour, and even to develop a familiarity with the sequences of the deathbed. That rich wisdom was lost in the second half of the twentieth century. Better healthcare, new treatments like antibiotics, kidney WithTheEndInMind_Final_Demy_20170824_547RR.indd 1 24/08/2017 08:55 2 With the End in Mind dialysis and early chemotherapy, better nutrition, immunisation programmes and other developments radically changed people’s experiences of illness and offered hope of cure, or at least post- ponement of dying, that was previously impossible. -
Cafang a Palinak: ‘David’ Begins and Ends with Pangpar Phunkhat
316 Dd D, d /di:/ n (pl D’s, d’s /di:z/) 1 Mirang (English) daffodil /{dFfEdI/ n tawba nei aire pian ih parmi cafang a palinak: ‘David’ begins and ends with pangpar phunkhat. a ‘D’/D. 2 D (music) C major scale ih a panihnak. daft /dA:ft; US dFft/ adj (-er, -est) (infml) a aa-mi, 3 D cathiam hmat (a niam bik lam). fiim lo: Don’t’ be so daft! He’s gone a bit daft D abbr (US politics) Democrat; Democratic. Cf R (in the head), ie He has become slightly insane. 3. daftness n [U]. D (also d) symb Roman nambat 500. Cf D-DAY. dagger /{dFGER/ n 1 kaphnih hriam thunkawng D d abbr 1 (in former British currency) a hlaan ih naam. 2 canamtu ih hmanmi hminsinnak (†). British tangka penny; pennies or pence (Latin 3 (idm) at daggers drawn (with sb) rem lo, raal denarius; denarii): a 2d stamp 6d each. Cf P aw: She’s at daggers drawn with her colleagues. 2. 2 thi: Emily Jane Clifton d 1865. Cf B. He and his partner are at daggers drawn. look -d -ED. daggers at sb thinheng zetin mi zoh: He looked DA abbr 1 deposit account. 2 (US) District daggers at me when I told him to work harder. Cf Attorney. CLOAK-AND-DAGGER (CLOAK). dab1 /dFb/ v (-bb-) 1 [Tn] diim te’n nam: She dago /{deIGEU/ n (pl ~s) (? sl offensive) nautatnak dabbed her eyes (with a tissue). 2 [Ipr] ~ at sth ih hmanmi qong, ramdang mi – hmai dum nawn tuam fek (hmaa): She dabbed at the cut with pawl (Italian, Spaniard, lole, Portuguese.) cotton wool. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
ORDER 1999 Appr
t Statutory Document No. 559/99 THE SOCIAL SECURITY ACT 1982 THE SOCIAL SECURITY LEGISLATION (APPLICATION) (NO.15) ORDER 1999 Approved by Tynwald 14`h December 1999 Coming into operation in accordance with Article 1 In exercise of the powers conferred on the Department of Health and Social Security by section 1 of the Social Security Act 1982(a), and of all other enabling powers, the following Order is hereby made:- Citation and commencement 1. This Order may be cited as the Social Security Legislation (Application) (No.15) Order 1999 and shall, subject to section 1(6) of the Social Security Act 1982, be deemed to have come into operation on the same date as the Social Security Legislation (Application) (No. 4) Regulations 1997(b). Interpretation 2. (1) Schedule 2 to the Social Security Legislation (Application) (No. 4) Order 1997 (which applied the Social Security Benefits Up-rating Order 1997(c) to the Island) shall be amended in accordance with the following paragraph. (a) 1982 c. 9; (b) SD492/97; (c) S.I. 1997/543. Price: £1.05 I (2) After Schedule 18 (jobseeker's allowance - housing costs) insert - "SCHEDULE 19 JOBSEEKER'S ALLOWANCE - APPLICABLE AMOUNTS FOR DOMESTIC ASSISTANCE GRANTS PAYABLE UNDER SCHEDULE 9 Provisions in Schedule 10 to the Jobseeker's Allowance Regulations as amended by this Order PART I Essential furniture and household equipment Column (1) Column (2) Item Amount Bed base (single) 40.00 Bed base (double) 65.00 Mattress (single) 47.00 Mattress (double) 81.00 Waterproof protective sheet 10.00 Cooker 125.00 Space-heating -
1 the Driver Mr Tahsin Cilekbileckli
F.html 07/12/2009 11:44 1 the driver Mr Tahsin Cilekbileckli Outward appearance Like Antonio Banderas in Interview with the Vampire, down to the long black hair. Neatly pressed London Underground uniform, except for the jacket, which is slung over the back of his chair. Unshaven, baggy-eyed. His Hush Puppy shoes are worn along one edge. Inside information A qualified [[136]] Turkish political scientist living in Britain with a British wife. He walks splay footedly because his feet were beaten while he was in prison. His name means Perfection With Steel Wrists. Turkish surnames are new this century, added under the rule of Ataturk -- Father Turk. Such names sound beautiful to them. What he is doing or thinking The train pulls out, Tahsin sighs with despair and exhaustion. Last night he argued with his two best friends about Islamic fundamentalism. Tunc teaches at the [[ftnt1]] School of Oriental and African Studies and is from an old Ottoman family. "There are only a million modern Turks, but we have all the power," Tunc said, heavy lidded with superiority. Tahsin's other friend Umut is a failed actor, drinking himself to death. "There would be no more wine," Umut complained. "Umut" means Hope. Tahsin lost his temper with both of them. Tahsin is from Marash, a town famous only for its rubbery ice cream. His mother and father are illiterate and faithful. "My modern son," sighs his father on the phone with pride when told Tahsin is writing a book on a computer. After all the other isms, Islam at least feels native. -
Safe Working on Glasshouse Roofs
HSE information sheet Safe working on glasshouse roofs Agriculture Sheet No 12 Introduction the authority to set standards at the workplace, should devise a safe system of work. It should: Although the hazards of working on glasshouse roofs appear obvious, every year serious injuries result from ● help those involved in the work understand the risks people falling through onto wires, hooks, staging or the and how to overcome them; ground, and from being cut by glass. ● describe safe working methods, including measures to protect other people, eg public or other workers; This information sheet gives guidance on the steps ● state the equipment needed and how it should be growers should take to reduce the risks, and by following used; it growers will help to ensure that they meet general ● detail the training and competences required; duties under the Health and Safety at Work etc Act ● explain the need to ensure the structure is free from 1974, and the provisions of the Management of Health obvious defects and has enough strength to support and Safety at Work Regulations 1999 and the equipment and workers, using information from Workplace (Health, Safety and Welfare) Regulations suppliers if necessary; 1992. It contains advice on: ● take account of the need for emergency or out of hours work, especially if lone working is foreseeable, ● physical precautions needed before accessing, and when proper arrangements for the lone worker’s working on, glasshouse roofs; safety should be made. ● the type of supervision and information required; Before beginning work ● selecting workers to carry out the work. Ensure that: It does not cover the precautions needed when erecting or demolishing glasshouses, nor those needed to protect ● everyone involved understands, and will follow, the against health risks when cleaning glass using acids etc. -
The Seagull Uncle Vanya Three Sisters the Cherry
UNCLE CHERRY THREEGULL or THE DOCTOR IS LATE © 2012, Joe Zarrow - [email protected] - http://www.joezarrow.com NOTES: This play is an adaptation of Chekhov's four major plays. It is designed to highlight the harmonies between the texts, their musical four-act structure, and Chekov's evolution over his writing career. All four scripts are performed at once; moments and lines that are horizontally aligned are very roughly simultaneous. All text is taken from public domain translations of the plays. The actor playing the DOCTOR is the same across all four plays. Same true for SERVANT. Other actors may or may not double, depending on the director's wishes. [Lights up. The DOCTOR, a handsome man, is alone onstage. He addresses the audience.] DOCTOR: How long have we known each other? Have I changed much since then? [A bell rings.] FIRST MOVEMENT: ARRIVING THE SEAGULL UNCLE VANYA THREE SISTERS THE CHERRY ORCHARD [outside, in front of a [in the yard of a [the sisters are in the [in the nursery] theater] country estate.] dining room] TREPLEV: The play [VANYA enters, will soon begin. yawning] [He sets up the OLGA: It's just a year [LUBOV enters with curtain,takes a flower since father died. her entourage.] and pulls off petals one LUBOV: The nursery! by one.] [NINA enters. [DOCTOR sits down ANYA: [to SERVANT] Awkward moment to read newspaper and Some coffee, quickly. when TREPLEV tries SERVANT: Light the ignore everyone.] to kiss NINA.] samovar! TREPLEV: Places! [DOCTOR exits to get samovar.] [The audience of DOCTOR: [enters [VARYA and ANYA sit characters comes to with samovar]Will together, have a [Military men come in watch TREPLEV's they be here long? hushed conversations. -
The Seagull/Uncle Vanya/Three Sisters/The Cherry
Online PDF Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), PDF Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen) Read, PDF Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen) Download, Free Download Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen) Download Free, Book Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen) Download, ebook Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen) Download, Full PDF Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), All Ebook Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), PDF and EPUB Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), PDF ePub Mobi Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), read PDF Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), book PDF Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), read online Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen) Anton Chekhov pdf, by Anton Chekhov #T #, Book pdf Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), from Anton Chekhov pdf Plays: The Seagull/Uncle Vanya/Three Sisters/The Cherry Orchard (Methuen), Anton Chekhov epub Plays: The Seagull/Uncle Vanya/Three -
Book 34.2 April 24.Indb
Gabrielle Roy and Chekhov’s “Strange Alchemy” Darlene Kelly St. Th omas More College, University of Saskatchewan Gabrielle Roy, French Canada’s grande dame of letters, won France’s prestigious Prix 189 Fémina for her novel Bonheur d’occasion (1945) and numerous awards at home, par- ticularly Quebec. By a strange twist of literary genealogy, however, she proved to be less inspired by the great French authors of Canada and France than she was by a Russian playwright and short-story writer who had died before she was born. Th e cosmopolitan Roy was open about her mentor: asked which literary work had most infl uenced her, she promptly identifi ed it as Anton Chekhov’s novella Th e Steppe, a story whose “charme secret” from childhood on had changed the way she perceived the world: “Longtemps, longtemps, cette lointaine lecture a pénétré mes pensées, m’a façonné, si je puis dire, une manière de voir, de regarder et de saisir le réel” (Roman canadien-français 303) (“For a long, long time this reading from my distant past had occupied my thoughts, had fashioned, if I may so put it, a way of seeing, of looking at and grasping what was real”).1 She later expressed confusion about just when this fashioning of her perceptions began. A Chekhovian motif that a critic had noted in her fi ction, for example, had its origins not in literature, she argued, but in certain expe- riences that predated her reading of the great Russian author. Her earlier statement that she had read Chekhov in childhood was now declared wrong. -
Week I. Chekhov on His Play
Unfortunately, Chekhov’s innovations were well received by neither directors nor theatergoers. Nor did they receive proper treatment from critics. Chekhov always insisted that he created cheerful, funny short stories and dramas, while critics labeled him a creator of dismal works: “Chekhov’s play makes a hard, if not to say, oppressive impression on the audience” (Sochineniia 13: 449; trans. John Holman); “Three Sisters appears to be a heavy stone on one’s soul” (13: 449; trans. John Holman); “I do not know another work that could ‘infect’ one with such a heavy, obsessive feeling” (13: 449; trans. John Holman). That Chekhov intended his work to be seen as a farce has not yet received a comprehensive evaluation. His first comedy, The Seagull, failed. And no wonder! Spectators who anticipated vaudevillian scenes became extremely angry with the dramatist for misleading them with the subtitle and for representing, instead, a depressing story that ends with the suicide of a main protagonist. The same fate had befallen The Cherry Orchard, a play that was planned to be a farce (as reflected in Chekhov’s letters to his wife, Olga Knipper). In 1901, he wrote to her: “The next play that I am going to write will definitely be funny, at least by its concept” (Sochineniia 13: 478). Critics accused Chekhov of lacking skill; they naturally did not see anything funny about the distressing plays that Chekhov called comedies. But what happened to Three Sisters was even worse. A struggle for the CNT: conservators and innovators. Just as any other innovator, Chekhov suffered for his pioneering changes of the comedic genre, which he unfortunately never discussed in a more logistical way. -
A Morning in the Life of a Slate
A MORNING IN THE LIFE OF A “LIVING ON THE PREMISES” SMALL U.K. ROOFING CONTRACTOR/TRADESMAN This article is not intended to be a factual minute by minute resume of events. It is, however, based on events that have happened to me. JOHN BALL • Illustrations by Len Ball I know there must be many proprietors or even employees of small At least the grey dawn is breaking. It is at this stage I notice a roofing and indeed many other building related businesses who I strange car in the yard and the employee who couldn’t get his car hope will understand and can identify with some of the types of started is showing two respectable looking gentlemen the three pal- problems that we can all encounter in our day to day businesses. lets of second-hand slates that some months ago, I bought off a The article is intended to be light hearted and amusing even if gypsy, who having completed the cash deal with me, shot off in an based on true situations. I hope the reader enjoys reading it as awful hurry. I really was rather apprehensive at the way he left look- much as I have enjoyed writing it. J.J. Ball ing over his shoulder. I was torn between pushing them into a dis- used quarry hole (fear of the law) or selling them off to another con- 7AM. on a winters morning. tractor at a vast profit. Looks like it’s too late for either now! The law Thank God it’s time to get up.